What is critique?

The relevance of Critical Theory to art today

Chris Cutrone

Presented on a panel with J. M. Bernstein, Lydia Goehr, and Gregg Horowitz at What is Critique?, Parsons, the New School for Design, New York, November 20, 2010 (video recording).

The scholar of Benjamin and Adorno’s work Susan Buck-Morss, in her response to the October art journal’s 1996 Visual Culture Questionnaire, provided a pithy formulation for defining the tasks of both art and criticism in the modern era, “[Artists’] work is to sustain the critical moment of aesthetic experience; our job as critics is to recognize this.” Two aspects of Buck-Morss’s formulation of the work of artists need to be emphasized, “sustaining the critical moment” and “aesthetic experience.” The subjective experience of the aesthetic is what artists work on. And they do so in order to capture and sustain, or make available, subjectivity’s “critical moment.”

Adorno, in his 1932 essay on “The Social Situation of Music,” analogized the position of modern art to that of critical social theory. The role of both was to provoke recognition. Furthermore, Adorno warned that there can be no progress in art without that of society. Adorno’s posthumously published but unfinished monograph Aesthetic Theory can be considered to have a central theme organizing all its discussion of the modern experience of art, the simultaneous necessity and impossibility of art. In this, Adorno was elaborating in the aesthetic realm his thesis in Negative Dialectics, the simultaneous necessity and impossibility of philosophy and critical theory. What does it mean to practice art in an epoch of its simultaneous continuing necessity and impossibility? A clue can be found in Adorno’s claim in Negative Dialectics, that “philosophy lives on because its moment of realization was missed.”

Philosophy of art

Adorno’s treatment of philosophy and art are modeled on Marx’s treatment of capital. The potential for a dialectical historical transformation, in which capital would be simultaneously realized and abolished, became for Adorno the question of what it would mean to simultaneously realize and overcome the aspirations of modern philosophy and art. What would it mean to overcome the necessity that is expressed in modern practices of art? The Hegelian thought-figure of art’s attaining to its own concept while transcending it, through a qualitative transformation, was mobilized by Adorno to grasp both the history of modern art and the desire to overcome its practices.

The Hegel scholar Robert Pippin, in his response to the 2003 Critical Inquiry journal’s forum on the current state and potential future for critical theory, described postmodernism as a repetition of the “Romantic recoil” from modernity. Specifically, Pippin pointed to modern literary and artistic forms as derived from such Romanticism, of which postmodernism was the mere continuation, but in denial of its repetition. But Pippin also pointed out that such repetition is in fact a “regression,” because consciousness of the historical condition of the problem had grown worse.

Hegel had posed the question of the “end” of art. But Hegel meant by this not the cessation of practices of art, but rather their ability to make the activity of “Spirit” appear in a self-contained manner. While religion had been superseded by art, art had come to be superseded by “philosophy.” What did Hegel mean by this? Nothing but that art needed philosophical interpretation to be able to mean what it meant. Art needed criticism in order to be itself. This was a specifically modern condition for art, which Hegel addressed in a rather optimistic manner, seeing such need for criticism in art as a hallmark of enlightenment rather than a disability of art.

But Adorno took this Hegelianism of art and turned it, from a historical explanation of its condition, into a critique of such circumstances of history. Like Marx who had turned Hegel “on his head,” or put Hegel back “on his feet,” Adorno inverted the significance of Hegel’s philosophical observation. Where Hegel had, for instance, regarded modern politics as the realm of reflection on, the self-objectification of civil society in the state, Marx regarded the modern state and civil society distinction as expressing the pathological necessity of capital, in which the self-contradiction of capital was projected. Adorno similarly addressed the complementary necessities of art and criticism, as expressing a self-contradiction in (aesthetic) subjectivity.

As Adorno put it, however, this did not mean that one should aspire to a “reconciliation” of art and philosophy or theory. Just as Marx critiqued the Left Hegelians for their Romantic desire to dissolve the distinction between state and “civil” society, the separation was regarded, by Marx and Adorno alike, as the hallmark of freedom. In a late essay, the “Marginalia on Theory and Practice” (1969), Adorno attacked “Romantic socialism” for wanting to dissolve the distinction and critical relationship between theory and practice, maintaining that, by contrast with traditional society, the modern separation of theory and practice was “progressive” and emancipatory. So was the separation in meaning between art, as “non-conceptual knowledge,” and criticism, informed by “theoretical” concepts.

Artistic modernism

So Adorno, like Marx, looked forward, not to a return to a pre-modern or pre-capitalist unity of theory and practice and reconciliation of form and content, as had been the case in traditional culture, but a qualitative transformation of the modern division of meaning in art and criticism, in which each would be simultaneously realized and abolished, as presently practiced. The problem is that, rather than being raised to ever more acute levels, already in Adorno’s time there was a retreat from the productive antagonism, the dialectic of theory and practice, or art and criticism.

Adorno drew upon and sought to further elaborate the approach of his friend and mentor Walter Benjamin, who argued, in his 1934 essay “The Author as Producer,” that no art could be of correct political “tendency” unless it was also of good aesthetic “quality.” Furthermore, Benjamin argued that every great work of art “either founds or dissolves a genre.” As Benjamin put it, the work of art that fails to teach artists teaches no one. Artists do not “distribute” aesthetic experience but produce it. New art re-works and transforms, retrospectively, the history of art. Benjamin argued that there can be progress in society without that of art, for necessarily involved in both is the transformation of subjectivity.

Politics of art

The history of modern art, as Benjamin and Adorno recognized, presents a diverse multiplicity of practices, none of which have been able to come to full fruition. Benjamin described this poignantly in his Arcades Project as “living in hell.” Benjamin and Adorno’s thought-figure for such historical consciousness of modern art comes from Trotsky, who pointed out, in a 1938 letter to the editors of the American journal Partisan Review, that the modern capitalist epoch displayed the following phenomenon in its historical course:

[N]ew tendencies take on a more and more violent character, alternating between hope and despair. The artistic schools of the [first] few decades [of the 20th century] — cubism, futurism, dadaism, surrealism — follow each other without reaching a complete development. Art, which is the most complex part of culture, the most sensitive and at the same time the least protected, suffers most from the decline and decay of bourgeois society.

This was because, as Trotsky put it,

The decline of bourgeois society means an intolerable exacerbation of social contradictions, which are transformed inevitably into personal contradictions, calling forth an ever more burning need for a liberating art. Furthermore, a declining capitalism already finds itself completely incapable of offering the minimum conditions for the development of tendencies in art which correspond, however little, to our epoch. . . . The oppressed masses live their own life. Bohemianism offers too limited a social base.

Trotsky said of art that, “a protest against reality, either conscious or unconscious, active or passive, optimistic or pessimistic, always forms part of a really creative piece of work. Every new tendency in art has begun with rebellion.” And not merely rebellion against existing conventions of art, but the greater conditions for life in capitalist modernity.

So, what would be a “liberating art?” Adorno addresses this in terms of the aspiration for “artistic autonomy,” or the self-justification of aesthetic experience. This is related to how Kant had described the experience of the beautiful, in nature or art, as the sympathetic resonance the subject experiences of an object, which thus appears to embody “purposiveness without purpose,” or a telos, an end-in-itself. Except, for Adorno, this empathy between subject and object in Kant’s account of aesthetic experience, is not to be affirmative but critical. In Adorno’s account of the modern experience of art, the subject recognizes, not the power of experiential capacities, and the transformative freedom of the human faculties, but rather their constraint and unfreedom, their self-contradictory and self-undermining powers. The subject experiences not its freedom in self-transformation, but rather the need for transformation in freedom. Adorno emphasized that the autonomy of art, as of the subject, remains, under capitalism, an aspiration rather than an achieved state. Works of art embody the striving for autonomy that is denied the subject of the modern society of capital, and thus also embody failure. Hence, the history of art furnishes a rich inventory of failed attempts. This is why its history is unsettled and constantly returns. Modern works of art are necessarily failures, but are nonetheless valuable as embodiments of possibility, of unfulfilled potential.

The constrained possibilities embodied in modern art are, according to Benjamin’s formulation, approached by the subject with a combination of “desire and fear.” Modern artworks embody not only human but “inhuman” potentials, or, the possibilities for the qualitative transformation of humanity. They thus have simultaneously utopian and dystopian aspects. Modern artworks are as ambivalent as the historical conditions they refract in themselves, “prismatically.” But it is in such ambivalence that art instantiates freedom. It is the task of theory, or critique, to register and attempt to bring the non-conceptual within the range of concepts. As Adorno put it, the aspiration of modern art is to “produce something without knowing what it is.” In so doing, art acts not only on the future, but also on history.

Art history

Modern artworks find inspiration in art history. This is the potentially emancipatory character of repetition. Artists are motivated by art history to re-attain lost moments by achieving them again, but differently. Artists produce new works that, in their newness, unlock the potentials of past art, allowing us to re-experience history. But this work on history is not without its dangers. As Benjamin put it, “even the dead are not safe” from the ambivalent “progress” of history, which unfolds in capital as a “mounting catastrophe.” The history of modern art, like that of capital more generally, furnishes a compendium of ruins. The simultaneously progressive and regressive dynamics of history find their purchase in this, that historical forms of experience and consciousness inform present practices, for better or worse. It is the work of critique to attempt to better inform, through greater consciousness, the inevitable repetition in the continuing practices of art, and thus attempt to overcome the worst effects of the regression involved in such practices.

In the Hegelian sense adopted by both Marx and Adorno, the greater consciousness of freedom is the only available path for freedom’s possible realization. Consciousness is tasked to recognize the potential that is its own condition of possibility. This is why Adorno and Benjamin addressed works of art as forms of consciousness. Art can be ideological or it can enlighten, provoking consciousness to push itself further.

The dialectic of art and criticism is necessary for the vitality of art. The self-abnegation of criticism, the disenchantment of consciousness that characterized “postmodernism” has clearly demonstrated the barrenness of such abdication of responsibility, on the part of critics and theorists even more than artists, who were thus left at the mercy of poor, unclarified concepts. The challenge posed by modern critical-theoretical approaches to art have been warded off rather than engaged and pushed further.

Artists’ work continues to demand critical recognition, whether the “critics” recognize this or not. What such critical recognition, of the work of history taken up by art, would mean is what Marxist critical aesthetic theorists like Adorno and Benjamin pursued, and from whose efforts we can and indeed must learn. For a new condition of art has not been attained, but only an old set of conditions repeated, however without their being properly recognized. The relation between art and social modernity, or capital, continues to task both art and theory. Art is not merely conditioned by, but is itself an instance of the modern society of capital. But, like society, for art to progress, theory must do its work. | §

“The Relevance of Critical Theory to Art Today” video recording:

Chris Cutrone

Chris Cutrone is a college educator, writer, and media artist, committed to critical thinking and artistic practice and the politics of social emancipation. ( . . . )

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The Marxist hypothesis

A response to Alain Badiou’s “communist hypothesis”

Chris Cutrone

Against Badiou

ALAIN BADIOU’S RECENT BOOK (2010) is titled with the phrase promoted by his and Slavoj Žižek’s work for the last few years, “the communist hypothesis.”[1] This is also the title of the Badiou’s 2008 essay in New Left Review[2] on the historical significance of the 2007 election of Nicolas Sarkozy to the French Presidency.[3] There, Badiou explains his approach to communism as follows:

What is the communist hypothesis? In its generic sense, given in its canonic Manifesto, “communist” means, first, that the logic of class — the fundamental subordination of labour to a dominant class, the arrangement that has persisted since Antiquity — is not inevitable; it can be overcome. The communist hypothesis is that a different collective organization is practicable, one that will eliminate the inequality of wealth and even the division of labour. The private appropriation of massive fortunes and their transmission by inheritance will disappear. The existence of a coercive state, separate from civil society, will no longer appear a necessity: a long process of reorganization based on a free association of producers will see it withering away.[4]

Badiou goes on to state that,

As a pure Idea of equality, the communist hypothesis has no doubt existed since the beginnings of the state. As soon as mass action opposes state coercion in the name of egalitarian justice, rudiments or fragments of the hypothesis start to appear. Popular revolts — the slaves led by Spartacus, the peasants led by Müntzer — might be identified as practical examples of this “communist invariant.” With the French Revolution, the communist hypothesis then inaugurates the epoch of political modernity.[5]

Badiou thus establishes “communism” as the perennial counter-current to civilization throughout its history.

