“Off-piste”

leninskiingzimmerwald

Letter in Weekly Worker 1031 (October 23, 2014).

In writing this letter on Chris Cutrone’s critique of Mike Macnair’s book Revolutionary strategy (‘Democratic revolution and the contradiction of capital’, October 16), I am fully aware that: (a) Mike is probably considering a reply himself; (b) comparing a full-length book with a two-page article is potentially inherently unfair to the latter; and (c) that I am perhaps not the best qualified person to enter the debate, having only recently come to a serious engagement with issues of Marxist political strategy. Nevertheless, I thought it might be worth sharing how a comparison of the two has impressionistically struck a ‘general reader’.

Macnair’s approach has the following virtues that appear lacking in Cutrone’s account: (a) it is relatively comprehensible; (b) it appears rooted in a close reading of concrete historical events (aka ‘the materialist conception of history’), whereas Cutrone appears to wander off-piste into free-floating philosophising, bordering on the worst of post-modernism; (c) Macnair offers concrete proposals as to what the Marxist left should be doing in the here and now, whereas Cutrone appears to be promoting a deeply depressing view of the proletariat as still primarily the passive victim of history.

Sean Thurlough
London

Chris Cutrone

Chris Cutrone is a college educator, writer, and media artist, committed to critical thinking and artistic practice and the politics of social emancipation. ( . . . )

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Revolutionary politics and thought (forum transcript)

Chris Cutrone, Samir Gandesha, Nikos Malliaris, Dimitrios Roussopoulos, Joseph Schwartz

Platypus Review 69 | September 2014

“No coarser insult, no baser defamation, can be thrown against the workers than the remark, ‘Theoretical controversies are for the intellectuals’“
— Rosa Luxemburg, Reform or Revolution? (1900)

“Since there can be no talk of an independent ideology formulated by the working masses themselves in the process of their movement the only choice is—either bourgeois or socialist ideology… This does not mean, of course, that the workers have no part in creating such an ideology. They take part, however, not as workers, but as socialist theoreticians, as Proudhons and Weitlings; in other words, they take part only when they are able, and to the extent that they are able, more or less, to acquire the knowledge of their age and develop that knowledge.“
— Vladimir Lenin, What is to be Done? (1902)

“The liquidation of theory by dogmatization and thought taboos contributed to the bad practice.”
— Adorno, Negative Dialectics (1966)

In the 1840s Karl Marx wrote that social revolution would involve “carrying out the thoughts of the past,” in which “humanity begins no new work but consciously completes the old work”. The role of revolutionary thought for Marx, in other words, involved drawing attention to how past revolutionary tasks were failing to be worked through in present political practice; of understanding the reasons why theory and practice had changed and, in turn, how this understanding could be advanced towards the (present) completion of the (old) revolution.

Later, for Lenin and Luxemburg, political disputes in the Second International revolved around the failings of revolutionary practice. Luxemburg and Lenin seemed optimistic about revolutionary thought being carried out by the practices of mass political movements for socialism. They assumed that workers could act as “socialist theoreticians” while participating in revolutionary politics.

In the 1960s, figures like C. Wright Mills retrospectively assessed the emergence of the intelligentsia as “distinct and historically specific,” locating the political role of figures such as Lenin and Luxemburg as a phenomenon of the development of modern society. But Mills was wistful: he recognized that political-intellectual figures like Luxemburg and Lenin were missing in his time. What does the current role of intellectuals say about the historical disappearance of the kind of political possibilities Mills had in mind?

While the separation of revolutionary thinking and politics might seem more distinct in the present, with “theory” being relegated to universities, and “practice” to social movements, it seems increasingly common for academic work motivated from the Left to blur the boundary between theory and social movements. While this state of affairs may seem to approach the sentiment articulated by Luxemburg, that there be nothing separating theoretical issues from the people struggling to overcome their condition, it does so without the emergence of corresponding political practices that would transcend the present. Alternatively, other currents of theory, among both independent intellectuals and organized political tendencies, seem completely severed from everyday social practice and so harmless as subcultural activities. Theory today seems to either assert the primacy of practice, leaving no recourse but to take up practical discontents as inalienable in thinking, or is so entirely cut off from practical concerns that it seems sustainable only in the academy. Revolutionary thinking, no less than revolutionary practice, seems hard to locate in the present.

This discussion will reflect on the relationship between revolutionary politics and thinking in the past and present and ask why has it become increasingly difficult to render political life intellectual and intellectual life political today? Panelists will consider the historical role of revolutionary theory as a moment of revolutionary politics, and the ways in which thinking can be held responsible for politics, and politics held responsible for thinking.

On April 5th, 2014, at the Sixth Annual Platypus International Convention at the School of the Art Institute of Chicago, Platypus hosted a panel discussion with Chris Cutrone (Platypus), Samir Gandesha (Simon Fraser University), Nikos Malliaris (Lieux Communs), Dimitrios Roussopoulos (Transnational Institute of Social Ecology), and Joseph Schwartz (Temple University). This discussion reflected on the relationship between revolutionary politics and thinking in the past and present, and asked why has it become increasingly difficult to render political life intellectual and intellectual life political today. The event’s description as well as the questions to the panelists can be found here. What follows is an edited transcript of the discussion.

Opening remarks

Nikos Malliaris: In my opinion, the major political issue of our times, that which constitutes at the same time the goal of all emancipatory or revolutionary politics, is the following: How can we exit consumer society? How can we exit this type of society that is based on productivism and technophilia, with cultural liberalism as its official ideology? It is precisely this type of society that forms the culmination of capitalism, and more broadly, of western modernity itself.

I am deliberately using the term “exit,” instead of a more classical term such as “overthrow,” because I believe that this type of understanding and analyzing contemporary social conditions and political priorities determines the way we conceive of revolutionary politics today. Moreover, a radical critique of contemporary society should be at the same time political and cultural, since the problem is not simply socio-economic, but deeply anthropological. In other words, it affects the very way people interiorize and invest in institutions and social representation, the very way contemporary societies are being formed and reproduced. For the first time in the history of emancipatory and revolutionary movements, what we face as a political task is not any more just the overthrowing of an exploitative or oppressive society, but the very reinvention of Society as such, with a capital “S.” We have to deal with something more than the problem of exploitation or oppression: the vaster and deeper problem of social and cultural decadence. Not only natural ecosystems have suffered terrible degradation after 200 years of industrial and technological progress, and economic growth. Both society itself, as a form of meaningful human coexistence, as well as the human being as a creative and imaginative creature, have been degraded at such a scale that the contemporary world seems to be an endless process of dislocation and disintegration on all levels.

People cannot find any meaning other than ferocious consumption, whether of merchandise, services, or experiences. Society seems less and less capable of imposing minor forms of limitations to these excesses of the contemporary individual. Nor can it set any to the frenetic course of technology and economy, both of which have become separated from society, raising their expansion to an end in itself. What we need is an unprecedented social transformation, which will by far exceed the simple redistribution of wealth and its concomitant modification of modes of production. Without a profound transformation of human values, social representations, and collective beliefs, no real progress can be made in the direction of an egalitarian and democratic society. This is the case because the major social evolution of the 20th century, and especially of its postwar period, was the gradual proselytizing and conversion of exploited classes to the consumer ethos. People actively want and cherish consumption, since what they dream of is a selfish improvement of their position in the social hierarchy. Long gone is the glorious epoch of social movements opposed the existing society, fighting for the creation of a more democratic and humane one. The labor movement slowly transformed itself into a big lobby that wanted nothing more than the amelioration of workers material conditions. Radical artistic and intellectual movements degenerated into a playful ornament of consumer society, celebrating the pseudo-liberty of the contemporary individual by elevating cultural relativism and political nihilism to ultimate philosophical principles.

As they intermingle with the mounting ecological crisis, the anthropological consequences of such social and cultural decline call for a total reinterpretation of our collective and individual needs. There can be no serious or coherent anti-capitalist engagement today that does not see itself as part of a far greater opposition, one to what Karl Polanyi called “the Great Transformation.” This is the elevation of the economy to an autonomous sphere that dominates society, imposing its norms and values on every other region and domain of social life. Consumer society is just the degenerate form of this economism and its concomitant technophilia.

As far as Marx’s ideas on the duty of revolutionary theory and politics to consciously complete the old work, I would say things are no longer so simple. In many ways, present day necessities force us to criticize and even reject a great part of what the labor movement, the modernist artistic and cultural avant-garde, and the student movements of the 60’s said and did. And it goes without saying that such a change of anthropological paradigm necessitates a profound unity of theory and praxis, together with our fight against the neoliberal counterattack from the ruling oligarchies, as well as the mounting far-right movements. We have to rethink traditional revolutionary values and ways of thinking, as well as reflect on the form that a democratic and egalitarian society could take in this unprecedented context. As Castoriadis used to say, “Revolutionary politics can only have meaning as a thoughtful doing.”

Political currents such as the French “de-growth” movement offer a vivid example of the difficulties such an enterprise would face. One of the most eminent is the academicization of intellectual life, part of the profound technicalization of social life that characterizes contemporary Western societies. Thinking becomes a separated domain, a realm reserved for a certain category of experts, usually state or corporate nourished, living enclosed behind the gates of their university ghetto. Unfortunately, this eminently oligarchic tendency hasn’t spurred the Left at all. Its Leninist and technophilic heritage gave birth in the 50s to an army of professional would-be prophets, who wanted to teach revolutionary politics without having ever participated in the least political activity. This is a tendency dominant in France, for example. Judging from this point of view, the Althusserian distinction between romantic and scientific parts of Marxism is really useful for us—even if Althusser proposed it in a completely different context, and in a schematic and simplistic manner. As an orthodox Marxist and Stalinist, and also part of the upper and most oligarchic strata of the French academic complex, Althusser wanted to transform Marxism into a rigorous science. He wanted to transform a revolutionary theory that called for the surpassing of itself as pure theory, into a pseudo-science of social evolution. By doing so he only showed how immersed he was in the dominant bourgeois and rationalistic worldview. But what is more important, he showed us that this goes not only for Marx, but also for anarchism. See for example the fondness of Bakunin for August Comte’s positivism.

I believe that we have to openly oppose this stratum of pseudo-revolutionary academics, people like Alain Badiou, Judith Butler, and Edward Said, who are considered as the major thinkers of the Left nowadays. This stratum does nothing more than spread confusionist ideologies and destroy the activity of radical thinking by presenting it as a cascade of incomprehensible and unreadable rhetorical tricks. We have to echo Lyotard and attack the separation of intellectual from manual labor as the very basis of bourgeois and even aristocratic social edifices. Thinking should be reintegrated into social life, as it was in older times. I dare to say that we need something like, as William Morris might say, an artisan or craft ethos, which denies any distinction between intellectual and manual. This would both insinuate the intellectual into the material and the concrete, and raise the manual to a creative and thoughtful activity.

Dimitrios Roussopolous: The word “revolution” or “revolutionary” in the context of this conference is problematic for a number of reasons. One is that we do not have the time to really define this word. I would like to put it aside, and substitute the word “radical” instead, as in “radical politics.” The definition of “politics” that I will use is one that suggests that the radical or fundamental transformation of society by a decentralization of political and economic power, and its widest dispersal throughout society. What I will say draws from two theoretical streams. One is the anarchist and libertarian stream that draws on the works and reflections of Patrick Geddes, Lewis Mumford, Paul Goodman, and Murray Bookchin. The second is the Marxist stream that draws from the works of Henri Lefebvre, Margit Meyer, Peter Marcuse, and David Harvey. This leads me to the core of the radical project in theory and practice, as I understand it. What I believe is seriously missing in the reconstruction of a radical Left is a geopolitical understanding and analysis of what is possible. This means we must examine our world as strategically as possible, and take a number of fundamental facts into serious consideration, and bring it into the center of our reflection.

One of the United Nations agencies is called, as you know, UN-Habitat. UN-Habitat has identified a number of cities as global cities—about 47 of them. These cities are determined as concentrated nodules of corporate capitalism. It is these global cities that the major multinational corporations work out of, make their decisions, and dominate the world economy. To the extent that this is true, we then have to introduce another factor into our analysis. We all know that in 2003, one of the most important historic shifts has taken place with regard to human civilization. For the first time in history, the majority of human beings that inhabit this planet are now living in cities and towns. Grasping this reality has very serious political and social consequences for any radical project, any project that pretends to want to reorganize daily life. And so, unless we take that perspective seriously, and look at what can be done in the face of massive urbanization—which will reach a critical point by 2025—and unless we grasp what that means for the daily life of the people who live in these cities and towns, and unless we have an understanding of what kind of radical politics can arise from this understanding, so that we can shift power in a significant way, I think we are misleading ourselves.

As an intellectual if one never seriously undertakes work on the ground— work in neighborhoods, communities, and cities, with ordinary people, dealing with the politics of everyday life—we will never be able to crystallize a social force that will confront the existing power structure in significant ways. Let me give you just one example: In 1968, in the city that I live in, Montreal, a developer announced that they were going to destroy a six-block area of downtown in order to create the city of the 21st century. The funding for that project came from the Rockefeller Foundation, the pension fund of British postal workers, and a huge international insurance company. We undertook a major struggle that took eleven years for us to win. And we won. We not only saved the neighborhood—which is inhabited by approximately 1,500 working poor and déclassé people—but created the largest non-profit cooperative housing project in North America. Even more significantly, within that six-block area, we abolished private property. I repeat: we abolished private property through a land trust. If you can possibly imagine this, there can be no buying and selling of property in a six-block downtown area of a major city in Canada. This is what I am trying to suggest. By taking into serious consideration a geopolitical perspective, and asking how power can shift at the base of society, we can zero in on strategies that not only affect the daily lives of people, but mobilize them to go even further in their demands for participation in decision-making processes in the urban milieux where power is concentrated.

Try to imagine, therefore, what radical politics spin off from that. Emerging out of this particular people’s victory, and subsequent people’s victories in other parts of the city, we began a process to fundamentally redefine political power in the city of Montreal. We introduced a number of radical political institutions, which involved public consultation, the advocacy of citizen rights, and a new definition of urban citizenship. We have done this in conjunction with allies and contacts in other cities both in Canada and internationally. There is a whole reconfiguration of grassroots politics that is taking place that we have to be aware of. This is what I want to bring to your attention.

Samir Gandesha: I’d like to preface my remarks by referring to something that Dimitrios said in a previous panel, which is that we should wipe the slate clean and talk about how to bring about radical, direct democracy. This panel has been framed with signal figures of the revolutionary tradition like Luxemburg, Lenin, Trotsky, and Adorno. But it could benefit from counter-readings of the tradition by Italian autonomist writers like Paolo Virno, Antonio Negri, and Michael Hardt, and also the fragment on the machine in the Grundrisse. They frame the question somewhat differently. I’m not saying I agree with this tradition: It fails quite abjectly in registering the extent to which the Left is in crisis, and therefore it can’t really address the prospects in store for a reversal of this situation. The emphasis on immaterial labor fails curiously to account for what one social critic once called the “falling rate of intelligence,” which seems only to be getting worse. It may seem easy to dismiss, e.g., Hardt & Negri’s ideas as stemming exclusively from the “university ghetto.” But this is difficult to say even for Negri, given his own militant past and the organic relation between the Italian Autonomists and actual workers’ struggles.

In order for this discussion to be meaningful, it must engage with debates taking place today; not just wrestle with the ghosts of 1848, 1917, and 1968—important as those dates, and figures like Lenin, Trotsky, and Adorno may be. One reason for this is that the nature of capitalism has been fundamentally altered by techno-science: both qua productive force, and as the basis for countering labor militancy through forced redundancy, de-skilling, and redoubled forms of surveillance. This has in a contradictory way opened up new avenues for communication and organization, ones Marx was already praising the bourgeoisie for in the Communist Manifesto. His emphasis on communications in particular was really important, and has an actuality that needs to be grasped. We see the extent to which new communications technologies made possible opposition movements like in Iran with the Green Movement in 2009, and the Arab Spring in 2011.

I wish I could agree in a straightforward way that revolutionary theory and practice would primarily be about consciously completing the old work of social emancipation. I take this to be what Marx is suggesting in his letter to Ruge. ((<http://www.marxists.org/archive/marx/works/1843/letters/43_09.htm>.)) He writes of redeeming a reason that has “always existed, but not always in a rational form,” and that this “reform of consciousness consists only in making the world aware of its own consciousness, in awakening it out of its dream about itself, in explaining to it the meaning of its own actions.” In other words, Marx held that the revolution was to be understood as the completion of the bourgeois project, which had only realized itself in a one-sided political way. The rational form of reason must be defined by its ability to arrest and reverse the chaos of unbridled market forces, which threaten life on this planet as we know it. For Marx, a rational form of reason entailed a de-mystification and de-alienation of social relations, by way of a negation of every instance of immediacy. Quintessentially, this immediacy was that of the commodity form, and bourgeois conceptions of freedom and equality. The two come together at the very end of Chapter 6 of Capital, marking the transition from the moment of exchange of commodities to that of production. What Marx had in mind was an immanent critique of bourgeois social relations. It was through what he called making petrified relations “dance by singing their own tune to them” ((<http://www.marxists.org/archive/marx/works/1843/critique-hpr/intro.htm>.)) that the promises inherent within capitalism could be realized, i.e., the actual realization of a principle of justice, understood as “from each according to his ability, to each according to his need.” ((<https://www.marxists.org/archive/marx/works/1875/gotha/ch01.htm>.))

But during the crisis of the early decades of the 20th century, the social contradiction between capital and wage labor failed to generate a revolutionary transformation of capitalist societies. The key reason for such a failure, which Lukacs had already recognized in the aftermath of the German and Hungarian revolutions, was the phenomenon of reification. Mystification could not simply be overcome via transformation of the scene of exchange, because the fetishistic logic of capitalism had penetrated deeply into every nook and cranny of life. This especially included philosophical concepts, which lead to seemingly insoluble antinomies and oppositions. When these antinomies were overcome, it was only in thought, and not in practice. According to Lukács, this would only happen in the revolutionary activity of the proletariat, which would finally, in the words of Marx, “make the world philosophical.”iv However, rather than making the real abstraction of the commodity form concrete, through the grasping of itself as the identical subject-object of history, what happened instead one could call a “false” concretion of the abstract logic of capital. The stranger, the other, emphatically not capital, became understood as the alien power dominating the life-worlds of European societies in the midst of an unprecedented economic and social crisis, leading to the radical particularism of fascism. We see the ghosts of fascism currently haunting Europe, particularly in Lukács’ native Hungary in the form of the rabidly anti-semitic Jobbik party.

Adorno implicitly invokes this scenario in the opening sentence of Negative Dialectics, where he says: “Philosophy, which once seemed obsolete, lives on because the moment to realize it was missed.” ((Marx, ‘The Difference Between the Democritean and Epicurean Philosophies of Nature’, (1839-41). Quoted in The Marx-Engels Reader, Robert C. Tucker ed., Norton 1978 (p. 10). )) Given that its subject and object were already mediated, or related to one another, theoretical reflection—particularly that which sought to locate the limits of theory, what Adorno called “thinking conceptually beyond the concept”—was itself a form of praxis. ((Negative Dialectics, Trans. E.B. Ashton, Continuum, 1973 (p. 3). )) This he made clear in his “Idea of Natural History,” which, in my view, must form at least part of the starting-point for the discussion of the relation of thought and action. It gains renewed importance in light of the ecological crisis, which is not only fast approaching, but already here. Adorno articulated a vision of the relation between nature on the one side, and history on the other, which inverted the typical understanding of the relation between the two terms. Nature at its most natural became historical, while history at its most historical reverted into a kind of “second nature.” Nature, typically understood as the unchanging, became the site of the new. History, supposedly the site of novelty, and epoch-making events like the French Revolution, became the realm of the always-the-same, as capitalism is able to come to grips with its own crisis tendencies. It is possible to see in the idea of natural history a new geological epoch following the Holocene, called the “Anthropocene.” This acknowledges the massive impact of human activity, which already does and continues to have an impact on the earth and its transformations. This transformation of natural ecology is itself premised on a history that has been flattened and reified by capitalist social relations. As has recently been suggested by Frederic Jameson, “It is easier to imagine the end of the world”—that is, the new—“than to imagine the end of capitalism”—that is, the always-the-same. ((‘Future City’, New Left Review 21, May-June 2003. URL=<http://newleftreview.org/II/21/fredric-jameson-future-city>.))

How this plays itself out concretely can be understood through the recently released IPCC report. It suggests that the first real manifestation of global climate change will be in the area of water and food security, which will of course hit the poorest nations first. I was talking to Tarek Shalaby about Egypt, where we see tremendous sensitivity by the Egyptian people to the grinding poverty that afflicts their everyday life. Reductions, for example, in bread, oil, and fuel subsidies, played a key role in political mobilization in the run-up to the revolution in 2011. Ongoing desertification of the Nile valley brought about by global climate change will no doubt exacerbate an already precarious situation.

Given the urgency of the IPCC report, we do well to go back to Rosa Luxemburg slogan of “socialism or barbarism.” ((<https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm>)) This does not indicate simply a transition to socialism, as the productive forces burst asunder increasingly antiquated production relations. It also contains a critique of historical progress as we see in Benjamin and Adorno, whereby the only progress that is imaginable is a shattering of the very logic of progress. The expanded development of the productive forces eventuates in a self-preservation run wild, a logic that ultimately undermines itself insofar as it fails to secure a key condition of capitalism, the reproduction not just of labor-power, but of sensuous nature itself. It is for this reason that Adorno calls for a ‘second Copernican revolution’, one that leads away from the primacy of the subject qua Kant, Hegel, and also Marx, towards the primacy of the object. Based on such assumptions, I will conclude with the following: Emancipation would entail the freedom not only of the subject, but also of the object. It would reject productivist versions of Marxism, favoring what Adorno calls a “communication” between subject and object, and a condition of peace between the two.

