Critical authoritarianism

Chris Cutrone

Platypus Review #91 | November 2016

Immanent critique

Whenever approaching any phenomenon, Adorno’s procedure is one of immanent dialectical critique. The phenomenon is treated as not accidental or arbitrary but as a necessary form of appearance that points beyond itself, indicating conditions of possibility for change. It is a phenomenon of the necessity for change. The conditions of possibility for change indicated by the phenomenon in question are explored immanently, from within. The possibility for change is indicated by a phenomenon’s self-contradictions, which unfold from within itself, from its own movement, and develop from within its historical moment.

Everything is taken not merely as it “is,” as it happens to exist, but rather as it “ought” to be, as it could and should be, yielding as-yet unrealized potentials and possibilities. So it is with “authoritarianism,” in Adorno’s view. For Adorno, the key is how psychological authoritarianism is self-contradictory and points beyond itself. Adorno is interested in the “actuality” of authoritarianism: as Wilhelm Reich put it, the “progressive character of fascism;”[1] as Walter Benjamin put it, the “positive concept of barbarism.”[2]

This demands a critical approach rather than a merely descriptive or analytically positive or affirmative approach. For something can be affirmed either in its justification and legitimation or in its denunciation. In either case, the phenomenon is left as it is; whereas, for Adorno, as a Marxist, “the point is to change it.”[3]

So, what possibilities for change are indicated by authoritarianism, and how are such possibilities pointed to by the categories of Freudian psychoanalysis? For Adorno, it is unfortunate that social contradiction has passed from ideology and politics in society to individual psychology (indeed, this expresses a political failure), but there it is 동글동글 해롱이 게임.[4] The “F-scale” is misleading, as Adorno notes, in that it might — despite its being posed as a “scale”  — be mistaken for a matter of difference in kind rather than degree. Meaning that, for Adorno, everyone is more or less susceptible to fascism — everyone is more or less authoritarian.

The competing aspects of the individual psyche between liberal individuality and authoritarian tendencies is itself the self-contradiction of authoritarianism Adorno sought to explore. In capitalism, liberalism is the flip-side of the same coin as fascism. Individualism and collectivism are an antinomy that express capitalist contradiction. For individualism violates true individuality and collectivism violates the true potential of the social collectivity. Individuality and collectivity remain unfulfilled desiderata, the aspirations and goals of bourgeois society, its emancipatory promise. For Adorno (as for Marx), both are travestied in capitalism — mere “shams.”

Donald Trump rally, Pensacola, Florida, Jan 15 2016.

Donald Trump rally, Pensacola, Florida, January 15, 2016.

Authoritarianism is an expression of that travesty of society. Fascism is the sham collectivity in which the sham individuality hides itself; just as liberalism is the sham individuality that conceals the collective condition of society. That collective condition is not a state of being but the task of the need for socialism beyond capitalism. Fascism as well as liberalism expresses that unfulfilled need and tasking demand for socialism in capitalism.

So what would it mean to critique authoritarianism in an immanently dialectical manner? What is the critical value of authoritarianism, in Adorno’s view? How can the potential possibility pointing beyond capitalism be expressed by authoritarianism and revealed rather than concealed by individual psychology softether vpn client manager 다운로드? How is society critically revealed in authoritarianism, pointing to socialism?


In “Sociology and psychology”[5] Adorno diagnoses the division of psychology from sociology as itself a symptom of contradiction in society — of the actual separation and contradiction of the individual and the collective in capitalism.

In The Authoritarian Personality,[6] Adorno et al. wrote that the fascist personality was characterized by identification with technology, the love for instruments as “equipment.” Here, Adorno found the emancipatory potential beyond capitalism precisely in such identification and imitation: it becomes a matter of the form of individuation. In “Imaginative excesses,” orphaned from Minima Moralia,[7] Adorno wrote that,

[N]o… faith can be placed in those equated with the means; the subjectless beings whom historical wrong has robbed of the strength to right it, adapted to technology and unemployment, conforming and squalid, hard to distinguish from the wind-jackets of fascism the subhuman creature who as dishonour’s progeny shall never be allowed to avert it.

The bearers of technical progress, now still mechanized mechanics, will, in evolving their special abilities, reach the point already indicated by technology where specialization grows superfluous. Once their consciousness has been converted into pure means without any qualification, it may cease to be a means and breach, with its attachment to particular objects, the last heteronomous barrier; its last entrapment in the existing state, the last fetishism of the status quo, including that of its own self, which is dissolved in its radical implementation as an instrument. Drawing breath at last, it may grow aware of the incongruence between its rational development and the irrationality of its ends, and act accordingly.

In “On the Fetish-Character in Music and the Regression of Listening,” Adorno seeks to redeem authoritarianism in his conclusion when he offers that, “Even discipline can take over the expression of free solidarity if freedom becomes its content.” He goes on that, “As little as [authoritarianism] is a symptom of progress in consciousness of freedom, it could suddenly turn around if [individual psychology], in unity with the society, should ever leave the road of the always-identical”[8] — that is, in going beyond capitalism. Here, critical authoritarianism is met by a critical individualism in which “collective powers are liquidating an individuality past saving, but against them only individuals are capable of consciously representing the aims of collectivity.”[9] What are the aims of the collectivity expressed by the identification with technology? What Adorno following Benjamin called “mimesis”[10] Freud analyzed psychologically as “identification.” Adorno wrote that “the pressure to be permitted to obey… is today more general than ever.” But what Marx called the “industrial forces of production” are constrained and distorted by the “bourgeois social relations of production” in capitalism Download the voice. There is a homologous contradiction within the individual personality.

In “Reflections on Class Theory”, Adorno wrote that,

Dehumanization is no external power, no propaganda, however conceived, no exclusion from culture. It is precisely the intrinsic reality of the oppressed in the system, who used formerly to stand out because of their wretchedness, whereas today their wretchedness lies in the fact that they can never escape. That they suspect that the truth is propaganda, while swallowing the propaganda culture that is fetishized and distorted into the madness of an unending reflection of themselves.