Badiou divides what he calls the modern history of the “communist hypothesis” into two broad periods, or “sequences,” from 1792–1871 and from 1917–76. The first, from Year One of the revolutionary French Republic through the defeat of the Paris Commune, Badiou describes as the “setting in place of the communist hypothesis.” The second, from the October 1917 Revolution in Russia to Mao’s death and the end of the Great Proletarian Cultural Revolution in China, Badiou calls the sequence of “preliminary attempts at . . . [the] realization [of the communist hypothesis].”[6]

The two periods remaining in this historical trajectory sketched by Badiou, 1871–1917 and 1976 to the present, Badiou describes as “intervals” in which “the communist hypothesis was declared to be untenable,” “with the adversary in the ascendant.”[7]

But the period from 1871–1917 saw the massive growth and development of Marxism (alongside and indeed bound up with the last great flowering of bourgeois society and culture in the Belle Époque[8]), and culminated in the crisis of war and revolution, which Badiou’s account avoids — or, more precisely, evades. That is, this period raises the question of Marxism as such, and its significance in history.

The Marxist hypothesis

A very different set of historical periodizations, and hence a different history, focused on other developments, might be opposed to Badiou’s. Counter to Badiou’s “communist hypothesis,” which reaches back to the origins of the state in the birth of civilization millennia ago, a “Marxist hypothesis” would seek to grasp the history of the specifically modern society of capital, the different historical phases of capital as characterized by Marx’s and other Marxists’ accounts, beginning in the mid-19th century. But, as the Nietzsche scholar Peter Preuss put it, “the 19th century had discovered history and all subsequent inquiry and education bore the stamp of this discovery. This was not simply the discovery of a set of facts about the past but the discovery of the historicity of man.”[9]

Marx is the central figure in developing the critical recognition of history as an invention of the 19th century.[10] (The other names associated with this consciousness of history are Hegel and Nietzsche; relating these three thinkers is a deep problem, long pondered by Marxists.[11])

The Marxist hypothesis is based on Marx’s theoretical and political engagement with the problem he articulated throughout his life, from the Communist Manifesto to Capital, and includes the political thought and action inspired by and seeking to follow and develop upon Marx. This problem is the historical specificity of capital — and hence of history itself. For the Marxist hypothesis is that capital is the source of what Kant called “universal history.”[12]

By contrast with Badiou’s history of the “communist hypothesis,” a history of the “Marxist hypothesis” will be complicated, layered, not quite linear, and non-evental. It is divided into the different periods in the history of Marxism: from 1848–95, the publication of Marx and Engels’s Communist Manifesto to Engels’s death, to 1914–19, the crisis of Marxism in war and revolution; and from 1923–40, post-Bolshevik Marxism, to 1968–89, the “New Left” and the collapse of “Communism.” These are periods in the history of Marxism, which are conceived as the history of what Marx called “capital.” This is the history of capital and its potential overcoming, as expressed in the history of Marxism.[13]

Such history is motivated by the need for what Karl Korsch called, in his 1923 essay “Marxism and Philosophy,” the historical-materialist analysis and critique of Marxism itself, or a Marxist history and theory of Marxism.[14] This would be a history of the emergence, crisis, and decline of Marxism as expressing the possibility of getting beyond capital, as Marx and the best Marxists understood this. Today, as opposed to Korsch’s time in 1923, this would include consideration of the possibility that the potential Marxism expressed missed its chance, and has carried on only in a degenerate, spectral way, until passing effectively into history. That such an account is possible at all is what motivates the fundamental “hypothesis” of Marxism, or the Marxist hypothesis — the hypothesis that Marxism, as a perspective and politics, could be the vital nerve center of modern history. For Marxism is the grandest of all Grand Narratives of history, with reason. Today, the question is what was Marxism?

For most Marxists in the 20th century (and hence also for Badiou), the period of Marxism from 1871–1917, which saw the foundation and growth of the parties of the Second International, was the era of “revisionism,” in which Marxist revolutionary politics was swamped by reformism. But this was also the period of the struggle against the reformist revision of Marxism by Marx and Engels’s epigones, such as Bebel, Bernstein, Kautsky, and Plekhanov. This struggle against reformism was conducted by the students of these very same disciples of Marx, and involved a complex change, itself an important historical transition, in which the students were disappointed by and came to surpass their teachers.[15]

The greatest achievement of the struggle against reformism in the Second International was the Bolshevik leadership of the October Revolution, followed by the (however abortive) revolutions in Germany, Hungary and Italy, and the establishment of the Third “Communist” International.[16] The world crisis of war and revolution 1914–19 should be regarded properly as the Götterdämmerung of Marxism, which raised the crisis of capital to the realm of politics, in a way not seen before or since. The crisis of Marxism 1914–19 was a civil war among Marxists. On one side, the younger generation of radicals that had risen in and ultimately split the Second International and established the Third International, most prominently Lenin, Luxemburg, and Trotsky, led the greatest attempt to change the world in history. They regarded their division in Marxism as expressing the necessity of human emancipation.[17] That their attempt must be judged today a failure does not alter its profound — and profoundly enigmatic — character.[18]

The stakes of the Revolution attempted by the Second International radicals, inspired by Marx, cannot be overestimated. For Marx and his followers, the epoch of capital was both the culmination of history and marked the potential end of pre-history and the true beginning of human history, in communism.[19] As Walter Benjamin put it, “humanity is preparing to outlive culture, if need be”[20] — that is, to survive civilization, as it has been lived for an eon.[21]

The specter of Marx

While Marx and Engels had written of the “specter” of communism, today it is the memory of Marx that haunts the world. This difference is important to register: Marx and Engels could count on a political movement — communism — that they sought to clarify and raise to self-consciousness of its historical significance. Today, by contrast, we need to remember not the historical political movement so much as the form of critical consciousness given expression in Marxism. This must be traced back to the thought and political action of Marx himself.

If Marx is mistaken for an affirmer and promulgator of “communism” as opposed to what he actually was, its most incisive critic (from within), we risk forgetting the most important if fragile achievement of history: the consciousness of potential in capital. As Marx wrote early on, in an 1843 letter to Arnold Ruge that called for the “ruthless criticism of everything existing,” “Communism is a dogmatic abstraction and . . . only a particular manifestation of the humanistic principle and is infected by its opposite, private property.”[22]

The potential for emancipated humanity expressed in communism that Marx recognized in the modern history of capital is not assimilable without remainder to pre- or non-Marxian socialism. Marx’s thought and politics are not continuous with the Spartacus slave revolt against Rome or the teachings of the Apostles — or with the radical egalitarianism of the Protestants or the Jacobins. As Marx put it, “Communism is the necessary form and the dynamic principle of the immediate future, but communism as such is not the goal of human development, the form of human society.”[23] Communism, as a form of discontent in capital, thus demanded critical clarification of its own meaning, and not one-sided endorsement. For Marx thought that communism was a means and not an end in itself.

So what does it mean that, today, we continue, politically, to have “communism” — in Badiou’s sense of demands for “radical democratic equality” — but not “Marxism?” Badiou’s periodization of the history of modern communism in the history of civilization dissolves Marxism into one of its constituent parts — or at least submerges it in this history. But Marx sought, in his own thought and politics, to comprehend and transcend the specifically modern phenomenon of communism, that is, the modern social-democratic workers’ movement emerging in the 19th century, as a constituent of capital, as a historically specific form of humanity. So, what would it mean, today, to view the history of the modern society of capital through the figure of Marx? The possibility of such a project is the Marxist hypothesis.

“Marx-ism”

It goes a long way in making sense of the most important historical figures of communism after Marx, such as Engels, Kautsky, Plekhanov, Lenin, Luxemburg, Trotsky, Bukharin, Lukács, Stalin, and Mao, among others, to evaluate them as followers of Marx. It is significant that they themselves sought to justify their own political thought and action in such terms — and were regarded for this by their political opponents as sectarian dogmatists, disciples of Marxism as a religion. But how did they think that they were following Marx? What are we to make of the most significant and profound political movement of the last two centuries, calling itself “Marxist,” and led by people who, in debate, never ceased to quote Marx at each other? What has been puzzled over in such disputes, and what were — and are still, potentially — the political consequences of such disagreement over the meaning of Marx?

Certainly, Marxism has been disparaged as a religion, and Marx as a prophet. (For instance, Leszek Kolakowski dismissed Marxism as the “farcical aspect of human bondage.”[24]) But what of Marx as a philosopher? If Marx has been widely discredited as a political thinker, nevertheless, in 2005, for instance, a survey of BBC listeners polled Marx as the “greatest philosopher of all time,” well ahead of Socrates, Kant, Nietzsche, and others. On the face of it, this does not seem like a particularly plausible judgment of Marx, either in terms of his own thinking and practice or of “philosophy” as a discipline, unless Marx’s philosophy is understood as indicating how we have not yet overcome the problems he identified in modern society.[25] As far as the reputation of Marx as a thinker is concerned, we seem to have been left with “Marxism” but without Marx’s own “communist” politics: “Marxism” has survived as an “analysis,” but without clear practical importance; “communism” has survived as an ethic without effective politics. How might we make sense of this?

The Marxist hypothesis is that the relation between Marx and “communism” needs to be posed again, but in decidedly non-traditional ways, casting the history of Marxism in a critical light. For it is not that communism found a respected comrade in Marx — perhaps more (or less) estimable than others — but that Marx’s thought and political action form an irreducibly singular model that can yet task us, and to which we must still aspire. Hence, the continued potential purchase of “Marx-ism.” The question is not, as Badiou would have it, what is the future of communism, but of Marx.

To address any potential future of Marxism, it is necessary to revisit Marx’s own Marxism and its implications.

Marx in 1848

Marx pointed out about the revolution in Germany, in which he immediately involved himself after writing the Manifesto, that the capitalists were more afraid of the workers asserting their bourgeois rights than they were of the Prussian state taking away theirs. This was not because of a conflicting class interest between the capitalists and Junkers (Prussian landed aristocracy), but rather because of the emerging authoritarianism in post-Industrial Revolution capital, at a global scale. For such authoritarianism was also characteristic of the revolution of 1848 in France, in which Napoleon’s nephew Louis Bonaparte’s rule, as the first elected President of the Second Republic (1848–52), and then, after his coup d’etat, as Emperor of the Second Empire (1852–70), could not be characterized as expressing the interest of some non-bourgeois class (the “peasants,” whom Marx insisted on calling, pointedly, “petit bourgeois”), but rather of all the classes of bourgeois society, including the “lumpenproletariat,” in crisis by the mid-19th century.[26] As Marx put it mordantly, in The Eighteenth Brumaire of Louis Bonaparte (1852), bourgeois fanatics for order were shot down on their balconies in the name of defense of the social order.[27] The late 19th century rule of Napoleon III and Bismarck — and Disraeli — mirrored each other. Marx analyzed the authoritarianism of post-1848 society, in which the state seems to rise over civil life, as a situation in which the bourgeoisie were no longer and the proletariat not yet able to master capital.[28] This was the crisis of bourgeois society Marx recognized. Badiou’s account, on the other hand, is rather a history of ruling class power opposed by the resistance of the oppressed. As early as 1848 Marx was not a theorist of classes but capital, of which modern socio-political classes were “phantasmagorical” projections.[29] Marx sought to situate, not capital in the history of class struggle, but history in capital,[30] to which social struggles and their history were subordinate.[31]

Napoleon III and Bismarck after the French defeat at Sedan, 1870.

