Chris Cutrone with Theory Pleeb on Lenin and Adorno (video and audio recordings)

스케치업 프로

Chris Cutrone is back to answer the pleeb’s questions in Why Lenin and Adorno 위키독스? Chris Cutrone is the founder of Platypus Affiliated Society and he thinks that for there to ever be a Left again there are certain lessons we must learn from Lenin and Adorno postgresql odbc 다운로드. We’re going to try to figure out what that is in this stream.

sims 4 studio 다운로드 Download Jang Kye-hyun's farewell

Chris Cutrone

Chris Cutrone is a college educator, writer, and media artist, committed to critical thinking and artistic practice and the politics of social emancipation. ( . . . )

Articles by month

Article dates

July 2022

Chris Cutrone with Doug Lain on Debord, Lenin, Adorno and Marxism on history (video recording)

Download Ubuntu git

This week’s Pop the Left was set up as a conversation about Guy Debord and the errors of the Situationist Internationale but ended up being a conversation about the sexual revolution, Roe vs Download Thirsty Deer. Wade, and the question of the party. As always, Chris Cutrone pushes against the current limits of “left” politics on this week’s Pop the Left Download InterestTalk.

3dmark 다운로드 휴먼 옛체

Chris Cutrone with Doug Lain on art and capitalism (video and audio recordings)

Download NotePad Plus

Chris Cutrone of the Platypus Affiliated Society joins Douglas Lain of Diet Soap/Sublation Media to discuss Clement Greenberg’s 1939 essay “Avant-Garde and Kitsch.” This is a follow up to the 2/3/22 Critical Cuts video “Are NFTs Revolutionary?,” but Cutrone also offers a defense of Greenberg, discusses the limits of the SI, and wonders if it’s time for the Left and the working class to “realize the Spectacle.” Cutrone stays past the hour to discuss his art career and how it ended ezpdf reader 3.0 다운로드. Are all Marxists secretly would-be artists? Are all artists secretly would-be Marxists?

Download it to ddrive Download the sound effects 한여름밤의 꿀

This is Revolution 12/2/21 podcast with Chris Cutrone (video and audio recordings)

Chris Cutrone interviewed by Jason Myles, Pascal Robert, Djene Bajalan and Kuba Wrzesniewski for This is Revolution podcast. 

In recent articles in the Platypus Review, titled “Paths to Marxism” and “The Dictatorship of the Proletariat and the Death of the Left,” Chris Cutrone wrote: “Today, the ostensible ‘Left’ — the avowed ‘socialists’ — have abandoned the goal of the dictatorship of the proletariat, either in words or in fact, the latter by reinterpreting the dictatorship of the proletariat to mean the governing of capitalism by sociologically working-class political parties in a welfare-state or so-called ‘social democracy’.” What is the dictatorship of the proletariat Download windows 10 preview? Why is it a critical concept for Marxists? And why has it been ‘abandoned’ by the contemporary left?

Chris Cutrone

Chris Cutrone is the original lead organizer of the Platypus Affiliated Society and the Campaign for a Socialist Party and teaches at the School of the Art Institute of Chicago and the Institute for Clinical Social Work Wavewidth streaming. @ccutrone1970

About TIR

Thank you, guys, again for taking the time to check this out 네이트온 맥 다운로드. We appreciate each and every one of you. If you have the means, and you feel so inclined, BECOME A PATRON! We’re creating patron-only programming, you’ll get bonus content from many of the episodes, and you get MERCH 톰캣 7! Become a patron now:…

Please also like, subscribe, and follow us on these platforms as well, especially YouTube Download theqoo YouTube! THANKS Y’ALL


Twitch: & Facebook:…

Twitter: @TIRShowOakland

Instagram: @thisisrevolutionoakland

Pascal Robert in Black Agenda Report:…

Get THIS IS REVOLUTION Merch here: Get the music from the show here: Follow Djene Bajalan @djenebajalan Follow Kuba Wrzesniewski @DrKuba2


Paths to Marxism

Chris Cutrone

Platypus Review 142 | December 2021/January 2022

MY PRINCIPAL TEACHERS IN MARXISM were the Spartacist League, Adolph Reed and Moishe Postone — Theodor Adorno was also a crucial teacher, through his writings, which Reed had pointed me towards when we met up in Chicago after I graduated from college. The title of this essay is an homage to Adolph’s own “Paths to Critical Theory,” which narrates his political and theoretical coming to consciousness. I first met Reed when I was in college at Hampshire, in the same entering class as his son Touré, and when I was already a member of the Spartacus Youth Club, the youth group of the orthodox Trotskyist Spartacist League.

High school

I had previously considered myself to be a “Marxist” after having read the Communist Manifesto and other random, miscellaneous writings by Marx (also Ernest Mandel’s Revolutionary Marxism Today) in high school. I had been equivocal about the Russian Revolution and Lenin, but felt predisposed towards respecting Trotsky as a dissident figure — I had been taught not only George Orwell’s 1984 but Animal Farm as well: Emmanuel Goldstein and Snowball were sympathetic if tragic figures. But it was really Marx who got me.

I was a “Leftist” activist in high school during the 1980s, protesting against local anti-black racism (housing discrimination) and in solidarity with Central American movements and the anti-Apartheid movement in South Africa. I was surrounded by Catholic Worker, Quaker (American Friends Service Committee) and Secular Humanist adult activists on Long Island, but I occasionally encountered “Marxist” Leftist organizations at demonstrations in New York City. My family was apolitical or otherwise conservative. Of all my friends, only one had any “Leftist” background of any kind: his parents were Irish immigrants of the Catholic Worker Liberation Theology variety and his older sister supplied us with “Left” literature as well as music listening recommendations (Depeche Mode, New Order, et al).

In my solidarity work on Central America and South Africa, I met émigré refugee militants who told me melancholically that “socialism is impossible” because “American workers voted for Ronald Reagan.”


By the time I was applying to college, my high school boyfriend discovered Hampshire College, to which we both applied and attended together Download iTunes 64-bit. It was during our first year that we met the Spartacist League at the nearby University of Massachusetts at Amherst. Actually, a mutual friend had first met them and asked us to attend a meeting between them and her, because as “Marxists” we could help her evaluate them: Were they for real? She was unmoved but we were interested and became contacts.

The Spartacist League provided my first real education in Marxism. One of the first things I read by them was their Lenin and the Vanguard Party pamphlet from 1978, which greatly impressed me. (My first serious college course paper was on Rosa Luxemburg’s critique of Lenin, rebutting the usual anti-Lenin misreadings of Luxemburg.) Soon after, they had me read Cliff Slaughter’s 1960 essay “What is revolutionary leadership?,” whose oblique reference to Lukács’s History and Class Consciousness I filed for a later date — I had already read Gramsci by that point in college and was intrigued but not exactly convinced by his arguments. Adolph said that the problem with Gramsci was that “he means all things to all people.” The Spartacists said simply that Gramsci was a Stalinist.

At this time the Fall of the Berlin Wall and uprisings in Eastern Europe and the USSR were taking place — the Soviet dissident Boris Kagarlitsky was an invited guest speaker at Hampshire College, who I distinctly recall telling me point-blank that there was no point to Marxism which was an outdated ideology of industrialization (when I asked him about this almost 30 years later, he denied ever saying such a thing, he claimed because he never believed it — perhaps it was someone else?).

With the Spartacist League I attended speeches with Q&A discussions by Noam Chomsky and Michael Harrington, with whom I was otherwise not acquainted. The Spartacists’ provocative questions from the audience prompted Chomsky and Harrington to articulate their anti-Leninism — their anti-Marxism: Chomsky rehearsed his condemnation of the Bolsheviks for allegedly hijacking and dominating the Russian Revolution; Harrington sarcastically confessed that, yes, he “killed Rosa Luxemburg,” with a cynicism that turned me off completely. I later came to respect Harrington more through his writings, and, if not Chomsky himself, at least anarchism to some degree, mostly through the classical writings — I had met Murray Bookchin in high school at New York City’s anarchist book store, when he came storming out of the back office to scold me after hearing me ask if they had any books by Lenin: I swear he yelled at me, “Listen, Marxist!”

The Spartacists introduced me to various different social and political realities, through activity in their locals on the East Coast. They had me do various manual labors as proof of my “proletarian” affinities, in addition to selling their newspaper Workers Vanguard weekly. For instance, I was required to do my bit cleaning the bathrooms and scrubbing the floors of their fortified international headquarters in New York’s financial district, as well as paying regular dues and contributing to various fundraising efforts Longman pre-download. They resented my need as a working class student to work in the summer as well as work-study jobs to help pay my tuition and other expenses at Hampshire, asking, “Couldn’t your parents just give you the money?” (No, they couldn’t.) We attended a strike at the New York Daily News newspaper, where a union shop steward carried a pistol openly in his hip holster to defend against scabs, while across the street a police sniper was set up on the roof overlooking the picket line. At a demonstration against something or other in Manhattan, the Borough President Ruth Messinger showed up — the Spartacists pointed her out as a prominent member of the DSA (Democratic Socialists of America): I saw a villain.

The big issues of the day were things like the Crown Heights anti-Semitic riots over a black child struck and killed accidentally by a Hasidic Jewish motorcade, and City College of New York’s Professor Leonard Jeffries teaching students that whites were “ice people” and blacks “sun people.” A Latino gay Spartacist member with whom I was acquainted was stabbed while selling WV on the campus of Howard University by a Nation of Islam supporter, because the Spartacists pointed out that Louis Farrakhan had called for Malcolm X’s death after Malcolm had broken with Elijah Muhammad. My friends and I had read Alex Haley’s The Autobiography of Malcolm X (as well as Black Panther Eldridge Cleaver’s Soul on Ice) and watched all the Roots series on television. Public Enemy and NWA kept the memory alive.