This means, however, that the dehumanization is also its opposite. In reified human beings reification finds its outer limits. They catch up with the technical forces of production in which the relations of production lie hidden: in this way these relations lose the shock of their alien nature because the alienation is so complete. But they may soon also lose their power. Only when the victims completely assume the features of the ruling civilization will they be capable to wresting them from the dominant power.[11]


Karl Marx regarded the “necessity of the dictatorship of the proletariat” as a phenomenon of “Bonapartism” — the rise to power of Louis Bonaparte as a result of the failure of the Revolution of 1848 in France. This was Marx’s difference from the anarchists: the recognition of the necessity of the state in capitalism.[12] Hence one should regard Marx on the dictatorship of the proletariat as a “critical Bonapartist.”[13] Bonapartism expressed an objective societal need rather than a subjective attitude. Bonapartist response to the objective social crisis and contradiction of capitalism pointed beyond itself and so required a dialectical critique, which Marx thought the anarchist Pierre-Joseph Proudhon failed to provide by treating Bonapartism as objectively determined, apologizing for it, as did the sentimental socialist Victor Hugo who treated Bonapartism as a monstrous historical accident like a “bolt from the blue.”[14] Fatalism and contingency were two sides of the same contradiction that obscured a necessity that could be addressed properly only in a dialectical way evocreo 다운로드. These are the terms in which Adorno addressed “authoritarianism.”

Adorno’s “critical authoritarianism” addresses what the “immanent dialectical critique” of authoritarianism would mean, both in terms of Freudian psychoanalytic categories of description, and in terms of (absent) politics for socialism. Adorno’s Dream Notes records a dream of his participating in a gang-rape, as a primal scene of fascism.[15] The “delightful young mulatto . . . the kind of woman one sees in Harlem” who catches his eye admonishes him that “This is the style of the Institute.” The homosexuality and sado-masochism of authoritarianism in pre-Oedipal psychology; the desire as well as fear to “liquidate the ego” in ambivalence about individuality; critical (as opposed to methodological or affirmative) individualism; the desire and fear of collectivity in authoritarian collectivism; projection, identification and counter-identification providing for social cohesion as well as for separation and atomization — these are the themes of Adorno’s critical approach to psychology in late capitalism.

A similar thought was articulated contemporaneously by Frantz Fanon in Black Skin, White Masks, which characterizes negrophobic racism as “repressed homosexuality” and a “narcissistic disorder.” Fanon describes the Freudian approach to rape fantasies as a masochistic fear and desire that is an internalized projection of parental authority, a self-sadism. One fears what one wishes to happen; a wish is a way of mastering a fear by internalizing it; a fear is a way of repressing a wish. The reason rape is so traumatic is that it activates and violates such infantile experiences. There is the experience of parental seduction harking back to the anal phase of libido development, when the child experiences itself as unable to control its excretion, which is experienced as disturbingly involuntary, a blow to narcissism in the difficulty of toilet training, seeking to please the parents’ expectations. The parents’ cleaning of the infant is pleasurably stimulating, and the child internalizes the parent’s simultaneous desire and disgust, attraction and repulsion, which becomes the complex of feelings, the combination of shame and guilt with pleasure, that the child takes in its own bodily functions. Humiliation at loss of self-control is a formative experience of transforming narcissism into identification. The infant’s desire for the parents is an identification with the feared power.[16] The parents embody the ego-ideal of self-control. This is channeled later through gendered object-libido in the Oedipus complex as genital pleasure, but retains the sado-masochistic qualities of the anal phase, which precedes gender identification and so exhibits more basic, homosexual (ungendered) qualities that prevents the recognition of difference and individuality tts 한국어 다운로드. In a narcissistic — authoritarian — society everyone becomes trapped in a static and self-reinforcing identity, where the need was actually to allow the opening to non-identity of freedom: the freedom to “overcome oneself” allowed by the healthy ego.

Opening ceremony of the Beijing Olympics, 2008.

“The madness of an unending reflection of themselves.” Opening ceremony of the Beijing Olympics, 2008.

Fanon sought to provide an account of how “racial narcissism” — the failure of the individual ego — could yet point beyond itself, specifically in its treacherously dyadic character of Self and Other, to the need that was blocked: “the world of the You.”[17]

Adorno brings into his discussion of The Authoritarian Personality a key background writing for Fanon’s BSWM, Jean-Paul Sartre’s Anti-Semite and Jew, which assumes, as Adorno does, contemporary anti-Semitism as a norm and not an aberration. He states simply that what needs to be explained is why anyone is “not anti-Semitic.” But this pointed not to a problem of psychology but of society. As Adorno commended Sartre’s treatment of anti-Semitism:

We distinguish between anti-semitism as an objective social phenomenon, and the anti-semite as a peculiar type of individuality similar to Sartre’s exposé which, for good reasons, is called “Portrait of the Antisemite” rather than “Psychology of Anti-semitism”. This kind of personality is accessible to psychological analysis…. It would be quite impossible to reduce the objective phenomenon of present-day anti-semitism with its age-old background and all social and economic implications, to the mentality of those who, to speak with Sartre, have to make their decision in regard to this issue. Today, each and every man is faced with a tremendous bulk of objectively existing prejudices, discriminations and articulate anti-semitic attitudes. The accumulated power of this objective complex is so great and apparently so far beyond individual powers of resistance that one might indeed ask, why are people not antisemitic, [sic] instead of asking why certain kinds of people are anti-semitic. Thus, it would be naive to base a prognosis of anti-semitism, this truly “social” disease, on the diagnosis of the individual patients.

This means that the self-contradiction expressed by (non-)racism is one of society as well: the racist society points beyond itself objectively as well as subjectively, socially as well as individually. Racism as a problem contains the key to its own solution.[18] Anti-Semitic demagogues identified with Jews when imitating their stereotypical mannerisms;[19] white racists of the Jim Crow era performed minstrel shows in black-face. As Fanon put it, “Long ago the black man admitted the unarguable superiority of the white man, and all his efforts are aimed at achieving a white existence;” “For the black man there is only one destiny 퀵타임 플레이어. And it is white.”[20] Racism will end when black people become white. Or, as Adorno put it in “Reflections on Class Theory,” “Only when the victims completely assume the features of the ruling civilization will they be capable to wresting them from the dominant power.” Racism’s abolition will be its Aufhebung: it will be its Selbstaufhebung, its self-completion as well as its self-negation. So will be the overcoming of authoritarianism in capitalism more generally.

The infamous “F-scale” of The Authoritarian Personality is a scale, which means that authoritarianism or predisposition to fascism is not a difference in kind but of degree: Everyone is more or less authoritarian. The most authoritarian thing would be to deny — to fail to recognize — one’s own authoritarianism. | §


[1] “[T]he mass basis of fascism, the rebelling lower middle classes, contained not only reactionary but also powerful progressive social forces. This contradiction was overlooked [by contemporary Marxists]” in Wilhelm Reich, “Ideology as Material Power” in The Mass Psychology of Fascism [1933/46], trans. Vincent Carfagno (New York: Farrar, Straus and Giroux, 1970), 3–4.

