Is electoralism a dead end? Chris Cutrone interviewed by Doug Lain on Zero Books (audio and video recordings)

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A Democratic Party primary election day livestream interview with the contrarian Chris Cutrone from the Platypus Affiliated Society by Douglas Lain for Zero Books podcast will cover his new essay “Why Not Trump Again?”, the Bernie Sanders campaign, the coronavirus, and what is left of the Left 스미스 차트.

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Chris Cutrone

Chris Cutrone is a college educator, writer, and media artist, committed to critical thinking and artistic practice and the politics of social emancipation. ( . . . )

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Jobs and free stuff

Chris Cutrone

Platypus Review 124 | March 2020

THE CURRENT POLITICAL POLARIZATION in the U.S. is not Democrat vs. Republican or the minorities of race, gender and sexuality against straight white men: It is between the politics of free stuff vs epub 다운로드. the politics of jobs — demands for more free stuff vs. demands for more jobs.[1]

“Democratic socialist” candidate for Democratic Party nomination for President Bernie Sanders has responded to charges that he is actually a communist with the assertion that the U.S. is already socialist, but it is a socialism for billionaires. The kernel of truth in this is that there is already government subsidy and other kinds of support for capital Download the linux http file. The question is, why is this so? Corruption? Or rather is it actually in the interest of society? Of course it is the latter — the general interest of capitalist society, which both Parties serve (as best they can).

Karl Marx observed that the productive activities of general social cooperation are a “free gift to capital.” What did he mean? The social process of production is not at all reducible to the paid wage-labor of capitalist employees, but includes the activity of everyone in society 조영남 딜라일라. As Frankfurt School Director Max Horkheimer wrote, in “The little man and the philosophy of freedom,” “All those who work and even those who don’t, have a share in the creation of contemporary reality.”[2]

Whether in terms of Andrew Yang’s proposed “freedom dividend” of free money for all in a UBI or free public education and health care for all, the question is not who’s going to pay for it, but rather how can capital make use of it. These are not anti-capitalist demands but demands for the better functioning of capital. The question is, what are we going to do in our society with all the fruits of our production — with all our free stuff CartoonWars Gunner Bugpan? How can we make it benefit everyone? Is it just a matter of better shaving off more crumbs?

Yang proposes that the invaluable but currently unpaid labor of mothers, inventors and artists should be supported by society. Marx called this the communism of the principle of “from each according to ability, to each according to need” in a society in which the “freedom of each is the precondition for the freedom of all.” We already live in capitalism according to this principle, but capital fails to fulfill it Download excel table.

The Democrats propose to make capital fulfill its social responsibility; the Republicans think it already does so as best as possible, and any attempts at government intervention to make it do better no matter how well intentioned the reforms will actually be counterproductive. The result will be stagnation and lack of growth, undermining society along with capital. Without people working there can be no greater social benefits of production; without jobs there can be no free stuff 유튜브 영상 구간.

This is the essential difference in U.S. politics or really in capitalist politics everywhere: progressive capitalism vs. conservative capitalism. Not spendthrift vs. frugality or kindheartedness vs. cynicism or liberality vs mean-spiritedness, nor is it optimism vs. pessimism or idealism vs. realism Download Infinite Stratos. It is a division of labor in debate over advocating how to keep people working and how to distribute freely the products of their labor. It is not a difference in principle or one of honesty vs. deception: both sides are sincere — and both sides are self-deceiving.

Marx observed that the free gift to capital is the “general social intellect.” But that general social intellect has become the “automatic subject” of capital centos openjdk. How do we make it serve us, instead of us serving it? All politicians in capitalism want the same thing. The problem is that capitalist politics is not as intelligent as the society it represents. This is the true meaning of socialist politics — to realize the general social intellect — which today unfortunately is inevitably just a form of capitalist politics, whether by Sanders, Yang or Trump Download The Maneuver Gundam nt. They all want to better serve us — which means better serving capital. | P


[1] See my “Robots and sweatshops” as well as “Why not Trump again?,” Platypus Review 123 (February 2020); and “The end of the Gilded Age: Discontents of the Second Industrial Revolution today,” PR 102 (December 2017 – January 2018) and “The future of socialism: What kind of illness is capitalism?,” PR 105 (April 2018), available online at: <https://platypus1917.org/2020/02/01/robots-and-sweatshops/>, <https://platypus1917.org/2020/02/01/why-not-trump-again/>, <https://platypus1917.org/2017/12/02/end-gilded-age-discontents-second-industrial-revolution-today/> and <https://platypus1917.org/2018/04/01/the-future-of-socialism-what-kind-of-illness-is-capitalism/>.