Chris Hani of the South African Communist Party spoke at UMass and said that the “wind of democracy blowing through Eastern Europe should come to South Africa” — upon his return to South Africa a Polish immigrant gunned him down outside his suburban home. I was shocked and appalled by both his speech and his murder. — Later, I would meet Nelson Mandela of the ANC (African National Congress), Jay Naidoo of COSATU (Congress of South African Trade Unions) and other famous anti-Apartheid political figures, when I visited South Africa for their first Gay and Lesbian Film Festival with a delegation of American and British filmmakers, including Isaac Julien, Barbara Hammer and others, in 1994. At a reception dinner, I got Mandela to inform my fellow travelers, who were otherwise drunk on rhetoric, that the end of Apartheid in South Africa was “not a revolution,” which anyhow would only provoke a civil war and U.S. invasion. At the time, Mandela’s ANC was engaged in fierce bloody street battles against Chief Buthelezi’s Inkatha Freedom Party of Zulu nationalists. I was critical but sympathetic to Mandela: at least he didn’t lie.

I met Adolph Reed when he visited Hampshire, as back then he was not so far away in New Haven at Yale Windows 7 oem. I had written to him in response to an op-ed in Long Island’s Newsday I read on the problem of black student activists’ demands on campus — at first, I had no idea he was a Marxist, though the Spartacists informed me that he was and spoke admiringly of his work. Adolph wrote back and said we could meet when he next came up to Hampshire.

I had read Horkheimer and Adorno’s “The Culture Industry” chapter of Dialectic of Enlightenment in a Media Studies course at Hampshire, but it didn’t leave much impression on me — I was much more influenced by Stuart Hall and Raymond Williams in that context. It wasn’t until after I graduated that I started reading the Frankfurt School in earnest, and not until I was a graduate art student in Chicago that I read Adorno’s writings with any seriousness — in order for Adorno to help defend my Marxism against the postmodernism I was encountering for the first time: my Hampshire professor Margaret Cerullo, a friend of Adolph Reed and editor of the legacy SDS (Students for a Democratic Society) journal Radical America, had said to me discouragingly that, while her education was in Marxism (she later told me when applying for graduate study that “the Frankfurt School is like a second skin” to her, but no one was interested anymore, so why would I want to pursue such things?), perhaps now Foucault was more relevant; and anyway weren’t the Spartacists an FBI COINTELPRO operation?

Adolph Reed spoke on campus and made a special visit to my class taught by Margaret Cerullo and Carollee Bengelsdorf. The following week after Adolph spoke, some (white) students in class complained about him as an “African-American who was interested in an obscure 19th century Jewish philosopher (Marx).” When my professors failed to challenge this, saying, “That’s a good question,” I stood up to defend both Adolph and Marx, shouting, “No, it’s not!”

The anti-war movement around the Gulf War U.S. intervention against the Iraqi invasion and occupation of Kuwait was a key moment for me. The utter futility of the protests, which were met by counter-protesters with lurid signage against “Sodom Insane” (Iraqi Baathist leader Saddam Hussein) charging anti-war marchers with American flagpoles wielded as weapons, seemingly permitted to pass through police lines to do so, left me dejected as President George H.W. Bush declared, unhindered, the “New World Order.”

By the time I graduated from Hampshire in 1993, I was done with the “Left” — but not with Marxism. Events of my final year in 1992 — the “Left” protesting of the quint-centenary of the Columbian Discovery, the Los Angeles riots against the acquittal of the police who beat Rodney King that the “Left” called a “rebellion,” and the election of William Jefferson Clinton after 12 years of Republican Presidents, which was met with jubilation by my fellow “Left” students as well as by our “Leftist” professors at Hampshire — convinced me that my moment was not apt for Marxism or socialism. I was depressed that the world seemed forever frozen and stuck in a dead-end 1960s New Left framework that I could not abide. During the Rodney King protests, I witnessed black students take over an administration building at Hampshire, but proceed to kick out first the white students, then the non-black students of color and finally the black women for supposedly not sharing the plight of black men’s abuse by police. When soon afterwards the Spartacists decided to try to “break” me with accusations of “petit bourgeois intellectualism,” I had had enough.

Richard Rubin, an acquaintance from the Hampshire Spartacus Youth Club chapter, and I kept alive the idea of trying to carry on the Spartacists’ outlook without their organizational insularity and paranoia: we toyed with the idea of starting a “Leviné League,” named after the martyr of the 1919 Bavarian Workers Republic, Eugen Leviné, but it amounted to nothing 유튜브 구입한 동영상. All the former Hampshire Spartacus Youth members I had recruited except me and Richard scattered to the wind. We maintained our subscriptions to Workers Vanguard. I dutifully checked in with the Chicago local — and reunited with Richard, who had always kept his distance from the Spartacists as an avowed heterodox “Menshevik Centrist” — when I moved there. But I settled depoliticized into the 1990s Clinton regime, struggling to make my way in the world as a young adult.


I became a video artist and publicly continued to avow and promulgate my Marxism — mostly through quotations from Adorno’s cultural-critical writings in artist statements — but this made me into more of a curiosity than a militant ideologue in the art world. I met the poet Reginald Shepherd, who was the first to recommend Adorno’s Aesthetic Theory (as well as his Notes to Literature) to me — Adolph had recommended Negative Dialectics, Minima Moralia and Prisms. Reginald told me that Adorno would cure me of my Marxism, but ended up only confirming it — and deepening it. I became convinced I had to read everything by Adorno — eventually, I realized I must write a dissertation on Adorno, on his Marxism.

Eventually, I earned first my Master of Fine Arts from the School of the Art Institute of Chicago (SAIC) and my Masters and PhD from the University of Chicago, launching my teaching career, first as a graduate student, and then thereafter, up to the present.

At SAIC, I studied in the Video Department, which was staffed with avowedly “Marxist” professors, one of whom had made a documentary on Mumia Abu-Jamal that the Spartacists used to promote Mumia’s case. — I recall vividly attending with the Spartacists a “Free Mumia!” rally in Philadelphia, which was denounced by the local Fraternal Order of Police head, who said on TV that we protesters should be put on an “electric couch” to join in Mumia’s execution. But my art work was accused of being “too aesthetic” by my professors and fellow students at SAIC. The separate Film Department was also staffed by “Marxist” filmmakers but was regarded by the Video Department as being too interested in art as opposed to “politics.” But I knew the difference between politics and art 원펀맨 1기.

During this time of the mid-1990s, I met and became friends with the up-and-coming “New / Post-Black Black Artists” such as Isaac Julien, Glenn Ligon and others, as well as meeting the faculty at the new Harvard University department organized by Henry Louis Gates Jr., such as Cornel West, Kwame Anthony Appiah, Paul Gilroy, Homi Bhabha and others — including meeting Stuart Hall on a visit — when Isaac Julien was teaching there (in New York, Isaac introduced me to bell hooks, who objected to my existence). As an artist, I spoke individually and on panels about — dissenting against — racial and sexual identity, at film festivals, art museums and galleries, and colleges and universities around the world.

Many conversations about Marxism were had: the consensus was that it was finished.

Back in Chicago, I was living through the brunt of neoliberal capitalism. I participated marginally in Adolph’s anti-Clintonite Labor Party USA organizing, meeting his local colleagues in the venture (mostly Maoist labor union activists). I made my skepticism about the Labor Party clearly known to Adolph, and suggested that we should be working towards a socialist party instead. He said that I sounded like the “Trotskyite sectarians” he was struggling against in the Labor Party — the ISO (International Socialist Organization), Solidarity, and others — and accused me of being “too abstractly theoretical” in my politics. The Labor Party USA project seemed to me to be just Democrats dissenting against Clintonism. He was opposed to running Labor Party candidates against Democrats — he didn’t want to be a spoiler. Nonetheless, he called for voting for the Green Party’s Ralph Nader against Al Gore for President in 2000 — and regretted it ever since. Adolph amused me driving around Chicago: just missing an open parking space, he would exclaim, “Racist yuppies!” He introduced me through the Labor Party activities in Chicago to his then-girlfriend, Stephanie Karamitsos, a PhD student at Northwestern University, with whom I bonded as a fellow artist, reading and discussing Adorno widely and at great length.

Adolph is a follower of the later “council communist” Karl Korsch and of thinkers who were students of the later Lukács such as Istvan Meszaros and others such as Karel Kosik, whose book Dialectics of the Concrete Adolph opposed to the alleged bad “idealism” of the Frankfurt School. Both the later Korsch and Lukács had turned away from their Hegelian Marxism circa 1917 towards “materialism.” In Korsch’s case this meant turning against Lenin and ultimately against Marxism as a whole — including Marx — because of their alleged “bourgeois elitism and vanguardism” contra the working class. Adolph disliked Trotskyism on this basis. He worked out a very elaborate argument concerning this issue in his book on W.E.B. Du Bois on which he was working when I was in my period of closest contact with him.

Adolph ascribed my resistance to his Labor Party USA project to my supposed “abstract idealism” that he attributed to my Trotskyism and strong affinity for Adorno. It was precisely Adorno who, in his Negative Dialectics, had helped me sort out the vexed issue of “materialism vs. idealism” in Marxism, which he taught me to see as a historical symptom of the defeat of the revolution rather than a matter of ahistorical principle as Adolph and others did. There was no need to raise the failure of Lenin and Trotsky to achieve socialism through the Russian Revolution to a matter of principle; indeed, Adorno taught me that it was important to remember them and Marxism against the grain of subsequent history, as an important attempt not easily explained away.

In addition to working various odd jobs — for instance at Kinko’s photocopy shop, where I met a couple of young Zapatista militants visiting Chicago who came in with literature to print, and including as support staff for engineers at the local Shure Electronics factory, drafting assembly-line instructions for workers (mostly Mexican women) there as well as at their sister location across the border in Juarez — I taught film and video production to aspiring workers in the media industry at Columbia College in Chicago.

Meanwhile, local “Leftist” activists were protesting against “big box stores” such as Borders Books and Walmart, Target, et al, trying to defend local businesses from them — I saw them rather as opportunities for organizing — and shopping — for the working class. Adolph said of mom-and-pop stores that “exploitation begins at home.” Cynical city aldermen would hire insta-crowds to picket the stores. I encountered race-baiting at the NGO level with local arts and media “Left” organizations descended from the 1970s–80s post-New Left cultural activist scene, which lost their government funding and, seeking private foundation support, were attacked for being too “white” — and promptly confessed their guilt and disappeared, leaving a void artistically, culturally and politically. It was the end of an era.