Joseph Schwartz: I probably will be a bit more explicitly political and policy-oriented than the previous speakers. One of the weaknesses in a lot of social theory today, particularly in its post-structuralist forms, is that we really don’t think seriously about political economy. We don’t use the analytic and normative tools of social theory to look at the actual dynamics of a society, both its barriers to emancipation and also its possibilities. In that spirit, I would suggest that, in a certain sense, Marxism as a theory has always been in crisis. I take very seriously the implicit ethical import of Marx, in the sense that anyone who is a democrat has to be against exploitation and domination in the workplace, or any intersubjective human relations. We believe there should be democratic control over the social surplus, and the labor process—as Michael Burawoy always says, “who gets what” and “who does what.” The democratic vision is really that there should not be a divide in society between those who define its tasks, and those who carry them out. We do still have a very rigid division of labor in many arenas of social life, between those who set the tasks, and those who are dominated and forced to carry them out.

Marxism is an incredibly seductive social theory because it promises a theory of history, social structure, and agency that culminates in a teleological revolution. The Marxist insight—which I think is partly true, but it has never been fully fulfilled—is that because labor under capitalism is an interdependent social process, but one governed a-socially or hierarchically, democratizing that control over production would be the goal of the proletariat, as it became conscious of itself not only as a class in production (in itself), but as a conscious revolutionary class (for-itself). The only problem is that in its most powerful forms, in the types of bourgeois-democratic capitalist societies that Marx thought would give rise to revolution, to the extent to which the labor movement or the socialist movement had a mass impact up through the 60’s-70’s, it was much more reformist than revolutionary. I think we have to take seriously the arguments made as early as the 1920’s by e.g. Selig Perlman, that in a certain sense, workers have more than their chains to lose, and therefore are often more reformist when engaged in social struggle than revolutionary. Where workers have been more revolutionary is in those countries subjected to imperial domination, and the rapid industrialization of a predominantly peasant society—say, workers in Shanghai in the 1920’s, or workers in Petrograd and Moscow at the turn of the 20th century. However, these lacked the mass industrial base that Marx had said was a prerequisite for the transition to socialism.

One thing we have to deal with is that whatever Lenin or Trotsky said about the revolution, Marxist-Leninist parties have mostly governed as engines of state-led primitive accumulation. If you think this is a joke, I grew up with a mother who still thinks the Soviet Union was a great society until this guy Gorbachöv came along. She would always say that Stalinism was like American slavery: “Where are you going to get a surplus from unless you exploit people? We had to do it.” That’s the traditional defense: read Sartre, or Merleau-Ponty in his earlier formation. The justification for Stalinist rule was that you had to extract surplus from Kulaks, and even from workers, by starving them and working them hard. Otherwise you couldn’t industrialize. The Marxist view is that the proletariat, increasingly interdependent in production, would also become increasingly consciously revolutionary in subjective activity. But the objective and the subjective dynamics of Marxism never fully met.

In a certain sense that’s kind of what Gramsci struggles with; I think Gramsci is the 1,000 lb. gorilla that we aren’t talking about. Not just his concept of consent, or his view that the common sense of working people was not revolutionary, but not totally false. Take a common-sense view like: “If you do better in school, or you work harder on average, your life will be better.” Obviously this profoundly ignores the forms of class and cultural reproduction that go on in education, or in the labor-force. But on the other hand, there is a certain partial degree of truth in it. From a Gramscian analysis, there is even a partial degree of truth, again masking a profound falsehood, in what we have been dealing with. The mass support for neoliberalism has been from the ability to hive off a certain sector (mostly non-unionized) of the white working class, based on some common sense views. First, that taxes are too high. They’re not too high on corporations or the affluent. But because of a flat-rate Social Security tax, the regressive nature of property taxes, and a generally not very progressive tax structure, working-class people do pay too much in taxes.

The right wildly exaggerates the amount of funds that went to means-tested anti-poverty programs. We all know that. Not just white working-class people, but e.g., African-American or Latino families that were above the poverty line, resented the fact that we don’t have universal childcare, and we still don’t have universal healthcare. People below the poverty line got Medicaid. If they got aid to families with dependent children (it is almost impossible to get temporary aid for needy families) it was well below the means of subsistence. The dirty little secret is that people on AFDC always took in other people’s children, worked off the books, etc.. But again, we have to understand that the consciousness of the resentment, the means-tested welfare state, wasn’t totally crazy. We don’t analyze enough the relationship between common sense, and what we would call a more radical or revolutionary, “good” sense. I think there’s a lot of insight we can get from Marx, say about the present crisis, which one of overproduction and overconsumption. It is a crisis of financialization, which is what Marx predicted would occur if the rate of profit fell. But the revolutionary project that comes out of that is problematized in the current period of the weakness of the entire Left. The reason why we get these flash insurgencies in the most squeezed countries—e.g., in parts of Latin America and southern Europe, or in the U.S.—is that there is a tremendous realization that basic human needs aren’t being met, and that people’s lives are being decimated by austerity and neoliberalism. But there is no real faith in an alternative.

What are the governing models of the Marxist, socialist, tradition? On the one hand, there is top-down industrialization in developing countries. On the other hand, there is social democracy, which did not ultimately yield a strong enough, radical enough labor movement. Once profits got squeezed in the early 70’s, they couldn’t face the neoliberal attack on the institutions of labor, democratic forms of state environmental and financial regulations, etc. These attacks were successful, and obviously for politically pragmatic but ultimately disastrous reasons, the leadership of social democracy certainly moved to the right and becomes neoliberalized—including in the Democratic party leadership in America. They claim to understand now that you can’t have restrictions on labor markets as you used to, or on freedom of capital. It’s not clear: We have an alternative—democratic control over social surplus, extensive de-commodification of basic human needs, curtailment of the working life, and some form of a guaranteed income—but we don’t have a party or a vehicle to establish it.

Capitalism is incredibly productive, so why are we working longer, and talking about extending the working life? Today in the United States, 300,000 auto-workers make as many cars as 1.8 million did in 1970. That’s how much productivity has increased with robotization, etc.. Why aren’t we benefitting from that? Why aren’t we working less? This obviously has to do with the fact that capitalists control the accumulation process.

In theorizing reformist practice, if you don’t think its revolutionary enough, I don’t really care. In some ways I have Trotsky’s view, wherever there is fascism, socialists fight for the rights of slaves. I don’t think there is fascism now, and I’m not saying we have slavery, but we have a low wage near enslaved labor. We have student debt-peonage. We have immigrants who do a major amount of care work, and who ought to have immediate citizenship for themselves and their children. We have a public education system that is totally shot through by class and racial inequalities, and is being privatized in the city as we speak. There are plenty of struggles that socialists have to be involved in, because I think we have to be involved in any struggle for the rights of the demos against the rights of the oligarchs.

Chris Cutrone: The last 20th century was characterized as one of wars and revolutions. I would like to re-characterize it slightly, to a century of war and revolution, singular. The 20th century was the century of the crisis of capitalism, and that crisis was expressed through war and revolution. Hannah Arendt’s 1962 book On Revolution begins its discussion of politics with an introduction on “War and Revolution,” offering that these were the two paramount political issues of the day, after all ideological justifications handed down from the 19th century, such as nationalism, capitalism and socialism or communism, had faded.

Arendt began her discussion, properly, with Lenin: Lenin, who called for turning the “world war” among national states into a global “civil war” between the workers and the capitalists—it almost happened. Lenin represented to Arendt the opposition of revolution to war. It is said that a Nazi diplomat once quipped that the only beneficiary of WWII would be Trotsky. For most of the 20th century, this is what was assumed, that war was the failure of politics, and that the political failure of the ruling class in war would lead to social revolution. This was once a reasonable assumption that we cannot however share today, for the political issues of the revolution, while not going away, have been driven underground, no longer manifesting as politics. Arendt’s fears have been confirmed: It was her rather hopeful and optimistic prognosis that modern history was the history of revolution, and war merely the revolution’s epiphenomenon. Today that is hard for us to perceive.
Arendt predicted that due to “mutual assured nuclear destruction” in the Cold War, the 20th century would cease to be characterized as a century of war but would remain a century of revolution. But the opposite has taken place after the end of the Cold War. It is not that war has been eclipsed by revolution—as Lenin would have hoped—but rather the opposite, that war has eclipsed revolution. Arendt dismissed De Maistre’s statement that, “Counterrevolution is not the revolution in reverse but the opposite of revolution.” But De Maistre was correct and Arendt mistaken: the 20th century became a century of war not revolution because it was a century of counterrevolution.

To recognize, with von Clausewitz, that “war is politics by other means,” does not mean the reverse, that “politics is war by other means.” In other words, while the early 19th century liberal Benjamin Constant pointed out that moderns achieve by social commerce and peaceful politics what was once achieved by the Ancients through war, this does not mean that politics is reducible to war. If war is politics by other means, then we must add that war is not the best and might indeed be the worst means for achieving political ends. Revolution might be the alternative to war, but that does not mean that war is an acceptable alternative to revolution. It is important as well to note that Arendt recognized that while wars were a timeless, perennial feature of civilization, revolution was quintessentially modern. So, what we might say is that it appears that the 20th century became in retrospect a century of wars rather than revolutions the degree to which revolutionary modernity was rolled back successfully by the counterrevolution.

Arendt discusses “freedom” in an ancient rather than specifically modern sense à la Benjamin Constant, when she points out that for the Ancients wars were fought not for freedom but for gain; and that for moderns revolution is inseparable from freedom: that a particular danger lies in the concept of wars for freedom, precisely because it conflates war and revolution, at the expense of proper political considerations, drowning the separate issues of each in the phenomenon of violence, to which she thought neither revolution nor war could be reduced. However, it would appear that today not only war and revolution are reduced to violence, but also politics and society. Politics seems reduced to “war by other means,” indeed to violence by other means. That politics and social power have been reduced to violence is the surest sign of the “success,” so to speak, of the counterrevolution. This is what it means for the Left to say that, but for the Right, the revolution would be peaceful, without violence—political force is not violence.

Arendt, like von Clausewitz, sought to preserve the political content of war. But Benjamin Constant, like other liberals, considered war to be, not merely the failure of politics, but a crime. Unlike for the Ancients who celebrated war, indeed as among the highest of values, after every modern war people search for who was criminally culpable for the regrettable catastrophe. Carl Schmitt thought that this pointed to the dehumanization inherent in liberalism, its attempt to suppress the war of politics through its criminalization of war, reducing to his mind society to mere “commerce and entertainment.” It should not be for the Left to define politics, like Schmitt, in terms of war. Rather, the issue is the pursuit of freedom without war. If the liberal ideal of bourgeois society as the replacement of war by commerce—by not only peaceful competition but indeed cooperative competition for the benefit of all—has failed, then we must interrogate the nature of that failure and not naturalize it. The liberal ideal may also remain that of socialism.

This raises the issue of war in our particular moment, today, the time of an apparently quickly fading neoconservatism and a continuing if chastened neoliberalism. What are these ideologies with respect to revolution? We might say that there is an antinomy of neoconservatism versus neoliberalism, that neoliberalism prefers to seek to achieve through the market what neoconservatism is content to seek through war, and that this antinomy points to the form of the revolution in our time, that is, capitalism, and its political antinomies. For capitalism is the revolution, however it is also the counterrevolution. Both the neoliberals and neoconservatives seek to further the revolution—capitalism—but do so through what Marxists must consider the counterrevolution.

Modern politics, in this sense, can be considered the war, so to speak, within the revolution: the political counterrevolution within the revolutionizing of society in capitalism, and the yet still ongoing irrepressible revolution of capitalism within the politics of the counterrevolution. Modern politics is concerned with the values of the massive changes occurring within capitalism — the values and direction of the revolution. Once we recognize that modern history does not consist of occasional revolutions but rather of the revolution, one single process and trajectory of revolution, which has been more or less poorly manifested, recognized and fought-out, we can better situate the stakes of politics.

The counterrevolution, as the war within the revolution, is the reaction against the failure of the revolution: the degeneration of the revolution into war expressed through the counterrevolution. So what is the revolution? The modern era is one of revolution, that is, the overthrow of traditional civilization. The past few hundred years have been characterized by the most far-reaching and deepest ever transformation of the world. More has changed and has changed more rapidly than at any other moment of history. The predominant way in which this change has taken place is through avowed bourgeois social relations, which are essentially the relations of the exchange of labor as a commodity, what Adorno called the “law of labor.” This has been recognized clearly by bourgeois protagonists as well as by their adversaries. Both revolutionaries and reactionaries have characterized this process in bourgeois terms, the terms of the modern city.

The American revolutionary Thomas Jefferson offered a clear characterization of the stakes of this revolution of which he was an important advocate and political agent. Jefferson, in his letter of January 3, 1793 to U.S. Ambassador to France William Short about the Jacobins, wrote:

The tone of your letters had for some time given me pain, on account of the extreme warmth with which they censured the proceedings of the Jacobins of France…. In the struggle which was necessary, many guilty persons fell without the forms of trial, and with them some innocent. These I deplore as much as any body, and shall deplore some of them to the day of my death. But I deplore them as I should have done had they fallen in battle. It was necessary to use the arm of the people, a machine not quite so blind as balls and bombs, but blind to a certain degree. A few of their cordial friends met at their hands, the fate of enemies. But time and truth will rescue and embalm their memories, while their posterity will be enjoying that very liberty for which they would never have hesitated to offer up their lives. The liberty of the whole earth was depending on the issue of the contest, and was ever such a prize won with so little innocent blood? My own affections have been deeply wounded by some of the martyrs to this cause, but rather than it should have failed, I would have seen half the earth desolated. Were there but an Adam and an Eve left in every country, and left free, it would be better than as it now is.

In 1793, the Jacobins had restarted the calendar, retrospectively beginning with year one of the Republic in 1792. The French Revolution also introduced the metric system of measurements, which has since become the universal standard. A new epoch was to have dawned. That the revolution has since then come to seem not the overthrow but rather the continuation of traditional civilization is only an effect of the need and failure to advance the revolution.

Politics since then has been concerned with the direction of this revolution. Only very isolated extreme figures and only for relatively brief historical intervals have rejected the politics of the bourgeois revolution. For instance, several years ago, in an open letter to President George W. Bush, President of the Islamic Republic in Iran, Mahmoud Ahmadinejad, wrote that the project of liberal democratic capitalism had clearly failed and that therefore it was time to return to the values of traditional civilization in religion, to Islam and Christianity, respectively.

Since the 1970s, there have been two extremely active movements more or less proximate to the centers of political power at a global scale that have sought to further the bourgeois revolution. They have not been of the Left. Neoconservatism and neoliberalism have taken up the mantle abandoned by the Left in promoting the revolution of bourgeois society, promising the world freedom. In many ways the neoliberals have done so more radically than the neoconservatives. Still, even the neocons must be reckoned as bourgeois revolutionaries—which their traditionalist paleoconservative rivals, let alone the religious fundamentalists, have clearly recognized. The strange bedfellows of Christian conservatives and neoconservatives have fought the properly political battle of what Lenin called the “who-whom” question: Have the Christians used the neocons, or the neocons used the Christians? I think it is clear that the neocons, though now ideologically discredited on certain policy questions (after the Iraq war in particular), won that battle: they used the Christians to attain political power. But the neoliberals have, despite the recent global economic crisis of the past several years, really triumphed. Neoliberalism is the “new normal” throughout the world; Margaret Thatcher was right, “There is no alternative.” Furthermore, it is under neoliberal leadership that the world is currently being revolutionized. We might say that the neoliberals have fought in the vanguard, and the neoconservatives in the rearguard, of the continuing bourgeois revolution over the course of the past generation, the last 40 years.

Where does this leave the avowed “Left,” today? There has been a great deal of confusion in the past generation in particular, but also more broadly since the early 20th century, about the direction and stakes of the revolution from the point of view of the “Left.” Arendt, for instance, pointed out how it was remarkable that freedom had dropped out of the vocabulary of revolutionaries. What would have been obvious to Marx and Engels, or to Lenin or Trotsky as Marxists, that the struggle for socialism was to further and complete, and ultimately transcend the bourgeois revolution in freedom, has become an obscure issue today.

Marx and Engels’s Communist Manifesto parsed out the issue of socialism in the 19th century in terms of conservative-reactionary versus progressive-emancipatory varieties, deeming only “proletarian socialism” a reliable agent of overcoming the problem of capitalism in the emancipatory direction of freedom. Other varieties were deemed “petit-bourgeois,” that is, reproductive of the problem of capitalism and obscuring its essential contradictions. The original socialist critique of capitalism was that the capitalists were unreliable revolutionaries, too opportunistically conservative to confidently promote the revolution of which they had been however the beneficiaries historically. Rather, that task of fulfilling the revolution in modern society had fallen to the working class.

In the 20th century, this became muddled, in that “new revolutionary subjects” were sought to promote the revolution after the apparent failure of the working class in the advanced capitalist countries to further the revolutionary advance to socialism. But today these purported new social-revolutionary classes and social groups have also clearly failed. Neither peasants nor anti-colonialists nor oppressed ethno-cultural minorities nor women nor sexual deviants have furthered the advance of socialism. If anything, such politics have only confounded the issue even more. We are left with the problem of the results of incomplete revolution—capitalism—but without any apparent revolutionary subjects to address and overcome this problem. The best on offer seems an indeterminate “democracy,” but that has a storied and problematic history as well, going back to the Jacobins themselves if not earlier. Moreover, since the mid-19th century, the democratic revolution has been an engine for the reproduction of capitalism.

What the revolution has given us since Marx’s time is not socialism but more extensive and deeper capitalism. Moreover, Marx’s recognition of the revolutionary character of capitalism has been lost. The reproduction of capitalism has taken largely conservative-reactionary forms. This is because the issue of capitalism itself has become obscured. This has had a profound effect on politics itself. The ostensible “Left” has allowed itself to become defensive, and to thus imagine that the principal task has been, rather, the “resistance” to capitalism. A one-sided and confused “anti-capitalism” has replaced the struggle for socialism. Worse, the “Left” has internalized not only cynicism about the bourgeois revolution, but even the conservative-reactionary rejection of the revolution itself. Marx has gone from being a revolutionary to becoming a “master of suspicion,” and has been profoundly misread as skeptical or even cynical regarding modern, bourgeois society and its revolutionary potential. The “Left” has thus become a new Right. It has not only compromised itself but actively contributes to the confounding and obscuring of the revolution that still tasks the world.

This means that only opportunists—the Right—have allowed themselves to be politically active, but have been compromised in their activity precisely by such opportunism. Neoliberalism and neoconservativism are clear examples of this, but so is political religious fundamentalism. But before them so was Stalinism. As Trotsky put it, Stalinism was the “great organizer of defeat,” meaning the political “leadership” of the organized accommodation of defeat. As such, Stalinism was also, ideologically, the apologetics for defeat. This was done through calling defeat victory, or, the affirming of the course of the revolution through opportunistic grief. Thus, the 20th century was called “progress” when there was none. No wonder that postmodernism’s opposition to Marxism—really to Stalinism—was first and foremost an opposition to ideas of historical progress and of history—that is, universal history itself.

What characterizes the last two hundred years is the relative lack of consciousness, and unfortunately increasingly so, of the on-going bourgeois revolution. To date, Marxism has offered not merely the best but really the only way out of this deficiency of consciousness. Specifically, Marxism offered the diagnosis of the necessary if symptomatic character of that lack of consciousness. The bourgeois revolution without consciousness is what Marx called “capitalism;” it was the rendering of the revolution “objective”—an object of mere contemplation, an unfolding catastrophe rather than a process of freedom—abdicating the task of consciousness, which alone could offer the possibility of the continuation of the revolution as a matter of freedom.

If we experience the return, the repetition of the bourgeois revolution, then this is as the reproduction of capitalism. But the repetition is an opportunity for advancing the revolution, if however its self-contradiction, the war of the counterrevolution within the failure of the revolution, still dominates us. The task of revolutionary thinking, therefore, would be the recognition of the repetition and of the contradiction.

Responses

NM: I don’t think that neoliberals could be viewed as the vanguard of bourgeois revolutions today; I would say that it is the contrary. Neoliberalism is the vanguard of the destruction of the last remnants of bourgeois culture. The bourgeoisie was a class that died some decades ago. I think contemporary oligarchies have little to do with the classical bourgeoisie, as it was only ever interested in seeking profits and exploiting society. The classical bourgeoisie wanted to create a viable form of society. Today, oligarchies want only to loot, as David Harvey said in response to the London suburban riots in 2011. The lower class is following this ideology of the ruling neoliberal oligarchy, which is just slash-and-burn.

DR: My democratic sensibilities will allow me to make one comment, and give my two minutes to the people. I have heard a lot on this panel about thought, but not much about politics. How do we proceed? What is to be done?

SG: I wonder what Chris would make of the celebration of the Communist Manifesto’s 150th anniversary in 1998. You had an almost universal laudation from the Wall Street Journal, to the Economist, to the New York Times. It seems to mean that capitalism has recognized the way in which Marx is really praising the bourgeoisie in that text. He didn’t come to bury the bourgeoisie, but to praise it to high heavens. I’m wondering how that fits in terms of what you’re suggesting. Isn’t that the pre-history of a certain kind of appropriation, not only of the shallow conception of freedom you get in neoliberalism?