Capitalism, communism, and the “state of nature”

Jean-Jacques Rousseau had raised a hypothetical “state of nature” in order to throw contemporary society into critical relief. In so doing, Rousseau sought to bring society closer to a “state of nature.” Liberal, bourgeois society was a model and an aspiration for Rousseau. For Rousseau, it was human “nature” to be free.* Humans achieved a higher “civil liberty” of “moral freedom” in society than they could enjoy as animals, with mere “physical” freedom in nature. Indeed, as animals, humans are not free, but rather slaves to their natural needs and instincts. Only in society could freedom be achieved, and humans free themselves from their natural, animal condition.[32] When Rousseau was writing, in the mid-18th century, the promise of freedom in bourgeois society was still on the horizon. Bourgeois society aspired to proximity to the “state of nature” in the sense of bringing humanity, both collectively and individually, closer to its potential, to better realize its freedom. With Marx, communism, too, aimed for the realization of this potential. The imagination of a “primitive communism,” closer to a “state of nature” of unspoiled human potential, recapitulated the Rousseauian vision of bourgeois society as emancipation. But, in capitalism, bourgeois society had come to violate its own promised potential. It had become a “state of nature,” not in Rousseau’s sense, but rather according to Hobbes, a “war of all against all” — a conception that Rousseau had critiqued. Society was not to be the suspension of hostilities, but the realization of freedom. Moreover, humanity in society exhibited a “general will,” not reducible to its individual members: more than the sum of its parts. Not a Leviathan, but a “second nature,” a rebirth of potential, both individually and collectively. Human nature found the realization of its freedom in society, but humans were free to develop and transform themselves, for good or ill. To bring society closer to the “state of nature,” then, was to allow humanity’s potential to be better realized. Communism, according to Marx, was to follow Rousseau, not Hobbes, in realizing bourgeois society’s aspirations and potential. But, first, communism had to be clear about its aims.

Communism: not opposed to, but in, through, and beyond the bourgeois society of capital

The Marxist hypothesis is that Marx’s thought and politics correspond to a moment of profound transformation in the history of modern society, indeed, in the history of humanity: the rise of “industrial capital” and of the concomitant “social-democratic” workers’ movement that attended this change. This was expressed in the workers’ demand for social democracy, which Marx thought needed to be raised to greater self-consciousness to achieve its aims.[33] Marx characterized the moment of industrial capital as marking the crisis in modern society — or even, an event and crisis in “natural history”[34] — in which humanity faced the choice, as Luxemburg put it (echoing Engels) of “socialism or barbarism.”[35] This was because classical bourgeois forms of politics that had emerged in the preceding era of the rise of manufacturing capital in the 17th and 18th centuries, liberalism and democracy, proved to be inadequate to the problems and tasks of modern society since the 19th century — Marx’s moment. With Marx, humanity faces a new, unforeseen task. However, unfulfilled, this task has fallen into neglect today.[36]

In the transformed circumstance of capital, liberalism and democracy became necessary precisely in their impossibility, and thus pointed to their “dialectical” Aufhebung — completion and transcendence through negation, or self-overcoming.[37] Liberalism and democracy became not only mutually contradictory but each became self-contradictory in capital. It is thus not a matter of communism versus liberal democracy — as Badiou and Žižek take it to be. Communism was, for Marx, the political movement that pointed to the possibility of overcoming the necessity of liberalism and democracy, or the transcending of the need for “bourgeois” politics per se. But this was to be achieved through the politics of the demands for the bourgeois rights of the working class. Marx regarded the socialism and communism that had emerged in his time as expressing a late, and hence self-contradictory and potentially incoherent form of bourgeois radicalism — expressing the radicalization of bourgeois society — but that demanded redemption. Marx sought the potential in capital of going beyond demands for greater liberalism and democracy. Subsequent “communism” lost sight of Marx on this, and disintegrated into the 20th century antinomy of socialism and liberalism.[38] The Marxist hypothesis is that Marx recognized the possibility, not of opposition, but of a qualitative transformation, in, through, and beyond bourgeois society. | §

Originally published in The Platypus Review #29 (November 2010).

1. Alain Badiou, The Communist Hypothesis (London: Verso, 2010). The book is printed in a pocket-sized red hardcover on which is emblazoned a gold star — a Little Red Book (viz., Quotations from Chairman Mao Tse-Tung) for our time?

2. Badiou, “The Communist Hypothesis,” New Left Review 49 (January–February 2008), 29–42.

3. The other book to originate from Badiou’s 2008 essay in New Left Review is The Meaning of Sarkozy (London: Verso, 2008).

4. Badiou, “The Communist Hypothesis,” 34–35.

5. Ibid., 35.

6. Ibid., 35–36.

7. Ibid., 36–37.

8. See Theodor W. Adorno, “Those Twenties,” Critical Models: Interventions and Catchwords, trans. Henry Pickford (New York: Columbia University Press, 1998), 41–48, originally published in 1961, in which Adorno stated that, “Already in the twenties, as a consequence of the events of [the failure of the German Revolution in] 1919, the decision had fallen against that political potential that, had things gone otherwise, with great probability would have influenced developments in Russia and prevented Stalinism.” So, “that the twenties were a world where ‘everything may be permitted,’ that is, a utopia . . . only seemed so” (43). Indeed, according to Adorno, “The heroic age . . . was actually around 1910” (41). See note 13, below.

9. Peter Preuss, Introduction to Friedrich Nietzsche, On the Advantage and Disadvantage of History for Life (Indianapolis: Hackett, 1980), 1.

10. See Louis Menand’s 2003 Introduction to the republication of Edmund Wilson’s To the Finland Station: A Study in the Writing and Acting of History (New York: New York Review of Books, 2003), originally published in 1940, in which Menand cites Wilson’s statement that “Marx and Engels were the philosophes of a second Enlightenment” (xvi). Furthermore, Menand points out that,

Marxism gave a meaning to modernity. . . . Marxism was founded on an appeal for social justice, but there were many forms that such an appeal might have taken. Its deeper attraction was the discovery of meaning, a meaning in which human beings might participate, in history itself. (xiii)

11. See, for example, Adorno, History and Freedom: Lectures 1964–65, ed. Rolf Tiedemann, trans. Rodney Livingstone (Cambridge, U.K.: Polity, 2006).

12. Immanuel Kant, “Idea for a Universal History from a Cosmopolitan Point of View,” trans. Lewis White Beck, in Kant on History (Indianapolis: Bobbs-Merrill, 1963), 11–25.

13. For instance, the title of Lenin’s pamphlet Imperialism: The Highest Stage of Capitalism (1916) indicates what the historical era of “imperialism” meant to Lenin and other contemporary Marxists: the eve of revolution. The self-understanding of the Marxists of the late 19th and early 20th centuries grounded the history of Marxism itself in the history of capital, even if their propagandistic rhetoric had the unfortunate character of calling the crisis of capital expressed by Marxism “inevitable.” See note 18, below.

14. See Karl Korsch, “Marxism and Philosophy,” Marxism and Philosophy, trans. Fred Halliday (New York: Monthly Review Press, 2008). Originally published in 1923. Also available on-line at: <http://www.marxists.org/archive/korsch/1923/marxism-philosophy.htm>.

15. See Lars T. Lih’s extensive work on Lenin’s “Kautskyism,” for instance in Lenin Rediscovered: What is to be Done? in Context (Chicago: Haymarket Books, 2008).

16. In a portentous first footnote to his book What is to be Done? (1902), available on-line at: <http://www.marxists.org/archive/lenin/works/1901/witbd/i.htm>, Lenin put it this way:

Incidentally, in the history of modern socialism [there] is a phenomenon . . . in its way very consoling, namely . . . the strife of the various trends within the socialist movement. . . . [In] the disputes between Lassalleans and Eisenachers, between Guesdists and Possibilists, between Fabians and Social-Democrats, and between Narodnaya Volya adherents and Social-Democrats . . . really [an] international battle with socialist opportunism, [will] international revolutionary Social-Democracy . . . perhaps become sufficiently strengthened to put an end to the political reaction that has long reigned in Europe?

17. See Leon Trotsky, “Art and Politics in Our Epoch,” a June 18, 1938 letter to the editors of Partisan Review, available on-line at: <http://www.marxists.org/archive/trotsky/1938/06/artpol.htm>:

Not a single progressive idea has begun with a “mass base,” otherwise it would not have been a progressive idea. It is only in its last stage that the idea finds its masses — if, of course, it answers the needs of progress. All great movements have begun as “splinters” of older movements. . . . The group of Marx and Engels came into existence as a “splinter” of the Hegelian Left. The Communist [Third] International germinated during [WWI] from the “splinters” of the Social Democratic [Second] International. If these pioneers found themselves able to create a mass base, it was precisely because they did not fear isolation. They knew beforehand that the quality of their ideas would be transformed into quantity. These “splinters” . . . carried within themselves the germs of the great historical movements of tomorrow.

18. See Korsch, Marxism and Philosophy:

[A] transformation and development of Marxist theory has been effected under the peculiar ideological guise of a return to the pure teaching of original or true Marxism. Yet it is easy to understand both the reasons for this guise and the real character of the process which is concealed by it. What theoreticians like Rosa Luxemburg in Germany and Lenin in Russia have done, and are doing, in the field of Marxist theory is to liberate it from the inhibiting traditions of [Social Democracy]. They thereby answer the practical needs of the new revolutionary stage of proletarian class struggle, for these traditions weighed “like a nightmare” on the brain of the working masses whose objectively revolutionary socioeconomic position no longer corresponded to these [earlier] evolutionary doctrines. The apparent revival of original Marxist theory in the Third International is simply a result of the fact that in a new revolutionary period not only the workers’ movement itself, but the theoretical conceptions of communists which express it, must assume an explicitly revolutionary form. This is why large sections of the Marxist system, which seemed virtually forgotten in the final decades of the nineteenth century, have now come to life again. (67–68)

I have elaborated further on the significance of Korsch’s important essay in my review of Korsch, Marxism and Philosophy (2008), Platypus Review 15 (September 2009), available on-line at: <http://platypus1917.org/2009/09/03/book-review-karl-korsch-marxism-and-philosophy/>.

19. Adorno, in “Reflections on Class Theory” (originally written in 1942), provides the following unequivocally powerful interpretation of the perspective of Marx and Engels’s Communist Manifesto:

According to theory, history is the history of class struggles. But the concept of class is bound up with the emergence of the proletariat. . . . By extending the concept of class to prehistory, theory . . . turns against prehistory itself. . . . By exposing the historical necessity that had brought capitalism into being, political economy became the critique of history as a whole. . . . All history is the history of class struggles because it was always the same thing, namely, prehistory. (Can One Live After Auschwitz? A Philosophical Reader, ed. Rolf Tiedemann [Stanford: Stanford University Press, 2003], 93–94.)

20. Walter Benjamin, “Experience and Poverty,” Selected Writings vol. 2 1927–34 (Cambridge, MA: Harvard University Press, 1999), 735. Originally published in 1933.

21. The term used to describe this effect is the “Anthropocene.” Jeffrey Sachs, in the second of his 2007 Reith Lectures, “Survival in the Anthropocene” (Peking University, Beijing, April 18, 2007, available online at <http://www.bbc.co.uk/radio4/reith2007/lecture2.shtml>), characterized it this way:

“The Anthropocene” — a term that is spectacularly vivid, a term invented by one of the great scientists of our age, Paul Crutzen, to signify the fact that human beings for the first time have taken hold not only of the economy and of population dynamics, but of the planet’s physical systems, Anthropocene meaning human-created era of Earth’s history. The geologists call our time the Holocene — the period of the last thirteen thousand years or so since the last Ice Age — but Crutzen wisely and perhaps shockingly noted that the last two hundred years are really a unique era, not only in human history but in the Earth’s physical history as well.

22. Marx, “For the ruthless criticism of everything existing,” letter to Arnold Ruge (September, 1843), in Robert Tucker, ed., Marx-Engels Reader (New York: Norton, 1978), 12–15. Also available online at: <http://www.marxists.org/archive/marx/works/1843/letters/43_09.htm>.

23. Marx, Economic and Philosophic Manuscripts of 1844, in Tucker, ed., Marx-Engels Reader, 93. Also available online at: <http://www.marxists.org/archive/marx/works/1844/manuscripts/comm.htm>.