At the time of the O.J. Simpson trial, Adolph pointed out that single cases never serve well as rallying-points politically because the facts are always complicated and reality is not symbolic or allegorical, though the capitalist politicians and news media try to make it so. About Simpson himself, Adolph observed that “even a guilty man can be framed” and the police frame people, innocent or guilty, routinely. O.J. was found not guilty, though he was not innocent. I learned later as a victim of crime that the trial court, if not the criminal justice system as a whole, exists — at least ostensibly — for the benefit of the accused defendant against the state — as it should be. The police are there not to protect society against crime but to enforce the law; and prosecutors try to win cases, not achieve justice — which cannot be found in court anyway, especially not in capitalism. A bitter truth, but true nonetheless. — Life is not a morality play.

Graduate school

At the University of Chicago, I again met my Irish-American high school friend, who was then finishing his PhD in Musicology, writing a dissertation on Weimar Republic popular music, and who told me that a German professor had said that unless one is a native German language speaker one can never truly understand Adorno. He studied German, found a German boyfriend and relocated there, claiming his Irish citizenship in the EU. Before parting, he warned me against studying with Moishe Postone because Postone didn’t tolerate any dissent from his students — I ignored his advice and became Moishe’s student anyway. Adolph warned me archly that Moishe was perhaps too “tribal” — a veiled reference to Moishe’s (famous, but as-yet unknown to me) criticisms of Palestinian solidarity and “anti-Zionist Leftism.” For his part, Moishe said that, while he appreciated Adolph’s work a great deal, he found it too “angular:” Moishe couldn’t countenance Adolph’s fierce criticisms of black Democrat politicians.

Before studying with Moishe, I first took Adolph’s friend Kenneth Warren’s courses in African-American literary history and theory at the University of Chicago, and Ken became one of my advisors, eventually serving as my dissertation chair. My dissertation was on Adorno, and when a professor, editor of a prestigious critical theory journal, heard my subject of study, he exclaimed, incredulously, “I didn’t know Adorno was gay!,” to which I replied that as far as I knew he wasn’t — I certainly hoped he wasn’t. Who knows what he thought of Ken chairing my committee?

I started out as an Art History — Media Studies — student, and earned the ire of the department chair when I corrected a fellow student’s misreading of Walter Benjamin’s essay on “The Work of Art in the Age of Mechanical Reproduction” as a culturally conservative rejection of modern mass media rather than a dialectical critique, which the chair blamed me for the student, the one black member of our cohort, eventually dropping out — he cut me from the program as punishment. Or perhaps it was for another reason: when discussing my Masters thesis on Benjamin, the chair chastised me that Lenin and Trotsky relished “killing the innocent as well as the guilty” — I learned later that he was an ex-Marxist.

At Univ. Chicago, I took courses with the Hegel scholar Robert Pippin, who had been a member of the SDS (Students for a Democratic Society) in the 1960s and became an acolyte of Marcuse when he taught at University of California at San Diego. We conversed in and out of class on issues of German Idealism and Marxism, with Adorno and Benjamin figuring prominently. The question regarding Hegel and Marx was the philosophy of freedom.

The Marxist literary critic Fredric Jameson once replied to a question I posed at a Univ. Chicago event about his account of Flaubert’s novel Madame Bovary — that perhaps it was about freedom and not merely happiness — that “freedom is a Right-wing concept.” Adolph responded to my question in a graduate student colloquium he co-taught with Ken on the history of anti-black racism in the U.S., regarding the issue with the Taft-Hartley Act of official government-recognized labor unions as a historical gain or setback for workers, that “freedom is in the eye of the beholder,” a version of the usual Leftist “freedom for who?” dismissal of the question of social freedom — the freedom of society as a whole, over which Marxists such as Lenin and Adorno considered capitalism to be dominating as an impersonal force, affecting all of its members.

As Postone did later, Pippin confessed that he felt he “couldn’t really understand” Benjamin and Adorno, which made sense to me as ignorance of the Marxism at the core of their work. Pippin highlighted a sentence in one of my course papers on Marxism about the philosophical difficulty of “recognizing oneself as a subject of change from within the process of self-transformation.”

Postone’s courses — which I attended with Stephanie and sometimes Richard as outside auditors — on Marx and the Frankfurt School as well as on the post-1960s “Left” criticisms of capitalism, were a welcome respite from the otherwise unrelenting anti-Marxism of postmodernist academia — if however, as I soon came to realize, they were their own form of anti-Marxism. Moishe would say that, while Marx himself was politically a “traditional Marxist,” his theoretical work pointed beyond this. When teaching Adorno’s work, Moishe confessed that he wasn’t sure he really understood it: I replied simply that Adorno was a Marxist; and maybe Marxist politics was more and other than what Moishe thought.

In Moishe’s classes, I met a new friend, Spencer Leonard, with whom I immediately engaged on issues of Lenin, Trotsky, the Russian Revolution and historical Marxism more generally. Spencer, Stephanie and I formed a close friendship circle; we were joined by fellow graduate student friends Atiya Khan, Sunit Singh and James Vaughn.

I appreciated the pedagogy in Marx and the Frankfurt School we were receiving from Postone, but felt it all made sense only if one took certain things about Marxism for granted, politically, which Moishe did not and indeed opposed. Still, I was a little shocked when Moishe told me point-blank, angrily, that I was inappropriately trying to reconcile his work with what it was designed precisely against, Marxism — more specifically, Lenin. But it was clear to me that Marx and Lenin wanted to overcome labor as a social relation and not hypostatize it politically, as Postone alleged. James’s old Trotskyist professor Robert Brenner (and member of Solidarity) said that Moishe’s insights into Marx were nothing new to actual Marxists, and his political apprehensions were misplaced. But I knew that most “Marxists” were exactly what Moishe said they were, not really followers of Marx at all: they were the socialists and communists that Marx himself had critiqued in his day. Marxists had always complained of the constant degeneration into “vulgar” and pseudo-“Marxism” and relapse into pre-Marxian socialism, for instance Luxemburg’s critique of reformist Revisionism of Marxism.

Moishe objected to what he called my characterization of “Luxemburg and Lenin as bosom buddies walking arm-in-arm,” and was incensed when I produced evidence that Luxemburg spoke and wrote fondly of Lenin and that they were indeed good friends who spent many an evening together, walking arm-in-arm, to which he responded dismissively that, “Of course Luxemburg was a traditional Marxist anyway.” Moishe ended up protesting stridently during my dissertation defense on Adorno’s Marxism, but relented when I talked him down, admitting, “Perhaps everything ended in 1919, but we’re still thinking,” to which I replied, “But are we really thinking, Moishe?” Meeting for coffee several weeks later, he said, “You know, Chris, you might have a point about Lenin, but you need to support it better.” I thought Lenin supported it best himself.

In any case, I remained independent from Postone in ways that always irritated him and made him distrustful of me. He told others that while he admired that I am “always thinking,” he thought that I was, problematically, “once a Spartacist, always a Spartacist.” — Here Moishe agreed with Adolph. Nonetheless, Moishe hired me in the College Core Curriculum of the Social Sciences, teaching undergraduates courses on Marx, Weber, Durkheim and Freud for the next decade and a half — until, after Moishe’s death, his students were purged from the staff.

When I began teaching Adorno and the Frankfurt School at SAIC, 9/11 had happened and the War on Terror was already underway, and Iraq had been invaded, but the U.S. occupation was facing difficulties, and the anti-war movement was regaining ground. My students attended protests and encountered the “Left” and its “Marxist” organizations, and the effects of this filtered back into my classes, raising many questions.

My students at SAIC and Univ. Chicago asked me to start an extra-curricular reading group in early 2006, wanting me to inform them more explicitly of the political implications of the Marxism I was teaching, outside the academic classroom. I warned them that this would become very intense and very political very quickly. Among the first writings we read together was something recommended to me by Adolph Reed more than a decade earlier, Korsch’s 1923 essay on “Marxism and Philosophy.” We attended “Left” events as a group, including the first national conference of the new Students for a Democratic Society, held at the University of Chicago in summer 2006. These activities soon led to founding an organization, the Platypus Affiliated Society, in 2007.

The rest is history. | P

December 1, 2021 | Posted in: Essays | Comments Closed

The negative dialectic of Marxism (audio and video recordings)

The Politics of Critical Theory

Chris Cutrone

Chris Cutrone’s opening remarks begin at:

Presented on a panel discussion with Dennis Graemer (Association for the Design of History), Doug Lain (Zero Books) and Douglas Kellner (UCLA) at the Platypus Affiliated Society International Convention on Saturday, April 3, 2021.

I will present on the reason why Marxism was and must be “dialectical” — to demystify this word and specify it and its necessity for Marxism. What is the necessity of the dialectic for Marxism? It is of an essentially negative character. — For instance, all degeneration of Marxism can be called “undialectical,” the abandonment of this essentially negative and dialectical character. The Frankfurt School thinker Theodor Adorno titled his last completed book Negative Dialectic, and he thus sought to recapture this original sense of Marxism, which had been progressively abandoned in Adorno’s lifetime in the 20th century. Moreover, as Adorno emphasized, the task is to “think dialectically and undialectically at the same time,” because getting beyond capitalism would mean getting beyond the dialectic, or as Adorno wrote, “no longer a totality nor a contradiction.”

Looking back upon the history of Marxism, there are three different moments for considering this problem: Marx’s own formative moment of Marxism; the height of Marxism as a political force in the world, in the time of Lenin; and the degeneration of Marxism into what Adorno called “dogmatization and thought-taboos.” — Our own moment today is the product of a century of such degeneration Love fee mp3.

By contrast, for Marx in his own time, the necessity of the dialectic was to be found in the self-contradictory character of not only capitalism but of the struggle to overcome it in socialism. Marxism has its origins in the dialectical critique of capitalism which also includes — at its core — the dialectical critique of socialism. It is significant that Marx and Engels began with the dialectical critique of the socialists and communists of their time, of the Young Hegelians and others such as Proudhon.