JS: To Nikos: Financialization of capitalism may or may not be a new period or form. It is not clear anymore that there is a national bourgeoisie, held responsible to its people, and any notion of a patrician bourgeoisie is certainly out the window. The search for short-term profit certainly is striking. What is to be done? There are limits ecologically, but even in our society there are huge deprivations of material needs that are generating forms of resistance. I don’t think you should come out of here without talking about the insurgency around raising the minimum wage, and immigrant rights. I think the new working class will be immigrant-led. Whatever you say about globalization, a lot of stuff in this country can’t move without workers. Healthcare, construction, restaurants, retail—basically 10% of the country works at Wal-Mart. They’re all going to suffer huge cuts in their living standards. Many of you have connections to the academy. The neoliberalization of the academy is part of the reason for the crisis of intellectuals: Everything is about niche production, adding new lines to your CV, and there’s no solidarity. There’s been an incredible proletarianization of academic labor. A hint at the dominance of neoliberal ideology is that few people know that the real source of the crisis is that per capita funding from the state—per person and per university—is down 40% from the mid-70s. The abandonment by the state of the education of its own citizens is part of the crisis. I’ll conclude by saying that our job should be to render relatively transparent the opaque forms of domination and subordination of capitalist ideology. A lot of my colleagues render the transparent opaque.

CC: About the celebration of the 150th anniversary of the Communist Manifesto: This is just rank ideology. The 90s were a boom period; what followed was a bust. To get to Nikos’ point of the bourgeoisie destroying bourgeois society, we have to be careful with the categories of “the bourgeoisie” and “the capitalist.” Is this the entrepreneur? The finance rentier class (Lenin’s coupon-clippers from Imperialism: The Highest Stage of Capitalism)? My focus is on the politics and political actors—not the ruling class understood as the moneybags, rich people. Take Jeffrey Sachs, a neoliberal bourgeois revolutionary of our time. He was honest enough to realize that his program for revolution didn’t work, and now he is an apostate neoliberal who has taken the other track. He is clear on his political vision, and has changed the means to the end. First, it was “shock therapy” and free-market reforms; now, it is transnational organizations, charity, and reinvestment. I try to keep my remarks constrained to politics, which is why I brought up the neocons and the neoliberals as the political actors of the last generation. The Left has to aspire to outdo these people, to outdo them as revolutionaries. To do this we have to be clear on the revolution, but I think the Left has joined the counterrevolution. Resistance to capitalism is a non-starter, politically—trying to transform capitalism, to get beyond capitalism, that’s something else. But resistance to capitalism? Hopeless.

Q&A

I feel that when we reach for catastrophe as an explanation of our current situation, its motivated by a compelling desire to make the mundane profound. The IPCC report apparently tells us that we’re past the turning point. I’m old enough to remember the Club of Rome, which also said we’d passed a turning point, and that by 1970 all human life would be impossible. It’s a common theme of Marxism to say that the rate of profit is past that point at which the only future is barbarism, socialism or barbarism. Well, where’s the barbarism? I see civilization, a forward march in life expectancy, literacy, health. The carrying capacity of the Earth has been increased to six billion over an amazingly short period of time. What a fantastic success! If you wanted to dramatize telling the story of human history, wouldn’t you begin with the remarkable potential of this point of human civilization?

JS: Even if what you say is true, you must admit that there is an ecological crisis, one that will have to be dealt with by a change of social and political power relations. Sea levels are rising: it’s an empirical reality. But I’m enough of a modernist to think that—if we have the right politics and transformations in politics and policy—there are technological solutions to the problems that technology creates. In that sense there’s a dialectic of the Enlightenment that has both positive and negative aspects. Reason can solve the problems that it poses, but it can also create a lot of serious problems.

DR: Human beings are in a constant state of denial, as Freud wrote about at the turn of the 20th century. I don’t think we understand reality better by sounding like a happy journalist on CNN. To make a comparison between the IPCC and the Club of Rome is, quite frankly, specious. Who was the Club of Rome? The IPCC is a conglomerate of almost 3,000 scientists who review scientific evidence, already published and adjudicated. How can we deny that? How can we deny the scientific basis of that analysis? We have to see what the political implications are of that evidence.

SG: It was only around six or seven years ago that the CIA released a report of its projections for deepening climate and civic crises throughout the world, and they were planning accordingly. There is a sense today that crime is on the decline, but there is a militarization of the police. One has to ask why this is. Perhaps this is a kind of preparation for the coming crises—‘barbarism’, in a sense, on the horizon. What this question articulated would be received quite sympathetically by our current government—an absolutely reactionary, authoritarian government that is not doing anything it can to forestall climate change. It is doing everything to deepen and further the coming economic crisis. I find it quite amazing that you suggested what you did.

NM: “Barbarism” should not always be imagined as a pile of corpses, or stuff like that. I will refer to Oswald Spengler, who described the barbarism to come as more and more inhuman situations within a highly civilized environment. This describes very accurately what’s going on today.

CC: I agree with the formulation Nikos just provided, of increasingly inhuman situations being produced within a nonetheless civilized society. But I would turn the question of barbarism to that of political responsibility: In other words, the decline of political responsibility could be an index of increasing barbarism. What we are talking about with revolutionary thought and politics is the ability to take responsibility for the massive changes the world is undergoing, and will continue to undergo. I take the question’s point not to be denial of a problem, but rather confidence in the potential ability to address that problem. I would like to echo Joseph’s point that reason is the solution to its own problems, and that technology can solve the problems created by technology. This comes with the proviso that technology is a human doing, but in alienated form. It is thus about what we are doing: whether we can take responsibility for it, and what form that might take.

NM: Technology is not at all instrumental or natural—it is materialized ideology. One of the most important dimensions of a social transformation would be the transformation of technology. But technology is not neutral; it is an expression of the dominant worldview of that society. Every form of society has its own technical system, and so if we critique capitalism, we must critique its technical system as well. Take Taylorism, for example. Lenin wanted to use Taylorism for the cause of socialism. But Taylorism is an inherently oppressive and alienating system, which springs from capitalist ideology. I can’t imagine a socialist society with Taylorist forms of working.

We shouldn’t indulge in catastrophism or crisis-mongering. Catastrophism is not lucidly reflecting on what is going to come; it always believes that there is no solution, and no possible exit. The greatest catastrophists were always those who took techno-science to be omnipotent. That’s why Heidegger, for example, when he demonized technology, counterpoised to it Gelassenheit—serenity. But when people indulge in catastrophic thinking, I think this is valid because it at least expresses a kind of vigilance. Techno-optimism expresses a lack of responsibility towards what’s going on in society.

DR: I consider myself a public intellectual, but also an activist. Though I forecast a dark future in actuality, it doesn’t hold me back for a second in doing what I have to do, want to do, and enjoy doing, as a political activist. I want to share with you a historical experience. In the 1950’s, the two superpowers, the USSR and the US, were testing nuclear weapons in the atmosphere. The effects of that pollution of the environment are well-known. There was a great deal of panic at the time about what this was headed towards—namely, WWIII. A massive movement arose in response to this, the nuclear disarmament movement, which was unprecedented in terms of its size and organization. Now we didn’t get nuclear disarmament, but what we did get was the nuclear test ban treaty. So, as a result of that mass movement clouded by fear, we brought us back from the precipice. That may or may not happen with the ecological crisis.

SG: I certainly don’t think I’m advocating catastrophism. I think it is necessary to think through possible alternative understandings of both reason and freedom, in such a way as to address what Horkheimer and Adorno called the Dialectic of Enlightenment which was envisioned in terms of a mindfulness of nature. Capitalism has a decreasing capacity to reproduce the natural conditions that would enable its continuation. I don’t think that’s terribly controversial. My conclusion would be that only the hand that wields the sword can heal the wound. A dialectical conception of reason is absolutely vital. Then we could recognize that technology is not some mystical thing, but is a form of reason. In order for a critique of that form to be carried out, another conception needs to be itself worked out. That is in part the project of the relationship between revolutionary thought and practice.

JS: I do think the ecological crisis does open the possibility for left critique and action. But whatever you want to call it, we aren’t going to get an emancipatory politics of the city without accomplishing much greater public control over social investment. I don’t think the corporate world is going to provide the changes in the way we produce and consume that are needed if we’re going to sustain human life on Earth. There are flash eruptions against neoliberalism occurring across the world. I think there is a role for Marxism or socialism, as a form of political organization, to help cohere this social unrest and protest into some kind of governing emancipatory project. We are in a period of crisis, where a lot of people do know that something’s profoundly wrong, and that human well-being is threatened. But what to do with these openings is what we have to sort out by actually doing politics.

CC: I want to make a closing plea for the plausibility, even if somewhat politically distant, of Marxism as still in the present. It is present to the degree to which we can call the contradiction of society at a global scale as being that between wage labor and capital. Do we still live in a society that reproduces the conditions for wage labor? Do we still live in a society that is dominated by the need to valorize capital? I think both of these are still in effect. This is not just a description of an objective state of the economy, but is also a description of a circumstance for potential politics. Marx was not only a philosopher of modern history, or an analyst of the capitalist economy, but also a political strategist. His orientation to the wage-laboring class was a strategic estimation of politics. In that respect, what we lack, unlike previous historical phases of capitalism, is an adequate political mediation of the problem of capitalism. In other words, capitalism doesn’t manifest at the level of politics, where the contradiction between capital and wage labor is fought out. Perhaps it won’t manifest in the future in the way it did in the past, but it seems to me that the alternative to that attempt to politicize the capital and wage-labor relationship will be further barbarism: The decline of potential political responsibility, and the locking-up of politics among a small group of ideologues and technocrats. | §

Originally published in The Platypus Review #69 (September 2014).


The concept of Left and Right

Chris Cutrone, Nikos Malliaris and Samir Gandesha

Platypus Review 68 | July 2014

 

On April 5, 2014, at the sixth annual Platypus Affiliated Society international convention, the following panel discussion took place of which this is an edited transcript. Full panel description and audio recording can be found on-line at: http://platypus1917.org/2014/04/05/the-concept-of-left-and-right/

 

“We are the 99%”
—Occupy Wall Street (2011)

“The Left must define itself on the level of ideas, conceding that in many instances it will find itself in the minority.”
Leszek Kolakowski, “The Concept of the Left” (1968)

The distinction of the Left and the Right was never clear. But following the failure of the Old Left, the relevance of these categories has increasingly ceased to be self-evident. In its place there has been a recurring declaration of the “end of ideology;” by 1960s intellectuals like Daniel Bell, 1980s postmodernists, and the 1990s post-Left anarchism.

Yet in spite of the recurring death of ideology, the terms “Left” and “Right” seem to persist, albeit in a spectral manner. With the politics that attended the uprisings of 2011—from the Arab Spring to Occupy—there seemed a sense that the Left ideology has simultaneously become irrelevant and inescapable. While the call for democracy by the “99%” has its roots in the historical demands of the Left, these movements were notable to the extent that they were not led by Left organizations. To many who participated in these movements, Left politics seemed “purely ideological” and not a viable avenue to advance discontents. Now that this moment has passed there is a sense that the Right has prevailed, and even a sense of resignation, a sense that the Left was not really expected to be competitive.

This ambiance seems in contrast to the past. At the height of the New Left’s struggle to overcome the Old Left, the Polish Marxist Leszek Kolakowski declared that the concept of the Left “remained unclear.” In contrast to the ambivalence of the present, the act of clarifying the ambiguity of the Left seemed to have political stakes. The Left, he declared, could not be asserted by sociological divisions in society, but only by defining itself ever more precisely at the level of ideas. He was aware that the ideas generated by the Left, such as “freedom” and “equality,” could readily be appropriated by the Right, but they would only do so if they failed to be ruthlessly clarified. For Kolakowski the Old Communist Left had ceased to be Left and had become the Right precisely on the basis of its ideological inertia.

What does it mean today when the challenges to the status quo are no longer clearly identifiable as originating from the Left? While it seems implausible that Left ideology has been transcended because people still explain social currents in terms of Left and Right, there is a sense in the present that to end exploitation will demand a measure of realpolitik—a better tactical response—rather than ideological clarification. One has the uneasy feeling that existence of the Left and the Right only persist by virtue of the fact the concept of the Left has somehow become settled, static, and trapped in history. But wouldn’t this be antithetical to any concept of the Left?

 

Chris Cutrone: “The concept of the Left” was published in English translation in 1968. Actually, the essay dates from the late fifties, and it was a response to the crackdown that came with the Khrushchev revelations. Most famously, there was an uprising in Hungary in 1956 after Khrushchev’s revelations about Stalin, but in fact there were attempts at liberalization in other parts of Eastern Europe, including Poland. Kolakowski participated in that, but also suffered the consequences of the reaction against it, and that’s what prompted him to write the essay. Much later, Kolakowski became a very virulent anti-Marxist. But in the late fifties, he’s still writing within the tradition of Marxism and drawing from the history of its controversies, specifically the Revisionist Dispute and the split with the Second International into the Third International.

Kolakowski wrote that the Left needs to be defined at the level of ideas rather than at the level of sociological groups. In other words, Left and Right don’t correspond to “workers” and “capitalists.” Rather, the Left is defined by its vision of the future, its utopianism, whereas the Right is defined by the absence of that, by opportunism. Very succinctly, Kolakowski said, “The Right doesn’t need ideas, it only needs tactics.” So what is the status of the ideas that would define the Left?

He says that the Left is characterized by an obscure and mysterious consciousness of history. The Left is concerned with the opening and furthering of possibilities, whereas the Right is about the foreclosure of those possibilities. The consciousness of those possibilities would be the ideology of the Left. Kolakowski’s use of the term “utopia,” when he says the Left is defined by utopia, is a rather peculiar and eccentric use of the term. It’s not a definite image of the future; it’s rather a sense of possibility—a consciousness of change. This might involve certain images of the future, but it’s not defined, for Kolakowski, by those images of the future. Left and Right are relative; there’s a spectrum that goes from a sense of possibility for change and ranges off to the Right with a foreclosure of those possibilities, which is what justifies opportunism and politics of pure tactics.

Another useful category that Kolakowski introduced is “crime.” He says politics cannot be fully extricated from crime, but the Left should be willing to call crime “crime,” whereas the Right needs to pretend that crimes are exigent necessities. In other words, the Left is concerned with distinguishing between true necessities and failures to meet those necessities, which is what political crime amounts to. So Kolakowski says that the Left cannot avoid committing crimes, but it can avoid failure to recognize them as crimes. In this respect, crimes would be compromises that foreclose possibilities—political failure is a crime. This is important, again, because the context in which he was writing was Stalinism, and Khrushchev’s revelation of Stalin’s crimes. In other words, Khrushchev’s concern was, “Okay, Stalin is dead and there’s been a struggle for power in his wake. How are we going to make sense of the past twenty or thirty years of history. What were the crimes that were committed?” The crimes that were committed in this respect were crimes against the revolution—crimes against freedom, crimes against the possibility of opening further possibilities for change. In this respect, the Left is concerned with freedom, and the Right is concerned with the disenchantment of freedom—the foreclosing of possibilities for freedom. Whereas the Left must believe in freedom, the Right does not. Hannah Arendt in the 1960s in On Revolution points out how remarkable it was that the language of freedom had dropped out of the Left already at that point.

Today, one of the reasons why Platypus says, “The Left is dead! Long live the Left!” is that the concept of freedom, and therefore the concept of the Left itself, has given way rather to concerns with social justice. Social justice can’t be about freedom because justice is about restoring the status quo ante, not advancing further possibilities. While we might say there can be no freedom without justice, we can say that there can be justice without freedom. When the avowed Left concerns itself not with freedom but with justice, it ceases to be a Left. That’s because pursuing a politics of justice would stand on different justifications than pursuing a politics of freedom—in the name of justice, crimes against freedom can be committed.

Nikos Malliaris: I have a mostly unorthodox approach since I come from a political tradition that considers the distinction between Left and Right to be obsolete and politically irrelevant since, let’s say, the sixties. Indeed, part of the critique that thinkers such as Lasch and Castoriadis, or even Hannah Arendt, address, from the sixties on, has been articulated around this basic idea. A distinction between Left and Right seems obsolete not only because the Old Left, the Left that was, has lost many of its properly left-wing traits, moving more and more to the Right. Christopher Lasch’s critique of the notion of progress has shown that the real problem lies in the fact that many fundamental Left-wing beliefs—such as the belief in progress, technophilia, and the primacy of material economic factors—were in reality, right from the start, shared by both Right and Left. The same goes of course for Castoriadis’s critique of Marxism as an ideology that perverted the revolutionary project by trying to articulate it using basic elements of the bourgeois worldview, such as the belief in progress, economism, scientism, technophilia, or even the distinction between revolutionary experts and uneducated masses. There is nothing absolutely new in all this, as non-orthodox Marxists such as Karl Korsch attacked the pseudo-scientific Marxism of the Second and Third Internationals. The first generation of Frankfurt School thinkers were the first to undertake an attempt to renovate revolutionary theory. We can say that Lasch and Castoriadis just made a step forward by historically and philosophically expanding—and politically in the latter’s case—such a critique.

In any case, the main conclusion of this philosophical and sociological point of view is that the Left actively participated in the gradual crystallization of the contemporary social paradigm—what we would call consumer society. This is a society constituted by the historical revolution that gave birth to the old industrial and capitalist societies, based on productivism and technophilia, and whose inherent ideology we would sum up as cultural liberalism—the celebration of the all-important individual. What is the point of stressing the importance of all these issues? They form a context for raising the issue of defining such concepts as Left and Right.

Both terms originate in the debates that shook revolutionary France back in the 1790s. They express the mounting current of political republicanism and constitute its two main forms: the Left a radical one, and the Right its more moderate counterpart. That means it is wrong to confuse Right-wing with reactionary or conservative ideologies. The latter are forms of defending the pre-revolutionary monarchical, or even feudal, political and social edifices, whereas the former is a moderate way to support the post-revolutionary order. The Right believes social equality is already achieved and that a moderate, parliamentary regime—even based on a sense of suffrage, as was the case in the 19th century—is a sufficient guarantee of real equality. Left-wing movements and theories, on the other hand, believe that such equality isn’t enough, or that it was nothing more than a form of new inequality that should be reversed.

An additional difference between Right and Left—that is, between political liberalism and Marxism or anarchism—lies in the way that each of these political traditions perceives the coming of liberty and social equality. The former believes it should be gained gradually while the latter believe only a revolution can really transform existing society. In any case, what we should underline is that Marxism and liberalism are not as radically opposed as it is commonly believed, since they are part of the same political and theoretical family; they may not be brothers, but they should surely be considered as first cousins. So we see that such terms as Left and Right are far more problematic than we are used to believing. An interesting example: Ayn Rand. Was she Right-wing or Left-wing? The same goes for various anarcho-capitalist sects that are fiercely capitalist as far as economy and politics are concerned, but are generally liberal and anti-authoritarian with regards to ethics or cultural issues. Jean-Claude Michel, a contemporary French philosopher, reminds us that when parts of Ayn Rand’s novel The Fountainhead were translated for the first time in French, they were thought to be a kind of Left-wing critique of traditional bourgeois mentality, as Rand celebrated the creating of an individual and his determination to oppose every obstacle that attempts to hinder the realization of his inner vision.

Capitalism’s inner logic lies in an unending destruction of every form of social and cultural tie that limits the pursuit of the all-important individual. That means that capitalists’ inherent ideology, if there is one, is what I’d call cultural liberalism: the idea that the individual should act as it wishes without being restrained by any form of social convention, belief, or control. Beginning with the attack on feudal, aristocratic, and religious archaism, this ideology raised the attack on such archaism to an end in itself. When real archaism ceased to exist, the need to justify our theoretical conception leads to an absurd attack on every social form or institution, without the least coherence. Coherence itself is being seen as fascist or oppressing, and with poststructuralism and postmodernism, we saw similar attacks on language and even anatomical differences between the sexes (take for example Foucault, Butler, or even Edward Said). All this was done in the name of the Left, historically amounting to nothing more than the further consolidation of consumer society with this inherent cultural and philosophical relativism. And it is precisely this fertile ground where the poisonous plant of far-Right movements grows nowadays, especially in Europe.

So I would raise the questions: Is contemporary capitalism really Right-wing? And can the invocation of the Left, at least at its present form, help us articulate a radical form of democratic and emancipatory critique, and an analysis of the total social collapse that we are facing?

Samir Gandesha: Since 1956, with the invasion of Hungary and the formation of the New Left in what’s been called a democratic, anti-imperialist form of socialism, there has been a tremendous degree of confusion concerning Left and Right.

A further series of confusions date back to 1989, with the transformation of the Soviet bloc, the appearance of Alexander Dubček on the podium, with Václav Havel, which really put paid to the moment of 1968 in the former Czechoslovakia—there was no possibility of “socialism with a human face.” Obviously the nineties, with the implosion of Yugoslavia and the different kinds of positions that were taken by various Leftists vis-à-vis the Serbian side in particular, and Milosevic, betrayed a certain kind of unclarity and confusion. The wars in the Gulf also led to a kind of paralysis and confusion about the commitments the Left would make, the sides it would take up in these conflicts. More recently, though not as monumental as the previous examples, the controversy over Judith Butler receiving the Adorno prize is quite revealing, given the fact that she had declared Hamas and Hezbollah as part of the global anti-imperialist Left. Not to defend Butler’s critics, but rather what one would want to do in that situation is to say here is a form of historical amnesia, that Hezbollah was created by the Revolutionary Guards, who played an absolutely violent role in suppressing the Left in the Iranian Revolution and actually helped to turn it, when it had a secular and genuinely Left complexion, to the Islamist revolution that we know. There’s an amnesia about these categories and an unfortunate kind of participation in identity politics, and this exemplifies that.

Today we have to understand social struggles as manifesting a distinction between Left and Right, in terms of whether they can be understood as anti-capitalist struggles. As to whether the Left makes typically collective demands whereas the Right makes typically individualistic types of demands, this is a complicated question. You’d have to answer it dialectically, insofar as the Left could be understood, at least historically, in terms of making collective demands in the interest of liberation of the individual and individuality, which would be understood in relation to the collective—the freedom of the individual is conditional on the freedom of all and vice versa. The Right tends to make demands on part of the individual, but those demands are often at the same time couched in terms of some notion of the larger whole, some attachment to nationality, to an imperial project, and so on.