24. Leszek Kolakowski, Main Currents in Marxism (New York: Norton, 2005), 1212.

25. See Robert Pippin, “Critical Inquiry and Critical Theory: A Short History of Nonbeing,” Critical Inquiry 30.2 (Winter 2004), 424–428, also available on-line at: <http://criticalinquiry.uchicago.edu/issues/v30/30n2.Pippin.html>. Pippin wrote that,

[T]he dim understanding we have of the post-Kantian situation with respect to, let’s say, “the necessary conditions for the possibility of what isn’t” . . . is what I wanted to suggest. I’m not sure it will get us anywhere. Philosophy rarely does. Perhaps it exists to remind us that we haven’t gotten anywhere. (428)

26. See Marx, The Class Struggles in France 1848–50 (1850) and The Eighteenth Brumaire of Louis Bonaparte (1852).

27. Marx, Eighteenth Brumaire, in Tucker, ed., Marx-Engels Reader:

Every demand of the simplest bourgeois financial reform, of the most ordinary liberalism, of the most formal republicanism, of the most insipid democracy, is simultaneously castigated as an “attempt on society” and stigmatized as “socialism.” . . . Bourgeois fanatics for order are shot down on their balconies by mobs of drunken soldiers, their domestic sanctuaries profaned . . . in the name of property, of family . . . and of order. . . . Finally, the scum of bourgeois society forms . . . the “saviour of society.” (602–603)

28. Engels summed this up well in his 1891 Introduction to Marx, The Civil War in France (1871), in Tucker, ed., Marx-Engels Reader, 620.

29. See Marx, Capital: A Critique of Political Economy, trans. Ben Fowkes (London: Penguin, 1990), 165.

30. See my “Capital in History: The need for a Marxian philosophy of history of the Left,” Platypus Review 7 (October 2008), available on-line at: <http://platypus1917.org/2008/10/01/capital-in-history-the-need-for-a-marxian-philosophy-of-history-of-the-left/>.

31. See Platypus Historians Group, “Introduction to the History of the Left: Changes in the meaning of class struggles,” Platypus Review 3 (March 2008), available on-line at: <http://platypus1917.org/2008/03/01/introduction-to-the-history-of-the-left-changes-in-the-meaning-of-class-struggles/>.

32. See Rousseau, The Social Contract, Ch. 8 “Civil Society,” trans. Maurice Cranston (London: Penguin, 1968), 64–65. Originally published in 1762.

33. See Marx, “For the ruthless criticism of everything existing.”

34. See note 21, above. See also Adorno, “The Idea of Natural History” (originally written in 1932), trans. Robert Hullot-Kentor, Telos 57 (1985): “[I]t is not a question of completing one theory by another, but of the immanent interpretation of a theory. I submit myself, so to speak, to the authority of the materialist dialectic” (124).

35. See Luxemburg, The Crisis in German Social Democracy (AKA The Junius Pamphlet, originally published in 1915), available on-line at: <http://www.marxists.org/archive/luxemburg/1915/junius/index.htm>.

36. See Korsch, Marxism and Philosophy:

[Marx wrote, in the Preface to A Contribution to the Critique of Political Economy (1859), that] “[Humanity] always sets itself only such problems as it can solve; since, looking at the matter more closely it will always be found that the problem itself arises only when the material conditions for its solution are already present or are at least understood to be in the process of emergence.” This dictum is not affected by the fact that a problem which supersedes present relations may have been formulated in an anterior epoch. (58)

37. On this point, see some of Marx’s earliest writings, which provided the points of departure for his more mature work, such as “Contribution to the Critique of Hegel’s Philosophy of Right” (1843), “On [Bruno Bauer’s] The Jewish Question” (1843), and The Poverty of Philosophy (1847).

38. But, for Marx and Engels, there was no necessary contradiction between the freedom of the individual and that of the collective, or, in this sense, between liberalism and socialism: “In place of the old bourgeois society, with its classes and class antagonisms, we shall have an association, in which the free development of each is the condition for the free development of all” (Manifesto of the Communist Party, in Tucker, ed., Marx-Engels Reader, 491, also available on-line at: <http://www.marxists.org/archive/marx/works/1848/communist-manifesto/ch02.htm>).

For further discussion of this antinomic degeneration and disintegration of the original Marxian perspective, see my “1917” in The Decline of the Left in the 20th Century: Toward a theory of historical regression, Platypus Review 17 (November 2009), available on-line at: <http://platypus1917.org/2009/11/18/the-decline-of-the-left-in-the-20th-century-1917/>. See also: Platypus Historians Group, “Friedrich Hayek and the legacy of Milton Friedman: Neo-liberalism and the question of freedom (in part, a response to Naomi Klein),” Platypus Review 8 (November 2008), available on-line at: <http://platypus1917.org/2008/11/01/friedrich-hayek-and-the-legacy-of-milton-friedman-neo-liberalism-and-the-question-of-freedom/>; and my “Obama and Clinton: ‘Third Way’ politics and the ‘Left’,” Platypus Review 9 (December 2008), available on-line at: <http://platypus1917.org/2008/12/01/obama-and-clinton-third-way-politics-and-the-left/>.

* As James Miller, author of The Passion of Michel Foucault (2000), put it in his 1992 introduction to Rousseau’s Discourse on the Origin of Inequality (Indianapolis: Hackett, 1992),

The principle of freedom and its corollary, “perfectibility”… suggest that the possibilities for being human are both multiple and, literally, endless…. Contemporaries like Kant well understood the novelty and radical implications of Rousseau’s new principle of freedom [and] appreciated his unusual stress on history as the site where the true nature of our species is simultaneously realized and perverted, revealed and distorted. A new way of thinking about the human condition had appeared…. As Hegel put it, “The principle of freedom dawned on the world in Rousseau, and gave infinite strength to man, who thus apprehended himself as infinite.” (xv)

An incomplete project? Art and politics after postmodernism

Chris Cutrone

Presented at the School of the Art Institute of Chicago, October 26, 2010. Originally published in 491 #2 (November 2010).

What was postmodernism? — Habermas’s critique

Postmodernism challenged the institutionalized modernism of the mid-20th century, offering more radical forms of social discontents and cultural practice. It meant unmasking the values of progress as involving ideologies of the political status-quo, the problems of which were manifest to a new generation in the 1960s. But, more recently, postmodernism itself has begun to age, and reveal its own concerns as those of the post-1960s situation of global capitalism rather than an emancipated End of History.

In 1980, Jürgen Habermas, on the occasion of receiving the Adorno prize in Frankfurt, predicted the exhaustion of postmodernism, characterizing its conservative tendencies. Habermas called this situation the “incomplete project” of modernity, a set of unresolved problems that have meant the eventual return of history, if not the return of “modernism.” How does Habermas’s note of dissent, from the moment of highest vitality of postmodernism, help us situate the concerns of contemporary art in light of society and politics today?

In his Adorno prize talk, Habermas emphasized the question of the “aesthetic experience . . . drawn into individual life history and . . . ordinary life,” and “not [already] framed by experts’ critical judgments” (12–13). Habermas thinks that such aesthetic experience “does justice to . . . Brecht’s and Benjamin’s interests in how artworks, having lost their aura, could yet be received in illuminating ways,” a “project [that] aims at a differentiated re-linking of modern culture with an everyday praxis that [would be impoverished by mere traditionalism][, a] new connection [that] that can only be established on condition that societal modernization will also be steered in a different direction [than capitalism].” (13). Habermas admitted that “the chances for this today are not very good” (13).

Instead, Habermas points out at that, “The disillusionment with the very failures of those programs that called for the negation of art and philosophy has come to serve as a pretense for conservative positions” (13–14). This is how Habermas characterized postmodernism, an anti-modernism that was an ideology of the “young conservatives,” namely Foucault and Derrida (among others).

Habermas drew a parallel of the postmodernism of Derrida and Foucault to the “neo-conservatives,” for which he took the Frankfurt School critical theorists Horkheimer and Adorno’s former secretary, in their time of exile in the U.S. during WWII, Daniel Bell, as representative. Bell had described the “cultural contradictions of capitalism” as resulting in what he called “antinomian culture,” which produced a nihilistic “culturati” in a “counterfeit” high culture of “multiples,” hedonism for the middle class, and a “pornotopia for the masses.” What Bell, as a self-styled “conservative,” deplored, such as the “conformism” of a liberal “heterodoxy” that became a “prescription in its confusions,” postmodernists celebrated. But they agreed on what Habermas called the destructive aspects of the “negation of art and philosophy,” against which various “hopeless” “Surrealist revolts” had been mounted, as an inevitable result of modernity. Whereas Bell, for instance, explicitly called for the return of religion as a way of staving off the nihilism of modernity, the postmodernists implicitly agreed with the conservative diagnosis of such nihilism, for they explicitly abandoned what Habermas called modernity’s “incomplete project” of enlightenment and emancipation. Postmodernism was a form of anti-modernity.

Critical art, liquidated

So, how does art figure in such a project of enlightened emancipation? The scholar of Benjamin and Adorno’s work Susan Buck-Morss wrote, in response to the postmodernist art journal October’s 1996 Visual Culture Questionnaire, that, “[Artists’] work is to sustain the critical moment of aesthetic experience. Our work as critics is to recognize it.” Buck-Morss protested against what she called the “liquidation” of art in the move of “attacking the museum,” “producing subjects for the next stage of global capitalism” by replacing concern with the “critical moment of aesthetic experience” with a discourse that “legitimates culture.” In so doing, Buck-Morss pointed out that failing to properly grasp the social stakes of aesthetic experience resulted in the “virtuality of representation,” ignoring how, for Benjamin and the Surrealists he critically championed “images in the mind motivate the will” and thus have “effect in the realm of deeds.”

Indeed, prominent October journal writer Hal Foster had, in the 1982 essay “Re: Post,” gone so far as to call for going “beyond critique,” really, abandoning it, for in critique Foster found precisely the motor of (deplorable) “modernism,” which he characterized as consciousness of “historical moment” that “advanced a dialectic.” Foster stated unequivocally that critical “self-reflexivity” needed to be abandoned because it (supposedly) “enforces closure.” Foster called the Brechtian terms “defamiliarization” and “estrangement” “quintessentially modernist.” But Foster remained equivocal regarding the matter of art’s potential to “initiate new ways of seeing,” even if he stayed suspicious of “the old imperative of the avant-garde and its language of crisis.”

The crisis of criticism — driving art underground

But the concern, for Foster, as with the other leading October writers (such as Rosalind Krauss and Douglas Crimp), was reduced, from social problems, to problematizing art: (in Crimp’s words) “on the museum’s ruins.” But the museum is still standing. The question is whether it still houses art. As Buck-Morss pointed out, the museum is the “very institution that sustains the illusion that art exists.” What this means is that, disenchanted with art, the “realm of deeds,” in which “images in the mind motivate the will,” abandoned by the critics, is ceded instead to the “advertising industry.” The museum, lacking a critical response, is not overcome as an institution of invidious power, but, instead of sustaining the socially necessary “illusion” that “art exists,” however domesticated, becomes an embodiment of the power of kitsch, that is, predigested and denatured aesthetic experience, to affirm the status-quo: high-class trash. Art becomes precisely what the postmodernists thought it was. The museum has not faced the crisis of meaning the postmodernists wished of it, only the meaning has become shallower. In Adorno’s terms, the museum has become an advertising for itself, but the use of its experience has become occulted, in favor of its exchange-value: the feeling of the worth of the price of the ticket. But the experience of art is still (potentially) there, if unrecognized.

For Buck-Morss, there is indeed a crisis — of (lack of) recognition. Criticism, and hence consciousness of aesthetic experience objectified in artistic practices, was in crisis in postmodernism. Critical theory ceased to be critical — and thus became affirmative, even if it was confused about this. This was the result, in Habermas’s terms, of the “postmodernist” turning away from the “incomplete project” of modern art’s critical response to social modernity: a conservative result, by default, even if under the “pretense” that it was progressive or even radical.

Against such postmodernist abdication and thus affirmation of existing “culture,” Buck-Morss called for approaching art “emblematically and symptomatically, in terms of the most fundamental questions of social life,” “bringing to consciousness what was before only dimly perceived, so that it becomes available for critical reflection.” Otherwise, Buck-Morss warned that “tomorrow’s artists may opt to go underground,” and “do their work esoterically, while employed as producers of visual culture.” We might also say that there is the option of continuing to make “art,” but without recognition of its stakes by critics, impaired by a discourse of “visual culture” and supposed “institutional” critique or opposition — that is, an institutionalized opposition to the institution (such as effected by the October writers, who have since entered the canon of academicism, for instance in the academic art of the postmodernist art school). This outcome represses, or drives “underground,” the concerns of artists regarding aesthetic experience, which, according to Habermas and Buck-Morss, following Benjamin and Brecht, are potentially “vital” and “fundamental” to “questions of social life.”