[2] Horkheimer, Dawn & Decline: Notes 1926–31 and 1950–69 (New York: Seabury, 1978), 51 Cvx.

The American Revolution and the Left (audio recording)

Cutrone’s opening remarks begin at ~42:20: 

Nikole Hannah-Jones cancels 1776.

Nikole Hannah-Jones cancels 1776.

Chris Cutrone

Presented at a Platypus Affiliated Society public forum panel discussion with Norman Markowitz (CPUSA) and Bertell Ollman at Columbia University on February 22, 2020. 

“We should not fear the 20th century, for this worldwide revolution which we see all around us is part of the original American Revolution.” 

* * *

“I am delighted to come and visit. Behind the fact of [Fidel] Castro coming to this hotel, [Nikita] Khrushchev coming to Castro, there is another great traveler in the world, and that is the travel of a world revolution, a world in turmoil. I am delighted to come to Harlem and I think the whole world should come here and the whole world should recognize that we all live right next to each other, whether here in Harlem or on the other side of the globe 삼국지 10. We should be glad they came to the United States. We should not fear the 20th century, for this worldwide revolution which we see all around us is part of the original American Revolution.” 

— Senator John F. Kennedy, speaking at the Hotel Theresa in New York during his 1960 presidential election campaign, October 12, 1960  

ANY REVOLUTION IN THE UNITED STATES will express the desire to preserve, sustain and promote the further development of the original American Revolution. The future of socialism, not merely in North America but in the whole world, depends on the fate of the American Revolution. But the “Left” today denies this basic truth.

Marx called the United States Civil War the alarm bell tolling the time of world socialist revolution in the 19th century. That did not happen as he wanted, but the subsequent rise of the massive world-transforming force of American capitalism signaled — and still signals today — the task of socialism. 

My old comrades in the Spartacist League had a slogan, “Finish the Civil War!” It was vintage 1960s New Leftism in that it was about the Civil Rights Movement and overcoming de jure Jim Crow segregation as a legacy of failed Reconstruction Download linux wget. More than 50 years later, we can say that the task is more simply to complete the American Revolution. Former President John Quincy Adams (the son, not the father), speaking before the United States Supreme Court in the Amistad case advocating the freedom of slaves who rebelled, foresaw the future U.S. Civil War over the abolition of slavery and called it “the last battle of the American Revolution.” He did not foresee capitalism and its new tasks and future battles. 

The American Socialist Eugene Debs famously said that the 4th of July was a socialist holiday and that American Revolutionary figures such as Jefferson and Lincoln belonged to the struggle for socialism — and not to the capitalist political parties of Democrats and Republicans. Today, more than 100 years later, this remains no less true. 

Up to the 1960s New Left, the American and global Left and socialists and Communists all used to know this basic truth. — Indeed mainstream capitalist politics acknowledged this fact of the ongoing task of the American Revolution: Kennedy claimed the revolutionary heritage for the U.S Download Finney and Pub. against the Soviet Union; even Nixon in 1968 at the Republican National Convention before his election called for a “new American Revolution.” 

Today, Bernie Sanders and Trump call themselves not politicians but leaders of a movement; Sanders calls for a “political revolution” in the name of “democratic socialism.” What they mean of course is an electoral shift to support new policies. In 1992, when conceding to Bill Clinton’s electoral victory after 12 years of Republican rule, George Herbert Walker Bush (the father, not the son) said that the U.S. accomplishes through elections what other countries require civil wars. 

We are discussing the meaning of the American Revolution for the Left today because we face a general election later this year. 

Such elections for the President and Congress, which have stakes at a global and not merely national level, raise issues of the U.S. political system and its foundation in the American Revolution. The future of the American Revolution is at stake. 

In the recent Trump impeachment farce, there was at least the pantomime of conflict over the future of the American Republic: Was Trump a threat to the Republic 킹 오브 파이터즈? — Were the Democrats and their allies in the Deep State permanent bureaucracy? There has been an evident crisis of legitimacy of the political order.

Do the rather mild and moderate policy reforms Trump has been implementing and seeks to accomplish amount to a Constitutional crisis — threaten a civil war? Despite the overheated language of the Democrats, Trump’s confident and rather blasé attitude, and the matter-of-fact Constitutional arguments by his lawyers and Republican Senators and Congressmen seem appropriate — indeed unimpeachably correct. 