In the subsequent height of Marxism as a political force, during Lenin’s time, the proletarian socialist movement and its organized parties became self-contradictory — subject to a dialectic — for instance, as Rosa Luxemburg critiqued of reformist Revisionism in Marxism, there was a contradiction between the movement and its goal, or between means and ends, which also involved a contradiction between practice and theory, etc. Lenin went so far as to say that this contradiction — division and split — within the workers’ movement for socialism was what made political and social revolution possible and necessary 연계교재. How was this so?

First, it is necessary to address how Marx and Marxism understood capitalism as a problem to be overcome. What kind of society is capitalism, from a Marxist perspective?

Marx defined capitalism as a mode of production as the contradiction of “bourgeois social relations” and “industrial forces of production.” This is the essential character of the dialectic for Marxism, from which several other contradictions can be derived, for instance, the contradiction between the bourgeois “ideological superstructure” of “false consciousness” and the “socioeconomic base.” There, Marx defined the contradiction as temporal and historical in nature: the ideological superstructure “changes more slowly” than the socioeconomic base.

“Bourgeois consciousness” is of a historical and not class character in a sociological sense of a particular group of people. Bourgeois means “urban” in the original French, and workers as well as capitalists are bourgeois in the sense of not members of the traditional rural classes — castes — of preceding agricultural civilization (peasants, manorial lords, parsons of the parish church, guild craftsmen of the village and traveling merchant traders serving the lord, et al). The new situation of society in the bourgeois epoch brought with it new forms of self-understanding that are well-established and continue in capitalism, especially the autonomous individual as social subject of production and exchange. 

Another way of describing capitalism is the contradiction between social being and consciousness. For Marxism, this contradiction of capitalism began with the Industrial Revolution. The consciousness of participation in society in practice and theory is bourgeois while its actual social being has become industrial 페북 동영상. The most important bourgeois ideology for Marxism is the consciousness of the workers as subjects of bourgeois society. The proletariat is a peculiar term referring to how the working class retained its formal rights as bourgeois citizens while substantially becoming expropriated of its property in its labor as a commodity, harking back to the Ancient Roman class of proletari citizens without property.

The Marxist critique of bourgeois consciousness as ideology is in its self-contradictory character. Hence, what distinguishes the Marxist dialectic is its critical character — from which it is distinguished for example from the Hegelian dialectic, which as a description of bourgeois emancipation of free labor from slavery and caste constraint — the bourgeois revolution — became an affirmative dialectic unable to address the problem of capitalism after the Industrial Revolution. So the critical theory of Marxist politics — to invert the title of this panel discussion — is essentially its negative character: the self-negation of bourgeois society in the Industrial Revolution, in which, for example bourgeois right became self-contradictory, self-undermining and self-destructive in capitalism.

It is important that most avowed “Marxists” today adopt Marxism in a false way as a positive theory, a theory of what capitalism is, for example, rather than as Marx and original Marxism approached capitalism, which was as a contradiction and crisis of society, a contradiction of its self-understanding and self-consciousness. I mentioned for instance social being and consciousness: for Marxism, social being does not define consciousness — in theory and practice — but rather consciousness, or bourgeois ideology as “false consciousness” is contradicted by the social being of industrial production in capitalism Download New West Organic7 3.

The temporal and historical character of this is crucially important — and usually neglected. From a Marxist perspective, bourgeois society was not capitalist — not self-contradictory — from the beginning (in the Renaissance and subsequent 16th, 17th and 18th centuries) but rather became so only in the 19th century, after the Industrial Revolution — in Marx’s own time. This means an essentially negative approach to history in capitalism. History in capitalism for Marxism does not unfold positively — as with Hegel, as the development of consciousness of freedom — but rather negatively, a broadening and deepening crisis of society, borne of the essential contradiction of industrial forces of production against bourgeois social relations.

Capitalism is not a form of society for Marxism but rather a self-contradiction and crisis of society — of bourgeois society specifically. The history of capitalism was for Marxism that of the unfolding task of socialism. But for the last 100 years, the task of socialism was abandoned in favor of the mere denunciation of capitalism, which was thus accepted as a positive fact rather than regarded properly as a negative task, something to be overcome. Involved in this was a collapse of the original distinction Marxism made between bourgeois society and capitalism — an elision of the contradiction between industrial forces and bourgeois social relations of production Mappy Dark.

The bourgeois social relations for Marxism are those of labor — cooperative social production. As Marx early on described about “alienation” — that is, the self-estrangement of social relations — in capitalism, social relations are not only between people in society, but also between humanity and nature, and our relations with ourselves. — Marx added to this three-fold character of bourgeois social relations a fourth dimension of alienation in capitalism, namely the estrangement of labor from capital as its product. So, for Marxism, social relations in capitalism are phenomena of contradiction and crisis, and no longer (primarily) the constitutive dimensions of society, as they had been in bourgeois consciousness, for instance for Locke, Rousseau, Adam Smith, Kant, Hegel and others. For Marxism, capitalism is not really a mode of production, but the self-contradiction of the bourgeois mode of production, that is, of the cooperative social production through the social relations of labor as a commodity.

Marx defined bourgeois society as commodity-producing society: a society of commodities that produce other commodities. Labor — and later in manufacture and industry, labor-power and labor-time — as a commodity produces other commodities. But in the Industrial Revolution, labor (including labor-power and labor-time) as a commodity becomes divided against itself: it produces two opposed commodities: use-values whose consumption reproduces labor in society; and capital as the objectification — and alienation or self-estrangement — of the social value of labor, which ends up contradicting and undermining the basis for the reproduction of labor in society — the social relations of cooperative production. Capital investment becomes divided between human labor and scientific technique in production. Marx called science and technology the “general social intellect,” which mediated social production in a fundamentally different way from that of individual human labor.

Social cooperation in capitalism was mediated by capital (hence, “capitalism”) — and for Marxism as a form of Hegelianism, what “mediates” is also what embodies contradiction: what mediates also contradicts. So capital contradicts social cooperation; but also social cooperation — the bourgeois social relations of labor as a commodity — contradicts capital, hence, the class struggle of the workers as subjects of social cooperation versus the capitalists as stewards of the social value of accumulated labor in capital. Labor and capital confront each other as aspects of social self-contradiction — capital is the self-contradiction of labor, and labor is the self-contradiction of capital in industrial production.

The workers’ demand for the value of their labor in capitalism is historically regressive in that it seeks to restore the value of labor as a commodity that industrial production has contradicted and undermined. However, although the workers demand the reconstitution of the social value of labor as a commodity, and thus the reconstitution of bourgeois society, this is also the inevitable form in which the demand for socialism will be manifested: socialism will inevitably be posed as the restoration of society in bourgeois terms, that is, in terms of the social relations of labor.

This means that the workers’ struggle for socialism is inherently self-contradictory: it is divided and indeed torn between the contradictory impulses to restore and reconstitute labor as well as to transcend labor as a social relation and value.

In the crisis of Marxism itself that came at the end of the First World War as the cataclysmic culmination of the Second Industrial Revolution, there was a division between the old Socialist and new Communist Parties over the issue of whether and how to save society from the devastation of war and political and social collapse and to revolutionize it beyond capitalism. There was an actual civil war within Marxism in the revolution that unfolded 1917-19. One side defended the working class as it existed in capitalism, while the other sought to overcome it. Socialism itself became divided between the interests of the workers. The anti-communists considered revolution to be a threat above all to the working class itself.

The socialist political party that had been built up to overcome capitalism became its last bulwark of defense. The power to overthrow and smash the capitalist state proved to be the power to save it. And both sides claimed not only to represent the true interests of the working class but the ultimate goal of socialism itself. Both had right on their side — at least apparently.

This was the most powerful demonstration of the dialectic ever in world history. And that is entirely appropriate since the Marxist dialectic was designed to address precisely this problem, as it had first manifested in the workers movement for socialism in the 1840s and the Revolutions of 1848, repeating itself on a higher level and in more drastic and dramatic — and violent — form in the Revolutions of 1917-19, and the division of Marxism between the parties of the old Socialist Second and new Communist Third Internationals.

But this political conflict within the Marxist-led workers movement was not a de novo phenomenon but had long historical roots, which pointed to the development of contradictions within Marxism itself. This demanded a dialectical critique — a Marxist critique — of Marxism itself. Just as Marx had engaged in the dialectical critique of the socialism and communism of his time, so Lenin, Rosa Luxemburg and other radical revolutionaries in the Second International engaged in the dialectical critique of their own Marxist socialist movement. — Later, Trotsky engaged in the dialectical critique of Stalinism. In subsequent history, successive generations’ rediscovery of Marxism was the rediscovery of the dialectic, which however proved ephemeral and elusive, and fragile as a red thread that has been lost — broken — many times.

This tradition of negative dialectical critique was carried on by the Frankfurt School, under the rubric of “Critical Theory” — as I already mentioned, including Adorno’s magnum opus Negative Dialectic, but also Horkheimer and Adorno’s Dialectic of Enlightenment, etc.

But the dialectic fell out of style in the 20th century, with Marxism itself rendered undialectical and discontents of the failure of Marxism blaming the dialectic for the impasse of Marxism. Undialectical “Marxists” made explicit return to pre-critical — indeed pre-Socratic — philosophy such as Althusser and his followers. Postmodernists such as Foucault rejected the “grand narrative” of history as the struggle for freedom. Unable to grasp the nature and character of the dialectic at a standstill in capitalism as the crossroads of socialism or barbarism, the domination of the contradiction of capital was blamed on the dialectic — and often on Marxism — itself. And yet the ironies of the Hegelian cunning ruse of reason were hard to shake off entirely, leaving the lingering question of meaning at the supposed “end of history.”