“Relational” aesthetics

The question of the more recent phenomenon of “relational aesthetics” needs to be addressed in such terms, for “relational aesthetics” claims to be about mobilizing attention to the aesthetic experience of the social for critical ends, in society as well as art.

Several important critical accounts of relational aesthetics have been attempted. Claire Bishop has addressed the problem of relational aesthetics raising the social at the expense of recognition of social antagonisms. Stewart Martin has questioned the relational aesthetics opposition of the social to the (autonomous) art object of traditional (modernist) aesthetics. But Martin has also interrogated the hypostatization of the social, whether considered either as a relatively unproblematic value in itself or as a zone of antagonism, as in Bishop’s criticism. Additionally, Martin has addressed shared problems of the late paradigmatic but opposed attempts on the Left to politicize aesthetics by Jacques Rancière and Alain Badiou. Martin has deployed a sophisticated understanding of Marx and Adorno on the commodity form towards these ends. Thus it becomes possible for Martin to address relational aesthetics practices’ “naïve mimesis or aestheticization of novel forms of capitalist exploitation,” in treating art as a “form of social exchange” that advocates an “inter-subjective art of conviviality” (370–371), as well as address the potential political stakes of various approaches to art. — Conversely, it becomes possible for Martin to address what he calls the otherwise naturalized “commodity form of the political” (372).

Martin is concerned to be able to preserve a social-critical approach to what he calls the “arty non-art of late capitalist culture.” It is necessary, according to Martin, to avoid the “Hegelian trap” of “harmonious rapprochement,” through a dialectic of “anti-art and pure art,” resulting in an “artification of the world” that however “breaks” with attempts to “critique bourgeois culture.” Instead, Martin recalls Adorno’s recognition that art’s “autonomy,” its simultaneously “anti-social” and “non-subjective” or “objective” aspect, was inherent both in its commodity character and in its “resistance to commodification,” through “immanent critique or self-criticism” (373). It is this aspect of art, common to both “anti-art” and “pure art,” that, for Martin, “relational” aesthetics, with its emphasis on the supposedly “inter-subjective” character of the social, occludes.

Historical temporality of artworks not linear succession

John Roberts, in his recovery of Adorno, has focused as well on the “asocial” aspect of art as the potential source of its critical value. Roberts recovers the key idea, from Benjamin and Adorno, of artworks’ “pre-history” and “after-life” in history, in order to introduce the problem of the historical temporality of the experience of works of art, which is not reducible to their immediate aesthetic experience or the thoughts and feelings of the artists who produced them. Works of art are “objective” in that they are non-identical with themselves, in the sense of non-identity in time. In Adorno’s terms, artworks have a “historical nucleus,” a “truth-content” revealed only as a function of transformations in history. According to Benjamin, this is how artworks can gain stature and power with time.

The example Roberts uses is the late, delayed reception of early 20th century avant-garde artworks in the 1960s, which inspired artists. This is a very different account from the notion, common in postmodernist criticism, of artists rebelling against the preceding styles and art criticism and historical discourses of abstract expressionism. Artists may have remained innocent of the cloistered disputes of the art critics and historians, though their works were used as evidence in these disputes; and they may have remained more sympathetic to abstract expressionism as art than the postmodernist critics were. The pendulum-swing or grandfather-rule accounts of the vicissitudes of history are inadequate to the non-linear temporality Roberts highlights.

Roberts discusses works of art as forms of “deferred action” in history, with which artists and viewers engage in new forms of art production and reception, which belie notions of successions of styles traditional to art history. This allows works of art to be understood as embodiments of objectified experience that change as a function of historical transformations, as potentially informing a proliferation of experiences unfolding in history, rather than, as Foster, for example, feared, forms of “closure.”

Neo-avant garde or neo-modernist?

It is important that neither Habermas (nor Bell) nor Buck-Morss accepted the idea that gained traction in the 1970s of a division between modernist and avant-garde art. For neither did Benjamin or Adorno. (Peter Bürger’s influential study, Theory of the Avant-Garde, was, importantly, a critique of Adorno’s Aesthetic Theory on this score.)

What Martin calls the “dialectic” of “anti-art” and “pure art” has continued, though not necessarily in terms of opposed camps, but rather in what Adorno recognized as the necessary element of the non-artistic in artworks. Now that postmodernism has been exhausted as a trend in criticism (as seen by significant reversals on the part of its standard-bearers such as Foster), it becomes possible to recognize how postmodernism reacted inadequately and problematically to this dialectic, conflating realms of art and social life, and thus repressed it, obscuring its operations from proper recognition.

The emergence of “relational” aesthetics in the 1990s marked the exhaustion of postmodernism, as both its culmination and its negation (it is significant that Foster was hostile, calling it a mere “arty party”), but also a terminal phase of the recrudescence of the problem of the social and of politics, long wandering lost through the postmodernist desert of the 1970s and ’80s, during which Adorno, for example, could only be received as an old-fashioned modernist. But, since the 1990s, critics and theorists have found it increasingly necessary to reconsider Adorno.

Today, which may be considered a post-postmodernist moment, art practices can be broadly grouped into two seemingly unrelated tendencies, neo-avant garde (such as in relational aesthetics) and neo-modernist (in the revival of the traditional plastic arts of objects such as painting and sculpture). The task would be to understand what these apparently independent tendencies in art have in common as phenomena of history, the society and politics with which art practices are bound up. Postmodernist art criticism has made it impossible to properly grasp such shared history of the present, hence its exhaustion today, leaving current art unrecognized.

But, in the midst of the high era of postmodernist criticism, Habermas sounded an important note of dissent and warning against this trend, reminding of what postmodernism left aside in terms of society and politics. For it is with respect to society and political ideology that art remained potentially vital and necessary, if under-recognized as such. In his Adorno prize talk, Habermas raised the problem of art as an exemplary task for the “critical intellectual.” This is because, as more recent critics such as Bishop, Martin and Roberts have noted, art, in its dialectical transformations, allows for the recognition of history, the present as historical, revealing not only the history of art, but of modern capitalist society and its unfulfilled forms of discontent, as registered in aesthetic experience. | §

Sources

Theodor W. Adorno, Aesthetic Theory (1970), trans. Robert Hullot-Kentor (Minneapolis: University of Minnesota, 1997).

Daniel Bell, “Foreword: 1978,” The Cultural Contradictions of Capitalism (New York: Basic Books, 1978), xi–xxix.

Walter Benjamin, “The Task of the Translator,” Illuminations (New York: Schocken, 1969), 69–82.

Claire Bishop, “Antagonism and Relational Aesthetics,” October 110 (Fall 2004), 51–79.

Claire Bishop, “The Social Turn: Collaboration and its Discontents,” Artforum (February 2006), 179–185.

Susan Buck-Morss, Response to the Visual Culture Questionnaire, October 77 (Summer 1996), 29–31.

Hal Foster, “Re:Post,” Art after Modernism, ed. Brian Wallis (Boston: David R. Godine, 1992), 189–201.

Jürgen Habermas, “Modernity — An Incomplete Project,” The Anti-Aesthetic, ed. Hal Foster (Port Townsend, WA: Bay Press, 1983), 3–15.

Stewart Martin, “Critique of Relational Aesthetics,” Third Text 21.4 (July 2007), 369–386.

John Roberts, “Avant-gardes after Avant-gardism,” Chto Delat? / What is to be Done? 17 (August 2007).

John Roberts, “Art after Deskilling,” Historical Materialism 18.2 (2010), 77–96.

A critique of the RCP, USA on Alain Badiou

Chinoiserie

A critique of the Revolutionary Communist Party, USA’s “New Synthesis”

Review of Communism: The Beginning of a New Stage, Manifesto from the RCP, USA; and Raymond Lotta, Nayi Duniya, and K. J. A., “Alain Badiou’s ‘Politics of Emancipation’: A Communism Locked Within the Confines of the Bourgeois World” Demarcations 1 (Summer–Fall 2009).[1]

Chris Cutrone

Jean-Jacques Rousseau, portrait painted by Maurice-Quentin La Tour (1754).

Prologue

DAVID BHOLAT ADOPTED, as epigraph for his essay “Beyond Equality,” the following passage from Joseph Schumpeter’s classic 1942 book Capitalism, Socialism and Democracy:

First and foremost, socialism means a new cultural world…. But second — what cultural world?… Some socialists are ready enough with folded hands and the smile of the blessed on their lips, to chant the canticle of justice, equality, freedom in general and freedom from “the exploitation of man by man” in particular, of peace and love, of fetters broken and cultural energies unchained, of new horizons opened, of new dignities revealed. But that is Rousseau adulterated with some Bentham.[2]

Bholat’s essay follows Schumpeter in seeking to demonstrate the inadequacy and problematic character of the call for social “equality,” for which he finds warrant in Marx’s critique of capital. This is most notable in Marx’s statement, echoing the French socialist Louis Blanc, that an emancipated society beyond capital would be governed by the principle of providing “from each according to his ability, to each according to his need.”[3]

Jean-Jacques Rousseau (1712–78) argued, in his 1754 Discourse on the Origin of Inequality, that society alone produced “inequality,” since in nature there are only “differences.” Marx sought to fulfill Rousseau’s demand for a society freed from the necessity of commensurability, of making alike what is unlike, in the commodity form of labor — a society freed from the exigencies of the exchange of labor.

Jeremy Bentham (1748–1832), the founder of Utilitarian philosophy at the end of the 18th century, famously called for society to provide “the greatest good for the greatest number.” Marx considered his project to fulfill this aspiration as well.

The modern society of capital has indeed sought to achieve these various desiderata, of the individual diversity of incommensurable difference, as well as increased wellbeing of all its members, but has consistently failed to do so. A Marxian approach can be regarded as the immanent critique of capital, the critique of capital on its own ground, as expressed by the classical “bourgeois” liberal thinkers such as Rousseau and Bentham at the dawn of modern capitalist society, in that capital fails to fulfill its promise, but it would be desirable to accomplish this.

Schumpeter, writing in the mid-20th century, thought that modern society was moving inexorably toward “socialism,” and that this was due to the unique and potentially crucial role that modern society allowed “intellectuals” to play. The far greater access to education that modern capitalist society made possible entailed the emergence of a stratum of people who could articulate problems for which they were not directly responsible, on behalf of social groups to which they did not belong. This meant the possibility of a more radical critique and the fostering and mobilizing of broader social discontents than had been possible in pre-capitalist society. This role for intellectuals, combined with the inherent structural social problems of capital and the rise of “democratic” politics, created a potentially revolutionary situation in which “socialism,” or the curtailment of capitalist entrepreneurship, was the likely outcome.

Bholat concluded his essay “Beyond Equality” by citing favorably Slavoj Žižek and Jacques Derrida’s critiques, respectively, of “Marx’s tolerance for the defects of first-phase communism,” and of the principle of “equality before the law.”[4]

The possibility of a “dialectical” transformation, the simultaneous negation and fulfillment of capital, its Aufhebung through a “proletarian socialist” politics, as capital’s simultaneous historical realization and overcoming — as Marx conceived it, following Hegel — has proven elusive, but continues to task theoretical accounts inspired by Marxism.