In Marx you have one account of taking hold of capitalism in the Manifesto, and a very gripping account of “all that is solid melts into air,” but only a few years later we see in The Eighteenth Brumaire a much more complicated relationship between the forces of capital in transforming the landscape—wresting the whole of tradition from social subjects to social actors only for those traditions to come back and to “weigh like a nightmare on the brains of the living.” This is a complex dialectic in Marx. It is not necessarily the case that we can say that capitalism is merely liberating the individual: it’s a much more complicated sort of relationship.

A great example would be Narendra Modi, who has ruled with an iron fist in the state of Gujarat. Gujarat is being put forward in India as a viable model of economic development. It has experienced a sort of hyperprocess of development, but at the same time the worst excesses of Hindu fundamentalism have been unfolding there. This is what Perry Anderson calls the “Indian ideology”—free-market emphasis on the individual, but at the same time, appeal to the most reactionary kinds of traditions and interpretations.

Getting back to the realm of ideas, Left and Right are defined by their relationship to the French revolution. The Left seeks to realize the universalist ideas of the Enlightenment, whereas the Right—going all the way back to 1790 and Burke’s Reflections on the Revolution in France—takes up a much more complicated relationship, trying to defend the standpoint of particularity. This is the key thing about the Right: unmediated particularity. Language, tradition, culture, family. The way this plays itself out of course in Germany and in the aftermath of Napoleon is in terms of Hegel’s, “the real is the rational and the rational is the real.” The Right of course sees the institutions of modern society and state as always already rational—no more work to be done—whereas the Left takes this up as the rallying cry—that the world must be made philosophical. This is the opening of hitherto unrealized and also unrecognized possibilities. We don’t even know what the possibilities will be like in the future.

Ultimately what’s at stake and why ideas matter is because we really have to look at forms of reason. What does it mean to make the world philosophical? That goes to the contemporary possibility of reason, because the questions of reason and freedom in the tradition we’re talking about are inextricable. Freedom isn’t simply your ability to do what you want willy-nilly but is rather some notion of rational self-determination as autonomy. So when we talk about freedom, we are also talking about reason and rationality.

I’ll just finish on the fact that in Canada today, you have a government that’s absolutely hostile to the tradition of the Enlightenment insofar as it is clearly anti-science. It has essentially destroyed national scientific libraries, it has closed the experimental lakes area, and it has said we are not going to fund any more basic research. This is quite extraordinary—reactionary and anti-Enlightenment—whereas the Left has to take up a dialectical relation, a critique of techno-science but in an era of global climate change. We have to articulate a particular relationship to that tradition of reason. It’s very embarrassing for the so-called postmodern Left today, because the positions it has taken up over the last couple of decades are exactly the positions of the conservative government today in its anti-science rhetoric and practice. It has simply thrown out the baby with the bathwater.

CC: One thing I’d like to say, rather provocatively, is that I’m a member of a generation that has come up through a return of this “end of ideology” concept—the argument of needing to get “beyond Left and Right” is just a Right-wing argument. You see it in many figures from the last generation. Foucault would be one for example—the Iranian Revolution was raised with respect to this.

The other point that I was going to make, but that Samir made in his opening remarks, is that freedom would have to be understood as both collective and individual. This is because society is both a collective and individual affair. Really, going back to the era of classical liberalism—rather than liberalism in Ayn Rand’s deranged definition—freedom of the individual would have been understood to be a moment of the freedom of the collective, and vice versa.

With respect to free market ideology, an old mentor of mine, Adolph Reed, recently said that what’s interesting about the political Right in the mainstream is that it has a dual agenda: It has an agenda of upward redistribution of resources, and it has a free-market agenda. But guess which one is sacrificed in a pinch? Actually, the free-market ideology is sacrificed. And that means perhaps the whole question of “free-market ideology” would have to be addressed as a matter of ideology, not a simple manner of “free market equals Right-wing,” but rather that it is a necessary form of misrecognition of the potential for freedom in this form of society. One of the unfortunate characteristics of living in the neoliberal era is the idea that we’ve been moving to the Right since the mid-20th century, and that Right-ward drift is to be characterized entirely in terms of the erosion of the welfare state and its replacement by the market.

In my own political imagination I go back a lot further, and I would see in the state-centric capitalism of the 20th century the form of the counterrevolution. In other words, we are dealing with phases of the Right, first in the form of statism and now in the form of post-statism, rather than non-statism. That’s where my Adolph Reed quotation comes in—what really is the agenda of the Right? It’s not really that the state is being taken down in favor of the free market, but rather that the state remains as an upward redistribution mechanism, and that the free market ideology serves merely as an ideology. It’s not really going on.

That raises the question of anti-capitalism. I would say that it’s unfortunate for the Left to categorize its politics as “anti-capitalist.” This is something that goes back to the New Left. Rather we should be thinking about post-capitalism—what would it mean to get beyond capitalism rather than fighting against capitalism? How can we redeem the history of the past two hundred years, the history of capitalism, as a pathological form of freedom, but nonetheless as a form of freedom? Certainly, with respect to what came before. I do take to heart we have a distinction to be made between two kinds of Right—a pro-capitalist Right and an anti-capitalist Right. Again, this is where Kolakowski is useful. What’s interesting is that his conception was really not about ostensible capitalism, but rather, ostensible socialism, meaning what crimes were justified by the pursuit of socialism. But we could also talk about what crimes are committed in the pursuit of capitalism, which raises the question of what capitalism actually is. Capitalism requires a dialectical treatment, and the Left has largely ceased to be a Left in having an undialectical treatment of capitalism itself.

NM: I totally agree that discourse on free-market is a lie. There is no capitalism without the state. A real free market would be something highly egalitarian and really democratic, a social space where there are no economic differences or hierarchical positions.

I would like to stress this: We cannot say that the Right has nothing to do with freedom because free-market ideology is only ideology. When we analyze Left and Right, we have to look at the philosophical and theoretical level on one hand, and of the concrete and historical on the other. As we cannot judge Marxism simply by what happened in the Stalinist regime, we cannot judge the Right by saying we have no free market so the Right has nothing to do with freedom. We are speaking of the really existing neoliberalism as we had really existing socialism, which had nothing to do with socialism. Kolakowski has a tendency to reduce Left and Right to abstract philosophical concepts, and then to identify the Left as “Good” compared to the Right as “Evil.” I cannot comprehend how he can say the Right is a dead force without openness to the future. For the first liberals, capitalism was the way to ensure real social equality and progress, so capitalism is highly open to the future.

American society, at the ideological and anthropological level, is profoundly egalitarian as opposed to European societies. That’s why American capitalism is stronger; it is not hindered by precapitalist, archaic social and economic forms. So I would say capitalism does not have an inherent ideology—that’s why it’s compatible with almost any form of political regime.

I do not agree with the distinction between freedom and justice. I don’t think social justice is an economic and social issue as opposed to freedom or equality, which are political issues, so that we could have justice without freedom or freedom without justice. That would be a Stalinist, and at the same time, a capitalist argument. The capitalist would say we could have freedom without social justice, and the Stalinist would and have said we had social justice without freedom.

Finally, you’re right Samir; we have to clarify our position towards techno-science and the tradition of the Enlightenment in general. That is the core of the philosophical enterprise of the Frankfurt School—that the Enlightenment was not something monolithic. Capitalism is the product of the Enlightenment. We have to keep some things from the Enlightenment and criticize some others.

SG: Anti-capitalism versus post-capitalism brings into play whether we are looking at a form of abstract or determinate negation. Abstract negation would be simply mean being anti-capitalist in orientation, whereas determinate negation would really draw upon progressive elements within the present, and seek to deepen and extend them. In that sense, the work of the present is completing the historical tasks of the past. But how we imagine that is a very complex question. Liberalism, utilitarianism, these in their moment were extremely progressive and, in a sense, Left-wing in terms of opening up new possibilities. When they become entrenched and reified, they turn into their opposite. There is a tendency of this within capitalism, and not just in the external ways I was describing—the Gujarat model and so on. You need external support for a certain kind of free-market logic, which is going to be highly disruptive. For all of his faults, Foucault’s discussion of neoliberalism is very interesting precisely because it was recognized that there had to be a strong, institutional framework for the unleashing of the market. That’s insightful in terms of our own neoliberal present, where the state doesn’t disappear. It is a form of class struggle that’s happening—the redistribution upwards of wealth. But at the same time there’s a transformation of the regulatory framework towards a very narrow understanding of freedom, which cancels the idea that there are certain resources and capacities people need to even exercise this negative conception of freedom. Hence the destruction of the welfare state.

That capitalism has no inherent ideology, that is problematic to me, Nikos, because the very commodity form—what Marx calls a “socially necessary illusion,”—is ideology in that we cannot directly, immediately perceive the conditions of our existence. The work of critique and the work of reason are required to understand the social whole. The market will always rely, as Hegel shows very clearly, on law—the moment of ethical life is actually presupposed in those abstract market relations, which only then becomes clear once the dialectic has done its work.

Q & A

Nikos, would you consider radical liberals, such as Rousseau, Adam Smith, Kant as Leftist, and how would you perhaps discern this radical liberalism from 20th century radical liberals like Hayek? Would you consider them Right-wing? Would you consider them both Left-wing and Right-wing? How would you replace the obsolete Left and Right distinction?

NM: We have two types of criteria for judging if someone is Left-wing or Right-wing. I would say, from a historical point of view, both of them—Kant, Mill, Locke, and on the other hand, Hayek, Rand, the Chicago School, etc.—are the same mixture of Left-wing and Right-wing elements. The difference is the latter form degenerated from what great thinkers like Kant, Mill or Locke expressed. From a political point of view, I would say there is as huge difference between those two categories. I would categorize the former as democratic, whereas the latter would be nondemocratic liberals. For me, that is the categorization that has to replace Left-wing and Right-wing: democratic and non-democratic. Democratic for me also means egalitarian. In Kant, Mill and Locke, and other liberals of the 18th and 19th centuries, you had a real democratic spirit that was expressed in a limited manner, whereas in Hayek, Rand, etc., you have no democratic spirit at all. What they keep of the Left-wing elements of liberalism is just the justification of brutal individualism.

I would like to pose the question of the working class, because Left-wing liberals refer to the Third Estate and the working class, and also Marxism had its reference to the proletariat. So the Left is an idea, but there was a reference to a social group. How do you navigate this relationship?

CC: Left and Right, because it dates back to the French Revolution, doesn’t predate Hegel’s notion of contradiction, but it does predate Marx’s specification of contradiction with respect to capitalism. For Marx and Engels, capitalism is the developing self-contradiction of bourgeois society that points beyond it, in some way. Therefore, the working class had to negate itself, and what that means has been up for a great deal of interpretation, reinterpretation, and misinterpretation. It’s actually quite different from the notion of the revolt of the Third Estate in the earlier period. To redefine society in terms of labor and its exchange as opposed to tradition and custom was the bourgeois, revolutionary project. But for Marx, after the Industrial Revolution the working class represents the self-contradiction of bourgeois society. The idea is that bourgeois society should, according to its ideals, not have a proletariat—an expropriated class of workers who are formally free to participate in society according to the principle of their labor but are actually alienated from the results of their activity in society. It brings up the question of self-contradiction, because capitalism is both freedom and the constraint of freedom at the same time. The bourgeois revolutionaries did not recognize feudalism as freedom and unfreedom. Bourgeois society is self-contradictory in capitalism in a way that feudalism was not.

SG: I largely agree with your analysis. Marx’s idea of the proletariat, as you suggest, is one that is grounded in philosophical conceptuality in the early writings, and then of course becomes more concretized in his systematic working out of the logic of capital, in specific analysis of the extraction of surplus value. In chapter six of volume one of Capital, you have this transformation and the appearance of the dramatis personæ, moving from the realm of the freedom of property in Bentham to the realm of production.

NM: I think that the Frankfurt School tried to generalize the idea of the contradictions of bourgeois society, projecting these contradictions into the history of Western modernity. This very important because we cannot understand what is going on with our difficulty of defining the Left and Right otherwise. Both of them are products of Western modernity. Western modernity, from the 12th or 13th century on, is categorized by a fundamental, anthropological contradiction—trying to incarnate at the same time two contradictory world visions. On one hand, we have this project of social and individual emancipation, and on the other this paranoia with bureaucratic, scientific, and economic exploitation and domination. I would say that both the Left and the Right incarnate parts of these contradictory worldviews. We could say capitalism is the Western creation that incarnates both of them in the most eloquent way.

The first society in history that destroyed every formal limit, be it reactionary, patriarchal, or not, is the modern West. The first to analyze that in a very profound manner was Oswald Spengler, who was a reactionary. You cannot have the idea that we have to liberate the market—liberate productive forces—if you are not formed in a society that knows no limits. That is why, for example, the world as we know it is a Western creation. The Westerners were the first to get out of the geographical and cosmological limits to colonize the whole of the planet. So globalization is not a fact of the 20th century—it lies at the core of Western civilization.

I wanted to ask a question on the obsolescence or the uselessness of the idea of the Left today. How we might think about this as coming out of a legacy in two forms: what the Left has done, meaning the real elements of the Left in libertarianism or neoliberalism, and what has been done to the Left, the denigration of the emancipatory project of the Left in history?

NM: If I rightly understood you, you are reproaching me for treating in the same manner Ayn Rand, and let’s say, Marx. But I think that the Left itself calls for such a treatment, because what is the Left, historically and empirically? In Greece, for example, you have Leftists that are supportive of all anti-Western regimes—for Ahmandinejad, for Hezbollah, for Hitler, for Pol Pot, for Stalin. The Greek Left was pro-Hitler because they told us Great Britain was the main imperial force that attacked Germany. The Left has need of a really radical and vehement critique.

One of the propositions of the panel was that the Left and Right ought not to be defined in sociological groups—as in, “are working-class people Left or Right?” I think more importantly, it should be said that no Left party gets to hold the mantle of being Left indefinitely, despite whatever may come. It’s quite easy for a Left party to engage in Right-wing actions, or develop a Right-wing ideology like those ones you’re describing. I’m not sure if that really cuts to the core of the saliency of the categories of Left and Right.

NM: But could we say the contrary? For me anti-totalitarianism is Left-wing, because totalitarianism is the worst form of domination that ever appeared in human history. But Zbigniew Brzezinski, Henry Kissinger, Jeane Kirkpatrick—they were profoundly Right-wing anti-totalitarianists. So then what are we going to say? That they took some Left-wing elements?

But the panel’s description concedes this—that what is Left can be taken up by the Right, in the Left’s abdication of its own responsibilities. So if there’s no Left opposition to totalitarianism, that doesn’t necessarily mean that we are forced to make an alliance with the Right.

NM: You are right that, according to the panel and Kolakowski, we should not reduce the Left and Right to a sociological aspect, but I do not completely agree with this.

CC: This essay, on the concept of the Left, occupies an interesting moment in that it is part of the background for the New Left as a global phenomenon. Therefore, it’s not only of its moment, but it looks back and looks ahead. I am struck by the way it looks back. Even though, in a sense, Kolakowski was never really a Marxist, he does take Marxism a lot more seriously than the standard ideologues of the Polish Communist Party at the time would have done so. Just to give a little historiography, Khrushchev condemns Stalin as a “criminal against Leninism”—that was the form that the critique of Stalin took, even though Khrushchev himself clearly fell short in that respect. If I had to speculate on the mechanism of Kolakowski’s essay, I think that’s it—what is it about Marxism as a utopian ideology, what happened to that ideology? Essentially what he says is it compromised with reality too much. He starts off the essay by saying “every revolution is a compromise between utopia and reality.” He’s able to generalize a greater phenomenon out of the problem of Marxism—that the attempt to change the world seemed to have gone wrong at some point.

One could extrapolate that with respect to the bourgeois revolution and capitalism. What do we make of a freedom project that’s gone wrong? Then the question is how do we specify that? Marx attempted to specify the freedom problem of his moment in terms of capitalism and what was very much of the 19th century, namely the Industrial Revolution and the creation of an unskilled wage-laboring proletariat. Marx was attempting to reflect on an attempt to change the world that had taken a certain trajectory and manifested in his own time. He could be considered a Left Hegelian in the sense that Samir raised earlier—not treating the world as already rational, but rather to be made rational. The problem of making the world rational in Marx’s time was manifested in the working class struggle for socialism.

Is that happening now? Can we point to any attempt to change the world now that’s manifesting the fundamental problem of freedom of our time? That’s a complicated question because one could plausibly look to various social movements and say, this is the struggle for freedom now, this is how we could grasp the true nature of our society today. The problem is that we also live under the shadow of previous attempts to change the world. There is no attempt to change the world today that doesn’t have looking over its shoulder the ghost of Marxism, even the Right, although less acutely now. In the early 20th century the reason Hayek could be plausible is that he said, “Look, Marxism led to fascism, it’s right there, it’s right in front of us. The fascists imitated the Marxists, and therefore the Marxists were responsible for fascism.” We don’t have that kind of acute contradiction today. Maybe we could claim, in 1979, that Khomeini had Marx looking over his shoulder; at least other Islamists did (for instance Ali Shariati).

There is this radical notion to change the world, but it has failed in some way. That’s what raises the question of opportunism. The Left might be defined by its own coherence and its demand for its own self-clarification. When Kolakowski says that the Left is unclear to this day, what he is saying is that the Left, almost by its definition, is tasked by its own self-clarification, whereas the Right can remain incoherent. The world striving towards coherence—that you can’t have reason without freedom or freedom without reason in the Hegelian framework that Marxism inherits. The Right is not so tasked, and therefore is characterized not only by opportunism, tactics without ideas, crimes, but it also doesn’t leave the same kind of intellectual legacy.

How does democracy relate to the era of liberalism? I’d suggest it was the radical ideology of capitalism that first posed the need for democracy, and it was in that historical period that the whole issue arises. In what way does history mediate the demand for democracy?

NM: I sense a certain Marxist-progressivist account of history in your question. For me the Western emancipatory project, at the political level, begins with the first attempts of medieval cities to become self-organized and self-governed. The first members of the bourgeois were the merchants who managed to escape feudal bonds. That’s why at the time we had the famous German formulation, the era of the free city, because if you managed to stay free in the city for one year, then the feudal lord could not touch you. These cities were highly opportunistic and tried to safeguard their newly acquired autonomy by aligning themselves with priests against the emperor, then with the emperor against the feudal lords, etc. Sometimes they had directly democratic forms of government that didn’t last for long, but they did exist. The people who were most inspired by this were merchants who were also fighting for their economic liberty. So democracy was mixed up with liberalism in a more general sense, meaning the creation of a worldview of democracy at the cultural and anthropological level.

Marx says that one is only capable of understanding the world insofar as one is capable of changing it. What happens to the idea of freedom if there is no Left capable of changing the world?

SG: I want to end on a note of the relationship between theory and practice, and this idea of not being able to understand the world unless you’re in a position to change it. That’s exactly the starting point of Negative Dialectics, to get back to a reflection on the history of failure within the Left. It opens with this invocation of the moment to realize the philosophy that is missed, which then throws us back to a certain kind of reflection on this tradition, and in particular, a reflection on the freedom project that was defeated or failed to come to fruition. You get out of that an attempt to rethink fundamentally, in a dialectical way, the conception of autonomy. You arrive at the idea that autonomy without the moment of heteronomy is ultimately self-destructive. It can’t sustain itself because this logic of self-preservation gone wild leads to the exact opposite. Those are the stakes of our current age: rethinking freedom that can be brought in line with democracy and self-determination, but within the context of the recognition of the real limits that we face. | §

Originally published in The Platypus Review 68 (July-August 2014).

Wrong life

Chris Cutrone

95.4323_ph_web

Originally published as a letter in Weekly Worker 997, February 13, 2014. Rex Dunn replied in Weekly Worker 998, February 20, 2014.

With a series of exclamation points, Rex Dunn attacks Paul Demarty’s assertion that Robert Mapplethorpe’s black male nude photos are “hot”. Why?

Dunn attacks ‘sexual fetishism’ as a species of ‘commodity fetishism’ in Marx’s sense. But this specifically neglects and actively elides the crucial difference of Marx’s critique of anthropological ‘fetishism’ from Freudian psychoanalysis’s theory of ‘(sexual) fetishism’ that postdates Marx and has nothing to do with political economy. Marx’s theory of ‘commodity fetishism’ has nothing to do with truth versus deception, and everything to do with the ‘way things really are’, the Hegelian “necessary form of appearance” of social reality.

Dunn makes a plea for “humanism” and for “the person” against sexual objectification, claiming that Demarty’s defence of avant garde art is in league with the capitalist dehumanisation of people, the “shock effect” that enhances “exchange value”, but is spurious as the true aesthetic value of art. But is that all that the avant garde can be reduced to? Aren’t Mapplethorpe’s nudes more meaningful – don’t they make one think? – rather than merely shocking? Demarty makes a good case for Mapplethorpe’s art as art.

Dunn restates something observed originally in bourgeois thought long ago: that art must go beyond mere propaganda or entertainment (which is what all art in traditional civilisation was), that it must make one think about aesthetic experience. The question is how it might do so. Sexual objectification can be an occasion for thought and not only mindlessness. It is impossible to separate art – ‘good art’, that is: art that makes one think – from the transformation of humanity in capital, however that may be distorted by unfreedom.

If Dunn thinks that an overly great theoretical effort is required to redeem avant garde art’s social value, then this neglects Hegel’s observation that art in modern society cannot stand on its own, but must be made sense of conceptually, through criticism and historical comparison, which Demarty’s article does attempt to do – for instance, showing how Bjarne Melgaard’s ‘chair’ might relate to its historical reference and predecessor as artwork, Allen Jones’s The chair. By contrast, Dunn seeks to anathematise art works, such as Mapplethorpe’s black male nudes, for their complicity in capitalism, as if it were possible to be otherwise.