What about “fascism”? This favored word on the Left and even among Democrats speaks to the threat of civil war — extra-legal action and perhaps violence. There has been the so-called “resistance” — a term that Attorney General Barr said implied the danger of civil war and even revolution: he also said, in the same speech before the Federalist Society last year, that the U.S Download Windows 2012 r2. Presidency embodied the “perfected Whig ideal of executive authority” as envisioned by Locke and the English Glorious Revolution — that is, a revolutionary ideal of political authority.

Mao said to Nixon in China that one finds among the Left-wing followers of Marx actual fascists. He was contrite about the results of the Cultural Revolution and admitted its pathology. — Today’s Maoists and DSA Democratic “socialists” ought to listen and take heed. 

It is not a matter of wanting the revolution but rather of its actuality. 

The struggle for socialism will not be according to the fevered fantasies of today’s supposed “revolutionaries.” A socialist revolution will take place — if at all — on the basis of a mass desire to save society, not destroy it. Capitalism will appear as the threat to America, not socialism. 

The problem is the exaggerated rhetoric of mainstream politics today. It expresses a partial if distorted truth, that capitalism recurrently produces crises in society, over which political conflicts take place Download Imodio. We are in the midst of such a crisis now — expressed by the crisis of the major capitalist political parties symbolized by Trump and Sanders. 

It has happened before. The Great Depression brought a sea-change in American and indeed world politics: in the U.S., a change of the political party system through FDR’s New Deal Coalition overturned the more than 50-year post-Civil War and Reconstruction dominance of the Republican Party. The 1960s experienced a new crisis and change of politics with an upheaval among the Democrats and bringing forth not only the New Left but the New Right that triumphed 50 years after the New Deal. 50 years after the 1960s, today we are experiencing another change out of the crisis of the New Right — the crisis of the Reagan Coalition of neoliberalism and neoconservatism and of the culture wars that came out of the New Left and the crisis of American society that followed. 

The Democrats have desperately sought to stem the tide of Trumpian post-neoliberalism — and indeed against the swell of support for Bernie Sanders’s Democratic “socialism.” They have done so on the basis of their prior existing post-’60s neoliberal electoral coalition of wealthy progressives, ethno-cultural and/or “racial” minorities, liberally educated women and others, queers and what remains of organized labor Download safari youtube videos. Black Lives Matter, #MeToo and immigrant rights activists have protested not only against Trump, but have hounded Bernie and his Sandernistas, the much-maligned “Bernie Bros” and Millennial hipster straight white male Brocialists more generally — the “Squad” of Congressional Representatives AOC, Ilhan Omar, Rashida Tlaib and Ayanna Pressley notwithstanding.

Last year’s New York Times 1619 Project led by journalist Nikole Hannah-Jones — aimed at delegitimating Trump after the failure of the Russia collusion hoax, in what Editor Dean Baquet called the “shift from Russia to race” — took the occasion of marking the quart-centenary of the arrival of African slaves in the English colonies and explicitly sought to negate the American Revolutionary founding in 1776.

Trump’s Presidency seems to prove the invalidity of the American Revolution, and indeed has implied that its meaning was confined to privileged white males who must at all cost be cowed in the public sphere. It seems obvious that women, blacks and other minorities have no stake in and must disavow the American Revolution. The idea of a kind word being said about the American Revolutionaries — the Founding Fathers — nowadays seems importune if not simply a provocative offense and outrage — the Tory Alexander Hamilton’s musical fame under Obama notwithstanding big mouse cursor.

This is a sad commentary on our historical moment today. It speaks to the utter and complete destruction of the original historical Left, socialism and Marxism —the complete triumph of counterrevolutionary ideology over everything from Classical Liberalism onwards. Such ideology ensures the continuation of capitalism.

However, this is a historical phenomenon only 50 years or so old. And it speaks not to the future but the past. The Millennials blew their chance to relate to history in new ways that challenged and tasked them beyond post-’60s doxa.[1]

The problem is that the recent and ongoing crisis of the post-’60s neoliberal political order has been expressed either by Trump and his new direction for the Republican Party or by a nostalgic desire to reconstitute the old Democratic Party New Deal Coalition that fell apart a half-century ago, symbolized by the old New Leftist Sanders and the reanimation of the post-’60s collapse into the Democratic Socialists of America, both of which date to the Reagan Revolution era of the 1980s and its “resistance” to that time’s neoliberal changes in capitalism. This does not augur new possibilities but holds to old memories from a time many if not most were not yet even alive. Its spectral — unreal — quality is evident naver tvcast 동영상 다운로드.