Entre nous

The Maoist Revolutionary Communist Party (RCP), USA published in 2008 the manifesto, Communism: The Beginning of a New Stage. This was followed, in short order, by the launching of a new theoretical journal, Demarcations, whose inaugural issue included a lengthy critique of Alain Badiou by RCP members* Raymond Lotta, Nayi Duniya, and K. J. A., titled “Alain Badiou’s ‘Politics of Emancipation’: A Communism Locked Within the Confines of the Bourgeois World.” Taken together, these and other recent writings of the RCP amount to a significant departure and change in orientation for their tendency of American Maoism. This is noteworthy as they are one of the most prominent Marxist Left organizations in the U.S., helping to organize, for instance, the major anti-war group The World Can’t Wait. The RCP’s spokesperson Sunsara Taylor is regularly invited to represent the radical Left on Fox News and elsewhere. Recently, the RCP has conducted a campaign of interventions featuring Lotta and Taylor as speakers at college and university campuses, including the top elite schools throughout the U.S., on the topic of communism today, in light of the history of the 20th century revolutions in Russia and China and their defeats. In this, the RCP demonstrates a reorientation towards intellectuals as potential cadres for revolutionary politics.[5]

The RCP’s critique of the latter-day and post-Maoist “communist” Alain Badiou’s conception of “radical, anarchic equality” is a part of their program of demonstrating “How Communism Goes Beyond Equality and Why it Must.” It strongly resembles David Bholat’s critique of the traditional Marxist Left in “Beyond Equality.” For, as Bholat wrote, “in light of the world-historical failure of Marxism,” the “one-sided emphasis of historical left movements on equity… might be reevaluated today,” for such discontents remained “vulnerable to fascist elements motivated by ressentiment and revenge” that “represented a reactionary desire… to return to a romanticized, precapitalist moment.”[6]

So, some clarification — and radicalization — of discontents has appeared necessary. For what is offered by such apparently disparate perspectives as Bholat and the RCP is what might be called a “post-postmodernist” politics, in which the radical reconsideration of the experience of 20th century Marxism seems in order. This links to Badiou and Žižek’s attempts to advance what they call the “communist hypothesis.” Žižek has spoken of “the Badiou event” as opening new horizons for both communism and philosophy. Badiou and Žižek share a background in Lacanian and Althusserian “post-structuralist” French thought, in common with other prominent post-New Left thinkers — and former students of Louis Althusser — such as Etienne Balibar and Jacques Rancière. Althusser found, in the Russian and Chinese Revolutions, a salutary challenge to the notion of the Hegelian “logic of history,” that revolutionary change could and indeed did happen as a matter of contingency.[7] Althusser took great inspiration from Mao in China and Lenin in Russia for advancing the possibility of emancipation against a passive expectancy of automatic evolution in the historical process of capital. Michel Foucault took Althusser as license to go for an entire historiography of contingency.[8] For Badiou, this means that emancipation must be conceived of as an “event,” which involves a fundamental reconsideration of ontology.[9] There is a common background for such postmodernist politics, also, in Sartre’s “existentialist” Marxism, the anti-Cartesian phenomenology of Henri Bergson and Maurice Merleau-Ponty, and the “Spinozist” materialism of Georges Bataille.[10] The coincidence of vintage 1960s Maoist New Left Marxism with contemporaneous French thought — Foucault, Deleuze, Derrida — has resulted in a veritable chinoiserie prominent in reconsiderations of Marxism today.[11] But what does the — distinctively French — image of China say about the potential for a reformulated Leftist politics?[12]

Rousseau

The mid-18th century Enlightenment philosophe Rousseau stands as the central figure at the critical crossroads for any consideration of the historical emergence of the Left.[13] Rousseau has haunted the self-understanding of Marxism, and indeed of revolutionary politics more generally, if only for the problematic influence he exercised on the pre-Marxian Left, most infamously in the ideas of the radical Jacobins such as Robespierre in the Great French Revolution. Lenin famously described himself as a “Jacobin indissolubly joined to the organization of the proletariat, which has become conscious of its class interests.”[14] Modern conservatism was in an important sense founded by Edmund Burke’s (1729–97) anti-Jacobin critique of Rousseau.

In his critique of Bruno Bauer’s The Jewish Question (1843), the young Marx cited the following from Rousseau’s Social Contract (1762):

Whoever dares undertake to establish a people’s institutions must feel himself capable of changing, as it were, human nature, of transforming each individual, who by himself is a complete and solitary whole, into a part of a larger whole, from which, in a sense, the individual receives his life and his being, of substituting a limited and mental existence for the physical and independent existence. He has to take from man his own powers, and give him in exchange alien powers which he cannot employ without the help of other men.

Marx wrote that this was “well formulated,” but only as “the abstract notion of political man,” concluding that,

Human emancipation will only be complete when the real, individual man has absorbed into himself the abstract citizen; when as an individual man, in his everyday life, in his work, and in his relationships, he has become a species-being; and when he has recognized and organized his own powers as social powers so that he no longer separates this social power from himself as political power.[15]

The RCP’s Lotta, Duniya and K.J.A., under the chapter heading “Why Alain Badiou is a Rousseauist, and Why We should not be,” point out that Rousseau’s perspective is that of “bourgeois society:”

The forms and content of equality in bourgeois society correspond to a certain mode of production: capitalism, based on commodity production and the interactions it engenders: private ownership, production for profit not need, and exploitation of wage-labor. Commodity production is governed by the exchange of equivalents, the measure of the labor time socially necessary to produce these commodities; that is, by an equal standard.[16]

Like Bholat following Derrida in “Beyond Equality,” Lotta, Duniya, and K.J.A. attack “the standard of ‘equality before the law’ of bourgeois jurisprudence [as] a standard that serves the equal treatment of the capitalist property holders in a society governed by capitalist market relations,” adding that, “for the dispossessed, formal equality masks the condition of fundamental powerlessness.” What Lotta et al. dismiss as “formal equality” is not the liberal conception formulated by Rousseau that Marx cited favorably, precisely in its recognition of the “alienation” of the “changing” of “human nature” in society. Rather, the RCP writers let slip back in the one-sided conception of “politics” that Marx criticized and sought to overcome. For them, the opposition between the social and political that Marx diagnosed as symptomatic of modern capitalist society becomes instead the rigged game between exploiters and exploited. Note the need that Marx identified for the “individual” to “[recognize] and [organize] his own powers as social powers so that he no longer separates this social power from himself as political power,” something quite different from simply removing the “mask” of false “equality” from the condition of the “dispossessed” in “bourgeois democracy.” Where does the RCP’s perspective of revolutionary politics originate? This is made apparent in the central section of their critique of Badiou over the interpretation of the Shanghai Commune, an event in the Great Proletarian Cultural Revolution (GPCR) in China.

La Commune

The GPCR is dear to both Badiou and the RCP. This was the greatest event in the history of Marxism to take place in the era of the 1960s–70s New Left, and it exerted a profound attraction and influence over many at the time. The RCP is a direct product of its broad international impact. It seemed to justify Mao’s claim to be the leading international (and not merely Chinese) opponent of “revisionism,” i.e. of the abdication of proletarian socialist revolution in favor of reformism. Apart from factual questions about what really happened during the Cultural Revolution and the substance of Mao’s own politics, both in China and internationally (thoughtful Maoists do not deny the distortion of Mao’s politics by nationalism, but they tend to gloss over the intra-bureaucratic aspects of the GPCR), the issue of what the Cultural Revolution and Maoism more generally might mean to people, both then and now, is of more pressing concern. After all, the two most forthright arguments in favor of “communism” today are made by Maoists, Badiou and the RCP. It is also significant that both favor the appellation of “communist” over “Marxist,” which both do on the grounds of their understanding of the Cultural Revolution.

The Cultural Revolution is the basis for regarding Mao as making a unique and indispensable contribution to communism. What the Cultural Revolution means to Maoists is fundamentally informed by their conception of capitalism. So, rather than taking sides in or analyzing the social and political phenomenon of the Cultural Revolution per se, it is necessary to examine what has been taken to be its significance. The Chinese Cultural Revolution is perhaps the most significant recent “Jacobin” moment in the history of Marxism, raising again, in the latter part of the 20th century, long-standing questions about the relation between socialism and democracy — the issue of “communism,” in the strict sense.

The significance of the Shanghai Commune of 1967 is contested by Badiou and the RCP. For Badiou it was a model akin to the 1792–94 radical Jacobin period of the French Revolution. In the Shanghai Commune radicalized students (“Red Guards”) overthrew the local Communist Party apparatus, spreading into a workers’ revolt.  While initially enthusiastic about this spontaneous “anti-revisionist” upsurge against conservative elements in the CP, Mao and his followers ultimately rejected the Shanghai Commune as a model. They advocated instead the “revolutionary committee” in which the Maoist Communist Party cadres’ paramount leading political character could be preserved. Badiou criticizes this straitjacketing of communism in the “party-state,” whereas the RCP defends Mao’s politics of rejuvenating the Party and purging it of “capitalist roaders” as the necessary and sole revolutionary path.

Badiou, by contrast, sees Mao’s eventual rejection of the Shanghai Commune as a betrayal of “egalitarianism.” For him, the “party-state” is a brake on the radical “democratic” egalitarianism that characterizes “communism” as a historically recurrent political phenomenon. The RCP critiques this conception of “equality” and “direct democracy” as “concealing class interests” and thus being unable to “rise above particular interests.” For instance, according to the RCP, as long as there remains a distinction between “intellectual and manual labor,” intellectuals can come to dominate the social process, even under socialism, thus reproducing a dynamic constantly giving rise to the possible return to capitalism, which is understood primarily as a matter of social and political hierarchy. To the RCP, Badiou is thus prematurely egalitarian.

Badiou conceives of the relation between freedom and equality as an ontological one, in the mathematical terms of set theory, transhistoricizing it. The RCP, while recognizing the historically specific nature of capitalist class struggle, conceives of the role of the revolutionary proletarian party as the political means for suppressing tendencies towards social inequality. In either case, neither Badiou nor the RCP conceives of the transformation of the capitalist mode of production that would allow for overcoming the socially pernicious aspects of specifically capitalist forms of inequality, the dangers of which are understood by Badiou and the RCP rather atavistically. Marx, by contrast, looked forward to the potential for overcoming the conditions of possibility for the reproduction of capitalist class dynamics in the mode of production itself: capital’s overcoming of the need to accumulate the value of surplus labor-time. Marx saw the historical potential to overcome this socially mediating aspect of labor in automated machine production. However, Marx also foresaw that, short of socialism, the drive to accumulate surplus-value results in producing a surplus population, an “industrial reserve army” of potential “workers” who thus remain vulnerable to exploitation. A politics based only in their “democratic” discontents can result, not in the overcoming of the social need for labor, but only in the (capitalist) demand for more labor. Or, as Max Horkheimer, director of the Marxist Frankfurt Institute for Social Research, put it, machines “have made not work but the workers superfluous.”[17]

For the RCP, Mao in the Cultural Revolution addressed in new and effective ways problems of the “transition to socialism” never attempted under Stalin. The RCP criticizes Stalin for his failed “methods” in advancing the transition to socialism, a failure Mao overcame in the Cultural Revolution in China 1966–76. The RCP celebrates the egalitarian-emancipatory impulse of the Cultural Revolution while also praising Mao’s guidance and political leadership of the process by which the “capitalist” road to China’s development was politically overcome and avoided. This struggle ended, according to the RCP, with Mao’s death and the subsequent purging of his followers, known as the “Gang of Four,” in 1976, embarking China upon its capitalist development up to the present.

Badiou explicitly attacks the limitations of Marxism in general, and not merely the “party-state” form of political rule (for which he holds Marxism responsible), for failing to recognize how the emancipatory striving of “equality” goes “beyond class.” This is why he favors the designation “communism” to “Marxism.” The RCP (rightly) smells a rat in this attempt by Badiou to take communism “beyond” anti-capitalist class-struggle politics. But in so doing they do not pause to reflect on the subordinate position of class struggle in Marx’s own conception of the possibility of overcoming capital.

For Marx, the political-economic struggle of the specifically modern classes of capitalists and workers is a projection of the contradiction of capital. The RCP, by contrast, regards the class struggle as constituting the social contradiction in capital. This flows from their understanding of the contradiction of capital as existing between the socialized forces of production and the privatized and hence capitalist relations of production. Privileged empowerment, whether in the form of capitalist private property or in more developed intellectual capacities, is the source rather than the result of the contradiction of capital in the RCP’s traditional “Marxist” view. For the RCP, Badiou’s perspective of radical democratic “equality” does not address such inherent social advantage that intellectuals would enjoy even under socialism, presenting the constant threat of defeating the struggle for socialism.[18]

But the RCP does not stop at upholding Mao in the Cultural Revolution as a model for revolutionary politics. Rather, they attempt a “new synthesis” in which the relation of Marx, Lenin and Mao as historical figures is reformulated to provide for a 21st century socialist politics that could still learn from but overcome the limitations of the 20th century experience of the Russian and Chinese Revolutions.