Yes, in capitalism, sex is “bought and consumed” as a commodity in the ‘culture industry’. But is that what is wrong with capitalism, that people participate in sexual availability through commodification? Or is the problem rather that human sexuality is rendered worthless, the way any commodity is, in the ‘alienated’ crisis of value in capital? Furthermore, if art that participates in sexual objectification is rendered out of court, then this will cut us off from being able to contemplate and think about the specifically aesthetic experience of sex (not reducible to and apart from its other aspects: for instance, emotional intimacy).

Why is the appreciation of another as a sexual object in itself dehumanising? Aren’t human beings (also) objects? As Kant put it in the moral ‘categorical imperative’, the point is to not treat other humans ‘only’ as objects, but ‘also’ as subjects. We inevitably treat one another as objects in our social relations, but this is not the problem with capitalism. The problem in capitalism is that objects (and not only subjects) become worthless. We all want to be valued objects, erotically and otherwise.

Dunn’s comparison with ‘alienation’ in religion is problematical, in that it turns religion into an attribute of social oppression in itself, rather than recognising that this is what it became in retrospect, by comparison with bourgeois freedom. Religion not only oppressed the peasants, but also made their lives meaningful. The analogue between capitalist alienation and religion is retroactive: indeed, the ancient gods were not nearly as evil as capital!

It won’t do to attack the ‘false idols’ of art for participating in capitalism. For human beings in the present system are no less false. As Adorno wrote, “Wrong life cannot be lived rightly.”

— Chris Cutrone, Platypus Affiliated Society

Rousseau, Kant and Hegel

Revolution without Marx? Rousseau and his followers for the Left

Chris Cutrone

Presented on a panel with Spencer A. Leonard and Sunit S. Singh at the Left Forum 2013, Pace University, New York, June 9, 2013. Complete video and audio recordings of the panel discussion are available at: http://media.platypus1917.org/revolution-without-marx-rousseau-and-his-followers-for-the-left/

Introduction

Bourgeois society came into full recognition with Rousseau, who in the Discourse on the Origin of Inequality and On the Social Contract, opened its radical critique. Hegel wrote: “The principle of freedom dawned on the world in Rousseau.” Marx quoted Rousseau favorably that “Whoever dares undertake to establish a people’s institutions must feel himself capable of changing, as it were, human nature… to take from man his own powers, and give him in exchange alien powers which he cannot employ without the help of other men.” Rousseau posed the question of society, which Adorno wrote is a “concept of the Third Estate.” Marx recognized the crisis of bourgeois society in the Industrial Revolution and workers’ call for socialism. But proletarian socialism is no longer the rising force it was in Marx’s time. So what remains of thinking the unrealized radicalism of bourgeois society without Marx? Kant stated that if the potential of bourgeois society was not fully achieved as the “mid-point” of freedom then Rousseau may have been right to prefer savagery against civilization’s “glittering misery.” Nietzsche warned that we might continue to be “living at the expense of the future:” “Perhaps more comfortably, less dangerously, but at the same time in a meaner style, more basely.” How have thinkers of the revolutionary epoch after Rousseau, Adam Smith, Kant, Hegel, Benjamin Constant, and Nietzsche himself, contributed to the possibility of emancipation in a world after Marxism?

Marx and Rousseau

Marx’s favorite quotation of Rousseau, from On the Social Contract, goes as follows:

Whoever dares undertake to establish a people’s institutions must feel himself capable of changing, as it were, human nature, of transforming each individual, who by himself is a complete and solitary whole, into a part of a larger whole, from which, in a sense, the individual receives his life and his being, of substituting a limited and mental existence for the physical and independent existence. He has to take from man his own powers, and give him in exchange alien powers which he cannot employ without the help of other men.

Marx wrote that this was “well formulated,” but only as “the abstract notion of political man,” concluding that,

Human emancipation will only be complete when the real, individual man has absorbed into himself the abstract citizen; when as an individual man, in his everyday life, in his work, and in his relationships, he has become a species-being; and when he has recognized and organized his own powers as social powers so that he no longer separates this social power from himself as political power.

What did Marx mean by “social powers” as opposed to the “political power” from which it has been “separated?” A key passage from Marx’s Grundrisse articulates well the new modern concept of freedom found in Rousseau:

[T]he ancient conception, in which man always appears (in however narrowly national, religious, or political a definition) as the aim of production, seems very much more exalted than the modern world, in which production is the aim of man and wealth the aim of production. In fact, however, when the narrow bourgeois form has been peeled away, what is wealth, if not the universality of needs, capacities, enjoyments, productive powers etc., of individuals, produced in universal exchange? What, if not the full development of human control over the forces of nature — those of his own nature as well as those of so-called “nature”? What, if not the absolute elaboration of his creative dispositions, without any preconditions other than antecedent historical evolution which make the totality of this evolution — i.e., the evolution of all human powers as such, unmeasured by any previously established yardstick — an end in itself? What is this, if not a situation where man does not reproduce in any determined form, but produces his totality? Where he does not seek to remain something formed by the past, but is in the absolute movement of becoming? In bourgeois political economy — and in the epoch of production to which it corresponds — this complete elaboration of what lies within man, appears as the total alienation, and the destruction of all fixed, one-sided purposes as the sacrifice of the end in itself to a wholly external compulsion. Hence in one way the childlike world of the ancients appears to be superior; and this is so, insofar as we seek for closed shape, form and established limitation. The ancients provide a narrow satisfaction, whereas the modern world leaves us unsatisfied, or, where it appears to be satisfied, with itself, is vulgar and mean.

As the intellectual historian and critic of Michel Foucault’s historicism, James Miller, put it in introduction to Rousseau,

The principle of freedom and its corollary, “perfectibility,” . . . suggest that the possibilities for being human are both multiple and, literally, endless. . . . Contemporaries like Kant well understood the novelty and radical implications of Rousseau’s new principle of freedom [and] appreciated his unusual stress on history as the site where the true nature of our species is simultaneously realized and perverted, revealed and distorted. A new way of thinking about the human condition had appeared.

Another contemporary intellectual historian, Louis Menand, writing in introduction to the republication of Edmund Wilson’s history of socialism To the Finland Station, described this new way of thinking in Marx and Engels as follows:

In premodern societies, the ends of life are given at the beginning of life: people do things in their generation so that the same things will continue to be done in the next generation. Meaning is immanent in all the ordinary customs and practices of existence, since these are inherited from the past, and are therefore worth reproducing. The idea is to make the world go not forward, only around. In modern societies, the ends of life are not given at the beginning of life; they are thought to be created or discovered. The reproduction of the customs and practices of the group is no longer the chief purpose of existence; the idea is not to repeat, but to change, to move the world forward. Meaning is no longer immanent in the practices of ordinary life, since those practices are understood by everyone to be contingent and time-bound. This is why death, in modern societies, is the great taboo, an absurdity, the worst thing one can imagine. For at the close of life people cannot look back and know that they have accomplished the task set for them at birth. This knowledge always lies up ahead, somewhere over history’s horizon. Modern societies don’t know what will count as valuable in the conduct of life in the long run, because they have no way of knowing what conduct the long run will find itself in a position to respect. The only certain knowledge death comes with is the knowledge that the values of one’s own time, the values one has tried to live by, are expunge-able. . . . Marxism gave a meaning to modernity. It said that, wittingly or not, the individual performs a role in a drama that has a shape and a goal, a trajectory, and that modernity will turn out to be just one act in that drama. Historical change is not arbitrary. It is generated by class conflict; it is faithful to an inner logic; it points toward an end, which is the establishment of the classless society. Marxism was founded on an appeal for social justice, but there were many forms that such an appeal might have taken. Its deeper attraction was the discovery of meaning, a meaning in which human beings might participate, in history itself. When [Edmund] Wilson explained, in his introduction to the 1972 edition of To the Finland Station, that his book had been written under the assumption that “an important step in progress has been made, that a fundamental ‘breakthrough’ had occurred,” this is the faith he was referring to. . . . Marx and Engels were the philosophes of a second Enlightenment.

Peter Preuss, writing in introduction to Nietzsche’s On the Advantage and Disadvantage of History for Life, pointed out that,

Man, unlike animal, is self-conscious. He is aware that he is alive and that he must die. And because he is self-conscious he is not only aware of living, but of living well or badly. Life is not wholly something that happens to man; it is also something he engages in according to values he follows. Human existence is a task. . . . The 19th century had discovered history and all subsequent inquiry and education bore the stamp of this discovery. This was not simply the discovery of a set of facts about the past but the discovery of the historicity of man: man, unlike animal, is a historical being. Man is not wholly the product of an alien act, either natural or divine, but in part produces his own being. The task of existing is a task precisely because it is not a case of acting according to a permanent nature or essence but rather of producing that nature within the limitations of a situation. History is the record of this self-production; it is the activity of a historical being recovering the past into the present which anticipates the future.

Lifting the task of human freedom in modern society out of its current historical obscurity today is difficult precisely because we have reverted to regarding ourselves as products of an “alien act,” and so proceed according to a model of “social justice” owing to the Ancients’ “closed . . . form and established limitation” that loses Marxism’s specific consciousness of society in history. But such consciousness of history was not at all original to Marxism but rather had roots in the antecedent development of the self-conscious thought of emergent bourgeois society in the 18th century, beginning with Rousseau and elaborated by his followers Kant and Hegel. The radicalism of bourgeois thought conscious of itself was an essential assumption of Marxism, which sought to carry forward the historical project of freedom.

If, as Menand put it, Marx and Engels were “philosophes of a Second Enlightenment” in the 19th century, then what of the 18th century Enlightenment of which Rousseau was perhaps the most notorious philosophe? What remains of this 18th century legacy for the struggle to emancipate society today?

Rousseau in the 18th century

The Classicism of the 18th century Enlightenment had its distinctive melancholy, already, reaching back in historical fragments, broken remnants of Ancient forms, for inspiration to the modern task of freedom. Rilke, at the turn of the 20th century, expressed this wistful sense of modern freedom in his poem “Archaic Torso of Apollo:”

We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,

gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.

Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast’s fur:

would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.

The scholar of German Idealist philosophy, Robert Pippin, wrote that, after Kant’s critical turn,

some new way of conceiving of philosophy adequate to the realization of the radically historical nature of the human condition was now necessary[.] . . . The problem of understanding properly (especially critically) conceptual, artistic, and social change was henceforth at the forefront[.]

This new conception was found in Rousseau. Rousseau wrote that while animals were machines wound up for functioning in a specific natural environment, humans could regard and reflect upon their own machinery and thus change it. This was Rousseau’s radical notion of “perfectibility” which was not in pursuit of an ideal of perfection but rather open-ended in infinite adaptability. Unlike animal species, humans could adapt themselves to live in any environment and thus transform “outer nature” to suit them, thus transforming as well their own “inner nature,” giving rise to ever-new possibilities. This was the new conception of freedom, not freedom to be according to a fixed natural or Divine form, but rather freedom to transform and realize new potential possibilities, to become new and different, other than what we were before.

Rousseau and Kant

Rousseau understood the most radical possibilities of freedom-in-transformation to take place in society, the site of new and “alien powers which he cannot employ without the help of other men.” Rousseau described this as the sacrifice of “natural liberty” for “moral freedom,” the freedom to act in unnatural ways. For Rousseau, such freedom was radically ambivalent: it could be for good or for ill. However, the problem of society in which humanity had fallen could only be “solved” socially, not individually. This is why Rousseau was liable to be read later antinomically, as either anarchist or authoritarian: Rousseau gave expression to the radical ambiguity of freedom as it was revealed in modern society, the crossroads of civilization that bourgeois society represented. As Kant put it, in his “Idea for a Universal History from a Cosmopolitan Point of View” written in 1784, the same year as his famous essay answering the question, “What is Enlightenment?,”

[T]he vitality of mankind may fall asleep…. Until this last step to a union of states is taken, which is the halfway mark in the development of mankind, human nature must suffer the cruelest hardships under the guise of external well-being; and Rousseau was not far wrong in preferring the state of savages, so long, that is, as the last stage to which the human race must climb is not attained…. [Mere civilization,] however, is nothing but pretense and glittering misery. In such a condition the human species will no doubt remain until… it works its way out of the chaotic conditions of its international relations.

Rousseau was profoundly inspirational for Kant with respect to the fundamental “philosophical” issue of the relation of theory and practice. Specifically, Rousseau originated the modern dialectic of theory and practice, what Rousseau called their “reflective” and Kant called their “speculative” relation. In Kant’s First Critique, the Critique of Pure Reason, and his summary of his argument there and reply to critics of it, the Prolegomena to Any Future Metaphysics, Kant articulated the “conditions of possibility” for concepts or categories of understanding as being those of practice.

What this meant in Kant was that, while “things-in-themselves” were inaccessible to us, things do become objects of our theoretical understanding, by virtue of being objects of our practical engagement: Objects were “concrete” in the sense of being concretions of the various practical and thus conceptual relations we have with them. Furthermore, as Hegel put it, in the Science of Logic, objects were not “identical” with themselves — there was a non-identity of an object and its own concept — because they were subject to transformed, that is, changed, practices. So, objects were not approximations of always inaccurate theoretical models of conceptual understanding, but our concepts change as a function of changes in practice that were nonetheless informed by theoretical concepts. Concepts were “inductive” rather than “deductive” because they were not abstractions from empirical observation as generalizations from experience, but rather objects were “concretions of abstractions” in the sense of being determined in a web of practical relations. Rationalist metaphysics had a real basis in issues of practice. Furthermore, such practical relations were social in nature, as well as subject to historical change, change which is brought about subjectively by agents of practice who transform themselves in the process of transforming objects. What objects are for subjects changes as a function of changing practical relations.

In his essay “What is Enlightenment?,” Kant had articulated a distinction between “public” and “private” reason in order to demonstrate that, enmeshed in the web of practical relations in society, we are condemned to exercise merely “private reason” in pursuit of our self-interest as individual “cogs in the machine” of society. It was only in the exercise of “public reason” that we were potentially free of such self-interest determined by our positions in society, to exercise reason as “anyone” — as any rational subject or any political citizen — from a position transcendent of such compromised interested practice. For Kant, such exercise of “public reason” expressed, however indirectly, the possibility of changes in social practice: the way things “ought” to be as opposed to how they “are” at present.

Hegel and the philosophy of history

Hegel built upon Kant and Rousseau in his pursuit of the “philosophy of history” of accounting for such change in freedom, or “reason in history.” The issue of Hegelianism is a notoriously but ultimately needlessly difficult one: how to include the “subjective factor in history.” Hegel’s sense of the actuality of the rational in the real turns on the relation of essence and appearance, or, with what necessity things appear as they do. What is essential is what is practical, and what is practical is subjective as well as objective. In this view, theoretical reflection on the subjective dimension of experience must use metaphysical categories that are not merely handy but actually constitutive of social practices in which one is a subject.

Rousseau, in his Discourse on the Origin of Inequality, had raised a hypothetical “state of nature” in order to throw his contemporary society into critical relief. In so doing, Rousseau sought to bring society closer to a “state of nature.” Liberal, bourgeois society was a model and an aspiration for Rousseau. For Rousseau, it was human “nature” to be free. Humans achieved a higher “civil liberty” of “moral freedom” in society than they could enjoy as animals, with mere “physical” freedom in nature. Indeed, as animals, humans are not free, but rather slaves to their natural needs and instincts. Only in society could freedom be achieved, and humans free themselves from their natural, animal condition. When Rousseau was writing, in the mid-18th century, the promise of freedom in bourgeois society was still on the horizon. Bourgeois society aspired to proximity to the “state of nature” in the sense of bringing humanity, both individually and collectively, closer to its potential, to better realize its freedom.

For Rousseau, in his reflections On the Social Contract, society exhibited a “general will,” not reducible to its individual members: more than the sum of its parts. Not Hobbes’s “Leviathan,” but rather a “second nature,” a rebirth of potential, both collectively and individually. Human nature found the realization of its freedom in society, but humans were free to develop and transform themselves, for good or for ill. For Rousseau and the 18th century revolutionaries he inspired, to bring society closer to the “state of nature,” then, was to allow humanity’s potential to be better realized. But, first, society had to be clear about its aims, in practice as well as in theory. Rousseau was the first to articulate this new, modern task of social freedom.

The question Rousseau poses, then, is the speculative or dialectical relation of theory and practice, today. How might we raise the originally Rousseauian question of critical-theoretical reflection on our practices, from within the conditions of “second nature” that express our condition of freedom — including our self-imposed conditions of unfreedom? That is the issue of “public reason” today, as much as it was in Rousseau’s time.

As Hegel put it, in his Introduction to the Philosophy of History,

When we look at this drama of human passions, and observe the consequences of their violence and of the unreason that is linked not only to them but also (and especially) to good intentions and rightful aims; when we see arising from them all the evil, the wickedness, the decline of the most flourishing nations mankind has produced, we can only be filled with grief for all that has come to nothing. And since this decline and fall is not merely the work of nature but of the will of men, we might well end with moral outrage over such a drama, and with a revolt of our good spirit (if there is a spirit of goodness in us). Without rhetorical exaggeration, we could paint the most fearful picture of the misfortunes suffered by the noblest of nations and states as well as by private virtues — and with that picture we could arouse feelings of the deepest and most helpless sadness, not to be outweighed by any consoling outcome. We can strengthen ourselves against this, or escape it, only by thinking that, well, so it was at one time; it is fate; there is nothing to be done about it now. And finally — in order to cast off the tediousness that this reflection of sadness could produce in us and to return to involvement in our own life, to the present of our own aims and interests — we return to the selfishness of standing on a quiet shore where we can be secure in enjoying the distant sight of confusion and wreckage. . . . But as we contemplate history as this slaughter-bench, upon which the happiness of nations, the wisdom of states, and the virtues of individuals were sacrificed, the question necessarily comes to mind: What was the ultimate goal for which these monstrous sacrifices were made? . . . World history is the progress in the consciousness of freedom — a progress that we must come to know in its necessity. . . . [T]he Orientals knew only that one person is free; the Greeks and Romans that some are free; while we [moderns] know that all humans are implicitly free, qua human. . . . The final goal of the world, we said, is Spirit’s consciousness of its freedom, and hence also the actualization of that very freedom. . . . It is this final goal — freedom — toward which all the world’s history has been working. It is this goal to which all the sacrifices have been brought upon the broad altar of the earth in the long flow of time.

Hopefully, still. | §

Originally published in The Platypus Review 61 (November 2013).

The legacy of the 1980s Left

2013 annual Platypus President’s report

Chris Cutrone

At the 2013 Platypus Affiliated Society’s (PAS) annual International Convention, held at the School of the Art Institute of Chicago April 5–7, Chris Cutrone, President of the PAS, delivered the following presentation, which has been edited for clarity. A full video recording is available online at <https://www.youtube.com/watch?v=LeNM87ztYlg>.

The 1980s were the time in which the New Left hunkered down for a “march through the institutions” after the failure of the countercultural revolution of 1968 and the economic crisis of the 1970s to transform society in emancipatory directions. These institutions included both academic higher education and the labor movement (as well as other civil-society “non-governmental organizations”): in some cases, it also meant joining the mainstream political parties, attempting to “transform them from within.”

What this meant was a disintegration of the “Left” into: 1.) “activism,” attempting to be the most militant participants in and thus leadership or at least “Left pole of attraction” in various social and political movements; and 2.) “academicism,” attempting to reproduce and perpetuate the radicalization of students through posing and participating in higher education as a permanent counter-culture. The former as well as the latter, however, meant the institutionalization of the “Left,” but not as a form of political organization so much as a permanently organized anti-politics, an institutionalization of the liquidation of politics that had already taken place prior to the 1960s: what C. Wright Mills, among others, had decried in the “death of ideology.” Adorno warned of “brutal practicism” and the “instrumentalization of theory,” what he considered the long playing out of the aftermath of the 1930s-40s, in similar terms to Mills’s.

After the 1980s, this has become wholly naturalized, almost entirely invisible to later generations. Indeed, it is only visible, as it had been already to Mills and Adorno in the 1950s-60s, by contrasting the present with history: where Mills no less than Adorno clearly discerned the missing element in terms of Marx, Lenin and Luxemburg, our present further distance means that we cannot clearly discern this phenomenon as even a liberal like Mills and not only Marxists such as Adorno could. This says something of the liquidation of liberalism, too, and not merely Marxism, in the history leading to our time.

So, the liberal vocations of both civic activism and education, both non-state phenomena of the bourgeois public sphere, stand in serious doubt: the “neo-liberal era” has been decidedly illiberal and not merely anti-Marxist in precisely these domains. University education evinces this especially. What Clement Greenberg had warned already in the 1930s about “Alexandrianism” has been underway for some considerable time. (In recent discussion on our members’ list, Spencer has pointed out the collapse of university education already visible in Hegel’s time, and certainly for Marx.) The medieval institution with its guild structure cannot revert unscathed after bourgeois emancipation, but must be less than it was before: the postmodernist wish for perpetual medievalism, that “we were never modern,” is a vain one: any Left must face the barbarism of our time. The 1980s has contributed to the blindness to this, naturalizing barbarism, in ways that that must be overcome. But first they must be recognized.

What was clear already to Adorno in the 1940s as the “racketeering” of the labor movement can be said of all vestigial civil society institutions. What shocked and outraged the 1960s generation about the collusion of civil society in the politics of the state (during the Cold War) is now a matter of course. A curious reversal has thus taken place: whereas once the demand, from the 1960s through the ’80s, was to assert the independence of, e.g., institutions of higher education from the state (or labor unions from war policy), now it appears that activists attempt to influence state policies through contesting civil society. One sees this in the current BDS campaign against Israel, for instance, which is a direct descendant of 1980s activism such as anti-apartheid solidarity campaigns. This is rather hopeless. For what was once regarded as an unfortunate compromise owing to prevailing Right-wing conditions and was hence considered temporary has now become the only imagination of possible politics, permanently conceived. “Academic Leftism” has rendered not only the academic supposedly “Left” but has made the “Left” academic, in both senses of the term. Ideology is entirely superfluous, and so what Mills warned about the “end of ideology” being the end of politics has only come true in ways he scarcely imagined. The New Left didn’t reverse this trend, as Mills had hoped, but institutionalized it.