“The past is not dead; it is not even past.” And: “Those who do not learn from history are condemned to repeat it” — are condemned to be trapped by it. These banal catch-phrases can hide but also reveal a meaningful truth: that we are tasked by history, whether or not we recognize it. American history continues, regardless. The U.S. President is indeed, as is said, “the leader of the free world.” As Trump says, America is the greatest country in world history; as his impeachment prosecution declared, his Senate jury is the “highest deliberative body in the history of the world.” This is simply — and undeniably — true. Why and how it was constituted so, historically, is an unavoidable fact of life, for people here and around the world, now and for the foreseeable future Download listening to niv English Bible. — Can we live up to its task?

My own rejoinder to Trump’s Make America Great Again is to Make America Revolutionary Again. — But no one else on the Left seems to be seeing the sign of the times. Instead, everyone seems eager to rescue the neoliberal Democrats from the dustbin of history. Even Bernie must genuflect to their PC orthodoxy. — But not Trump!

This is indeed a time of reconsideration of history and its haunting memories. The question is whether they must, as Marx said, remain “traditions of dead generations weighing like a nightmare on the brains of the living,” or can they be redeemed by the struggle for freedom in the present. It seems that the Millennial Left of the last two decades has joined the dead generations that came before it. Any rebirth of a true socialist Left and of a Marxist recognition of its actual tasks and possibilities must reckon with the history that has been abandoned by recent generations, starting at least since the 1960s, and pursue its unfulfilled potential.

For the American Revolution still lives. | §

_________________

1. See my “The Millennial Left is dead,” Platypus Review 100 (October 2017), available online at: <https://platypus1917.org/2017/10/01/millennial-left-dead/>.

Trotsky, Benjamin, Adorno and Greenberg’s critique of “revolutionary art” (audio recording)

Presentation at the 2020 CAA College Art Association conference in Chicago on the panel “Another Revolution: Artistic Contributions to Building New Worlds 1910-30 (Part 1)” with Aglaya K. Glebova and chair Florian Grosser with discussant Monica C Bravo.

Chris Cutrone

The Russian revolutionary leader Leon Trotsky’s book Literature and Revolution (1923) and its critique of the claims of “revolutionary” art at the time was seminal for the subsequent thought of the Marxist critics of modernist art, Walter Benjamin, Theodor Adorno and Clement Greenberg, all of whom addressed socially and politically committed art as varieties of modernism, subject to the same self-contradictions of bourgeois art in capitalism. They took inspiration from Trotsky’s Marxist approach to history in capitalism, specifically his claim, drawing from Marx, Engels, Rosa Luxemburg and Lenin, among others, that the transition beyond capitalism begins only well after the revolution, and that neither revolutionary politics nor ostensible “revolutionary culture” actually prefigure a true socialist or communist society and culture but only exhibit the contradictions of capitalism raised to a heightened and more acute degree. Moreover, modernism as a pathological symptom of capitalism did not exemplify a culture of its own but only a crisis of bourgeois culture that was not a model for a future emancipated culture, but at best was merely a constrained and distorted as well as fragmentary and incomplete projection of capitalism that was authentic only as an exemplar of its specific historical moment.

The history of Marxism is contemporary with and parallels the history of modernism in art. Charles Baudelaire, who coined the term “modernity” to refer specifically to the 19th century, and initiated modernism in both artistic practice and theory, is, like Marx, a figure of the 1848 moment 트위터 디엠. Modernism in art emerged around this central crisis of the 19th century, namely the capitalism resulting from the Industrial Revolution.

The relationship between modernism and Marxism was a potentially fraught one, however. In the aftermath of the post-WWI revolutionary wave, mostly Marxism became hostile to modernism, describing it as bourgeois decadence — a symptom of the decay of bourgeois society and culture in capitalism. Pre-WWI Marxism had a similar estimation of the culture of advanced capitalism, but less simply derogatorily than the utter condemnation by Stalinist repressive Socialist Realism seen in the 1930s and after. Stalinism regarded modernism as formalist and individualist, and raised earlier bourgeois art as a “Socialist Realist” and Humanist standard against it.