This is the most difficult aspect of Marxism but also the most essential; it is the most esoteric but also the substantial core of Marxism: it is the most enchanting but also most frustrating quality of Marxism. It will inevitably return, as Marxism continues to haunt the world of capitalism and its manifest contradictions: but can it be sustained? Will the capitalist world be brought back to the point of its dialectical contradiction that points beyond itself? If so, then the necessity of the Marxist negative dialectic will be felt again and anew. | P

Critical Theory of Art as Technology (audio and video recordings)

담아 mp3 다운로드

Chris Cutrone

Chris Cutrone teaches in the Departments of Art History, Theory and Criticism and Visual and Critical Studies at the School of the Art Institute of Chicago Congering 1. He is an Instructor at the Institute for Clinical Social Work and was a longtime lecturer in the Social Sciences Collegiate Division at the University of Chicago, where he completed the PhD degree in the Committee on the History of Culture and the MA in Art History Sodrive Premium. His doctoral dissertation was on Adorno’s Marxism. He received the MFA from the School of the Art Institute of Chicago and the BA from Hampshire College Concubine of The King of The Palace. He is also a writer and media artist committed to critical thinking and artistic practice and the politics of social emancipation. He is the original lead organizer of the Platypus Affiliated Society, an international Marxist educational project. 

Background reading list: 

The Relevance of Critical Theory to Art Today by Chris Cutrone for the Platypus Affiliated Society public forum

Critique of Revolutionary Art: Trotsky, Benjamin, Adorno, and Greenberg by Chris Cutrone for Caesura

Art and Politics in Our Epoch by Leon Trotsky

The Author as Producer by Walter Benjamin

dolphin videos

Trotsky, Benjamin, Adorno and Greenberg’s critique of “revolutionary art” (audio recording)

Presentation at the 2020 CAA College Art Association conference in Chicago on the panel “Another Revolution: Artistic Contributions to Building New Worlds 1910-30 (Part 1)” with Aglaya K. Glebova and chair Florian Grosser with discussant Monica C Bravo.

Chris Cutrone

The Russian revolutionary leader Leon Trotsky’s book Literature and Revolution (1923) and its critique of the claims of “revolutionary” art at the time was seminal for the subsequent thought of the Marxist critics of modernist art, Walter Benjamin, Theodor Adorno and Clement Greenberg, all of whom addressed socially and politically committed art as varieties of modernism, subject to the same self-contradictions of bourgeois art in capitalism. They took inspiration from Trotsky’s Marxist approach to history in capitalism, specifically his claim, drawing from Marx, Engels, Rosa Luxemburg and Lenin, among others, that the transition beyond capitalism begins only well after the revolution, and that neither revolutionary politics nor ostensible “revolutionary culture” actually prefigure a true socialist or communist society and culture but only exhibit the contradictions of capitalism raised to a heightened and more acute degree. Moreover, modernism as a pathological symptom of capitalism did not exemplify a culture of its own but only a crisis of bourgeois culture that was not a model for a future emancipated culture, but at best was merely a constrained and distorted as well as fragmentary and incomplete projection of capitalism that was authentic only as an exemplar of its specific historical moment.

The history of Marxism is contemporary with and parallels the history of modernism in art. Charles Baudelaire, who coined the term “modernity” to refer specifically to the 19th century, and initiated modernism in both artistic practice and theory, is, like Marx, a figure of the 1848 moment 트위터 디엠. Modernism in art emerged around this central crisis of the 19th century, namely the capitalism resulting from the Industrial Revolution.

The relationship between modernism and Marxism was a potentially fraught one, however. In the aftermath of the post-WWI revolutionary wave, mostly Marxism became hostile to modernism, describing it as bourgeois decadence — a symptom of the decay of bourgeois society and culture in capitalism. Pre-WWI Marxism had a similar estimation of the culture of advanced capitalism, but less simply derogatorily than the utter condemnation by Stalinist repressive Socialist Realism seen in the 1930s and after. Stalinism regarded modernism as formalist and individualist, and raised earlier bourgeois art as a “Socialist Realist” and Humanist standard against it.

Leon Trotsky, one of the central leaders of the 1917 Russian Revolution, was a Marxist, like Lenin himself, whose sensibilities were formed in the pre-WWI era Download Fifty Shades of Grey. Called upon to weigh in on debates within the Communist Party about state patronage of art in the Soviet Union, Trotsky wrote his book Literature and Revolution, which sought to clarify the Marxist attitude towards modern art, especially purportedly revolutionary and even supposedly “proletarian” art. Trotsky was unequivocal that there was and could be no such thing as proletarian art, but only bourgeois art produced by working class people. This is because as a Marxist, the terms bourgeois and proletarian were not sociological but rather historical categories. For Marxism, bourgeois society and culture had been proletarianized in the Industrial Revolution, but this did not produce a new society and culture but rather the proletarianized bourgeois society and culture went into crisis, exhibiting self-contradiction — unlike the bourgeois society and culture that had emerged out of Medieval civilization in the Renaissance.

The bourgeois social culture and art in the crisis of capitalism, like its economics and politics, demanded the achievement of socialism. This was the proletarian interest in modern art: the authentic democratization of culture and art that capitalism both made possible and constrained, giving rise to only distorted expressions of possibility and potential. Modernist art for Trotsky could not be considered a new culture but rather an expression of the task and demand for transcending bourgeois society and culture 바보같은 사랑 다운로드.

This is the value of art as an end in itself, taking itself as its own end or purpose; hence, l’art pour l’art, art for art’s sake, is an expression of freedom, in both the bourgeois emancipation of production for its own sake and the Humanistic value of life in itself — a value unknown in traditional culture, which elevated morality above life, and subordinated aesthetic production to ritual or cultic community values.

This meant that the history of society, including its transformation in bourgeois emancipation and crisis in capitalism, could find expression in the history of art. The Marxist approach to art is hence primarily historical in character.

Later, towards the end of his life, in 1938, a decade and a half after his book Literature and Revolution, Trotsky wrote a series of letters to the American journal Partisan Review in which the art and literary critic Clement Greenberg first published. In his letters on “Art and politics in our epoch,” Trotsky described their relation as follows — please allow me to quote from Trotsky at some extended length, for in a few paragraphs he sums up well the attitude of Marxism towards art:

“The task of this letter is to correctly pose the question.
“Generally speaking, art is an expression of man’s need for an harmonious and complete life, that is to say, his need for those major benefits of which a society of classes has deprived him 싸이어. That is why a protest against reality, either conscious or unconscious, active or passive, optimistic or pessimistic, always forms part of a really creative piece of work. Every new tendency in art has begun with rebellion. . . .
“The decline of bourgeois society means an intolerable exacerbation of social contradictions, which are transformed inevitably into personal contradictions, calling forth an ever more burning need for a liberating art. Furthermore, a declining capitalism already finds itself completely incapable of offering the minimum conditions for the development of tendencies in art which correspond, however little, to our epoch. It fears superstitiously every new word, for it is no longer a matter of corrections and reforms for capitalism but of life and death. The oppressed masses live their own life. Bohemianism offers too limited a social base. Hence new tendencies take on a more and more violent character, alternating between hope and despair. The artistic schools of the last few decades – Cubism, Futurism, Dadaism, Surrealism – follow each other without reaching a complete development Download the subtitles for Rampage. Art, which is the most complex part of culture, the most sensitive and at the same time the least protected, suffers most from the decline and decay of bourgeois society.
“To find a solution to this impasse through art itself is impossible. It is a crisis which concerns all culture, beginning at its economic base and ending in the highest spheres of ideology. Art can neither escape the crisis nor partition itself off. Art cannot save itself. It will rot away inevitably . . . unless present-day society is able to rebuild itself. This task is essentially revolutionary in character. For these reasons the function of art in our epoch is determined by its relation to the revolution. . . .
“The real crisis of civilization is above all the crisis of revolutionary leadership. Stalinism is the greatest element of reaction in this crisis 만화책 원피스 다운로드. Without a new flag and a new program it is impossible to create a revolutionary mass base; consequently it is impossible to rescue society from its dilemma. But a truly revolutionary party is neither able nor willing to take upon itself the task of “leading” and even less of commanding art, either before or after the conquest of power. . . . Art, like science, not only does not seek orders, but by its very essence, cannot tolerate them. Artistic creation has its laws – even when it consciously serves a social movement. Truly intellectual creation is incompatible with lies, hypocrisy and the spirit of conformity. Art can become a strong ally of revolution only in so far as it remains faithful to itself. Poets, painters, sculptors and musicians will themselves find their own approach and methods, if the struggle for freedom of oppressed classes and peoples scatters the clouds of skepticism and of pessimism which cover the horizon of mankind.”

There are several key ideas to be noted here 세월호 영화. To begin with, that Trotsky — that is to say, Marxism — does not seek to provide an answer but rather only to correctly pose the question of the relation of art to politics in capitalism and any struggle for socialism: it is not prescriptive of a solution, but only diagnostic of a problem. That art is a “protest against reality,” no matter whether “conscious or unconscious, optimistic or pessimistic,” still a “protest,” whether expressing “hope or despair” — a very peculiar proposition that would not apply to art before capitalism, or before modernism. Adorno famously characterized art as the “expression of suffering” — also a description specific to the history of art in capitalism. And that art cannot save society — as the revolutionary cultural modernist Bohemians of the Russian Revolutionary era claimed — indeed, it cannot even save itself. Not least because it is a specialized activity on a very narrow base: the oppressed masses live their own lives, from which art is necessarily separated and exists apart.

So what can art do, according to Trotsky — according to Marxism? It can express the suffering of capitalism in which the “intolerable exacerbation of social contradictions 죽은시인의사회. . . are transformed inevitably into personal contradictions,” and hence express a task, the “ever more burning need for a liberating art” expressed by every “really creative piece of work.” Art can express a need — but could not itself satisfy that need. This is the translation of the famous Marxist formulation, that bourgeois society in capitalism stood at a crossroads of “socialism or barbarism,” or, as Trotsky put it, art along with the greater society will “rot away” inevitably under capitalism.