The labor movement itself has long been condemned to acting merely in its own self-interest, as a form of social corporatism: its almost entirely defensive struggles in the last four decades have contributed to this.

So, what happened in the 1980s that led to the present impasse?

Not only did 1968 not bring revolution but brought Nixon instead, so did the 1970s not bring about the deepening radicalization of society owing to the crisis of both the counterculture and the economy, but rather Reagan and Thatcher. Elsewhere, where it appeared to issue into an institutionalization of the “Left,” it actually brought about a more obscure hence pernicious Right-wing development: for instance, Mitterand’s Socialist Party in France, in which many New Leftists joined up. In the U.S., many former New Leftists joined up with the Democratic Party, also seeking ostensibly to transform it from within. They did, but as a function of neoliberalism, not the “resistance” to it they imagined, but rather through “multiculturalism” etc., updating the longstanding ethnic political machine racket of the Democrats.

The 2nd Cold War of the 1980s was experienced by the 1960s generation as a return of McCarthyism. But this alibied their own adaptation to prevailing society, their own Right-wing tendencies. Already, by 1979, the post-’60s “Left” had adapted to the Right in significant and today well entrenched ways. Support for the Islamic Revolution in Iran as well as opposition to the Soviet intervention in Afghanistan, as causes célèbres of the time, was accompanied by less stark representations of the politically Right-wing tendencies, such as the support for African nationalism in the anti-apartheid struggle, today cruelly exposed for what it always was, not only with Robert Mugabe in Zimbabwe but in South Africa itself, and indeed in the Central American solidarity movement facilitated by enthusiasm for “Liberation Theology.”

Those coming of age according to the “Left” in the 1980s faced an academic as well as political culture well defined by 2 figures that had started out as contrasting each other in the late 1960s-early ’70s: Noam Chomsky and Michel Foucault. The 1980s reconciled them, not in terms of their own thought but rather in their reception: an etiolated (sub-)”anarchism,” as well as a taste for abject suffering, united them.

But in academic and bohemian intellectual culture, it goes far beyond these venerable standard bearers: indeed, it only gets worse, with Giorgio Agamben’s “homo sacer” and the collapse of Althusserian “materialism” into Badiou’s “anarchic equality” neo-Scholastic ontology and a second wind for Deleuze’s “Spinozism,” etc.

What would have been ruled as far afoul of Marxism in any form previously, by the 1980s had become incorporated into ostensible “Marxism” itself, both for activists as well as academics.

This was not merely a matter of intellectual currents, but of practical politics as well. The model for activism in the 1980s derived from the 1960s, and involved both neglecting and naturalizing developments of the 1970s. Two different phases of reaction and retreat contributed to this: 1.) the failure of 1968, signaled by the election of Nixon; and 2.) the Reagan/Thatcher reaction and reinvigorated, 2nd Cold War at the end of the 1970s (which had already begun under Carter). But the lessons learned were biased in favor of a positive evaluation of the 1960s. Where the 1970s failed, the 1960s seemed to have succeeded: a nostalgia for youth and selective amnesia about failed attempts of young adulthood played a role in this. What appeared to have succeeded were the Civil Rights Movement and the Vietnam anti-war movement.

This apparent success however buried the crises of both. The turn to “Leninism” in the 1970s was abandoned by most participants of the “Left” in embarrassment, leaving only the hard-core to carry on the standard: cranks. By 1980, the “Left” was utterly decimated in terms of numbers: not one in ten culled, but perhaps at most one in ten left standing from the radicalization of the 1960s-70s.

Those who remained on the “Left” in the 1980s remained the only custodians of the preceding history, and they all abused their role, abdicating their responsibility to history. Recognition of failure was repressed.

Both the academicized and die-hard activist “Leftists” thus became responsible for the miseducation of those who followed. Whatever didn’t fit their pat and pseudo-triumphalist account, that the “struggle continues,” a stalwart trope of Stalinism descended from the 1930s, was left to utter neglect and oblivion.

Though both Frankfurt School Critical Theory and Trotskyism, as disintegrated remnants of prior Marxism, experienced something of a renaissance in the 1970s, by the 1980s they were abandoned as dynamic phenomena and became merely museum-pieces of the history of the Left and of Marxism. It is significant that Moishe Postone and Adolph Reed, both influenced deeply by the Frankfurt School, have no greater pejorative for the dead “Left” than “Trotskyism.” What they mean by this are the cranky sectarians who await the unwary activists. But the attempt to preserve Marxism intellectually, even by the most theoretically and politically principled of academic “Leftists,” has clearly failed: Postone and Reed have no student successors, and have not really tried to have any, since the 1980s. Only Platypus can claim their pedagogy, and must alter it significantly to give it any potential purchase in the present.

The 1980s generation, in its selective canonization and amnesia of problems of the 1960s New Left, will be the actual gravediggers of the Left and Marxism and its history that the New Left had only wished to be.

That is, if Platypus doesn’t prevent it! | §

CPGB contra Lukács

Communist Party of Great Britain (Provisional Central Committee)
contra Georg Lukács

James Turley, Chris Cutrone, Lawrence Parker

Originally published in Weekly Worker January 24 – March 14, 2013. [PDF]

articles:

James Turley, “The antinomies of Georg Lukács” 1/24/13

Chris Cutrone, “Regression” 1/31/13

James Turley, “Dummy” 2/21/13

Chris Cutrone, “Nota bene” 2/28/13

James Turley, “Bacon” 3/7/13

Lawrence Parker, “Lukács reloaded” 3/7/13

Chris Cutrone, “Unreloaded” 3/14/13

The idea of communism: Badiou, Lacan, Althusser (audio recording)

Chris Cutrone

Alain Badiou’s recent book (2010) is titled with the phrase promoted by his and Slavoj Zizek’s work for the last few years, “the communist hypothesis.” Zizek has spoken of “the Badiou event” as opening new horizons for both philosophy and communism. Badiou and Zizek share a background in Lacanian and Althusserian “post-structuralist” French thought, in common with other prominent post-New Left thinkers — and former students of Louis Althusser — such as Etienne Balibar and Jacques Rancière. Althusser found, in the Russian and Chinese Revolutions, a salutary challenge to the notion of the Hegelian “logic of history,” that revolutionary change could and indeed did happen as a matter of contingency. For Badiou, this means that emancipation must be conceived of as an “event,” which involves a fundamental reconsideration of ontology.


Audio recording of presentation and discussion hosted by the Platypus Affiliated Society at the School of the Art Institute of Chicago, April 12, 2011

Suggested background readings:

• Cutrone, “The Marxist Hypothesis: A Response to Badiou’s ‘Communist Hypothesis’” (2010)

• Badiou, “The Communist Hypothesis” (2008)

• Cutrone, “Chinoiserie: A Critique of the RCP, USA on Badiou” (2010)

• Badiou, “Tunisia, Egypt: The Universal Reach of Popular Uprisings” (2011)

• Wal Suchting, “Althusser’s Late Thinking about Materialism” (2004)

Left Forum NYC 2011: Badiou’s Communism

Badiou’s “communism” — a gerontic disorder

Chris Cutrone

Presented on a panel with Nayi Duniya (Demarcations journal), co-author of Alain Badiou’s “Politics of Emancipation:” A Communism Locked Within the Confines of the Bourgeois World, and Bruno Bosteels (Cornell University) at the Left Forum 2011, Pace University, New York, March 19, 2011; and on the panel “Badiou and post-Maoism: Marxism and communism today,” with Mike Ely, Joseph Ramsey and John Steele at the third annual Platypus Affiliated Society international convention, the School of the Art Institute of Chicago, April 30, 2011 (audio recording). (An audio recording of the related April 12, 2011 lecture at the School of the Art Institute of Chicago, on “The Idea of Communism: Badiou, Althusser and Lacan,” is available.)

Perhaps the most condemnatory thing that could be said of Badiou’s “communism” was something Badiou himself wrote, when he defined “communism” as a “Kantian regulatory idea,” a norm to be aspired to, rather than a concrete reality to be achieved. This not only besmirched the historical Marxist idea of “communism,” but also Kant! For Kant addressed freedom as something that could and should be, not as a utopia. And Marx remained deeply engaged in practical politics. Leon Trotsky wrote, more than a hundred years ago, after the 1905 Russian Revolution (in the 1906 pamphlet Results and Prospects), that “Marxism converted socialism into a science, but this does not prevent some ‘Marxists’ from converting Marxism into a Utopia.” Trotsky also wrote that, “[I]n academies . . . it might be possible artificially to detain the proletariat for fifty, a hundred or five hundred years, but in the course of all-round life in capitalist society, on the basis of unceasing class struggle[,] . . . [t]he growth of the consciousness of the proletariat transforms this class struggle, gives it a deeper and more purposeful character.” Trotsky was not a utopian any more than Kant or Marx were.

However, as we know, such “unceasing class struggle” that Trotsky had in mind, which could “transform” the “consciousness of the proletariat” and potentially “give it a deeper and more purposeful character,” is precisely what the world has been missing, for at least a generation. The Marxist vision for proletarian socialism has passed, almost completely into oblivion. Badiou’s late redefinition of “communism” is a response — an adaptation — to this historical reality. Indeed, Trotsky was writing at the crest of 2nd International Marxism, which developed in the period from 1871 to 1917, whose history Badiou deliberately seeks to bury. Badiou characterizes this period, like our own, as an “interval,” in which “the communist hypothesis was declared to be untenable,” “with the adversary in the ascendant.” What is the basis of Badiou’s judgment of this period, 1871 to 1917, in which, not only did bourgeois society go through its last great flowering, in the Belle Époque, but Marxism flourished as an international workers’ movement, commanding a dedication to socialist revolution by millions in the core capitalist countries? The period between the Paris Commune and the October Revolution was not in any way like ours; it was not cynical, but optimistic in the sense of historical mission and the real potential of human progress. Badiou shares the skepticism that has developed regarding such historical potential. Indeed, we can say that Badiou is typical of the 1960s-era New Left in this regard. Badiou cannot recognize 2nd Intl. Marxism as an advance. Moreover, Badiou is, in Trotsky’s sense, “academic,” despite his avowed intentions. The last thing Badiou imagines is that he has conceded. Badiou’s entire philosophy was developed out of concern for “fidelity,” resisting the apostasies of the 1968 generation in the decades that followed. — The question is, to what does Badiou claim fidelity? Certainly not Marxism.

What has sanctioned Badiou to bury the admittedly obscure history of the first wave of Marxism in the 2nd Intl., today? And why does Badiou find an affinity in our moment with that of the pre-WWI world, which otherwise seems so unlikely? In certain respects, Badiou is rather optimistic in finding such an affinity, hoping that today we are in a period of preparation for the realization of more radical social transformation — “revolution” — down the road. Badiou thus tries to keep fidelity to “the revolution” in his estimation of the present. But which “revolution?” Badiou is clear that his model for revolution is May 1968 in France and the contemporaneous Great Proletarian Cultural Revolution in China. Presumably, in the latter case, this means a commitment to Mao and “Marxism-Leninism.” But, beneath this, there is a certain unmistakable pessimism to the characterization of the formative era of Lenin’s Marxism in the 2nd Intl., as being, like ours, one of conservative reaction. — Was the growth of Marxism in the late 19th and early 20th centuries really a retreat, after the defeat of the Paris Commune? Or, has Badiou mistaken one revolution for another? Badiou has maintained fidelity, not to “communism,” in Marx’s sense, but rather to “democracy,” that is, the eternal bourgeois revolution. It is thus significant that Badiou dates modern communism, not to Marx in 1848, but to the Jacobins in 1792. This obscures the history that came between.

The truth is that Badiou’s “communism” is deeply anti-Marxist. Not merely non-Marxist, in the sense of what it tends to leave out, but actually hostile to historical Marxism. Perhaps this is unremarkable. Perhaps it is not a problem in itself. But it may bear some inquiry into the potential consequences that might flow from this. Perhaps Badiou is quietly acknowledging that Marxism may have become an obstacle to the kind of social change that, in his estimation, is possible and desirable — and necessary. That is a real question. Does Marxism speak to the needs of the present? But to consider this — to consider what Badiou may have to offer as an alternative to Marxism — we must address what Badiou means by “communism.”

Badiou defines communism as “radical democratic equality.” The “hypothesis” that motivates communism, according to Badiou, is that,

the logic of class — the fundamental subordination of labour to a dominant class, the arrangement that has persisted since Antiquity — is not inevitable; it can be overcome. . . . [A] different collective organization is practicable, one that will eliminate the inequality of wealth and even the division of labour. . . . The existence of a coercive state, separate from civil society, will no longer appear a necessity: a long process of reorganization based on a free association of producers will see it withering away.

Furthermore,

As a pure Idea of equality, the communist hypothesis has no doubt existed since the beginnings of the state. As soon as mass action opposes state coercion in the name of egalitarian justice, rudiments or fragments of the hypothesis start to appear. Popular revolts — the slaves led by Spartacus, the peasants led by Müntzer — might be identified as practical examples of this “communist invariant.” With the French Revolution, the communist hypothesis then inaugurates the epoch of political modernity.

However, the potential for emancipated humanity expressed in communism that Marx recognized in the modern history of capital is not assimilable without remainder to pre- or non-Marxian socialism. Marx’s thought and politics are not continuous with the Spartacus slave revolt against Rome or the teachings of the Apostles — or with the radical egalitarianism of the Protestants or the Jacobins. So what was Marx’s distinct contribution? As Marx put it, “Communism is the necessary form and the dynamic principle of the immediate future, but communism as such is not the goal of human development, the form of human society.” This was because, according to Marx, “Communism is a dogmatic abstraction and . . . only a particular manifestation of the humanistic principle and is infected by its opposite, private property.” Marx was not the preeminent communist of his time but rather its critic, seeking to push it further. The best Marxists who followed, such as Lenin, Luxemburg and Trotsky, similarly sought to push their respective political movement of “revolutionary social democracy” in the 2nd Intl. further. In so doing, they revealed and grappled with the form of capital of their moment in history, what they called “imperialism,” seeking to make it into capital’s “highest” and last stage, the eve of revolution. Badiou, by contrast, addresses inequality as a timeless, perennial problem. He thus departs fundamentally from Marx and Marxism, and liquidates the revolution of capital.

Badiou conceives of the relation between freedom and equality as an ontological one, in the mathematical terms of set theory, transhistoricizing it. Badiou’s background is in Lacanian and Althusserian “post-structuralist” French thought, in common with other prominent New Left-era thinkers — and former students of Louis Althusser — such as Étienne Balibar and Jacques Rancière. Althusser found, in the Russian and Chinese Revolutions, a salutary challenge to the notion of the Hegelian “logic of history,” that revolutionary change could and indeed did happen as a matter of contingency. Althusser took great inspiration from Mao in China and Lenin in Russia for advancing the possibility of emancipation against a passive expectancy of automatic evolution in the historical process of capital. For Badiou, this means that emancipation must be conceived of as an “event,” which involves a fundamental reconsideration of ontology. Badiou does not conceive of the transformation of the capitalist mode of production that would allow for overcoming the socially pernicious aspects of specifically capitalist forms of inequality. By contrast, Marx looked forward to the potential for overcoming the conditions of possibility for the reproduction of capitalist class dynamics in the mode of production itself: capital’s overcoming of the need to accumulate the value of surplus labor-time. Marx saw the historical potential to overcome this socially mediating aspect of labor, expressed, for instance, in automated machine production. However, Marx also foresaw that, short of socialism, the drive to accumulate surplus-value results in producing a surplus population, an “industrial reserve army” of potential “workers” who thus remain vulnerable to exploitation. A politics based only in their “democratic” discontents can result, not in the overcoming of the social need for labor, but in the (capitalist) demand for more labor, the demand to be put to work. Or, as Max Horkheimer, director of the Marxist Frankfurt Institute for Social Research, put it, machines “have made not work but the workers superfluous.” Marx anticipated this when he warned that realization of the socialist demand to abolish “private property” would (merely) make society as a whole into one giant capitalist dominating its members. Marx even went so far as to analogize this with socialist calls to abolish marriage as a “bourgeois” institution, which he said would result only in universal prostitution — indeed, that capitalism was already bringing this about.

For Marx, elimination of a separate capitalist class would not in itself be emancipatory unless a transformation in the “mode of production” and its social relations came about. Marx did not think that the capitalists were the cause, but the effect of capital, calling them its “character masks.” Nonetheless, Marx endorsed, however critically, the traditional socialist demand to abolish private property and “expropriate the expropriators,” regarding this as a necessary first step: necessary, but not sufficient, to realize a society beyond the mode of production and social relations of capital. As Lenin underscored this, in The State and Revolution, on the eve of the October 1917 Revolution in Russia, such social relations of bourgeois society, namely, the mutual exchange of labor as the form of social solidarity in capital, could only be transformed gradually and thus “wither away,” and not be abolished and replaced at a stroke. The proletarian socialist revolution was supposed to open the door to this transformation. But, since then, the history of the Russian and Chinese Revolutions showed another potential, that is, the reconstitution of capital, under the guise of “socialism.” Marx had already foreseen such a possibility in the limited consciousness of his socialist and communist contemporaries of the 19th century, and he criticized them “ruthlessly” for this. Marx and Lenin recognized a problem in “socialism” itself that their supposed followers have neglected or avoided.

All this remains hidden to Badiou. But it was precisely this Marxist approach to capital as a “mode of production,” or form of society, that distinguishes Marx from other socialists or communists, and motivated revolutionaries who followed Marx, such as Lenin, maintaining that Marxism pursued the possibility of overcoming capital “on the basis of capitalism” itself. Badiou situates emancipatory possibilities rather atavistically, in a pre-historical ontology, to which the philosophy of mathematics — for instance, the question of “number and numbers” (the title of one of his books) — can be an adequate guide. For Badiou, in a procedure that recalls a self-criticism session or assembly at a “reeducation” camp, matter itself, in its open-ended recombinations, poses the solution to what Marx called “communism,” the “riddle of history.” Each element must be broken down to its radical potentiality for permutation — for instance, in the Maoist “revolutionary people,” for emancipatory change to take place. It is not for nothing that Badiou conceives of revolution not as a process but an event, or, that his conception of “process” is founded on a conception of the “event.” On the other hand, Badiou finds Marxists such as Lenin (and Marx himself) conceding to the existing social hierarchies and thus betraying the “idea of communism,” for instance in the party-state, which Badiou regards in retrospect as a “failed experiment.” Thus, Badiou.

What of Marx and Marxism? Marx distinguished capitalist inequality from that of the traditional caste system that had characterized civilization for millennia before the emergence of bourgeois society in the post-Renaissance world. As Adorno pointed out, to call all of history the “history of class struggles” was to indict all of (“recorded”) history, and to thus consign it to the mere “pre-history” of authentic humanity. But this humanity was itself historically specific, and emergent — to the era of capital. Just as traditional inequality was not the cause of the form of community that the ancients regarded as being divine in origin, capitalist inequality was not the cause but the effect, the product of the cosmos of capital. Marx’s magnum opus, Capital, explored how the post-Industrial Revolution society of capital produced a new form of inequality, between capitalist and worker, but one liable to be cast and responded to in the form of the original Revolt of the Third Estate that had ushered in modern bourgeois society in the 17th and 18th centuries. Marx found an important disparity — a self-contradiction — to have developed between the political aspirations of the subjects of capital, for “social democracy,” and the potential of capital to go beyond bourgeois society and its forms of politics — liberalism and democracy. This did not make Marx and those who followed him illiberal or anti-democratic, but they did regard liberalism and democracy — the combined libertarian and social-egalitarian impulses in modern politics — as means and not ends in and of themselves. This is because they regarded capitalism itself as a process and not merely a state of being. Marx and his best followers, such as Lenin, looked forward not merely to more liberalism and more democracy, but to the potential transcendence of the need for both liberalism and democracy, an “end” to politics as presently practiced. But not all at once, and not by denying them in the present. Capital is not an eternal event of inequality that needs to be met with the event of revolution. Badiou does not deny liberalism and democracy, but rather unconsciously reaffirms their present, bourgeois forms, at a deeper and more obscure level. Badiou’s ontology of “radical egalitarian democracy,” provides not a critical recognition, but a philosophical affirmation of the way bourgeois society already proceeds, however contradictorily. Badiou mystifies.

The challenge is to recognize the symptomatic character of liberalism and democracy in the crisis of capital, as it had developed in the 19th century, setting the stage for the history that came later. But such symptomology was not to be “cured” in the sense of elimination, but rather undergone and worked through — as Nietzsche put it, modernity is an “illness, but the way pregnancy is an illness,” bringing forth new life. The problem, as Marx recognized it, was that, by the mid-19th century, when bourgeois society entered into crisis, after the Industrial Revolution, and became “proletarianized,” humanity faced a situation in which, as Engels later described it, the capitalists were no longer and the workers not yet able to master the society of capital. Marx regarded this as the source of the authoritarianism of the modern, capitalist (nation-)state, despite the promises of classical bourgeois liberalism for a minimal state and a free, cosmopolitan civil society that would, for instance, reduce legislatures to, at most, sites of public debate and political recognition of social facts already accomplished on the ground — what Kant, for one, expected. But the bourgeoisie could no longer and the proletariat not yet rule modern society. The genie of capital had been let loose. The historical task of emancipating humanity had thus fallen from the bourgeois to the proletarian members of society. Marxists have recognized that this is the situation in which the world has remained stuck ever since then — ever since the failed “social democratic” Revolutions of 1848, on the eve of which Marx and Engels had published their inaugural Manifesto. For Marx, the demand for “social democracy” was part of the history of capital, to be worked through “immanently” and transcended. But none of this registers for Badiou. Marx marked a potential turning point for humanity; he was not merely one in a chain of prophets reaching back for thousands of years. He was thinker and political actor for our, modern time.