Leon Trotsky, one of the central leaders of the 1917 Russian Revolution, was a Marxist, like Lenin himself, whose sensibilities were formed in the pre-WWI era Download Fifty Shades of Grey. Called upon to weigh in on debates within the Communist Party about state patronage of art in the Soviet Union, Trotsky wrote his book Literature and Revolution, which sought to clarify the Marxist attitude towards modern art, especially purportedly revolutionary and even supposedly “proletarian” art. Trotsky was unequivocal that there was and could be no such thing as proletarian art, but only bourgeois art produced by working class people. This is because as a Marxist, the terms bourgeois and proletarian were not sociological but rather historical categories. For Marxism, bourgeois society and culture had been proletarianized in the Industrial Revolution, but this did not produce a new society and culture but rather the proletarianized bourgeois society and culture went into crisis, exhibiting self-contradiction — unlike the bourgeois society and culture that had emerged out of Medieval civilization in the Renaissance.

The bourgeois social culture and art in the crisis of capitalism, like its economics and politics, demanded the achievement of socialism. This was the proletarian interest in modern art: the authentic democratization of culture and art that capitalism both made possible and constrained, giving rise to only distorted expressions of possibility and potential. Modernist art for Trotsky could not be considered a new culture but rather an expression of the task and demand for transcending bourgeois society and culture 바보같은 사랑 다운로드.

This is the value of art as an end in itself, taking itself as its own end or purpose; hence, l’art pour l’art, art for art’s sake, is an expression of freedom, in both the bourgeois emancipation of production for its own sake and the Humanistic value of life in itself — a value unknown in traditional culture, which elevated morality above life, and subordinated aesthetic production to ritual or cultic community values.

This meant that the history of society, including its transformation in bourgeois emancipation and crisis in capitalism, could find expression in the history of art. The Marxist approach to art is hence primarily historical in character.

Later, towards the end of his life, in 1938, a decade and a half after his book Literature and Revolution, Trotsky wrote a series of letters to the American journal Partisan Review in which the art and literary critic Clement Greenberg first published. In his letters on “Art and politics in our epoch,” Trotsky described their relation as follows — please allow me to quote from Trotsky at some extended length, for in a few paragraphs he sums up well the attitude of Marxism towards art:

“The task of this letter is to correctly pose the question.
“Generally speaking, art is an expression of man’s need for an harmonious and complete life, that is to say, his need for those major benefits of which a society of classes has deprived him 싸이어. That is why a protest against reality, either conscious or unconscious, active or passive, optimistic or pessimistic, always forms part of a really creative piece of work. Every new tendency in art has begun with rebellion. . . .
“The decline of bourgeois society means an intolerable exacerbation of social contradictions, which are transformed inevitably into personal contradictions, calling forth an ever more burning need for a liberating art. Furthermore, a declining capitalism already finds itself completely incapable of offering the minimum conditions for the development of tendencies in art which correspond, however little, to our epoch. It fears superstitiously every new word, for it is no longer a matter of corrections and reforms for capitalism but of life and death. The oppressed masses live their own life. Bohemianism offers too limited a social base. Hence new tendencies take on a more and more violent character, alternating between hope and despair. The artistic schools of the last few decades – Cubism, Futurism, Dadaism, Surrealism – follow each other without reaching a complete development Download the subtitles for Rampage. Art, which is the most complex part of culture, the most sensitive and at the same time the least protected, suffers most from the decline and decay of bourgeois society.
“To find a solution to this impasse through art itself is impossible. It is a crisis which concerns all culture, beginning at its economic base and ending in the highest spheres of ideology. Art can neither escape the crisis nor partition itself off. Art cannot save itself. It will rot away inevitably . . . unless present-day society is able to rebuild itself. This task is essentially revolutionary in character. For these reasons the function of art in our epoch is determined by its relation to the revolution. . . .
“The real crisis of civilization is above all the crisis of revolutionary leadership. Stalinism is the greatest element of reaction in this crisis 만화책 원피스 다운로드. Without a new flag and a new program it is impossible to create a revolutionary mass base; consequently it is impossible to rescue society from its dilemma. But a truly revolutionary party is neither able nor willing to take upon itself the task of “leading” and even less of commanding art, either before or after the conquest of power. . . . Art, like science, not only does not seek orders, but by its very essence, cannot tolerate them. Artistic creation has its laws – even when it consciously serves a social movement. Truly intellectual creation is incompatible with lies, hypocrisy and the spirit of conformity. Art can become a strong ally of revolution only in so far as it remains faithful to itself. Poets, painters, sculptors and musicians will themselves find their own approach and methods, if the struggle for freedom of oppressed classes and peoples scatters the clouds of skepticism and of pessimism which cover the horizon of mankind.”