Clement Greenberg’s essay on “Avant-garde and kitsch,” published the following year after Trotsky’s letters on art in Partisan Review, described the barbarization of bourgeois art in capitalism as its “Alexandrianism.” Art in capitalism became instantly transfixed, and, as such, museumified, leading a paradoxical undead existence or only as a spectral after-life of its emancipation in bourgeois society. Georg Lukács, in History and Class Consciousness, published in the same year as Trotsky’s Literature and Revolution, described this greater effect in society as “reification” or thing-ification, as the “spatialization of time,” what Marx called the congealing of human action in capitalism in the form of capital as “dead labor” which dominates living labor. Greenberg described the avant-garde as the attempt to set Alexandrianism in motion, and, as such, imitating the processes of art. Kitsch, in which Greenberg included Socialist Realism, by contrast, imitated the avant-garde, but exhibiting an apparent timeless value, as opposed to the avant-garde’s “superior consciousness of history.” This was modeled on Marxism itself, as the political avant-garde of bourgeois society in capitalism 갤럭시탭 유튜브 동영상 다운로드. Marxism distinguished itself from the rest of bourgeois intellectual culture and politics only by its critical historical consciousness, of its fleeting ephemeral specific moment, as Benjamin described it in his “Theses on the philosophy [or, concept] of history,” the “now-time” (Jetztzeit) of revolutionary necessity that “blasts the continuum of history,” to which culture — barbarism — inevitably conforms, as kitsch.

Trotsky’s Marxist assertion that “art is a protest against reality” is based on the earlier bourgeois recognition by Kant and Hegel that art, as Geistig or Spiritual activity, seeks not to express what is, not to affirm what exists, but rather to express what ought to be, the potential and possibility for change: art is the expression of freedom. Greenberg’s avant-garde expresses a fleeting historical potential for transformation that kitsch obviates, neglecting the task of freedom in favor of a timeless naturalization of art. Benjamin wrote in his essay on “The author as producer” (1934) that the task of artists is to teach other artists: as he put it, the artist who doesn’t teach other artists teaches no one. Benjamin called this artistic “quality,” which he distinguished from political “tendency.” Benjamin went so far as to assert that art could not be of the correct — socialist — political tendency if it failed to have formal aesthetic quality filezilla 32bit 다운로드. Such quality was primarily educative in value: it demonstrated and educated the potential transformation of aesthetic form itself, for both viewer and producer.

Adorno’s posthumously published draft manuscript Aesthetic Theory — which references Trotsky’s Literature and Revolution as a key departure for his approach — concludes with a criterion for judging the art that lives on in capitalism despite the self-evidence of even its right to exist having been long since lost, that art is the “writing of history” of “accumulated suffering.” Marxism’s essential legacy for considering the history of modern art, especially as consciousness of the condition of failed socialist emancipation from capitalism formulated by Benjamin, Adorno, Greenberg and others in the post-revolutionary crisis era of the 1930s, is this memory of accumulated suffering — the suffering from the unrealized potential of both art and society. | §

Realizing Philosophy (interview with Doug Lain for Zero Books)

Download the Warcraft 3 patch

Chris Cutrone is a college educator, writer, and media artist, committed to critical thinking and artistic practice and the politics of social emancipation html excel 다운로드. He is the former head of the often contrarian Marxist group The Platypus Affiliated Society and in this podcast, we discuss the possibility of realizing philosophy Ant-Man.

“Ends of philosophy” essay by Chris Cutrone:

Part 1: (10/6/19 Zero Squared podcast #217)

Part 2: (10/14/19 Zero Squared podcast #218)

Unedited audio recording of original interview:

Ends of philosophy

Chris Cutrone

Platypus Review 108 | July-August 2018

Prepared opening remarks for an internal discussion by members of Platypus on “Marxism and philosophy” to be held on August 11, 2018.* An audio recording of the event can be found at: <>.

Video recording at: <>.


MARXISM CONSIDERED PHILOSOPHY as “bourgeois ideology.” This meant, first and foremost, radical bourgeois philosophy, the modern philosophy of bourgeois emancipation, the thought of the revolt of the Third Estate. But pre-bourgeois philosophy, traditional philosophy, was also addressed as bourgeois ideology, as ideology. But ideology is a modern phenomenon. There’s little point in calling either Aristotle or Augustine “ideology.” It is when philosophy is invoked in bourgeois society that it becomes ideological. (Religion, too!)

So what is meant by philosophy as “ideology”?

This goes to the issue of Marxist “ideology-critique.” What did Marxism mean by ideology as “false consciousness”? “False” in what way? For if bourgeois ideology were considered the ideology of the sociological group of the bourgeoisie — capitalists — then there would be nothing “false” about it: it would be the consciousness adequate to the social being of the ruling class; it would be the true consciousness of the bourgeoisie. So it must be false not for the bourgeoisie but rather for others — for the “proletariat.” This kind of “class analysis” of ideology would be concerned that the workers not fall for the ideology of the ruling class. It would be a warning against the workers adopting the idealism of the bourgeoisie that would blind them to their real social condition in capitalism. The idea here is that somehow the workers would remain ignorant of their exploitation by the capitalists if they remained mired in bourgeois ideology.

Of course Marxism was originally no such “material analysis” — debunking — of wrong thinking. No.

Rather, the original Marxist ideology-critique — Marx and Engels’s ideology-critique of bourgeois society — was the immanent dialectical critique of the way society in capitalism necessarily appears to its members, bourgeois and proletarian — capitalists and workers — alike. It was the critique of the true consciousness of the workers as well as of the capitalists.

Now, that formulation just lost me 99% of ostensible “Marxists” as well as all of the rest of the “Left,” whether socialist or liberal, who do indeed think that the poor benighted workers and other subaltern need us intellectuals to tell them what their true social interests are.

This is not what Marxism — Marx and Engels — originally thought, however.

Marxism began with the critique of socialism, specifically with the critique of the most prominent socialist thinker of Marx and Engels’s formative moment in the 1840s, Pierre-Joseph Proudhon 팀뷰어9. Proudhon — who coined the term “anarchism” — claimed that he respected only three authorities, intellectually, Adam Smith, Hegel and the Bible!

Marxism is usually thought of as the synthesis of German Idealist philosophy, British political-economy, and French socialist politics. But what Marxism actually was was the immanent dialectical critique of these three phenomena, which Marx and Engels considered three different forms of appearance of the same thing: the most advanced bourgeois ideology of their time, of the early–mid 19th century. They were all true expressions of their historical moment, of the Industrial Revolution. But as such, they were also all false.

Proudhon wrote of the “philosophy of misery,” attacking the heirs of Adam Smith in Utilitarianism — James Mill and Jeremy Bentham — and other contemporary British political economists such as Malthus and David Ricardo and their French counterparts. Marx wrote his first major work on political economy and the class struggle in industrial capitalism as a critique of Proudhon, cleverly inverting its title, The Poverty [Misery] of Philosophy.

I was deeply impressed by this work — and especially by its title — when I first read it as an aspiring young “Marxist” in college. It signified to me a basic truth, which is that the problem of capitalism and its potential overcoming in socialism was not a matter of “philosophy,” not a problem of thinking. Reading further, in Marx’s 1844 Economic and Philosophic Manuscripts, I read and deeply internalized Marx’s injunction that “communism is a dogmatic abstraction” which was “one-sided,” expressing the same thing as its opposite, private property, and, like bourgeois society itself, was internally divided, for instance, between collectivism and individualism, and so could not be considered a vision of an emancipated future society, but only a negation of the present. I had read in Marx and Engels’s Communist Manifesto their critique of “reactionary socialism,” and their observation that everything of which communism stood accused was actually the “specter” of what capitalism itself was already doing — “abolishing private property,” among other things.

This all told me that, for Marx and Engels at least, the problem of bourgeois ideology was not a matter that could be addressed let alone rectified by proper methodology — by a kind of right-thinking opposed to it.

In short, I recognized early on that Marxism was not some better philosophy.

Marxism was not a philosophical critique of philosophy, but rather something else entirely. For instance, Marx and Engels’s critique of the Young Hegelians was not as philosophers, but in their philosophical claims for politics. This was also true of Lenin’s critique of the Machians among the Bolsheviks (in Materialism and Empirio-Criticism, 1908). The critique was of the relation between philosophy and politics. It was thus also not a political critique of philosophy.


I have titled my talk here, “Ends of philosophy,” after the title for the week in our Platypus primary Marxist reading group syllabus when we read Karl Korsch’s 1923 essay on “Marxism and philosophy,” the recommended background reading for today’s discussion. In the syllabus week title as well as here, I intend to play on the multiple meanings of the word “ends.” What are the ends of philosophy, according to Marxism, in terms of its telos, its goals, its purposes, and its satisfaction; what would it take to attain and thus overcome the aspirations of philosophy?

Specifically, what would it take to satisfy bourgeois — that is to say, modern — philosophy? What would make philosophy superfluous?

This is posed in the same way that Marxism sought to make labor as social value superfluous 유튜브 차단 된 동영상. How does labor seek to abolish itself in capitalism? The same could be said of philosophy.

What would it take to bring philosophy to an end — to its own end? Not by denying the need for philosophy, but by satisfying it.

But there have been other moments, before (and after) Marxism, which sought to overcome philosophy through its satisfaction, through satisfying the need for philosophy.

The need for — the necessity of — philosophy in the modern world is different from its need previously — fundamentally different. The need to account for freedom in bourgeois emancipation was new and different; this did not motivate and inform traditional philosophy. But it fundamentally tasked modern philosophy — at least the philosophy that mattered most to Marxism, the Enlightenment and German Idealism at its culmination. But the need for philosophy in capitalism is also different from its need in the bourgeois revolution.

Please allow me to address several different historical moments of the end of philosophy. I use this concept of moments of the “end of philosophy” instead of alternative approaches, such as varieties of “anti-philosophy,” because I think that trying to address Marxism as an anti-philosophy is misleading. It is also misleading in addressing other such supposed “anti-philosophies,” such as those of Kierkegaard, Nietzsche, Existentialism, Heidegger, etc., as well as other traditions entirely, such as the Enlightenment philosophes contra “philosophy,” or Empiricism and Analytic Philosophy contra “metaphysics.” (For instance, Heidegger sought the potential end to “thousands of years of Western metaphysics,” going all the way back to Plato.) Yet all these various phenomena express to my mind a common issue, namely the problem of “philosophy” per se in the modern era, both in the era of bourgeois emancipation and subsequently in capitalism.