The cost of liquidating the specific history of capital — its peculiar constraint on society and its potential beyond itself — is Badiou’s reduction of “communism” to the perennial complaint of the subaltern, the millennial dream of social equality, as a specter haunting the world that has more in common with eschatological “justice,” posed by religion at the end of time, than with the pathology of the modern, bourgeois world of capital, in which humanity actually suffers today. We must awaken from this nightmare — the vain wish that things be otherwise — of the oppressed. For we are not only oppressed, but tasked by capital.

Nevertheless, the failure of historical Marxism has made Badiou an evidently adequate symptomatic expression of our time — its confusion and diminished expectations, well shy of the epochal transformation that had motivated Marx and the best Marxists, historically. We must remember Marxism, so we can forget Badiou: forget the time that made such ideology — such naturalization, indeed ontologization — of defeat so appealing, and finally consign it, where it belongs, to pre-history. | §

The relevance of critical theory to art today

J.M. Bernstein, Lydia Goehr, Gregg Horowitz, and Chris Cutrone

On Saturday, November 20, 2010, Platypus hosted a panel entitled “The Relevance of Critical Theory to Art Today” moderated by Chris Mansour at The New School for Social Research in New York. The panel consisted of Philosophy Professors J.M. Bernstein (The New School), Lydia Goehr (Columbia University), and Gregg Horowitz (Pratt Institute and Vanderbilt University), and Chris Cutrone (Adjunct Assistant Professor of Art History, Theory and Criticism, School of the Art Institute of Chicago), member of Platypus. What follows is an edited transcript of the event. Full video is available online at <http://newyork.platypus1917.org/what-is-critique-symposium-video-documents>.

Opening remarks

Chardin, The House of Cards (1735)

J.M. (Jay) Bernstein: Some 25 years ago, I asked Terry Eagleton and Fredric Jameson why two revolutionary Marxists spend so much time talking about Jane Austen. They replied, “Because that’s where the bourgeoisie have pitched their tent.” I felt that answer was true, but also insufficient. If the bourgeoisie have a stake in high culture, as one of the ways society reproduces itself, then it makes sense for Marxists to critique the practices that constitute high culture. But, beyond the issue of social integration, what stake do Marxists have in art?

The Marxist story runs something like this: By a certain moment, everyday life in modernity had become formed by the reduction of use-values to exchange-values, the fungibility and exchangeability of all material artifacts, the rule of technology, the rule of bureaucracy, the domination of capital markets, and the disenchantment of nature. Now, if you were Adorno, you would say that all of this amounts to the hegemony of instrumental reason over all forms of human reasoning. You would further say that art, in becoming purposeless, could become a refuge for another form of world address. Artworks are not fungible, not replaceable by one another, and not quantifiable. Rather, artworks make a claim on us simply by virtue of their material complexion, their ordering of sensual materials.

Modern art—I see modernism as the extension of modern art—is the attempt to think through this moment. First and foremost, the autonomy of art from politics, from science, from all the functions it might have in the world, was a world-historical calamity. Modern art begins as a kind of disaster. To understand the meaning of art is to understand the nature of that disaster. Art was taken out of the world and deposited in this realm where it has to make sense of its practice wholly in terms of itself. The puzzle of modern art is this functional emptiness that is nonetheless a form of content. First for Friedrich von Schiller, then for Adorno, the autonomy of art became a sort of opportunity. I think you can read all of modern art, right through high modernism into certain versions of postmodernism, as having embarked on the same project.

Caravaggio, Conversion on the Way to Damascus (1601)

Yves-Alain Bois, along with all the writers who are part of what I will call “the aesthetic,” agree in one way or another that the primary gesture of modern art is the tearing away from materials, ideologies, and formalisms. At first—that is, with Dutch Realism in the 17th century, as with Caravaggio and, later, Chardin—this tearing away is emancipatory. It frees art from religious and related forms of reference, allowing representations to become immanent in gesture, rather than exemplifying some presumptively eternal idea. It is here that we see art becoming autonomous. In this respect, modern art was part of the secularizing of the world, but with this secularization came the idea that a wholly secular world could be infinitely valuable. Thus, with secularization came the project of sacralizing the everyday, but in a wholly secular way.

However, this project became increasingly harassed and defensive as modernity itself became an ideology, a series of forms of closure and domination. At that moment modernity ceased to be the emancipator, and became a problem. I would place that moment somewhere around 1848, with the failure of the bourgeois revolutions, though of course for some, notably Rousseau and Schiller, modernity had become a significant problem much earlier.

The notion of decoding, for Yves-Alain Bois, is broadly what Jacques Rancière means by the shift from the representational regime to the aesthetic regime. It is what Adorno means by the retreat of form in the face of materials that are in-formed, and what Gilles Deleuze means by the shift from representation to sensation. All of these I take to be riffs on the notion of purposefulness without purpose, which has this thought behind it: What painting provides is an account of our conviction in, and connection to, the world through visual experience. With modern art it became natural to find the authority of painting in its capacity to demonstrate how objects have a more than instrumental call on our capacity to live with them. That thought is fully there, for example, in Dutch Realism and in the tradition of the still life. By placing physical things in the visual environment and purifying them of any uplifting or instrumental features, by just letting them be there for our visual inspection, art returns us to this world. It allows us to be present to ourselves and for the world to be present to us.

Van Gogh, Chair (1888)

This is both enthralling and a disaster, because it means that everyday life has begun to disintegrate. I think of Van Gogh’s Chair (1888) as an eloquent moment connecting the dignity of the mere thing with the dignity of paint on canvas. Van Gogh’s moment is just that, a moment in which object and canvas speak to one another, each lending the other its authority. In the very moments of art’s so-called existential emptiness, of its not being about the world, there is the appearance of the world. This is art’s power.

Philistines hate art for that moment of emptiness. This moment, at one level, is irredeemable. But this moment of emptiness is art’s moment of fullness. Modern art imbricates and provides a refuge for a disenchanted but affirmative materialism in which objects could be meaningful in themselves, and not just in what they are useful for. These objects are sources of compelling experience amidst a world of sensory bombardment. They are a promise of happiness.

Though this promise is wildly different from Benjamin to Adorno to Rancière, these thinkers all avow some version of it. The promise is often taken to be insufficient as, after all, artworks are not life. What they promise is a different future, and in so doing artworks threaten to leave our present evacuated. This is the central difficulty of all modern art practices: If art has no other power than its mere presence, the attempt to provide it with political significance from the outside is always bound to fail. Art can only have what it offers, namely the salience of visual experience, by embracing the difficulty of that moment of protest by allowing for visual fullness.

Having said that, I need to return to where I began. This moment of protest in art only has cultural significance if the world cares about culture. I take the problem of the present not to be that art has gone awry, but that culture has gone awry. The bourgeoisie has discovered that capital can reproduce itself without social integration. Capital can get on very well with a dispersed, fragmented, wholly disarticulated cultural domain. The difficulty of modern art, in my judgement, is this: How can art address the problem of cultural weight when the bourgeoisie has disavowed it altogether?

Lydia Goehr: To Adorno critique is not the promise of happiness, nor the promise of freedom. It is always immanent critique, the turning of thought back upon itself. Asking the question, “What is critique?” might indicate that we have raised the very notion of critique to a concept. In that respect we fetishize the concept of critique, just as we have fetishized the concepts of “happiness,” “life,” “history,” and so on. Critical theory is about the immanent critique of our language, which is to say, the language of our thought and the language of our concepts. Language is our concepts, our concepts are our social logics. The way in which we think through thought is by producing a challenge to that which has authority over us, namely our concepts, like “personality,” “narrative,” and “subject.” The paradox, or the extreme difficulty, of doing immanent critique is that we have to use the tools that are the subject of our critique, so the critique always has to turn back on itself as an ongoing process. In that sense it has no external objects, although it is constantly mediated by the objects that are antithetical to our thinking—namely, things like works of art.

The real difficulty is that you can never break out of the thinking about thinking. You are constantly confronted by the things that have most authority over you, namely the concepts you are actually implying. I want to illustrate this by one example I like to use from the field of music. When we perform a musical work there’s this idea of Werktreue, of being true to the work. We know that the work has authority over our performance insofar as we are performing a work, but Adorno suggests that the way we are true to a work is precisely by being untrue to it. What he meant was that, insofar as we perform the work against its grain, by not just trying to replicate it, but by playing with it, we challenge the authority that the work-concept has over us. To be true to the work ends up being untrue to the concept of the work. Performance of music, then, becomes a way to redeem something about the musical work, if the musical work is resisting the concept under which it falls, namely the concept of “a musical work.”

This is the way that some of the so-called “social truth content” comes out of critique: It exposes the authority that concepts have over us. My suggestion is that one way to think about critique is in terms of looking for ways in our thinking to break the authority our thinking has over us. In that sense, there is nowhere to go outside of our own capacity to think.

Gregg Horowitz: I started really thinking about this panel around ten days ago. At the end of every day, it was almost tomorrow, which meant that the thoughts were already too late. I only found my way out of this conundrum through this extraordinary document that has been published in a recent issue of the New Left Review, of a discussion between Adorno and Horkheimer in 1956, which Gretel Adorno recorded. [1] They discussed what it would mean to rewrite the Communist Manifesto. And I thought—that’s a thought about today. It is visibly a thought about today. For such a project, you would think the main themes in connecting up the past, the present, and the future, would be something like this: The past was the revolution, the present is actually existing socialism, and the future depends on whether actually existing socialism points in a meaningful way to a socialism worth endorsing. But that’s not what they talk about. Rather, the past is the party, understood as an audience whom a writer interested in socialism might address. Marx, after all, begins the Communist Manifesto with an address to the party. The future, then, is a question of who would care about the writing. And the present, it turns out, is largely a matter of motorbikes. This is Europe in 1956, and youths are riding on motorbikes all over, making pestiferous noise. The question kept occuring to Horkheimer and Adorno, “Why does everybody love motorbikes?” Now this seems to be what it means to think about the present: thinking about the sound of motorbikes roaring in your ears as you think through the party, on the one hand, and whom to address, on the other.

If our future is anywhere, the thought usually goes, it will be in the present. No other future can matter other than the future that is here in the present. This self-conscious entrenchment in the present reminds us that critical theory, both as it was articulated but also, more importantly, as we have to receive it, was not simply a response to social regression, but a symptom of social regression. As Adorno said, philosophy carries on because its moment of realization was missed. For philosophy, as for critical theory, something has migrated into the realm of thought that is somehow not at home in the realm of thought. In this sense philosophy is struck by the same regression that critical theory takes itself to be reflecting on.

To put this point in a more general register, thinking is not self-determining, but is always shaped by the practices out of which it emerges and to which it instinctively tries to return. The more it is frustrated in this endeavor, the more insistent it is to return. The idea that thinking is not self-determining represents the decay of a certain image of philosophy. At that point one wants to assert that the whole project of spinning a system of thought out of concepts is now simply behind us. It is for this reason that we can say that Marx, Nietzsche, and Freud remain the central background figures, because they sought to think through, not the future completion, but the radical incompleteness of philosophy. That philosophy, of all disciplines, would be radically incomplete implies that all practices are radically incomplete. No thought, no practice, can cordon itself off from the social world of which it is a part. Critique wants to get behind the veil, to get to the bottom of things from which we can start over in the full light of truth. But precisely this impulse, this thought, has to be treated as symptomatic—it ends up inhibiting thought.

We always start exactly where we are. This is neither to say that nothing of the past is left, nor that everything is so thoroughly mediated that the origin has disappeared. Rather, there is no starting over because nothing of the past ever goes away. The urge to start over attests to a learned distrust in our capacity to remember, to sustain experience. Memory is weak, and in response to this weakness the feeling arises that things are going away, and we want to get back to the things themselves. This weakness is crucial to reflect on. For it is not in the strength, but in this moment of memory’s weakness that the past rises up in the light of that future which we cannot determine in the present.

All understanding of the present has to start with the acknowledgement that we are not the future the past had in mind and that, for this reason, in some sense we stand in the way of the future the past had in mind. I do not know how to sustain this thought for long—it hurts. One task that we can pose to critique, insofar as we turn against ourselves in this moment of weakness, is to unlock another future—perhaps another modernity.

I am putting to critique the task of understanding the present, but to understand the present is to grasp it as if it has already passed away. In the dialogue between Adorno and Horkheimer, Adorno makes the comment that the horror of the present is that we live in a world where we cannot imagine a better one. To say that we live in a world where we cannot imagine a better one is to say that we cannot see this world as one that has passed away. We cannot see the present in the light of a future that the present does not intend. The standard line is that, for critical theory, to grasp the world as past has meant totalizing the world, or seeing it from the point of view of its completeness, with nothing falling outside the totality. But this is a limited conception of totalization. It is not merely that nothing falls outside, but that anything that does fall outside of the totality is a harbinger or an ambassador of a different world. This thought has been susceptible to a religious interpretation that I am going to do everything I can to avoid. Totalization in this respect is the precondition for opening up the cracks through which the light of the future can shine, right now, on the past and the present. Horkheimer says in his dialogue with Adorno, “I don’t believe things will turn out well.” And by “things” he means everything. But the thought that things might turn out well is indispensable. Nothing falls outside but the thought that something in the present does shine a light on the past.

With regard to art, I agree with Jay that modernist art has been taken up as a kind of self-overcoming of the present. Modernist art is not the future—Heaven forbid—but, rather, it is the light that shines from the future onto the past, the light whose uselessness is what the present does not yet know how to make use of. Adorno only articulated this thought retrospectively. That is, Adorno felt that the moment of modernist art’s capacity to be this light had already passed. Modernist art had been absorbed by the culture industry.

The contrast between the culture industry and modernist art is often articulated so radically that absorption is thought of as cancellation. But absorption is not the same as negation. Rather, I think of absorption the way I think of how, when you wash your dishes, the sponge absorbs the odor of what is being discarded. It is retained in trace form. The inevitability of the absorption is clear once the demand for a different future has been articulated. Once made, that demand is already on the way to becoming a commodity. What we need is not a demand for another future, but for another past. We need the paradoxical demand of a past that will steer us toward a future that we cannot anticipate. From this it follows that no art practice can ever be “subversive.” Art practices can be subverted, but no art practice can ever be subversive. Art is, and should be, too much in love with experience in the present to ever be subversive. For any art that is worth taking seriously, absorption in the culture industry seems inevitable.

However controversial this statement may be, I believe critical theory has before it now the task of demolishing the false overvaluation of art, in order to save us from the idea that art will save us. Perhaps critical theory is tasked with helping us to expect less of art. At one point in this exchange between Horkheimer and Adorno, Horkheimer says, “The more eager one is to break the taboo, the more harmless it is…. One must be very down to earth, measured, and considered so that the impression that something or other is not possible does not arise.” [2] What Horkheimer calls for here is a toning down of the rhetoric, because with every moment of melodrama in the effort to cancel the present moment, we render the weight of the present moment insignificant. It becomes the occasion for a spectacular display of pathos, which Horkheimer is trying to resist. Perhaps what we should drive toward, critically, is lower expectations for art, so that we have an opportunity to experience, not our distance from, but our proximity to, what is better—though this proximity is also a kind of distance, and what is better remains obscure.

Chris Cutrone: The scholar of Benjamin’s and Adorno’s work, Susan Buck-Morss provided a pithy formulation for defining the tasks of both art and criticism in the modern era: “[Artists’] work is to sustain the critical moment of aesthetic experience; our job as critics is to recognize this.” [3] Two aspects of Buck-Morss’s formulation of the work of artists need to be emphasized—“sustaining the critical moment” and “aesthetic experience.” The subjective experience of the aesthetic is what artists work on, and they do so in order to capture and sustain, or make available, subjectivity’s “critical moment.”

Adorno, in his 1932 essay “The Social Situation of Music,” analogized the position of modern art to that of critical social theory: The role of both was to provoke recognition. Adorno further warned that there could be no progress in art without that of society. His posthumously published but unfinished monograph Aesthetic Theory can be considered to have at its center, organizing the entire discussion of the modern experience of art, the theme of the simultaneous necessity and impossibility of art. In this, Adorno was elaborating in the aesthetic realm his thesis in Negative Dialectics, that philosophy and critical theory were both necessary and impossible, simultaneously.

What does it mean to practice art in an epoch of its impossibility and continuing necessity? A clue can be found in Adorno’s claim in Negative Dialectics that “philosophy lives on because its moment of realization was missed.” [4] Adorno’s treatment of philosophy and art is modeled on Marx’s treatment of capital. The potential for a dialectical historical transformation, in which capital would be simultaneously realized and abolished, became for Adorno the question of what it would mean to simultaneously realize and overcome the aspirations of modern philosophy and art. What would it mean to overcome the necessity that is expressed in modern practices of art? The Hegelian thought figure of art’s attaining to its own concept, while transcending it through a qualitative transformation, was mobilized by Adorno to grasp both the history of modern art and the desire to overcome its practices.

The Hegel scholar Robert Pippin, in his response to the journal Critical Inquiry’s 2003 forum on the current state and potential future for critical theory, described postmodernism as a repetition of the “Romantic recoil” from modernity. [5] Specifically, Pippin pointed to modern literary and artistic forms as derived from such Romanticism, of which postmodernism was the mere continuation, but in denial of its repetition. And Pippin pointed out that such repetition is in fact a “regression,” because consciousness of the historical condition of the problem had grown worse.

Hegel posed the question of the “end” of art. He meant by this not the cessation of practices of art, but rather the ability of those practices to make the activity of “Spirit” appear in a self-contained and self-sufficient manner. While religion had been superseded by art, art had come to be superseded by “philosophy.” By this, Hegel meant that art needed philosophical interpretation to be able to mean what it meant. Art needed criticism in order to be itself. This was a specifically modern condition for art, which Hegel addressed in a rather optimistic manner, seeing art’s need for criticism as a hallmark of enlightenment rather than a disability or liability.

But Adorno took this Hegelianism with respect to art and turned it from an explanation of art’s historical condition to a critique of those historical conditions. Like Marx who had turned Hegel on his head, or put Hegel back on his feet, Adorno inverted the significance of Hegel’s philosophical observation. Where Hegel had, for instance, regarded modern politics as the realm of reflection on the state, and by extension the self-objectification of civil society in the state, Marx regarded the modern distinction between state and civil society as expressing the pathological necessity of capital, in which the self-contradiction of capital was projected. Adorno similarly addressed the complementary necessities of art and criticism as expressing a self-contradiction in (aesthetic) subjectivity.

As Adorno put it, however, this did not mean that one should aspire to any “reconciliation” of art and philosophy, nor of theory and practice. Just as Marx critiqued the Left Hegelians for their Romantic desire to merely dissolve the distinction between state and civil society, so too did Marx and Adorno alike regard this separation as the hallmark of freedom. In a late essay, “Marginalia to Theory and Practice” (1969), Adorno attacked “Romantic socialism” for wanting to dissolve the distinction and critical relationship between theory and practice, maintaining that, by contrast with traditional society, the modern separation of theory and practice was “progressive” and emancipatory. So too was the separation in meaning between art, as non-conceptual knowledge, and criticism, informed by theoretical concepts.

Adorno, like Marx, looks forward, not to a return to a pre-modern or pre-capitalist unity of theory and practice, nor to a reconciliation of form and content, as had been the case in traditional culture, but to a qualitative transformation of the modern division of meaning in art and criticism, in which each would be simultaneously realized and abolished as presently practiced. The problem is that, rather than being raised to ever more acute levels, there was already in Adorno’s lifetime a retreat from the productive antagonism, the dialectic of theory and practice, or in this case art and criticism.

Adorno drew upon and sought to further elaborate the approach of his friend and mentor Walter Benjamin, who argued in his 1934 essay “The Author as Producer” that no art could be of correct “political tendency” unless it was also of good aesthetic quality. [6] Furthermore, Benjamin argued that every great work of art “either founds or dissolves a genre.” [7] As Benjamin put it, the work of art that fails to teach artists teaches no one. Artists do not “distribute” aesthetic experience, but produce it. New art re-works and transforms, retrospectively, the history of art. Benjamin argued that there could be no progress in society without that of art, for necessarily involved in both is the transformation of subjectivity.

The history of modern art, as Benjamin and Adorno recognized, presents a diverse multiplicity of practices, none of which has been able to come to full fruition. Benjamin described this poignantly in his Arcades Project as “living in hell.” [8] Benjamin and Adorno’s thought-figure for such historical consciousness of modern art comes from Trotsky, who pointed out, in a June 1938 letter to the editors of the American journal Partisan Review, that the modern capitalist epoch displayed the following phenomenon in its historical course:

[N]ew tendencies take on a more and more violent character, alternating between hope and despair. The artistic schools of the [first] few decades [of the 20th century]—cubism, futurism, dadaism, surrealism—follow each other without reaching a complete development. Art, which is the most complex part of culture, the most sensitive and at the same time the least protected, suffers most from the decline and decay of bourgeois society. [9]

This was because, as Trotsky put it,

The decline of bourgeois society means an intolerable exacerbation of social contradictions, which are transformed inevitably into personal contradictions, calling forth an ever more burning need for a liberating art. Furthermore, a declining capitalism already finds itself completely incapable of offering the minimum conditions for the development of tendencies in art which correspond, however little, to our epoch…. The oppressed masses live their own life. Bohemianism offers too limited a social base. [10]

Trotsky said of art that, “a protest against reality, either conscious or unconscious, active or passive, optimistic or pessimistic, always forms part of a really creative piece of work. Every new tendency in art has begun with rebellion.” [11] And not merely rebellion against existing conventions of art, but against the conditions of life in capitalism.