There are several key ideas to be noted here 세월호 영화. To begin with, that Trotsky — that is to say, Marxism — does not seek to provide an answer but rather only to correctly pose the question of the relation of art to politics in capitalism and any struggle for socialism: it is not prescriptive of a solution, but only diagnostic of a problem. That art is a “protest against reality,” no matter whether “conscious or unconscious, optimistic or pessimistic,” still a “protest,” whether expressing “hope or despair” — a very peculiar proposition that would not apply to art before capitalism, or before modernism. Adorno famously characterized art as the “expression of suffering” — also a description specific to the history of art in capitalism. And that art cannot save society — as the revolutionary cultural modernist Bohemians of the Russian Revolutionary era claimed — indeed, it cannot even save itself. Not least because it is a specialized activity on a very narrow base: the oppressed masses live their own lives, from which art is necessarily separated and exists apart.

So what can art do, according to Trotsky — according to Marxism? It can express the suffering of capitalism in which the “intolerable exacerbation of social contradictions 죽은시인의사회. . . are transformed inevitably into personal contradictions,” and hence express a task, the “ever more burning need for a liberating art” expressed by every “really creative piece of work.” Art can express a need — but could not itself satisfy that need. This is the translation of the famous Marxist formulation, that bourgeois society in capitalism stood at a crossroads of “socialism or barbarism,” or, as Trotsky put it, art along with the greater society will “rot away” inevitably under capitalism.

Clement Greenberg’s essay on “Avant-garde and kitsch,” published the following year after Trotsky’s letters on art in Partisan Review, described the barbarization of bourgeois art in capitalism as its “Alexandrianism.” Art in capitalism became instantly transfixed, and, as such, museumified, leading a paradoxical undead existence or only as a spectral after-life of its emancipation in bourgeois society. Georg Lukács, in History and Class Consciousness, published in the same year as Trotsky’s Literature and Revolution, described this greater effect in society as “reification” or thing-ification, as the “spatialization of time,” what Marx called the congealing of human action in capitalism in the form of capital as “dead labor” which dominates living labor. Greenberg described the avant-garde as the attempt to set Alexandrianism in motion, and, as such, imitating the processes of art. Kitsch, in which Greenberg included Socialist Realism, by contrast, imitated the avant-garde, but exhibiting an apparent timeless value, as opposed to the avant-garde’s “superior consciousness of history.” This was modeled on Marxism itself, as the political avant-garde of bourgeois society in capitalism 갤럭시탭 유튜브 동영상 다운로드. Marxism distinguished itself from the rest of bourgeois intellectual culture and politics only by its critical historical consciousness, of its fleeting ephemeral specific moment, as Benjamin described it in his “Theses on the philosophy [or, concept] of history,” the “now-time” (Jetztzeit) of revolutionary necessity that “blasts the continuum of history,” to which culture — barbarism — inevitably conforms, as kitsch.

Trotsky’s Marxist assertion that “art is a protest against reality” is based on the earlier bourgeois recognition by Kant and Hegel that art, as Geistig or Spiritual activity, seeks not to express what is, not to affirm what exists, but rather to express what ought to be, the potential and possibility for change: art is the expression of freedom. Greenberg’s avant-garde expresses a fleeting historical potential for transformation that kitsch obviates, neglecting the task of freedom in favor of a timeless naturalization of art. Benjamin wrote in his essay on “The author as producer” (1934) that the task of artists is to teach other artists: as he put it, the artist who doesn’t teach other artists teaches no one. Benjamin called this artistic “quality,” which he distinguished from political “tendency.” Benjamin went so far as to assert that art could not be of the correct — socialist — political tendency if it failed to have formal aesthetic quality filezilla 32bit 다운로드. Such quality was primarily educative in value: it demonstrated and educated the potential transformation of aesthetic form itself, for both viewer and producer.