What is “philosophy,” such that it can experience an end? It is not merely its etymological meaning, the love of knowledge, or wisdom, or the love of thinking. Philosophers are not merely smart or sage — not merely sophists, clever thinkers: philosophy cannot be considered merely the mastery of logic or of semantics. If that were true, then most lawyers would be better philosophers than most avowed “philosophers.”

The end of philosophy cannot be considered an end to sophistry, finally putting the clever fellows down. It cannot be considered an analogue to Shakespeare’s “First, we kill all the lawyers.” It is not meant to be the triumph of Philistinism. Although you might think so from a lot of “Marxist” deprecation of philosophy, especially as “bourgeois ideology.” Such “Marxists” want to put a stop to all mystification by putting a stop to the mystifiers of bourgeois society, the lackeys — the paid liars — of the capitalist bourgeoisie. They want to stop the “philosophers” from pulling the wool down over the eyes of the exploited and oppressed. This is not my meaning. — This was not even Socrates’s (Plato’s) meaning in taking down the Sophists.


Philosophy cannot be considered, either negatively or positively, as the arrogation of all thinking: it is not some Queen of the Sciences that is to make proper sense of and superintend any and all human thought in every domain Download The Farewell to Gilgu Bong-gu. It is not the King of Reason; not the thought-police. Marxism did not seek to replace philosophy in such a role. No. Yet this seems to be precisely what everyone wants from philosophy — or from anti-philosophy. They want their thinking dictated to them.

Korsch addresses this as “Bonapartism in philosophy:” we seem to want to be told how and what to think by philosophers — or by anti-philosophers. It is an authoritarian impulse. But one that is an authentic expression of our time: capitalism brings forth its own Philosopher Kings.

This is not at all what the immediate predecessors for Marxist thought in philosophy, Kant and Hegel, considered as their task: Kant, in “beginning” philosophy (anew), and Hegel in “completing” this, did not seek to replace the thinking of others. No. Precisely the opposite: they sought to free philosophy, to make it “worldly.” They thought that they could do so precisely because they found that the world had already become “philosophical.”

After them, they thought there would no longer be a need to further develop Philosophy as such, but only the need for philosophical reflection in the various different diverse domains of human activity. Our modern academic institutions reflect this: one receives the PhD, Doctor of Philosophy, in Chemistry, meaning one is qualified to “doctor,” to minister and correct, to treat the methods and attendant thinking — the “philosophy” — of the science of chemistry, without however necessarily becoming an expert specialist “philosopher of science,” or studying the specialized discipline Philosophy of Science per se. According to Lukács, such specialized knowledge as found in academia as well as in the various technical vocations — such as law, journalism, art, etc. — exhibited “reification” in capitalism, a disintegrated particularization of atomized consciousness, in which losing the forest for the trees was the very predicate of experience and knowledge. But this was the opposite of what Kant and Hegel had expected. They expected not disintegration but the organic, living and changing relations of diverse multiplicity.

Marx found a very different world from Kant and Hegel’s, after the Industrial Revolution. It was not a philosophical world in capitalism — not an “enlightened” realm of “sober senses,” to which bourgeois philosophy had aspired, but something much darker. It was a “phantasmagoria” of “commodity fetishism,” full of beguiling “metaphysical subtleties,” for which one needed to refer to the “mist-enveloped regions of religion” for proper models. In capitalism, bourgeois society was sunk in a kind of animism: a world of objects exhibiting “theological niceties.”

There was a need for a new Enlightenment, a Second Enlightenment specific to the needs of the 19th century, that is, specific to the new needs of industrial capitalism, for which the prior thinking of bourgeois emancipation, even at its best, for instance by Rousseau, Adam Smith, Kant and Hegel, was not equipped to adequately address. It needed a new recognition of the relation between social being and consciousness.

But for Marx and Engels, this new task of enlightenment was something that could not be accomplished philosophically — could not be brought to fruition in thinking — but only in actual political struggle and the transformation of society.


This was because, unlike the emancipation of bourgeois society, which took several centuries and came to consciousness of itself as such only late, no longer cloaking itself in the religious garb of Christianity — the Protestant Reformation as some return to true Christianity of the original Apostles, freed from the corruptions of the Church — and arrived at self-consciousness only at the end of its process of transformation, in the 18th century Download onedrive videos. As Hegel put it, “The Owl of Minerva [that is, knowledge] flies at dusk:” proper consciousness comes only “post-festum,” after the fact of change.

But Marx and Engels found the task of socialism in capitalism to be motivated by a new need. The proletarianization of the bourgeois social relations of labor — the society of cooperative production in crisis with the Industrial Revolution — required a new consciousness of contradiction, a “dialectical” and “historical” “materialism,” to properly recognize its tasks. As Marx put it, the social revolution of the 19th century — in contradistinction to the bourgeois revolution — could not take its poetry from the past, but needed to take its poetry from the future. This was quite a paradoxical formulation, especially since Marx and Engels explicitly abjured “utopian socialism,” finding it a realm of images of capitalism, and not of a world beyond it.

This was because they found the workers’ struggles against the capitalists to be motivated by bourgeois consciousness, the consciousness of the bourgeois revolution. Socialism was born in the Jacobinism of the French Revolution, for instance, in the former Jacobin Babeuf’s Conspiracy of Equals, still motivated by the aspirations of “liberty, equality and fraternity.” Proudhon, for example, was motivated in his anarchist socialism, avowedly, by Adam Smith and Hegel (and the Bible) — animated, unabashedly, by bourgeois political economy and philosophy.

Marx and Engels didn’t think that this was wrong, but only inadequate. They didn’t offer an alternative to Proudhon — to Smith and Hegel (or the Bible!) — but only a critique of how bourgeois thought mystified the crisis and task of capitalism. The world necessarily appeared in bourgeois terms — there were no other terms. There was no other form of consciousness. There was no other philosophy. Nor was there a need for a new philosophy.

Bourgeois philosophy, for Marx and Engels, had successfully summed up and appropriated all prior philosophical enlightenment. They agreed with Kant and Hegel. Bourgeois social thought had successfully summed up and completed all prior thinking about society. Marx and Engels neither disputed nor sought to replace it. They were concerned only with its self-contradiction in capitalism. Not its hypocrisy, but its authentic antinomies, which both drove it on and left it stuck. The bourgeois “end of history” turned out to be the opposite of what it intended: not a final stage of freedom, but rather a final stage of unfreedom; the crossroads of “socialism or barbarism.”


This affected the status of philosophy. Bourgeois philosophy no longer described freedom but rather unfreedom. Or, more dialectically, it described both: the reproduction of unfreedom in the struggle for freedom 나이프 다운로드. As a result, the task of freedom was no longer expressed by the need for all human activity to achieve an adequate — Hegelian — philosophically reflective self-consciousness, but rather to realize in practice and thus recognize in consciousness the limits of such self-consciousness, of such philosophical reflection. There was a crisis in radical bourgeois philosophy. The crisis and decay of Hegelianism was an authentic historical phenomenon, not a mistake.

Like liberal democracy, philosophy in capitalism was no longer itself, and was no longer tasked with becoming itself, attaining its aspirations, but rather was tasked with overcoming itself, superseding its achievements. The achievements of bourgeois emancipation seemed ruined in the 19th century.

Indeed, capitalism already accomplished such self-overcoming of bourgeois society, but perversely, negating itself without satisfying itself. In so doing, it constantly re-posed the task of achieving itself, as an impossible necessity. Bourgeois philosophy became the opposite of what it was, utopian. Not worldly philosophy, but an ideal, a mere notion, mocked by the real, ugly and anything-but-philosophical world.

Because of this — precisely because of this — bourgeois philosophy did not end but constantly reinvented itself, however on an increasingly impoverished basis. It radically revolutionized itself, but also, in so doing, radically undermined itself.

Philosophy remained necessary but proved impossible. It disintegrated, into epistemology, ontology and ethics. They went their separate ways. But they also drove themselves into blind alleys — dead-ends. This actually indicates the task of philosophy to overcome itself, however in perverted form.


So, what is philosophy? One straightforward way of answering this is, simply, metaphysics. Kant, following Rousseau, had overcome the division and opposition between Rationalism and Empiricism by finding a new foundation for metaphysics. This was the Kantian “Copernican Turn” and “revolution” in philosophy. But it was not simply a new metaphysics, but rather a new account of metaphysics — of philosophy — itself. Moreover, it was revolutionary in an additional sense: it was not only a revolution, but also accounted for itself as revolutionary. This is because it was a metaphysics of change, and not merely change but radical qualitative transformation: it was a revolutionary account of the fundamental transformability of the substance of philosophy itself. In short, it was a philosophy of freedom. It was the self-reflection of practical freedom in society — that society made human life’s transcendence of nature possible, at all, but in so doing created new problems to be worked through and overcome.

It is precisely this metaphysics of freedom, however, that has gone into crisis and disintegrated in capitalism. This has been the expression of the crisis and disintegration — the decay — of bourgeois society.

The goal of philosophy in overcoming itself is to free thinking from an overarching and underlying metaphysics at all. Kant and Hegel thought that they had done so already, but capitalism — in its crisis of the metaphysics of bourgeois society — revealed that there was indeed an underlying and overarching metaphysics still to be overcome, that of social practice — society — itself 더블 드래곤 어드밴스. The self-production and self-overcoming of the subject in its socially and practically objective activity — labor — needed to be overcome.

The end of philosophy — the end of a singular metaphysics, or of metaphysics per se — aims at the freeing of both action and thinking from any unitary framework. It is the freeing of an ever-expanding and limitless — without end — diverse multiplicity of new and different forms of acting, being and knowing.

Postmodernism was, as Moishe Postone put it, “premature post-capitalism.” It aimed at the freeing of the “small-s subjects from the big-S Subject.” It also aimed at freedom from capital-H History. It meant overcoming Hegel’s philosophy of history.