But what, then, would be a “liberating art?” Adorno addresses this in terms of the aspiration for “artistic autonomy,” or the self-justification of aesthetic experience. This is related to how Kant described the experience of the beautiful, in nature or art, as the sympathetic resonance the subject experiences of an object, which thus appears to embody “purposiveness without purpose,” or a telos—an end-in-itself. Except, for Adorno, this empathy between subject and object in Kant’s account of aesthetic experience is not affirmative, but critical. In Adorno’s account of the modern experience of art, the subject recognizes not the power of experiential capacities and the transformative freedom of the human faculties, but rather their constraint and unfreedom, their self-contradictory and self-undermining powers. The subject experiences not its freedom in self-transformation, but rather the need for transformation in freedom. Adorno emphasized that the autonomy of art, as of the subject, remains under capitalism an aspiration rather than an achieved state. Works of art embody the striving for autonomy that is denied the subject of the modern society of capital, and thus artworks also embody failure. Hence, the history of art furnishes a rich inventory of failed attempts. This is why this history remains unsettled and constantly returns. Modern works of art are necessarily failures, but are nonetheless valuable as embodiments of possibility, of unfulfilled potential.

The constrained possibilities embodied in modern art are, according to Benjamin’s formulation, approached by the subject with a combination of “desire and fear.” Modern artworks embody not only human but “inhuman” potentials—that is, the possibilities for the qualitative transformation of humanity, which we regard with desire and fear. They thus have simultaneously utopian and dystopian aspects. Modern artworks are as ambivalent as the historical conditions they refract in themselves, “prismatically.” But it is in such ambivalence that art instantiates freedom. It is the task of theory, or critique, to register the non-conceptual while attempting to bring it within the range of concepts. As Adorno put it, the aspiration of modern art is to “produce something without knowing what it is.” [12] In so doing, art acts not only on the future, but also on history.

Modern artworks find inspiration in art history. This is the potentially emancipatory character of repetition. Artists are motivated by art history to re-attain lost moments by achieving them again, but differently. Artists produce new works that, in their newness, unlock the potentials of past art, allowing us to re-experience history. But this work on history is not without its dangers. As Benjamin put it, “even the dead are not safe” from the ambivalent “progress” of history, because this history unfolds in capital as a “mounting catastrophe.” [13] The history of modern art, like that of capital more generally, furnishes a compendium of ruins. The simultaneously progressive and regressive dynamics of history find their purchase in this: that historical forms of experience and consciousness inform present practices, for better or worse. It is the work of critique to attempt to better inform, through greater consciousness, the inevitable repetition in the continuing practices of art, and thus attempt to overcome the worst effects of the regression involved in such practices.

In the Hegelian sense adopted by both Marx and Adorno, the greater consciousness of freedom is the only available path for freedom’s possible realization. Consciousness is tasked to recognize the potential that is its own condition of possibility. This is why Adorno and Benjamin addressed works of art as forms of consciousness. Art can be ideological or it can enlighten, provoking consciousness to push itself further.

The dialectic of art and criticism is necessary for the vitality of art. The self-abnegation of criticism, on the other hand—the disenchantment of consciousness that characterized “postmodernism”—has clearly demonstrated the barrenness of such abdication of responsibility on the part of critics and theorists more so than artists, who were thus left at the mercy of poor, unclarified concepts. The challenge posed by modern critical-theoretical approaches to art has been warded off rather than engaged and pushed further.

Artists’ work continues to demand critical recognition, whether the critics recognize this or not. What such critical recognition of the work of history taken up by art would mean is what Marxist aesthetic theorists like Adorno and Benjamin pursued, and from whose efforts we can and indeed must learn. For a new condition of art has not been attained, but only an old set of conditions repeated, without their repetition being properly recognized. The relation between art and social modernity, or capital, continues to task both art and theory. Art is not merely conditioned by, but is itself an instance of the modern society of capital. But, like society, for art to progress, theory must do its work.

Panelists’ responses

LG: Chris, you seemed to read Adorno’s distinction between regression and progression as if progress is simply the bit we want, but it seems to me that Adorno’s point was that the progressive and the regressive are two sides of the same coin, both of which lead to catastrophe.

CC: In Benjamin and Adorno’s philosophy of history, which they are deriving from Marx, capital is simultaneously progressive and regressive. Capital progresses through a kind of recursive movement, and so they understand overcoming capital as also completing capital. Benjamin and Adorno take up the concept of Aufhebung—the sublation, the realization through negation, or the self-overcoming—to articulate this “completion.” Art, far from being outside capital, is part and parcel of capital’s historical movement. Art moves historically through a “progress,” if you will, of progress and regress—like capital. Of course, this raises the question of emancipation. Colloquially, progress is usually thought of in these terms: “Are we making progress? Is progress progress? Or, is it actually progress in domination, in which case it is not progress?” I feel that an unfamiliar aspect of Benjamin and Adorno’s thought is an idea they take from Marx, which complicates the relationship between progress and regress: Capital moves through a process of the discontents capital itself produces. The opposition to capital that these discontents engender form the basis for the reconstitution of capital in a new form, though there are important differences in the form these discontents take. You can have a system of discontents that advances capital in one way, or in a completely different way.

Goebbels touring a Nazi exhibition of "degenerate" modernist art, Berlin, 1937

To take perhaps the most dramatic example, I’m sure we are familiar with the anti-totalitarian idea that communism and fascism are simply two sides of the same coin. In a way, for Benjamin and Adorno, fascism was the necessary doppelgänger of communism, in that both communism and fascism had an ambivalent relationship to the progress and regress of capital. Nevertheless, one could distinguish between communism and fascism, as Benjamin and Adorno themselves did. One could distinguish between how the contradiction of capital is being pushed through communism versus the way it was being pushed, in a more obscure manner, through fascism. One salient point here would be Wilhelm Reich’s argument, in “Ideology as a Material Force” (1933), that Marxists had failed to recognize the progressive character of fascism, which of course did not mean that Reich found fascism “progressive.” Rather, Reich meant that fascists were more in tune with the ambivalent progress and regress of capital than the Marxists were. The Marxists, in a sense, were helpless in the face of the progress of capital—therefore, the ambivalent progress of capital took the form of fascism rather than communism in Germany.

GH: Of course, after 1848, modernity becomes not the solution, but the problem. However, I resist a certain version of the argument which posits that, since modernity is the problem, there must be something which is not modernity that provides, if not the solution, at least the answer. The full secularization of history entails that there is nothing outside history. So I think modernity has to be the answer to the problem it raises. In my remarks I held up what I am calling “another modernity,” which I acknowledge to be only a sort of marker. It is possible we may have to make out this other modernity by figuring out, again, the difference between communism and fascism, though I find this possibility a bit dreadful. However, this would mean withdrawing from the language of disaster and catastrophe—a withdrawal I would justify on the basis of Adorno’s resistance to pessimism. Pessimism is the conviction that things will inevitably get worse. But, for Adorno, it is the dark gift of history that this is false. The only gift of having survived 1945 is the dead certainty that things cannot get any worse. From this anti-pessimistic thought, I think there must emerge something like an anti-catastrophic line of thinking.

JB: You would have to think past Adorno to do that, though. I keep pointing back to early modern art, and to what I have called the “secular sacralization” of the everyday. I do this because one of the things Adorno thematized, but did not see in the art he loved, was the burden of giving everyday life the intensity and fullness of satisfactions once found in religious forms of life. Adorno and Benjamin were overly impressed by the sacred, or the messianic, and this was their worst temptation. If they were alive now, I fear they would be doing political theology, which is the worst thing to happen in political thought since Carl Schmitt. As I see it, Adorno’s anti-representationalism ultimately led him to think of what was utopian in distorted ways.

Bartolomeo Manfredi, Cupid Chastised (1613)

CC: Your critique of Benjamin and Adorno points to the difference between understanding modernity as post-Renaissance, versus understanding modernity as post-1848. Art after 1848 is about disenchantment, secularization, and sacralization of the everyday, but in a fundamentally different way than the art from the Renaissance period through the Romantic period, up until the time of Hegel. This difference hinges on the difference between Kant and Hegel, on the one hand, and Marx, on the other, which should not be understood simply as a difference in thinking. Rather, it is a matter of the real historical difference between the pre-1848 and post-1848 world, which makes it necessary to pose quite differently the question of Enlightenment, disenchantment, desacralization, and resacralization.

Jay, I think you have posed art as occupying a space outside capital, outside modernity, representing a romantic response to the instrumentalization of the world. I believe there were elements of this in Lydia’s remarks as well. In contrast, I think Adorno and Benjamin challenge us to see how art also becomes instrumental reason, in the sense that art is an instrument of capital. It is not as though there is reason that is used instrumentally, and reason that is not used instrumentally. Rather, reason becomes instrumentalized by capital so that the Enlightenment becomes a more ambiguous phenomenon after 1848. There is a reversal of means and ends after 1848 such that one can no longer understand capital as the advance of Enlightenment, but can only see the Enlightenment as the means of capital. Rather than “non-conceptual knowledge,” Adorno and Benjamin see art as part of the reason of capital, but also, therefore, as bearing the ambivalence of capital and potentially making that ambivalence recognizable.

A similar difficulty, which came up in Gregg’s presentation, is getting beyond an understanding of emancipation in terms of cracks or fragments in society. This conception of emancipation traces back to a kind of Romantic Counter-Enlightenment, from which Marx and, thus, Benjamin and Adorno, would have to be distinguished. I take great issue with the claim that Adorno and Benjamin were enchanted by the sacred. Like Hegel, they were tasked with understanding continuity and change in the desacralization of the world. Hegel had to account for the ways that religious metaphysics remain with us in spite of, and even through, the disenchantment of the world. Kant and Hegel understood this in the sense that religion was a prior form of reason, but I do not think they argue for a Romantic re-enchantment of the sacred against the disenchanted world. Marx, Benjamin, and Adorno certainly do not.

LG: This treats Adorno and Benjamin as if they are producing a theory of society or a theory of art in a traditional sense—that is, taking a step back, coming up with a theory, and then imposing it upon society, art, or capitalism. What Adorno and Benjamin share in their writing is precisely this turning back on themselves to ask how, actually, does one write about this. They always turn back on the structures of thought and writing.

CC: I don’t think I implied that Adorno and Benjamin felt they could step outside their object of critique. They consider their own thinking symptomatic of capital, which means that they understand their own opposition to capital as itself being a symptom of capital. In this sense the only difference they could establish between their own thinking and others’ was the measure of self-clarification and self-awareness they achieved, which is an issue of the philosophy of history. There is a difficulty in understanding what opposition to capitalism means. The usual approach is to look at how capital breaks down—to look for apparent cracks, which provide the grounds for “resistance.” This is the typical language of the Left in the late 20th century, down to the present. In contrast, Benjamin and Adorno follow from Marx in recognizing that it is not the case that capital moves by a smooth logic, interrupted by moments of collapse representing something outside of capital. Rather, part of what makes capital an “alienated” logic is that it is no logic at all; it reproduces itself not in spite of, but precisely through breakdown, resistance, discontents, and a host of contingent or “spontaneous” factors.

There is an undigested Romantic legacy, in the wake of 1789, of positioning oneself, along with all humanity, under the treads of history. This tends toward a one-sided understanding of capital as instrumental reason, whereas in fact Adorno and Benjamin, like Marx and Hegel, are actually trying to overcome a Romantic rejection of modernity. Trying not to fall on one side of that Romantic rejection is hard without seeming to speak from some kind of objective view outside of the phenomenon, but I think that is primarily an issue of style and presentation.

Q & A

Q: In your comments, Gregg, you said that returning to the distinction between fascism and communism seemed dreadful. But what hope for the redemptive power of art, or even of thought itself, exists outside of the hope for socialism, a movement that the revolutionary Marxist tradition understood as the attempt, for the first time, to put social relations under the dominion of social consciousness?

GH: My expression of despair was only at the prospect of having to frame the problem that way. The articulation of socialism necessarily involves the retrieval of the emancipatory moment of “actually existing socialism.” But what must we return to in order to retrieve this emancipatory moment? I don’t have an answer to that, but if there is an answer afoot, we need to hear it. Several times in the last month I have heard the following remarkable thought—and when I say remarkable I simply mean I want to know more—that Khrushchev represented an actual breakthrough, from which we might retrieve a different practice of communism. That is the kind of thought that I do not know how to make use of, even in trying to think about what you and I share, which is a view of socialism as the horizon of emancipatory political practice.

Q: Jay, in your remarks you have described our culture as being problematic in its relation to art, which I took to mean that we have a “wrong culture.” What do you mean by this?

JB: “Wrong culture” would be optimistic. I am interested in how the culture question has lapsed. It was standard even in the 1960s to articulate how system integration, the way in which various institutions make capital reproduction possible, required social integration, whereby people would have harmonious beliefs, values, and ideals. At a certain moment, capital recognized that this was not strictly necessity, and that people did not actually need a whole lot of ideological forming. My claim is that an image of radical culture was parasitic on the idea that there was a dominant culture. There is no longer a coherent dominant culture against which to mount a critique that could push forward the formation of an alternative political will. This is what requires us to rethink the notion of critique.

CC: I think the world appears to lack a common culture holding the system together because the common culture that exists is poorly recognized. Counterintuitively, I think there are a great deal of assumptions shared by Islamic fundamentalists, Christian fundamentalists, postmodern bohemians, and so on, but these common assumptions go unrecognized and unremarked. These assumptions have become ideology in a classic sense. The task would be provoking recognition of this commonality in order to make legible the unity of the opposites in our world, rather than thinking that we live in some sort of cultural plurality that resists any attempt to understand it as a totality. That this appears to be the case is simply an artifact of our failure to understand it. One could just as well make a plausible argument, from the standpoint of the 19th century, that the world was being held together without a hegemonic culture in 1830, 1848, or 1870. The task would be to find the hegemonic culture that is there, but which is completely naturalized.

LG: But are we talking here about culture with a small C, or Kultur with a capital K?

GH: I had a version of that question in mind. In a review of the Anselm Kiefer art show that appeared recently in the New York Times, Roberta Smith hauled out of the dustbin of history a critical concept you almost never see anymore: She referred to Kiefer as a “middlebrow painter.” [14] The concept seemed archaic to me. Even though it was clearly meant as a slander, “middlebrow” had none of the negative charge it used to have. Suddenly there was, in the concept of middlebrow, a whiff of democracy. It sounded optimistic, as though it is something to aspire to. So, I don’t mean to imply by this that Anselm Kiefer is a great painter or anything, but reading this review of his work suggested to me that, whatever might come to count as a common culture, it is definitely not going to be culture with a capital K—it is not going to be a matter of cultivation, in that sense.

JB: With respect to what I am calling the breakdown or the loss of culture, I am thinking about what goes on, for instance, in Philip Roth’s novel American Pastoral, which captures how ideality or hopefulness is no longer available as something that could be transformative. It is not simply “ideology,” or a series of false beliefs, that make a culture, even with a small C. There has to be a notion of ideality. That notion, which appeared in Germany under the phrase “critique of pure cynicism,” really has its American moment now, and it is that difficulty I was pointing to.

LG: From that, it follows that the real confrontation now would not be between critical theory and capital, directly, but between critical theory and democracy. This is really where the issue is for politics.

Stravinsky, The Rite of Spring (1913)

CC: The word I want to introduce into the discussion is “kitsch.” Maybe we now have kitsch culture and kitsch politics. There are interesting parallels between Clement Greenberg and Benjamin and Adorno. It is interesting that Greenberg foregrounds the question of democracy by treating avant-garde and kitsch as symptoms of democracy. But in this way Greenberg also raises the question of the relationship between capital and democracy. The culture industry was a concept that Adorno meant to embrace high art as well. Schoenberg and Stravinsky were also a part of the culture industry. In that respect I think one has to see how avant-garde and kitsch practices subsist on a common ground and how Schoenberg and Stravinsky are two sides of the same coin. Adorno certainly was not just a partisan for Schoenberg over Stravinsky, which is how Adorno is usually read.

Q: A few of you tonight have touched upon the concept that an artwork is not successful unless critique is doing its job. But what is critique’s job description, so to speak, in relation to art today? And what should it be?

Beethoven, Symphony 5 (1804–08), I. Allegro con brio

LG: It is not that art will not function unless critique does its job, but that critique is this ongoing process of rethinking what is being asserted. One of the reasons Adorno admired Schoenberg was that he thought you could not reduce Schoenberg to whistling, and this meant that in some way Schoenberg was not assimilable by the culture—in its form it would always rub up against culture. If you understood what it was that made Schoenberg so difficult and so unassimilable, so unwhistleable, you could perhaps understand again what was amazing about a Beethoven symphony or even, in my view, a Puccini opera like La Bohème. This is where I think even Adorno got himself wrong, in that he made too many blanket statements about the kind of music that was subsumable by this society. The real resistant potential is to try and listen to Puccini as a great composer, not to listen to Puccini as a composer under the conditions of commodification.

Puccini, La bohème (1896), O soave fanciulla

CC: I don’t think Schoenberg was unassimilable—if anything, his work was assimilated. But I also do not think that Adorno thought Schoenberg was unassimilable, and so I don’t think unassimilability is what Adorno valued in Schoenberg. Adorno talks about Schoenberg and the culture industry in terms of “the inevitable” versus “the incomprehensible,” as a sort of antinomy within a historical moment of the culture industry. Inevitability and incomprehensibility are, to Adorno, two aspects of the same thing. The operation of capital is not comprehensible by individuals but it is clearly socially assimilable. In this sense, capital is inevitable and incomprehensible. What Adorno valued about Schoenberg was that, in Schoenberg, you cannot escape that simultaneous inevitability and incomprehensibility as easily as you can escape it by putting on Puccini, for instance, or Stravinsky, who gives you the comprehensible sublime.

Q: In your comments, Jay, you have proposed the everyday as a different route to go besides the messianic or sacred. But how is the everyday supposed to get beyond all the problems you have raised with shareability, for instance? Doesn’t everydayness run into all the same problems we run into with culture?

Schoenberg, Erwartung/Expectation (1909)

JB: I think the everyday has always been the question for modern art. Whatever we might mean by modernity, it has to be the thought of a wholly secular form of life. What we don’t know is what shareability is going to look like. That is something art practices will need to invent, in the sense of figuring out, as they go along, variations on this idea of immanent sharebility, which comes out of the practice itself and yet remains a practice. What makes art particular, at least for me, is that it bears this burden.

Q: I think the theme of the failure of postmodernism to advance historical consciousness has not been fully fleshed out. What is it about how postmodernism saw art that has left us with less access to historical self-awareness or consciousness?

CC: There have been assumed but, unfortunately, naturalized and invisible categories we have used in discussing art and critique, and I think the invisibility of these categories points to problems of historical consciousness. In a sense, we necessarily read figures like Adorno or Benjamin—or, as I pointed out before, Marx—in terms of categories that they themselves wanted to transcend. One thinks of how the classic postmodernist art critics, the October group, separated the avant-garde from modernism. I do not think critics like Benjamin and Adorno, or Clement Greenberg for that matter, would have accepted the opposition of the avant-garde to modernism in the way that postmodern critics superimpose on the history of modern art. Similarly, the relationship between Romanticism and modernism has been a troubled one throughout our discussion. To the degree there has been a critique of Adorno and Benjamin, the critique was of a residual Romanticism they purportedly exhibit. That they appear to retain a Romantic understanding of modernity is itself a signal of how much influence postmodernism, and particularly postmodern art criticism, has exerted on how we think about modernism. Thus, for instance, modernist art becomes a kind of secular religion. A return to these figures as points of reference—especially Adorno, as someone who anticipated but preceded emphatic postmodernism in art criticism—is salient today precisely to the extent it allows us to estrange ourselves from these kinds of rhetorics. We should resist the notion of Adorno and Benjamin as mandarin intellectuals and holdover Romantics, and we should resist a Romantic conception of modernism, whether we use that term positively or negatively. I say this in hopes of at least pointing to how our discussion bears the damage that has been done by the way we talk about art after postmodernism. Our discussion bears the traces of an abdication of criticism over at least the last 40 years, since Adorno’s time. In all the ways we have talked about the modern work of art—in terms of whether modernism is finished or unfinished, how it subsists, how and why it is still necessary, and so on—I think we have been forced to concede something. | §

Originally published in The Platypus Review #31 (January 2011). Transcribed by Andony Melathopoulos


1. Theodor Adorno and Max Horkheimer, “Towards a New Manifesto?” New Left Review 65 (September-October 2010). This document is available in full at <http://www.newleftreview.org/?view=2860>.

2. Ibid.

3. Susan Buck-Morss, reply to “Visual Culture Questionnaire,” October 77 (Summer, 1996), 29.

4. Theodor Adorno, Negative Dialectics, trans. E. B. Ashton (New York: Continuum, 1973), 3.

5. Robert Pippin, “Critical Inquiry and Critical Theory: A Short History of Nonbeing,” Critical Inquiry 30:2. Available online at <http://criticalinquiry.uchicago.edu/issues/v30/30n2.Pippin.html>.

6. Walter Benjamin, “The Author as Producer,” Reflections (New York: Schocken, 1986), 220–238.

7. Walter Benjamin, “The Image of Proust,” Illuminations (New York: Schocken, 1969), 201.

8. Walter Benjamin, “Paris, Capital of the 19th Century: Exposé of 1939,” The Arcades Project (Cambridge, MA: Harvard, 1999), 14–26.

9. Leon Trotsky, “Art and Politics in Our Epoch,” <http://www.marxists.org/archive/trotsky/1938/06/artpol.htm>.

10. Ibid.

11. Ibid.

12. Theodor Adorno, “Vers une musique informelle,” Quasi una Fantasia (New York: Verso, 1998), 322.

13. Walter Benjamin, “Theses on the Philosophy of History,” Illuminations, 253–264.

14. Roberta Smith, “A Spectacle with a Message,” The New York Times, November 18, 2010. Available online at <http://www.nytimes.com/2010/11/19/arts/design/19kiefer.html>.