Adorno’s posthumously published draft manuscript Aesthetic Theory — which references Trotsky’s Literature and Revolution as a key departure for his approach — concludes with a criterion for judging the art that lives on in capitalism despite the self-evidence of even its right to exist having been long since lost, that art is the “writing of history” of “accumulated suffering.” Marxism’s essential legacy for considering the history of modern art, especially as consciousness of the condition of failed socialist emancipation from capitalism formulated by Benjamin, Adorno, Greenberg and others in the post-revolutionary crisis era of the 1930s, is this memory of accumulated suffering — the suffering from the unrealized potential of both art and society. | §

Robots and sweatshops

Chris Cutrone

Platypus Review 123 | February 2020

STARTING WITH THE INDUSTRIAL REVOLUTION, there have been two contrary tendencies in the development of social production: increased automation lowering socially necessary labor-time; and the desperation of people rendered superfluous as workers 아크로벳리더.

For Marxism, this presented a social and political task for the working class to demand higher wages for fewer hours.

An alternative to this would be for workers to try to fight against technology — the Luddites 썸뱅크.

Conversely, the capitalists could invest in machines instead of labor.

Thus was born the antagonism between wage-labor and capital Tekken tag tournament.

The outcome of the class struggle between the workers and capitalists was to be the realization of the potential for both increased production and the reduction of human toil: socialism 스타 피쉬서버.

However, since machine production created a permanent class of unemployed people, there would always be a demand for work that could be exploited by the capitalists to pay lower wages Download Jeju Air.

Paying lower wages decreases the market for produced goods, which means a drive for higher profitability, leading to further pursuit of cost-efficiency in production as well as depression of wages 다우트 자막.

That leads to both robots and sweatshops.

Disparities and imbalances between capitalist profits and workers’ wages lead to periodic crises in which there is money that cannot find profitable investment and workers who cannot find employment titanium.

But eventually balance is restored through the cheapening of money-capital — and the cheapening of labor.

New forms of work are developed to serve new technologies of production Download The Sun's Descendantost. — Until the next crisis begins the cycle all over again.

This meant that the working class as a whole — both employed and unemployed — needed to be organized as a social and political force to ensure increased social wealth and to prevent exploitation Chrome Edge.

Since this is a matter of the organization of society as a whole — including internationally, and indeed globally, in the cosmopolitan exchange of wage-labor and capital — it requires the political act of taking state power: world socialist revolution Download Kangwon University. | P

Why not Trump again?

Chris Cutrone

Video recording of presentation at SAIC, December 4, 2019.

Presented with an introduction to Marxism in the Age of Trump and “Why I wish Hillary had won” at the School of the Art Institute of Chicago, December 4, 2019. Published in Platypus Review 123 (February 2020) xbmc 자막 다운로드.

“Nothing’s ever promised tomorrow today. . . . It hurts but it might be the only way.”
— Kanye West, “Heard ‘Em Say” (2005)

“You can’t always get what you want / But if you try, sometimes you find / You get what you need.”
The Rolling Stones (1969)

KANYE WEST FAMOUSLY INDICTED President George W. Bush for “not caring about black people.” Mr. West now says that it’s the Democrats who don’t care about black people. But he thinks that Trump does indeed care.

West, who received an honorary doctoral degree from the School of the Art Institute of Chicago a few years ago, intends to move back to Chicago from Hollywood, which he describes as The Sunken Place 캡틴라미.

West’s wife Kim Kardashian convinced President Trump to free Alice Johnson, a black grandmother, from jail, and to initiate the criminal justice sentencing reform legislation called the “First Step Act.” Prisoners are being released to join the workforce in which the demand for labor has been massively increased in the economic recovery under the Trump Administration. The reason for any such reform now, after the end of the Great Recession, will be this demand for workers — no longer the need to warehouse the unemployed.

Trump ran on and won election calling for “jobs, jobs, jobs!,” and now defines his Republican Party as standing for the “right to life and the dignity of work,” which was his definition of what “Make America Great Again” meant to him vaio care. This will be the basis now for his reelection in November 2020, for “promises kept.”

The current impeachment farce is indeed what Trump calls it: the Democrats motivated by outrage at his exposure of their shameless political corruption, with the Biden family prominently featured. After trouncing the infamous Clintons in 2016, Trump is keeping this drumbeat going for 2020. Don’t expect it to stop. The Democrats have wanted to impeach Trump from the moment he was elected, indeed even beforehand, but finally got around to it when Trump exposed them — exposed their “frontrunner.”

Trump has held out the offer of bipartisan cooperation on everything from trade to immigration reform. He went so far as to say, when congratulating the Democrats on their 2018 midterm election victories, that he would be potentially more able to realize his agenda with a Democrat-majority Congress, because he would no longer have to face resistance from established mainstream Republicans opposed to his policies 구해줘 다운로드. In his State of the Union Address to Congress this year, Trump contrasted the offer of negotiation and cooperation with the threat of investigations. As it turns out, the FBI, CIA and other U.S. government security services personnel who have tried to indict Trump out of political opposition are now finding themselves the targets of criminal investigation. At least some of them are likely go to prison. The bloated national security state is dismayed and in retreat in the face of Trump. — Good!