We already live in such freedom in bourgeois society, however perverted by capitalism. Diverse activities already inhabit different realms of being and call forth different kinds of ethical judgments. Doctors and lawyers practice activities that define being — define the “rights of life and liberty and the pursuit of happiness” — in different ways, and are hence ethically bound in different ways. Doctors discipline themselves ethically differently from scientists. Among scientists, Biology has a different epistemology from Physics: there are different methods because there are different objects. There is no “philosophy” in the sense of a metaphysical logic that encompasses them all. Lawyers, for example, practice differential ethics: prosecutors and defense attorneys in criminal law are bound by different rules of behavior; the practice of civil law is ethically distinct from criminal law; the rules of evidence are different. We do not seek to bind society to one form of knowledge, one code of conduct, or one way of life. There is no “philosophy” that could or should encompass them all. It would be arrogant to claim that there is one singular logic that can be mastered by anyone for governing everything.

Bourgeois society has already established well the reasonable limits to philosophy and its competence.

In Ancient civilization there were differentiated realms of being, knowing and acting. There was a caste system, in which there were different laws for peasants; for merchants; for artisans (and for different kinds of artisans, for different arts and different sciences); and for the nobility; and for the clergy. But they were unified in a Divine Order of the Great Chain of Being. There was heterogeneity, but all with a single origin in God: all of God’s creatures in all of God’s Creation. That mystery was to remain unknown to Man — known only to God. There was a reason for everything, but only God could know it. There was not philosophy but theology, and theology was not to arrogate to itself the place of the Mind of God, but only ponder Man’s place in and relationship to it. Theology established the limits to man’s knowledge of God: we knew only what God had revealed to us, through his Covenant. We all heard the Word of God; but God told His different creatures different things Download Toik Boca. In overcoming theology, philosophy did not seek to replace it. It sought to explore the mind of man, not to relate to and limit itself with respect to the Mind of God. It was not concerned with Divine or Natural limits, but with freedom.

There is no possible one single or once-and-for-all account of freedom, for then freedom would not be free. There is no possible account of “being” free, but only of becoming free. And there is only one such account, that of bourgeois emancipation from traditional civilization. It was to set free all the diverse and multiple activities of mankind, in relation to other humans, to Nature, and to ourselves.


Marx was both a Hegelian and departed from Hegel, with a historical and not a philosophical difference. As Marx put it, for Hegel himself the Hegelian system was not ready-made and finished as it was for those who came after. As Marx observed, Hegelianism went into crisis for real historical reasons, not due to misunderstanding by his followers; but rather the crisis came from Hegelian philosophy’s actual contact with the world, and that world had become as internally contradictory in capitalism as Hegelianism became in contact with it. The Hegelian dialectic is both appropriate and inappropriate to the problem of capitalism. The crisis and disintegration of Hegelianism was a crisis of metaphysics — of philosophy — at a higher and deeper and not a lower or more superficial level from Hegelianism. Hegelianism was falsified not in itself but by history. But Hegelianism was also borne out by history as the last word in philosophy — in metaphysics. Marxism cannot be purged of its Hegelianism without becoming incoherent; Marxism remains Hegelian, albeit with what Lukács called an “additional twist” in the “pure historicization of the dialectic.”

If society in capitalism remains bourgeois in its ideals, with the goal of providing opportunities for social labor, materially, it has become its opposite: as capitalist, it prioritizes not labor but capital, and at the expense of labor. This means society is tasked with the material challenge of overcoming its ideals. But, as Marx recognized, this can only be done on the basis of this society’s own ideals, in and through their self-contradiction. In philosophy, this means the task expressed by the self-contradiction of Hegelianism.

Capitalism is the model of the Marxist-Hegelian procedure of immanent dialectical critique: this is how capitalism itself moves, how it reproduces itself through self-contradiction. Capitalism is its own practical critique, reproducing itself by constantly overcoming itself. As Marx put it, the only limit to capital is capital itself; but capital is the transgression of any and all limits. It is the way capitalism overcomes itself, its dynamic process of change, which is its unfreedom, its self-limitation. The Marxian horizon of freedom beyond capitalism is freedom beyond the Hegelian dialectic, beyond the bourgeois dialectic of transformation — beyond labor as a process of self-overcoming through production.

There thus remains a unitary metaphysics binding all social practices, dominating, constraining and distorting their further development in freedom under capitalism: the bourgeois right of labor 영화 영주. The form of total freedom in bourgeois emancipation — self-production in society — has become in capitalism the form of total unfreedom. The social condition for labor has become that of the self-destruction of labor in capital. The goal of labor in capital is to abolish itself; but it can do so only by realizing itself — as self-contradiction. Hegel’s “negative labor of the concept” must be completed; short of that, it dominates us.

Overcoming this will mean overcoming metaphysics — overcoming philosophy. At least overcoming philosophy in any way known — or knowable — hitherto. | P

Further reading


Chris Cutrone, “Book review: Karl Korsch, Marxism and Philosophy (2008),” Platypus Review 15 (September 2009), available online at: <>.

Cutrone, “Rejoinder on Korsch,” PR 20 (February 2010), available online at: <>.

Cutrone, “Book review: Gillian Rose, Hegel Contra Sociology (1981, 1995 and 2009): Gillian Rose’s ‘Hegelian’ critique of Marxism,” PR 21 (March 2010), available online at: <>.

Cutrone, “Revolution without Marx? Rousseau, Kant and Hegel,” PR 61 (November 2013), available online at: <>.

Cutrone, “Why still read Lukács? The place of ‘philosophical’ questions in Marxism,” PR 63 (February 2014), available online at: <>.

Cutrone, “Book review: Andrew Feenberg, The Philosophy of Praxis (2014),” Marxism & Philosophy Review of Books (February 14, 2015), available online at: <>.

Cutrone, “Back to Herbert Spencer! Industrial vs. militant society.” PR 82 (December 2015 – January 2016), available online at: <>.


Karl Korsch, “Marxism and philosophy” (1923), in Marxism and Philosophy (New York: Monthly Review Press, 1970 and 2008), available online at: <> [PDF].

Korsch, “The Marxist dialectic” (1923), available online at: <>.

Korsch, “On materialist dialectic” (1924), available online at: <> Unify hymn ppt.

Introductory remarks on the topic of “Marxism and philosophy”*

Chris Cutrone

August 11, 2018

An audio recording of the internal discussion by members of Platypus on “Marxism and philosophy” can be found at: <>.

Video recording at: <>.

Earlier this summer, I visited Athens and made a pilgrimage to Aristotle’s Lyceum. I was struck by the idea that perhaps what I am doing in Platypus is essentially the same as what Socrates, Plato and Aristotle were doing back in Ancient Greece. Spencer and I were recently discussing the recurrent trope of Aristotle and Marx, apropos of today’s discussion of Marxism and philosophy, and he recalled his feeling nauseous when reading Castoriadis’s famous essay on Aristotle and Marx, published in the same issue of the journal Social Research alongside Moishe Postone’s seminal essay, “Necessity, Labor and Time.” Spencer said he had felt sick at the thought that nothing had changed since Aristotle’s time.

I recalled how Frantz Fanon wrote, in Black Skin, White Masks, that he would be happy to learn that an African philosopher had corresponded with Plato, but this wouldn’t make a difference for 8 year-olds in Haiti and the Dominican Republic forced to cut sugar cane for a living. This compares well to the former Black Panther Assata Shakur, who, writing from her exile in Cuba on Black Lives Matter, referred to black Americans as “Africans lost in America.” But are blacks any less lost in Africa today? Am I an Italian or Irish lost in America, too? I often feel that way, that my peasant ancestors were dragged into bourgeois society to ill effect, to my present misery. What would it mean not to be lost? Was I returning home, in a sense, when, as an intellectual, I returned to Aristotle’s school in Athens? Was I any less lost in Athens?

Adorno wrote, in his inaugural lecture on “The idea of natural history,” that “I submit myself, so to speak, to the materialist dialectic.” What he meant of course was that he could only speak misleadingly of submitting himself to the materialist dialectic, as if he would not already be dominated by it, whether he was conscious of his submission or not. This reminds us of Trotsky’s statement to his recalcitrant followers who rejected Hegelianism that, “You may not be interested in the dialectic, but the dialectic is interested in you.”

Why should we be interested in “philosophy,” then? Adorno did not mean that he was submitting himself to Marxism as the “materialist dialectic” in the sense of submitting to Marx’s thought. No. He meant, as we must mean in Platypus, that he accepted the challenge of Marx’s thought as thinking which registered a greater reality, as a challenge and call to task for Adorno’s own thinking.

Foucault wrote about his chagrin that just when one thinks one has overcome Hegel, Hegel is still there smiling back at you. This rather paranoid claim by Foucault as a mental phenomenon has a real meaning, however, which is that Hegel still speaks in some unavoidable way to our real condition Download The Walking Dead Season 6. What is meant by “Hegel” here, of course, is the entirety of the alleged “Master Narrative” of the Western philosophical tradition culminating in bourgeois modernity.

Engaging philosophy then, is not being told how to think, but allowing one’s thinking to be challenged and tasked in a specific way. It is a microcosm of how society challenges and tasks our thinking, whether we are inclined to it or not.

Historical philosophers are not some “dead white males” the authority of whose thinking threatens to dominate our own; we do not, or at least ought not, to read philosophy in order to be told how to think. No. The philosophy that comes down to us from history is not the dead weight of the past, but it is part of that past. And the past is not dead or even really past, since past actions still act upon us in the present, whether we like it or not. Marx reminds us that, “Man makes history, but not according to conditions of his own choosing.”

We cannot avoid the past, but we are concerned with the symptomatic attempts to free ourselves from the past by trying to avoid it. Especially on the “Left,” and especially by ostensible “Marxists.”

As Korsch reminds us, among other ways, this can take the form of trying to avoid the “philosophical” aspects of Marxism.

We might recall that Korsch’s essay on “Marxism and philosophy,” the background reading for today, was the very first text we read in the Platypus reading group. This was before it was called Platypus, of course, but it was still our first collective discussion of a reading as a group. Our reading was predicated on opening up, not philosophy, but rather the political foundations for Adorno’s thinking. It was meant to help lead my academic students of Adorno, not from Marxism to philosophy, but rather from philosophy to Marxism.

This is the intention of today’s event as well: we come full circle. Perhaps indeed nothing has changed. | P