[2] Walter Benjamin, “Experience and Poverty” [1933], Selected Writings vol. 2 1927 –34, ed. Howard Eiland and Michael W. Jennings, (Cambridge, Massachusetts: Belknap, Harvard, 1996), 732.

[3] Marx, “Theses on Feuerbach” [1845], available on-line at: <>.

[4] See Max Horkheimer, “On the Sociology of Class Relations” [1943] and my discussion of it, “Without a Socialist Party, there is no Class Struggle, only Rackets,” (January 11, 2016), available on-line at: <>. In “The Authoritarian State” [1940/42], Horkheimer wrote that,

Sociological and psychological concepts are too superficial to express what has happened to revolutionaries in the last few decades: their will toward freedom has been damaged, without which neither understanding nor solidarity nor a correct relation between leader and group is conceivable. (The Essential Frankfurt School Reader, eds. Andrew Arato and Eike Gephardt [New York: Continuum, 1985], 95–117.)

[5] “Sociology and Psychology” [1955], originally written by Adorno for a festschrift celebrating Max Horkheimer’s sixtieth birthday, The piece was published in English translation in two parts in the New Left Review, vol maroon 5 animals 다운로드. 46, Nov-Dec 1967, 63-80 and vol. 47, Jan-Feb 1968, 79-97.

[6] Theodor W. Adorno, Else Frenkel-Brunswik, Daniel Levinson, and Nevitt Sanford, The Authoritarian Personality (New York: Harper & Brothers, 1950).

[7] Adorno, “Imaginative Excesses” an unpublished piece intended for Minima Moralia,[1944–47] published as section X of “Messages in a Bottle,” trans. Edmund Jephcott, New Left Review, vol. 200, July-August 1993, 12–14.

[8] Adorno, “On the Fetish-Character in Music and the Regression of Listening” [1938], Essays on Music, ed. Richard Leppert (Berkeley; Los Angeles: University of California Press, 2002), 314.

[9] Ibid., 315.

[10] See Benjamin, “On the Mimetic Faculty,” Selected Writings vol. 2 1927–34, Michael W. Jennings, Howard Eiland and Gary Smith, eds. (Cambridge, MA: Harvard, 19989). 720–722: “The child plays at being not only a shopkeeper or teacher, but a windmill and a train” (720).

[11] Adorno, “Reflections on Class Theory”, in Can One Live After Auschwitz?: A Philosophical Reader, ed. Rolf Tiedemann, trans. Rodney Livingstone and Others (Stanford: Stanford University Press, 2009), 93-110.

[12] See Marx, The 18th Brumaire of Louis Bonaparte [1852] Ch. VII, where he finds that political atomization leads inexorably to the authoritarian state in Bonapartism:

Insofar as millions of families live under conditions of existence that separate their mode of life, their interests, and their culture from those of the other classes, and put them in hostile opposition to the latter, they form a class. Insofar as there is merely a local interconnection . . . and the identity of their interests forms no community, no national bond, and no political organization among them, they do not constitute a class Professional baseball. They are therefore incapable of asserting their class interest in their own name, whether through a parliament or a convention. They cannot represent themselves, they must be represented. Their representative must at the same time appear as their master, as an authority over them, an unlimited governmental power which protects them . . . and sends them rain and sunshine from above. The[ir] political influence . . . therefore, finds its final expression in the executive power which subordinates society to itself. (Available on-line at: <>.)

Marx’s discussion of the French peasants of the mid-19th century also applied to what he called the “lumpenproletariat” as a constituent of Bonapartism, and so would apply to the working class in capitalism today without a political party organized for the struggle to achieve socialism. The “sack of potatoes” or of “homologous magnitudes” is what Adorno, among others, characterized as the “masses” in the 20th century. (For instance, Benjamin wrote in the Epilogue to “The Work of Art in the Age of Mechanical Reproduction” [1936] that fascism gave the masses the opportunity to express themselves while depriving them their right to change society.)

Adorno paraphrases Marx here when he writes that,

The masses are incessantly molded from above, they must be mulded, if they are to be kept at bay. The overwhelming machinery of propaganda and cultural industry evidences the necessity of this apparatus for the perpetuation of a set-up the potentialities of which have outgrown the status quo. Since this potential is also the potential of effective resistance against the fascist trend, it is imperative to study the mentality of those who are at the receiver’s end of today’s social dynamics. We must study them not only because they reflect these dynamics, but above all because they are the latter’s intrinsic anti-thesis.

The manifestation — and potential resolution — of this contradiction of the masses in capitalism that otherwise resulted in Bonapartism was through the politics of socialism: Marx’s “dictatorship of the proletariat” was to be achieved by the mass-political socialist party Download Master of Life. Marx broke with the anarchists over the latter’s refusal to take “political action” and to thus consign the working class to merely “social action.” i.e. to avoid the necessary struggle for state power.

[13] See my “Proletarian dictatorship and state capitalism,” Weekly Worker 1064 (June 25, 2015), available on-line at: <>.

[14] Marx, Preface to the 1869 edition of The 18th Brumaire of Louis Bonaparte [1852], available on-line at: <>.

[15] Adorno, “New York, 8 February 1941” in Dream Notes (Cambridge, UK: Polity Press, 2007), 5-6.

[16] See Anna Freud, “Identification with the Aggressor,” Ch. IX, The Ego and the Mechanisms of Defence [1936].

[17] Franz Fanon, Black Skin, White Masks, [1952], trans., Charles Lam Markmann, (London: Pluto Press, 2002), 181.

[18] This is because, according to Adorno, “Those who are incapable of believing their own cause… must constantly prove to themselves the truth of their gospel through the reality and irreversibility of their deeds.” Violent action takes the place of thought and self-reflection; but this suggests the converse, that critical thinking could prevent such disastrous action. See Adorno, “Education after Auschwitz” [1966], in Critical Models: Interventions and Catchwords, trans. and ed. Henry W. Pickford (New York: Columbia University Press, 1998), 191–204.

[19] See Adorno, “Freudian Theory and the Pattern of Fascist Propaganda” [1951], in The Culture Industry (London and New York: Routledge, 2001), 132–157 탈춤노래.

[20] Fanon, Black Skin, 178.