The “new synthesis”

According to a traditional Maoist view, the RCP considers the historical trajectory from Marx through Lenin to Mao as a progress in the theory and practice of the struggle for socialism. But they also detect distinct limitations among all three historical figures and so regard them as importantly complementary rather than successive. For the RCP’s “new synthesis,” Marx and Lenin can still address the shortcomings of Mao, rather than the latter simply building upon the former. How so?

It is important first to consider the significance of this change in the RCP’s thinking from traditional Maoism. The RCP’s “new synthesis” was the cause of a split in the RCP, with some, including Mike Ely, going on to form the Kasama Project. The RCP replies to criticism of their current articulations of the limitations of the Russian and Chinese Revolutions with reference to earlier criticism of the RCP, over the course of the past three decades, for reducing Communism to a “tattered flag” in their reconsideration of this history. But the RCP should be commended for taking this risk.

The RCP struggles in explaining and relating the limitations of the three principal thinkers in the tradition they look towards for “communism.” With Marx, there is the limitation of relatively lacking historical experience of socialist revolution. Only the Paris Commune figures for this history. With Lenin, the limitations of the Bolshevik Revolution are displaced in the RCP’s evaluation of, not Lenin, but Stalin’s attempt to build “socialism” in the 1920s–30s. Like the disastrous Great Leap Forward in China (1958–61), the first Five-Year Plan in the Soviet Union (1928–33), a period of “revolutionary” militancy in the history of Stalin’s rule, is glossed over by the RCP in evaluating the Russian and Chinese 20th century experiences of attempts to “build socialism.”[19]

For the RCP, Mao represents a breakthrough. Through his leadership of the Chinese Communist Party, the limitations of the experience of Stalinism in the Soviet Union were overcome, in the Cultural Revolution in China of the 1960s–70s. But none of these are examples of success — socialism, let alone communism, has not yet been achieved — and they do not exactly add up, but rather require a “synthesis.”

Mao provides a salutary contribution only the degree to which the Cultural Revolution overcame the problem of Stalinist “methods,” which are considered bureaucratic and authoritarian in the sense of stifling revolutionary initiative: Stalin did the right things but in the wrong ways. Not secretly manipulated purge “trials,” but people’s justice would have been the better way to stave off the threat of the “capitalist road” in the USSR of the 1930s. Most telling about the RCP’s “new synthesis” is how they conceive its first two figures. For the RCP, a combination of Marx and Lenin taken without Mao becomes a perspective of “Eurocentric world revolution.” This is because, in the RCP’s estimation, there is a significant difference between Lenin and “Leninism,” the degree to which the former, according to the RCP, “did not always live up” to the latter, and the latter is assimilated to what are really phenomena of Stalinism and Maoism, building “socialism in one country,” in which Mao’s own practice, especially in the Cultural Revolution, takes priority. But this begs the question of the Marxist perspective on “world revolution” — and the need for revolution in the U.S., which Marx and Lenin themselves thought was key. Instead, the problem of socialism in China dominates the RCP’s historical imagination of revolution.

World revolution

Kant, in his theses in “Idea for a Universal History from a Cosmopolitan Point of View” (1784), addressed Rousseau as follows. Kant warned of the danger that,

[T]he vitality of mankind may fall asleep…. Until this last step to a union of states is taken, which is the halfway mark in the development of mankind, human nature must suffer the cruelest hardships under the guise of external well-being; and Rousseau was not far wrong in preferring the state of savages, so long, that is, as the last stage to which the human race must climb is not attained…. [Mere civilization,] however, is nothing but pretense and glittering misery. In such a condition the human species will no doubt remain until… it works its way out of the chaotic conditions of its international relations.[20]

Marx considered his political project to be a continuation of Kant’s, no less than Rousseau’s or Bentham’s, albeit under the changed historical conditions of post-Industrial Revolution capitalism, in which “international relations” expressed not merely an unenlightened state, but the social contradictions of the civilization of global capital.[21] Writing on the Paris Commune of 1870–71, Marx addressed the antithetical forms of cosmopolitanism in capital:

If the Commune was thus the true representative of all the healthy elements of French society, and therefore the truly national government, it was, at the same time, as a working men’s government, as the bold champion of the emancipation of labor, emphatically international. Within sight of that Prussian army, that had annexed to Germany two French provinces, the Commune annexed to France the working people all over the world…. The [preceding] Second Empire [by contrast] had been the jubilee of cosmopolitan blackleggism, the rakes of all countries rushing in at its call for a share in its orgies and in the plunder of the French people.[22]

The RCP remains hampered by the Stalinist perspective of building “socialism in one country,” at the expense of a direct politics of world revolution that characterized the Marxism of Marx’s own time, in the First International. And so the RCP fails to recognize the degree to which Marx’s own politics was “emphatically international” in nature. As Marx scholar Moishe Postone put it,

Now, the revolution, as imagined by Trotsky — because it’s Trotsky who really influences Lenin in 1918 — entailed the idea of permanent revolution, in that, revolution in the East would spark revolution in the West. But I think Trotsky had no illusions about the Soviet Union being socialist. This was the point of his debate with Stalin. The problem is that both were right. That is, Trotsky was right: there is no such thing as “socialism in one country.” Stalin was right, on the other hand, in claiming that this was the only road that they had open to them once revolution failed in the West, between 1918–1923. Now, did it have to be done with the terror of Stalin? That’s a very complicated question, but there was terror and it was enormous, and we don’t do ourselves a service by neglecting that. In a sense it becomes an active will against history, as wild as claiming that “history is on our side.”[23]

Bob Avakian, the leader of the RCP, writing about “Leninism as the bridge,” put the matter of the relation between Marx, Lenin and Mao this way: “Marxism without Leninism is Eurocentric social-chauvinism and social democracy. Maoism without Leninism is nationalism (and also, in certain contexts, social-chauvinism) and bourgeois democracy.”[24] But Avakian and the RCP have a fundamental ambivalence about Lenin. In the same article, Avakian wrote that, “as stressed before there is Leninism and there is Lenin, and if Lenin didn’t always live up to Leninism, that doesn’t make Leninism any less than what it is.” This is because, for the RCP, “Leninism” is in fact Stalinism, to which they recognize Lenin’s actual politics cannot be assimilated. It is therefore a standing question of what remains of Marx and Lenin when they are unhitched from the Stalinist-Maoist train of 20th century “communism,” the eventual course of the Russian and Chinese Revolutions to which the RCP points for inspiration and guidance. But the RCP’s imagination has always been fired more by the Chinese than the Russian experience. If “Leninism” was a historical “bridge,” it led to Mao’s China.

The image of China

China has provided a Rococo mirror reflecting global realities, whether in the 18th or the 20th and 21st centuries. The Middle Kingdom has stood, spectacular and confounding, for attempts to comprehend in social imagination both civilization and barbarism, now as then. The ancien régime at Versailles awaiting its historical fate would have liked to close itself up in a Forbidden City; the fervid imaginations of the 18th century philosophes such as Rousseau would have liked to breach the walls of its decadent customs. Both projected their world through the prism of China, which seemed to condense and refract at once all the splendors and horrors — Kant’s “glittering misery” — of society. This has also been true of the Left from the latter part of the 20th century to the present. The very existence of China has seemed to suggest some obscure potential for the future of humanity, both thrilling and terrifying. What if China were indeed the center of the world, as many on the Left have wished, ever since the 1960s?

If today China strikes the imagination as a peculiar authoritarian “communist” capitalist powerhouse that may end up leading the world in the 21st century, in the 1960s the Cultural Revolution symbolized China. Immediately prior to the student and worker upheaval in France of May 1968, Jean-Luc Godard directed his film La Chinoise (1967) about young revolutionaries in Paris. At around the same time, Horkheimer worried about the appearance of “Chinese on the Rhine,” as students began reading and quoting from Mao’s Little Red Book. If in the 18th century the Jacobin revolutionaries wanted France not to be China, in the 1960s would-be French revolutionaries wanted China to be the revolutionary France of the late 20th century.

In his critique of Jacobinism, Burke wrote that,

[T]he age of chivalry is gone: that of sophisters, economists, and calculators, has succeeded…. The unbought grace of life… is gone!… All the pleasing illusions… which harmonized the different shades of life, and which, by a bland assimilation, incorporated into politics the sentiments which beautify and soften private society, are to be dissolved by this new conquering empire of light and reason.

On this scheme of things, a king is but a man; a queen is but a woman; a woman is but an animal; and an animal not of the highest order…. On the scheme of this barbarous philosophy, which is the offspring of cold hearts and muddy understandings… laws are to be supported only by their terrors, and by the concern, which each individual may find in them, from his own private speculations, or can spare to them from his own private interests.[25]

Still, the Jacobin terror continues. Today in Communist China, a bribery case in producing chemically adulterated pharmaceuticals, baby milk formula, and pet food results in a death sentence, to prevent any decrease in demand from the United States. Chinese authorities dismiss the criticism made on human rights grounds, pointing to the need to be vigilant against a constant threat of “corruption.” No doubt American consumers wonder what such swift “justice” could do to improve corporate behavior in the U.S.

The connection between revolutionary France and China in the bourgeois epoch, from the 18th century through the 20th century to the present, is summed up well in an apocryphal quip supposedly made by the Chinese Communist Premier Zhou Enlai, in response to a question about the historical significance of the French Revolution: Zhou said it was still “too soon to tell.” Because of its Revolution in the 20th century, China came to have cast upon it the long shadow of Jacobinism and Rousseau’s 18th century critique of social inequality. But, as Marx discovered long ago, inequality is not the cause but the effect of capital. Such confusion has contributed to the perspective of “Third World” revolution that had its heyday in the post-WWII Left — after the 1949 Chinese Revolution — and that still stalks the imagination of emancipatory politics today. Not only post-postmodernist neo-communists such as Badiou, but also Maoists in the more rigorous 1960s–70s tradition such as the RCP, remain beholden to the specter of inequality in the modern world.

China, as a result of its 20th century revolutionary transformation, has gone from being like the India of the 18th century, its traditional ways of life breaking down and swamped in pre-capitalist obscurity, confronted with the dynamics of global capitalism, to becoming something like a potential Britain of the 18th century — the manufacturing “workshop of the world” — albeit in the profoundly changed circumstances of the 21st century. As Marx, in a 1858 letter to Engels, pointed out about his own time,

There is no denying that bourgeois society has for the second time experienced its 16th century, a 16th century which, I hope, will sound its death knell just as the first ushered it into the world. The proper task of bourgeois society is the creation of the world market, at least in outline, and of the production based on that market…. For us, the difficult question is this: [in Europe] revolution is imminent and will, moreover, instantly assume a socialist character. Will it not necessarily be crushed in this little corner of the earth, since the movement of bourgeois society is still, in the ascendant over a far greater area?[26]

What the 16th century meant to Marx was the “primitive accumulation of capital,” the process by which society was transformed, through the liquidation of the peasantry, in the emergence of the modern working class and the bourgeois social relations of its existence. If this process continued in the 19th century, beyond Britain, through the rest of Europe and the United States and Japan, in the 20th century it proceeded in Asia — through the Russian and Chinese Revolutions. The reconstitution of capital in the 19th century, unleashing a brutal process of late colonial expansion, was, to Marx’s mind, not only unnecessary and hence tragic, but also regressive and potentially counterrevolutionary. Marx’s warning should have resounded loudly through the “revolutionary” history of Marxism in the 20th century, but was instead repressed and forgotten.

For Marx and Engels, it was not a matter of China and other countries, newly swept into the maelstrom of capitalist development by the mid-19th century, “catching up” with Britain and other more “advanced” areas, but rather the possibility of the social and political turbulence in such “colonial” zones having any progressive-emancipatory impact on global capital at its core. As Marx wrote, in The Class Struggles in France, 1848–50, about the relation of England to other countries,

Just as the period of crisis began later [elsewhere] than in England, so also did prosperity. The process originated in England, which is the demiurge of the bourgeois cosmos. [Elsewhere] the various phases of the cycle repeatedly experienced by bourgeois society assume a secondary and tertiary form…. Violent outbreaks naturally erupt sooner at the extremities of the bourgeois body than in its heart, because in the latter the possibilities of accommodation are greater than in the former. On the other hand, the degree to which revolutions [elsewhere] affect England is at the same time the [barometer] that indicates to what extent these revolutions really put into question bourgeois life conditions, and to what extent they touch only their political formations.