What is the argument against Trump’s reelection 팟플레이어 스킨? That he is utterly unbearable as a President of the United States? That Trump must be stopped because the world is running out of time? Either in terms of the time spent by separated children being held under atrocious conditions in appalling immigration detention centers, or that of glaciers falling into the ocean? Both of these will continue unabated, with or without Trump. The Democrats neither can nor will put a stop to such things — not even slow them.

What is the argument for electing the Democrats, then? A Green New Deal? — Will never happen: Obama promised it already in 2008. That they will restore “civility” to American life? Like we had under Obama cookie games? In other words, the same conditions, but with a comforting smile instead of an irritating smirk?

But Trump’s supporters became annoyed with Obama, and have been reassured by Trump’s confidence in America: Trump’s smile is not sarcastic; Obama’s often was. Don’t the Democrats deserve that grin?

Will the Democrats provide free quality health care for all? — Not on your life!

Neither will Trump. But not because he doesn’t want to: he definitely does; he thinks that it’s absurd that the wealthiest country in world history cannot provide for its citizens 장기 게임 무료. But what can you do?

The last time national health care was floated as a proposal was by Nixon. But it was defeated by Democrats as well as Republicans. Nixon floated UBI (Universal Basic Income), too — but it was opposed by the Democrats, especially by their labor unions, who — rightly — said that employers would use it as an excuse to pay workers that much less. Abortion was legalized when fewer workers were needed.

But that was a different time — before the general economic downturn after 1973 that led to the last generation of neoliberalism, austerity and a society of defensive self-regard and pessimism 청소년서체. Now, it is likely we are heading into a new generation-long period of capitalist growth — and optimism. — At least, it’s possible. Nixon and Mao agreed that “what the Left proposes we [the Right] push through.”

Are we on the brink of a new, post-neoliberal Progressive era, then? Don’t count on it — at least not with the Democrats! They won’t let their Presidential nominee next year be Bernie Sanders. — Probably, they won’t even let it be Warren, either. And anyway, after Obama, no one is really going to believe them. Even if Bernie were to be elected President, he would face a hostile Democratic Party as well as Republicans in Congress pan baidu. It’s unlikely the Squad of AOC et al. will continue to be reelected at all, let alone expand their ranks of Democratic “socialists” in elected office. The DSA (Democratic Socialists of America) have already peaked, even before the thankless misery of canvassing for Democrats — not “socialists” — in the next election. The future belongs not to them, but to Chinese Communist Party General Secretary Xi Jinping hosted by Trump at Mar-a-Lago. Climate change must be stopped by China a thousand years 다운로드.

(The clearest indicator of American counties voting for Trump in 2016 was density of military families — not due to patriotism but war fatigue: Trump has fulfilled his promise to withdraw from the War on Terror interventions while funding the military, and is the peace President that Obama was supposed to be, drawing down and seeking negotiated settlements with everyone from North Korea to the Islamic Republic of Iran and the Taliban in Afghanistan; the Neocons are out and flocking to the Democrats.)

The arguments against Trump by the Democrats have been pessimistic and conservative, distrustful and even suspicious of American voters — to which he opposes an unflappable confidence and optimism, based in faith in American society. Trump considers those who vote against him to be mistaken, not enemies. But the Democrats consider Trump voters to be inimical — deplorable and even irredeemable.

My Muslim friends who oppose Trump — half of them support Trump — said that after his election in 2016 they found their neighbors looking at them differently — suspiciously. But I think it made them look at Americans differently — suspiciously. But it’s the same country that elected Obama twice.

If Trump’s America is really the hateful place Democrats paint it to be, for instance at their LGBTQ+ CNN Town Hall, at which protesters voiced the extreme vulnerability of “trans women of color,” then it must be admitted that such violence is perpetrated primarily not by rich straight white men so much as by “cis-gendered heterosexual men — and women — of color.” — Should we keep them in jail?

The Democrats’ only answer to racism, sexism and homophobia is to fire people and put them in prison. — Whereas Trump lets them out of jail to give them a job.

Perhaps their getting a job will help us, too.

So: Why not Trump again? | §