Chris Cutrone

Chris Cutrone is a college educator, writer, and media artist, committed to critical thinking and artistic practice and the politics of social emancipation. ( . . . )

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The mass psychology of capitalist democracy

Chris Cutrone

Presented on a panel with Isaac Balbus and Marilyn Nissim-Sabat at the conference Which Way Forward for Psychoanalysis?, held at the University of Chicago, May 18, 2013. The panel description is as follows: The philosopher Friedrich Nietzsche described all history as a “gruesome dominion of nonsense and accident,” and regarded political democracy as only “the nonsense of the ‘greatest number.’” Perhaps he was right. Yet, throughout much of the 19th and 20th centuries, Leftists had assumed that democracy made radical social transformation a near inevitability. The great majority, they thought, would surely pursue their own interest in social emancipation if allowed political participation in society. As the 20th century unfolded and this did not take place, there arose a psychoanalytic tradition that attempted to grapple with this failure. Wilhelm Reich, an exemplar of this tradition, wrote in 1933: “At the bottom of the failure to achieve a genuine social revolution lies the failure of the masses of the people: They reproduce the ideology and forms of life of political reaction in their own structures and thereby in every new generation.” While much has changed in the intervening 80 years, certain fundamentals remain the same: the people rule, but the politics of democracy evidence forms of mass irrationality, not the desire for emancipation. Can psychoanalysis, in the best tradition of the political Freudians, help us to better understand and potentially move beyond this situation? In the 20th century, Leftists around the world attempted to bring about socialism, but failed. Revolutionary movements betrayed their own goals, and those who seemed to have the most to gain from the success of revolutionary politics sided with reaction Download The Riva Tuner. Marxist parties created police states, and workers followed the leadership of racist demagogues. The right to participate in elections was secured, but today socialism seems less possible than ever. The intention of this panel is to explore why the political enfranchisement of the working class has not led to socialism, and whether the insights of psychoanalysis are relevant to answering this question. (A full audio recording can be found at:

Opening remarks

The Frankfurt School in the 1920s-30s incorporated the categories of Freudian psychoanalysis as descriptive of the mediation of the contradiction of the commodity form in individual consciousness. This critical appropriation of psychoanalytic categories was in response to the collapse of preceding forms of political mediation in which the contradictions of capitalism manifested, for instance between socialism and liberalism.

Freudian categories were not meant to supplement let alone replace Marxian critical-theoretical categories for the Frankfurt School, but rather psychoanalytic approaches to psychology were themselves regarded as symptoms of social-historical development — and crisis. In other words, the question was why had not Marx, Hegel or Kant, among others, developed a theory of unconscious mental processes, prior to Freud? And why had Freud’s theory of the unconscious emerged when it did, in the late 19th and early 20th century 케이크워크. (The closest to a registration of the psychological unconscious was by William James, also in the late 19th century, roughly contemporaneously with but in ignorance of Freud. — One must place to one side the earlier Romantic conception by Schelling, which had a different concern, not psychological but rather philosophical and moreover theological.) Furthermore, why had Freudian psychoanalysis achieved widespread currency and plausibility when it did, in the early-mid 20th century? And, what changes had occurred in the meaning and purchase of Freudian psychoanalysis, especially with respect to the so-called “neo-Freudian revisionism” after Freud, but also regarding Freud’s later, “metapsychological” speculations?

What such concerns raised by the Frankfurt School — what Marcuse called the “obsolescence of the Freudian concept of man” — was the transformation of society that took place in the late 19th and early-mid 20th century, and how this related to the failure of Marxism, politically — the failure of the revolution 1917-19. This was the lodestar for the Frankfurt School’s perspective on history, the key period 1848-1917, through which they considered the problems of modern society. This is found especially in Walter Benjamin’s Arcades Project, which was focused on the mid-19th century moment, circa 1848, as anticipating the 20th century Man in Black 1. It was as part of this project that Benjamin wrote his famous “Theses on the philosophy of history,” actually titled “On the concept of history,” the aphorisms which were to serve as prolegomena to the Arcades Project as a whole. It was there that Benjamin engaged Freudian psychoanalytic categories most extensively, building upon and deepening his investigation into the melancholy of modernity that he had previously charted in his work on Proust and Kafka.

As a symptom of what Freud called a “narcissistic disorder” — that is, an inability and problematic form of self-love — melancholia challenged Freud’s clinical concept of the ego: Freud thought that melancholia was perhaps beyond psychoanalytic therapy’s effectiveness. This was because for Freud the therapeutic process of transference was short-circuited by the patient’s identification that was problematically projective and prevented the relation to another — the therapist — as an other. The other was both too closely and too distantly related; the difference was too great and too little.

Such projective identification was found by Benjamin in Baudelaire’s work, about which Benjamin wrote that, “Here it is the commodity itself that speaks.” This has been mistakenly read as meaning merely that Baudelaire was granting subjectivity to commodities as articles of consumption, whereas for Benjamin the critical point was rather that the speaker was a commodity. As Adorno put it in a letter to Benjamin about his work on Baudelaire, “The fetish character of the commodity is not a fact of consciousness; rather it is dialectical, in the eminent sense that it produces consciousness.” That is, for Adorno, the commodity form of subjectivity is the very source of consciousness — of self-consciousness in the Hegelian sense 드래곤 길들이기 3 더빙판. Benjamin wrote that the commodity is the most empathic thing imaginable, in that it only realizes its being-in-itself through being-for-another, however ambivalently. Adorno wrote to Benjamin that this is a function of both “desire and fear.”

Such ambivalence was fundamental to Freud’s conception of the primordial origins of the psyche: the primary narcissism’s originary wounding encounter with parental authority, with the first other, the mother. It is the introduction of the third figure of the father that for Freud allows for others to be others, in an essential triad that interrupts the original dyad of mother-and-child. The further relation with which the child must reckon, between the mother and father, or of the other with another, was key for Freud to the development of a balanced sense of self that transcended the reversible and ambivalent projective identification with the primary care giver in infancy. Overcoming the threat to the relation to the mother that the father represents in the Oedipus complex also overcomes the narcissistic identification that threatens to obliterate the nascent sense of self in the infantile merging with the other. Until the introduction of this essential third, the danger is the radical ambivalence regarding difference, which is perceived as a deadly threat: the fear of as well as the desire to obliterate the psyche represented by the mother as object of both love and hate Download Terius behind me.

For Freud such primordial originary narcissism subsists in later psychical development: it is enlisted and transformed in the process of being transcended. However, there is occasion for regressing to this primary narcissistic state: there are traumas that overwhelm the fragile development of the ego, beyond its original — and originally problematic — narcissism, returning it to that condition. It was not coincidental that Freud turned his attention to the question of melancholia and narcissism in the context of WWI and the traumas experienced there, in which Freud found a model for penetrating the developmental sources for narcissistic disorders such as melancholia.

The Marxist appropriation of Freud’s clinical theory of primary narcissism by Benjamin and Adorno was in the social context of the contradictions of capitalism that overwhelmed the sense of self in the ego. The Freudian therapeutic question of “Why did I do that?” was overwhelmed in the contradictory social dynamics of capitalism, in which the responsible individual was both demanded and rendered intolerable. WWI only expressed in drastic form the fundamental character of the situation of the human being in modern capitalism. For the Frankfurt School, modern society already by the mid-19th century was contradictory respecting individual human beings, and this found expression and registration in the very phenomenon of “psychology” itself — the self-contradictory character of the logic of the psyche 해골 게임. Freud’s apprehension of the contradiction between consciousness and “unconscious mental processes” expressed this in acute form, and was itself regarded by Benjamin and Adorno as a phenomenon of society. But Freud’s desirable intention to strengthen the resources for the individual psyche was rendered utopian — impossible — in modern society. As Freud himself observed in one of his earliest published reflections on analytic therapy, however, this was society’s problem — therapy may produce individuals with demands that society cannot meet. But these demands were socially legitimate even if they remained denied. A contradiction of capitalism was found in the contradiction between the individual and society in a very precise sense.

Now, what were the political ramifications and implications of this? The Frankfurt School Critical Theorists were keen to recognize those political forms that appealed to the abdication of the responsibility of the individual through problematic narcissistic identification, short-circuiting the ego, and seemingly justifying the condition of paranoid ambivalence — both desire and fear for objects of simultaneous hate and love — what Anna Freud termed “identification with the aggressor” in society. This was a dynamic that the Frankfurt School thinkers found as well in “revolutionary politics” — perhaps especially so, in that fascism offered a form of social revolution in mobilizing the masses for political action, however reactionary 카툰워즈2.

But the problem ran deeper than the dramatic outward expression of fascism. As Wilhelm Reich pointed out, the “fear of freedom” was characteristic of the “average unpolitical person,” who was nonetheless “authoritarian” in psychical comportment. So, what was necessary, then, was recognizing the unconscious authoritarianism of the individual’s condition in modern society.

For Adorno, this was to be found in the form of identification not only with overt fascist demagogy but also with what his friend and mentor Siegfried Kracauer called the “inconspicuous surface-level expressions” of everyday social life and its mass-cultural forms, what Adorno called the psychical “pattern” that was found in exaggerated, acute form in fascist “propaganda,” but was not qualitatively or essentially different from commercial advertising. Adorno found a constitutive ambivalence there, in which the subject found pleasure in the conformist “going along” with the lie while still recognizing it as false: the psychical satisfaction in the “will to believe” in what one knew to be false.

Adorno characterized this as simultaneously looking up and down at the object of authority, placing oneself above and below it. The pleasure of the audience for fascist propaganda was in the combined admiration and contempt for the demagogue, who was not only exalted but also degraded in the viewer’s estimation. When confronted by his friend Karl Jaspers about the Nazi mistreatment of his Jewish wife, Heidegger replied that Hitler had “such wonderful hands.” In this the demagogical “leader” was an object of projective identification for the subject: the subject rehearsed his own overestimation of himself and self-derogation, not merely in sharing the mentality of the propaganda, as both idealized and unworthy, but in recognizing one’s own contemptible character in granting the demagogy a hearing, let alone authority. The pleasure in fascist buffoonery is precisely in its ridiculousness that is nonetheless performed in earnest — with deadly seriousness. This was the authentically democratic basis for fascism — in the psychology of the masses, who, acting precisely as a “mass,” abdicated their actual democratic responsibility for political authority flume.

As Tocqueville put it, in a democracy the people gets the government it deserves. This was rendered paradoxical in modern capitalism, in that the public disavows responsibility for the leaders that it nonetheless elects, in this way reinforcing the authoritarianism one would otherwise deplore: it is what one really wants in the abdication for responsibility that renders one actually contemptible. One’s desire is unworthy. The authoritarian ritual is the rehearsal of this political abdication, what Reich called the “fear of freedom.” In the Frankfurt School’s time, the masses failed to make the revolution, which meant that they deserved the fascist reaction, but felt that they could both blame and punish the revolutionaries for the reaction that followed as well as disclaim responsibility for fascism, feeling “misled” by it. But the point is that they misled themselves, precisely through indulging the paranoiac mentality of fascism in which the narcissistic ego could lose itself, a bitter but nonetheless comforting pleasure of regressing through the dissolution of individual identity in the fascist mass. As Benjamin pointed out, fascism gave the masses an opportunity to “express themselves,” but only by abdicating themselves. This is true not only of fascism, but is endemic in modern politics.

An example from U.S. politics will suffice to demonstrate how this works today, despite the absence of revolutionary political crisis. When the President gives his State of the Union address to Congress and the wider public, he is flanked behind by his Vice President as leader of the Senate and by the Speaker of the House of Representatives. Moreover, the Justices of the Supreme Court as well as the members of Congress are present, with certain hand-picked representatives of the public also in the audience Download Samsung Securities hts.

In each case, the television viewers have audience members in attendance as proxy observers, whose reactions serve as cues. This goes to the most absurd ritual practiced at these events, the applause that punctuates the President’s speech. It is entirely predictable which “side of the aisle” — which representatives of the two parties, Republicans and Democrats — will applaud or give a standing ovation to particular statements in the speech. The rehearsed, mechanical quality of such audience responses demonstrate the political contentlessness of the President’s speech: the reactions are not to the President’s policies but rather to his power; one waits for what the President will say in suspense, but there will be no surprise, or, if something startling is said then this will be in expectation of a stumble rather than a prerogative. There is an embarrassed awkwardness attending such occasions of public power. For it is not the President’s power that is being rehearsed so much as his powerlessness — at least in any substantial matter of change. One expects and responds only to the performance, not the policy. Did the President give a good speech? What were the benchmarks of the speech’s success? Not the President as policy-maker but as speech-giver. The humiliating performance of the President provides for the public’s abasement of the political power to which they are nonetheless subject 답답한 새벽 다운로드. Indeed, whenever unexpected Presidential action is taken, it is almost always unpopular and regarded as a misstep: one thinks of the Iraq invasion and the TARP economic bailout and stimulus measures. The President is radically divided between person and role: the role is granted unrealistic authority; the person debased.

The rating on performance expresses and reinforces the conservatism of such phenomena. One witnesses the drama more or less indulgently towards all the participants; one indulges oneself in the rehearsal, but with a combination of radically opposed values: enthrallment and circumspect distance. One knows that it is merely a performance, but a performance that is granted a spurious substance, like a sports game, with all the passions of fandom. One watches not only the President and his audience, but also oneself, ambivalently. The enigma of power remains intact, its authority unpenetrated. The effects of policy and hence the consequential character of politics remain unclear, and this suits the viewers perfectly well, as it provides solace for their abdication of responsibility. Everyone does what is expected, but no one takes action. The people get the government that they not only actually but importantly feel themselves to deserve, one which simultaneously flatters and humiliates them, and in ways that allow them to hide and lose themselves in the process, disappearing into an anonymous public, which also preserves themselves, narcissistically — allows them to be “subjects” without risking themselves, either psychologically or politically.

In a classic moment for the concerns of Freudian psychoanalysis, the social subject and hence society remains opaque to itself: the therapeutic question, “Why did I do that?” is occluded by the unasked question of politics, “What have we done?” | §

Adorno and Freud

The relation of Freudian psychoanalysis to Marxist critical social theory

Chris Cutrone

ADORNO’S HABILITATIONSSCHRIFT WAS ON KANT AND FREUD.  It ended with Marx.  Why did Adorno think that Marx addressed the problems of both Kantian and Freudian accounts of consciousness?

The distinction between Kant and Freud turns on the psychoanalytic concept of the “unconscious,” the by-definition unknowable portion of mental processes, the unthought thoughts and unfelt feelings that are foreign to Kant’s rational idealism. Kant’s “critical” philosophy was concerned with how we can know what we know, and what this revealed about our subjectivity. Kant’s philosophical “critiques” were investigations into conditions of possibility: Specifically, Kant was concerned with the possibility of change in consciousness. By contrast, Freud was concerned with how conscious intention was constituted in struggle with countervailing, “unconscious” tendencies: how the motivation for consciousness becomes opaque to itself. But like Kant, Freud was not interested in disenchanting but rather strengthening consciousness.

For both Kant and Freud, the greater possibilities for human freedom are to be found in the conquests of consciousness: To become more self-aware is to achieve greater freedom, and this freedom is grounded in possibilities for change. The potential for the qualitative transformation of consciousness, which for both Kant and Freud includes affective relations and hence is not merely about “conceptual” knowledge, underwrites both Kantian philosophy and Freudian psychotherapy.

But both Kantian and Freudian accounts of consciousness became utopian for Adorno. Adorno’s Marxist “materialist” critique of the inadequacies of Kant and Freud was concerned with redeeming the desiderata of their approaches to consciousness, and not simply “demystifying” them. For Adorno, what Kant and Freud both lacked was a critical theory of capital; a capacity for the self-reflection, as such, of the subjectivity of the commodity form. Marx provided this. For Adorno, both Kant and Freud were liable to be abused if the problem of capital was obscured and not taken as the fundamental historical frame for the problem of freedom that both sought to address 산돌 늦봄. What was critical about Kantian and Freudian consciousness could become unwittingly and unintentionally affirmative of the status quo, as if we were already rational subjects with well-developed egos, as if we were already free, as if these were not our tasks. This potential self-undermining or self-contradiction of the task of consciousness that Adorno found in Kant and Freud could be explicated adequately only from a Marxian perspective. When Adorno deployed Freudian and Kantian categories for grasping consciousness, he deliberately rendered them aporetic. Adorno considered Kant and Freud as providing descriptive theories that in turn must be subject to critical reflection and specification — within a Marxian socio-historical frame.

For Adorno, the self-opacity of the subject or, in Freud’s terms, the phenomenon of the “unconscious mental process,” is the expression of the self-contradiction or non-identity of the “subject” in Hegelian-Marxian terms. Because Kantian consciousness is not a static proposition, because Kant was concerned with an account of the possibility of a self-grounded, “self-legislated” and thus self-conscious freedom, Adorno was not arraying Freud against Kant. Adorno was not treating Kant as naïve consciousness, but rather attending to the historical separation of Freud from Kant. Marx came between them. The Freudian theory of the unconscious is, for Adorno, a description of the self-alienated character of the subjectivity of modern capital. Freud can be taken as an alternative to Marx — or Kant — only the degree to which a Marxian approach fails to give adequate expression to historical developments in the self-contradiction of the subjectivity of the commodity form.

One thinker usually neglected in accounts of the development of Frankfurt School Critical Theory is Wilhelm Reich. For Adorno, perhaps the key phrase from Reich is “fear of freedom.”[1] This phrase has a deeper connotation than might at first be apparent, in that it refers to a dynamic process and not a static fact of repression. “Repression,” in Freud’s terms, is self-repression: it constitutes the self, and hence is not to be understood as an “introjection” from without Download Sandoval. The potential for freedom itself produces the reflex of fear in an intrinsic motion. The fear of freedom is thus an index of freedom’s possibility. Repression implies its opposite, which is the potential transformation of consciousness. The “fear of freedom” is thus grounded in freedom itself.

Wilhelm Reich's former laboratory, now a museum dedicated to the memory of his work, in Rangeley, Maine.

Reich derived the “fear of freedom” directly from Freud. Importantly, for Freud, psychopathology exists on a spectrum in which the pathological and the healthy differ not in kind but degree. Freud does not identify the healthy with the normal, but treats both as species of the pathological. The normal is simply the typical, commonplace pathology. For Freud, “neurosis” was the unrealistic way of coping with the new and the different, a failure of the ego’s “reality principle.” The characteristic thought-figure here is “neurotic repetition.” Neurosis is, for Freud, fundamentally about repetition. To free oneself from neurosis is to free oneself from unhealthy repetition. Nonetheless, however, psychical character is, for Freud, itself a function of repetition. The point of psychoanalytic therapy is not to eliminate the individual experience that gives rise to one’s character, but rather to allow the past experience to recur in the present in a less pathological way. This is why, for Freud, to “cure” a neurosis is not to “eliminate” it but to transform it. The point is not to unravel a person’s psychical character, but for it to play out better under changed conditions. For it is simply inappropriate and impractical for a grown person to engage adult situations “regressively,” that is, according to a pattern deeply fixed in childhood. While that childhood pattern cannot be extirpated, it can be transformed, so as to be better able to deal with the new situations that are not the repetition of childhood traumas and hence prove intractable to past forms of mastery 찬송가 파워포인트. At the same time, such forms of mastery from childhood need to be satisfied and not denied. There is no more authoritarian character than the child. What are otherwise “authoritarian” characteristics of the psyche allow precisely these needs to be satisfied. “Guilt,” that most characteristic Freudian category, is a form of libidinal satisfaction. Hence its power.

Perhaps the most paradoxical thought Reich offered, writing in the aftermath of the 1933 Nazi seizure of power, was the need for a Marxian approach to attend to the “progressive character of fascism.” “Progressive” in what sense? Reich thought that Marxism had failed to properly “heed the unconscious impulses” that were otherwise expressed by fascism. Fascism had expressed the emergence of the qualitatively new, however paradoxically, in the form of an apparently retrograde politics. Reich was keen to point out that fascism was not really a throwback to some earlier epoch but rather the appearance of the new, if in a pathological and obscured form. Walter Benjamin’s notion of “progressive barbarism” similarly addressed this paradox, for “barbarism” is not savagery but decadence.

Reich thought that learning from Freud was necessary in the face of the phenomenon of fascism, which he regarded as expressing the failure of Marxism. It was necessary due to Freud’s attention to expanding and strengthening the capacity of the conscious ego to experience the new and not to “regress” in the neurotic attempt to master the present by repeating the past. Freud attended to the problem of achieving true, present mastery, rather than relapsing into false, past forms. This, Freud thought, could be accomplished through the faculty of “reality-testing,” the self-modification of behavior that characterized a healthy ego, able to cope with new situations. Because, for Freud, this always took place in the context of, and as a function of, a predominantly “unconscious” mental process of which the ego was merely the outmost part and in which were lodged the affects and thoughts of the past, this involved a theory of the transformation of consciousness. Because the unconscious did not “know time,” transformation was the realm of the ego-psychology of consciousness.

For Reich, as well as for Benjamin and Adorno, from the perspective of Marxism the Freudian account of past and present provided a rich description of the problem of the political task of social emancipation in its subjective dimension 나 혼자 레벨업 다운로드. Fascism had resulted from Marxism’s failure to meet the demands of individuals outpaced by history. Reich’s great critique of “Marxist” rationalism was that it could not account for why, for the most part, starving people do not steal to survive and the oppressed do not revolt.

By contrast, in the Freudian account of emancipation from neurosis, there was both a continuity with and change from prior experience in the capacity to experience the new and different. This was the ego’s freedom. One suffered from neurosis to the degree to which one shielded oneself stubbornly against the new.  This is why Freud characterized melancholia, or the inability to grieve, as a narcissistic disorder: it represented the false mastery of a pre-ego psychology in which consciousness had not adequately distinguished itself from its environment. The self was not adequately bounded, but instead engaged in a pathological projective identification with the object of loss. The melancholic suffered not from loss of the object, but rather from a sense of loss of self, or a lack of sense of self. The pathological loss was due to a pathological affective investment in the object to begin with, which was not a proper or realistic object of libidinal investment at all. The melancholic suffered from an unrealistic sense of both self and other.

In the context of social change, such narcissism was wounded in recoil from the experience of the new. It thus undermined itself, for it regressed below the capacities for consciousness. The challenge of the new that could be met in freedom becomes instead the pathologically repressed, the insistence on what Adorno called the “ever-same.” There is an illusion involved, both of the emergently new in the present, and in the image of the past.[2] But such “illusion” is not only pathological, but constitutive: it comprises the “necessary form of appearance,” the thought and felt reality of past and present in consciousness. This is the double-movement of both the traumatically new and of an old, past pathology. It is this double-movement, within which the ego struggles for its very existence in the process of undergoing change within and without that Adorno took to be a powerful description of the modern subject of capital. The “liquidation of the individual” was in its dwindling present, dissolved between past and future. The modern subject was thus inevitably “non-identical” with itself 안철수 바이러스. Reich had provided a straightforward account of how accelerating social transformations in capital ensured that characteristic patterns of childhood life would prove inappropriate to adult realities, and that parental authority would be thus undermined. Culture could no longer serve its ancient function.

Freud’s account of the “unconscious mental process” was one salient way of grasping this constitutive non-identity of the subject. Freud’s ego and id, the “I” and “it” dimensions of consciousness, described how the psychical self was importantly not at one with itself. For Adorno, this was a description not only of the subject’s constraint but its potential, the dynamic character of subjectivity, reproductive of both a problem and a task.

In his 1955 essay “Sociology and Psychology,” Adorno addressed the necessary and indeed constitutive antinomy of the “individual” and “society” under capital. According to Adorno, there was a productive tension and not a flat contradiction between approaches that elaborated society from the individual psyche and those that derived the individual from the social process: both were at once true and untrue in their partiality. Adorno’s point was that it was inevitable that social problems be approached in such one-sided ways. Adorno thus derived two complementary approaches: critical psychology and critical sociology. Or, at a different level, critical individualism and critical authoritarianism. Under capital, both the psychical and social guises of the individual were at once functionally effective and spurious delusional realities. It was not a matter of properly merging two aspects of the individual but of recognizing what Adorno elsewhere called the “two torn halves of an integral freedom to which however they do not add up.” It was true that there were both social potentials not reducible to individuals and individual potentials not straightforwardly explicable from accounts of society.

The antagonism of the particular and the general had a social basis, but for Adorno this social basis was itself contradictory. Hence there was indeed a social basis for the contradiction of individual and society, rather than a psychical basis, but this social basis found a ground for its reproduction in the self-contradiction of the psychical individual 스모킹 에이스. A self-contradictory form of society gave rise to, and was itself reproduced through, self-contradictory individuals.

The key for Adorno was to avoid collapsing what should be critical-theoretical categories into apologetic or affirmative-descriptive ones for grasping the individual and society. Neither a social dialectic nor a split psyche was to be ontologized or naturalized, but both required historical specification as dual aspects of a problem to be overcome. That problem was what Marx called “capital.” For Adorno, it was important that both dialectical and psychoanalytic accounts of consciousness had only emerged in modernity. From this historical reality one could speculate that an emancipated society would be neither dialectical nor consist of psychological individuals, for both were symptomatic of capital. Nevertheless, any potential for freedom needed to be found there, in the socially general and individual symptoms of capital, described by both disciplines of sociology and psychology.

Hence, the problem for Adorno was not a question of methodology but of critical reflexivity: how did social history present itself through individual psychology (not methodological individualism but critical reflection on the individuation of a social problem). The “primacy” of the social, or of the “object,” was, for Adorno, not a methodological move or preferred mode of analysis, let alone a philosophical ontology, but was meant to provoke critical recognition of the problem he sought to address.

In his speech to the 1968 conference of the German Society for Sociology, titled “Late Capitalism or Industrial Society?,” Adorno described how the contradiction of capital was expressed in “free-floating anxiety.” Such “free-floating anxiety” was expressive of the undermining of what Freud considered the ego-psychology of the subject of therapy. Paranoia spoke to pre-Oedipal, pre-individuated problems, to what Adorno called the “liquidation of the individual.” This was caused by and fed into the further perpetuation of authoritarian social conditions Download the Flash Player Debugger.

For Adorno, especially as regards the neo-Freudian revisionists of psychoanalysis as well as post- and non-Freudian approaches, therapy had, since Freud’s time, itself become repressive in ways scarcely anticipated by Freud. Such “therapy” sought to repress the social-historical symptom of the impossibility of therapy. Freud had commented on the intractability of narcissistic disorders such as melancholia, but these had come to replace the typical Freudian neuroses of the 19th century such as hysteria. The paranoiac-delusional reality of the authoritarian personality had its ground of truth, a basis, in society. The “fear of freedom” was expressed in the individual’s retreat from ego-psychology, a narcissistic recoil from an intractable social reality. Perhaps this could be recognized as such. This, for Adorno, was the emancipatory potential of narcissism.

In his essay “Freudian Theory and the Pattern of Fascist Propaganda” (1951), Adorno characterized the appeal of fascist demagogy precisely in its being recognized by its consumers as the lie that one chooses to believe, the authority one spites while participating in it by submitting to it in bad faith. This was its invidious power, the pleasure of doing wrong, but also its potential overcoming. An antisocial psychology, not reducible to the sociopathic, had been developed which posed the question of society, if at a different level than in Freud’s time. It was no longer situated in the “family romance” of the Oedipal drama but in society writ large. But this demanded recognition beyond what was available in the psychotherapeutic relationship, because it spoke not to the interaction of egos but to projective identification among what Freud could only consider wounded narcissists. For Adorno, we are a paranoid society with reason.

There had always been a fine line between therapy, providing for an individual’s betterment through strengthening the ego’s “reality principle,” and adaptation to a bad social reality. For Adorno, the practice of therapy had come to tip the balance to adaptation — repression. The critical edge of Freudian psychoanalysis was lost in its unproblematic adoption by society — in its very “success.” Freudian psychoanalysis was admitted and domesticated, but only the degree to which it had become outmoded. Like so much of modernism, it became part of kitsch culture. This gave it a repressive function.  But it retained, however obscurely, a “utopian” dimension: the idea of being an ego at all download mpeg4. Not the self constituted in interpellation by authority, but in being for-itself.

After Freud, therapy produced, not problematic individuals of potential freedom, but authoritarian pseudo-individuals of mere survival. For Freud it was the preservation of the individual’s potential for self-overcoming and not mere self-reiteration that characterized the ego. For Adorno, however, the obsolescence of Freudian ego-psychology posed the question and problem of what Adorno called “self-preservation.” For Adorno, this was seen in individuals’ “unworthiness of love.”

If psychoanalytic therapy had always been above all pragmatic, had always concerned itself with the transformation of neurotic symptoms in the direction of better abilities to cope with reality, then there was always a danger of replacing neuroses with those that merely better suited society. But if, as Freud put it early on (in “The Psychotherapy of Hysteria,” in Studies on Hysteria), as a result of psychotherapy the individual finds herself pressing demands that society has difficulty meeting, then that remained society’s problem. It was a problem for the individual, but not simply of or “with” the individual. Freud understood his task as helping a neurotic to better equip herself for dealing with reality, including, first and foremost, social realities — that is, other individuals. Freud recognized the challenge of psychoanalysis. It was not for Freud to deny the benefits of therapy even if these presented new problems. Freud conceived psychical development as an open-ended process of consciousness in freedom.

The problem for Adorno was how to present the problem of society as such. Capital was the endemic form of psychology and not only sociology. What was the psychological basis for emancipatory transformation? For the problem was not how the individual was to survive society, but rather how society would survive the unmet demands presented by its individuals — and how society could transfigure and redeem the suffering, including psychically, of individual human beings.  These human beings instantiated the very substance of that society, and they were the individuals who provided the ground for social transformation.

An emancipated society would no longer be “sociological” as it is under capital, but would be truly social for the first time. Its emancipated individuals would no longer be “psychological,” but would be truly “individual” for the first time 크롬 캐스트 앱. They would no longer be merely derivative from their experience, stunted and recoiled in their narcissism. In this sense, the true, diverse individuation, what Adorno called “multiplicity,” towards which Freudian psychoanalytic therapy pointed, could be realized, freed from the compulsions of neurotic repetition, including those of prevailing patterns of culture. At the same time, the pathological necessity of individual emancipation from society would be overcome. Repetition could be non-pathological, non-repressive, and elaborated in freedom. The self-contradiction of consciousness found in the Freudian problematic of ego-psychology, with its “unconscious mental process” from which it remained alienated, would be overcome, allowing for the first time the Kantian rationalism of the adequately self-aware and self-legislating subject of freedom in an open-ended development and transformation of human reason, not as a cunning social dialectic, but in and through individual human beings, who could be themselves for the very first time. | §

Originally published in The Platypus Review #24 (June 2010). An earlier draft was presented on the panel “Hybridizing Critical and Psychoanalytic Theory,” with panelists Julie Walsh (University of Cambridge), Tim Jung (Loyola University Chicago) and Andrew J. Pierce (Loyola University Chicago), at the 7th annual Social Theory Forum: Critical Social Theory: Freud and Lacan for the 21st Century, University of Massachusetts, Boston, April 7, 2010.

1. Wilhelm Reich, “Ideology as a Material Force,” in The Mass Psychology of Fascism (1933/46), trans. Vincent Carfagno (New York: Farrar, Straus and Giroux, 1970), 31. All references to Reich in what follows are from this text.

2. See Robert Hullot-Kentor, Things Beyond Resemblance: Collected Essays on Theodor W. Adorno (New York, Columbia University Press, 2006), 83:

[Siegfried] Kracauer . . . pointed out [in his review of Adorno’s Kierkegaard: Construction of the Aesthetic] that . . . [Adorno’s] methodology derived from the concept of truth developed by Benjamin in his studies of Goethe and the Baroque drama: “In the view of these studies [i.e., Benjamin’s] the truth-content of a work reveals itself only in its collapse 아부의왕. . . . The work’s claim to totality, its systematic structure, as well as its superficial intentions share the fate of everything transient, but as they pass away with time the work brings characteristics and configurations to the fore that are actually images of truth.” This process could be exemplified by a recurrent dream: throughout its recurrences its images age, if imperceptibly; its historical truth takes shape as its thematic content dissolves. It is the truth-content that gives the dream, the philosophical work, or the novel its resilience. This idea of historical truth is one of the most provocative rebuttals to historicism ever conceived: works are not studied in the interest of returning them to their own time and period, documents of “how it really was,” but rather according to the truth they release in their own process of disintegration.