On this all the reactionary attempts to hold back bourgeois development will rebound just as much as will all the ethical indignation and all the enraptured proclamations of the democrats.[27]

This means that the “democratic” politics that engenders “ethical indignation” at the rank inequality in global capital remains woefully inadequate to the task of overcoming the “bourgeois world” within which the RCP accuses Badiou et al. of remaining “locked.” For subsequent history has clearly shown that the Chinese Revolution under Mao remained trapped in global capital, despite the “socialist” ferment of the Great Proletarian Cultural Revolution that gripped the imagination of the international Left of the time, “Maoist” and otherwise.[28] Without revolutionary socialist consequences in the “heart” of the bourgeois world, revolutions in countries such as China cannot, according to Marx, “really put into question bourgeois life conditions” but “touch only their political formations.” As Engels put it, in a 1882 letter to the leading German Social Democratic Party Marxist theorist Karl Kautsky,

[T]he countries inhabited by a native population, which are simply subjugated… must be taken over for the time being by the [world] proletariat and led as rapidly as possible towards independence. How this process will develop is difficult to say… [Such places] will perhaps, indeed very probably, produce a revolution… and [this] would certainly be the best thing for us. We shall have enough to do at home. Once Europe is reorganized [in socialism], and North America, that will furnish such colossal power and such an example that the semi-civilized countries will follow in their wake of their own accord. Economic needs alone will be responsible for this. But as to what social and political phases these countries will then have to pass through before they likewise arrive at socialist organization, we to-day can only advance rather idle hypotheses.[29]

“Locked within the confines of the bourgeois world”

Despite the RCP’s critique of the post-1960s New Left neo-communism of Badiou, and its partial recognition that Marx and the best of Marxism sought to go beyond “bourgeois” discontents and demands for equality in capital, the RCP perspective on Marxism remains compromised by its focus on capitalist inequality. This leads to an ambivalent and confused conception of the potential role of “intellectuals” in revolutionary politics — a role highlighted in the mid-20th century by even such unreservedly “bourgeois” perspectives such as that of Joseph Schumpeter, and also by figures influential for the 1960s New Left such as C. Wright Mills.[30] The RCP, along with other tendencies of post-New Left politics preoccupied by problems of inequality and hierarchy, such as neo-anarchism, suspects intellectuals of containing the germ for reproducing capitalism through inequality. Likewise, the RCP remains confused about the supposed problem of a “Euro-” or “Western”-centric perspective on “world revolution.” In this sense, the RCP remains trapped by the preoccupations of 1960s-era New Left Maoism in which they originated, despite their attempts to recover the critical purchase of the earlier revolutionary politics of Marx and Lenin. Despite their intended critical approach to this history, they fail to consider how Maoism may have represented a retreat rather than an advance from such revolutionary Marxism. For, as Lenin recognized, the best of Marxist revolutionary politics was not opposed to but rather necessarily stood within the tradition of Rousseau and the radical bourgeois intellectual “Jacobin” legacy of the 18th century, while attempting to transcend it.[31] Like it or not, and either for ill or for good, we remain “locked in the bourgeois world,” within whose conditions we must try to make any possible revolution. | §

Originally published in The Platypus Review #26 (August 2010).

* Correction: It should not be assumed that writers for Demarcations are members of the RCP.

1. For Communism: The Beginning of a New Stage, see <http://www.rwor.org/Manifesto/Manifesto.html>. Lotta et al. is available online at <http://www.demarcations-journal.org/issue01/demarcations_badiou.html>.

2. David Bholat, “Beyond Equality,” Rethinking Marxism vol. 22 no. 2 (April 2010), 272–284.

3. Marx, Critique of the Gotha Program (1875), in Robert C. Tucker, ed., The Marx-Engels Reader (New York: Norton, 2nd ed., 1978), 531.

4. Bholat, “Beyond Equality,” 282.

5. See “An Open Letter from Raymond Lotta to Tony Judt and the NYU Community on the Responsibility of Intellectuals to the Truth, Including and Especially the Truth about Communism,” in Revolution #180 (October 25, 2009), available online at <http://revcom.us/a/180/Lotta_Open_Letter-en.html>, in which Lotta states that,

Yes, revolutionary power must be held on to: a new state power and the overall leadership of a vanguard party are indispensable. But leadership must be exercised in ways that are, in certain important and crucial respects, different from how this was understood and practiced in the past. This [RCP’s] new synthesis recognizes the indispensable role of intellectual ferment and dissent in socialist society.

6. Bholat, “Beyond Equality,” 282.

7. See Louis Althusser, “Contradiction and Overdetermination” (1962), New Left Review I/41 (January–February 1967), 15–35. Also in For Marx (1965), trans. Ben Brewster (London: New Left Books, 1977), 87–116.

8. See, for instance, Michel Foucault, “Nietzsche, Genealogy, History” (1971), in Language, Counter-Memory, Practice: Selected Essays and Interviews, ed. D. F. Bouchard (Ithaca: Cornell University Press, 1977), 139–164, available online at <http://www.scribd.com/doc/4475734/foucault-nietzsche-genealogy-history>, in which Foucault ignored that Nietzsche’s famous On the Genealogy of Morals (1887) was “a polemic” against any such “genealogy,” and so turned Nietzsche, in keeping with Foucault’s own intent, from a philosopher of freedom into freedom’s “deconstructionist”:

In this sense, genealogy returns to the… history that Nietzsche recognized in [his 1874 essay “On the Use and Abuse of History for Life”]…. [But] the critique of the injustices of the past by a truth held by men in the present becomes the destruction of the man who maintains knowledge by the injustice proper to the will to knowledge. (164)

9. See Alain Badiou, Being and Event, trans. Oliver Feltham (New York: Continuum, 2007).

10. See the interview with Badiou by Filippo del Luchesse and Jason Smith, conducted in Los Angeles February 7, 2007, “ ‘We Need a Popular Discipline’: Contemporary Politics and the Crisis of the Negative,” Critical Inquiry 34, no. 4 (Summer 2008), 645–659.

11. See Richard Wolin, The Wind from the East: French Intellectuals, the Cultural Revolution, and the Legacy of the 1960s (Princeton: Princeton University Press, 2010).

12. See Peter Hallward’s essay on Badiou’s Logiques des Mondes (Logics of Worlds), “Order and Event,” New Left Review 53 (September–October 2008).

13. As James Miller, author of The Passion of Michel Foucault (2000), put it in his 1992 introduction to Rousseau’s Discourse on the Origin of Inequality (Indianapolis: Hackett, 1992),

The principle of freedom and its corollary, “perfectibility”… suggest that the possibilities for being human are both multiple and, literally, endless…. Contemporaries like Kant well understood the novelty and radical implications of Rousseau’s new principle of freedom [and] appreciated his unusual stress on history as the site where the true nature of our species is simultaneously realized and perverted, revealed and distorted. A new way of thinking about the human condition had appeared…. As Hegel put it, “The principle of freedom dawned on the world in Rousseau, and gave infinite strength to man, who thus apprehended himself as infinite.” (xv)

14. Quoted by Rosa Luxemburg in Organizational Questions of Russian Social Democracy (1904), available in English translation as Leninism or Marxism? in The Russian Revolution and Leninism or Marxism? (Ann Arbor: University of Michigan Press, 1961), available online at <http://www.marxistsfr.org/archive/luxemburg/1904/questions-rsd/ch01.htm>. Luxemburg’s pamphlet was a critique of Lenin, One Step Forward, Two Steps Back: The Crisis in our Party (1904), available online at <http://www.marxists.org/archive/lenin/works/1904/onestep/q.htm>

15. Marx, “On The Jewish Question,” in Tucker, ed., Marx-Engels Reader, 46.

16. Raymond Lotta, Nayi Duniya, and K. J. A., Alain Badiou’s “Politics of Emancipation:” A Communism Locked Within the Confines of the Bourgeois World. Available online at <http://www.demarcations-journal.org/issue01/demarcations_badiou.html>.

17. Max Horkheimer, “The Authoritarian State” (1940), in The Essential Frankfurt School Reader, Andrew Arato and Eike Gebhardt, eds. (New York: Continuum, 2005), 95.

18. There is an important affinity here with the anarchism of Noam Chomsky and Michael Albert, who consider Marxism to be an ideology of the aspirations to social domination by the “coordinator class” of intellectuals, which is how they understand the results of, e.g., the Russian and Chinese Revolutions. In this view, Marxism is the means by which the intellectuals harness the class struggle of the workers for other, non-emancipatory ends. Their understanding of the “party-state” is the regime of the coordinator class.

19. The first Five-Year Plan in the USSR saw the accelerated collectivization of agriculture, in which the Communists unleashed “class struggle” in the countryside, with great popular participation. This coincided with the Communist International’s policy of refusing any political alliances with reformists, whom they dubbed “social fascists,” during this period, which they considered the advent of revolution, following the Great Crash. Such extremism caused, not only mass starvation and brutalization of life in the USSR — whose failures to “build socialism” were blamed on “Trotskyite wreckers,” leading to the Purge Trials in the mid- to late 1930s — but also the eventual victory of the Nazis in Germany. Just as the Purge Trials in the USSR were in response to failures of the Five-Year Plans, the Cultural Revolution in China was a response to the failure of the Great Leap Forward.

20. Immanuel Kant, “Idea for a Universal History from a Cosmopolitan Point of View,” trans. Lewis White Beck, in Kant on History (Indianapolis: Bobbs-Merrill, 1963), 11–25. Also available online at <http://www.marxists.org/reference/subject/ethics/kant/universal-history.htm>.

21. See, for instance, the British Trotskyist Cliff Slaughter’s argument, in “What is Revolutionary Leadership?” (1960), available online at <http://www.marxists.org/history/etol/writers/slaughter/1960/10/leadership.html>, in which he pointed out about Stalinism that,

As a part of [the process of Stalinization], certain theoretical distortions of Marxism play an important part. Above all, Marxism is twisted into an economic determinism. The dialectic is abstracted from history and reimposed on social development as a series of fixed stages. Instead of the rich variety and conflict of human history we have the natural series of slavery, feudalism, capitalism and socialism through which all societies pass…. An apparent touch of flexibility is given to this schematic picture by the doctrine that different countries will find their “own” roads to Socialism, learning from the USSR but adapting to their particular national characteristics. This is of course a mechanical caricature of historical materialism. The connection between the struggles of the working class for Socialism in, say, Britain, Russia and Vietnam, is not at all in the greater or lesser degree of similarity of social structure of those countries, but in the organic interdependence of their struggles. Capitalism is an international phenomenon, and the working class is an international force.

22. Marx, The Civil War in France, in Tucker, ed., Marx-Engels Reader, 638. Also available online at <http://www.marxists.org/archive/marx/works/1871/civil-war-france/ch05.htm>.

23. Moishe Postone, “Marx after Marxism,” interview by Benjamin Blumberg and Pam C. Nogales C., Platypus Review 3 (March 2008). Available online at <http://platypus1917.org/2008/03/01/marx-after-marxism-an-interview-with-moishe-postone/>.

24. Bob Avakian, Conquer the World? The International Proletariat Can and Must, III. “Leninism as the Bridge,” available online at <http://www.rwor.org/bob_avakian/conquerworld/index.htm#section_III>.

25. Edmund Burke, Reflections on the Revolution in France [1790], J. C. D. Clark, ed. (Standford: Stanford University Press, 2001), 239–240. Also available online at <http://www.constitution.org/eb/rev_fran.htm>.

26. See “Europocentric World Revolution,” in Tucker, ed., Marx-Engels Reader, 676. The selection in Tucker, which omits the first sentence, is from a letter from Marx to Engels of October 8, 1858, available online at <http://www.marxists.org/archive/marx/works/1858/letters/58_10_08.htm>.

27. Marx, The Class Struggles in France, 1848–1850, in Tucker, ed., Marx-Engels Reader, 593. Also available online at <http://www.marxists.org/archive/marx/works/1850/class-struggles-france/ch04.htm>.

28. For instance, even many avowed “Trotskyists” were fascinated and inspired by the GPCR. See, for example, Gerry Healy and David North’s International Committee of the Fourth International’s British journal Newsline of January 21, 1967, where an article by Michael Banda stated that “the best elements led by Mao and Lin Piao have been forced to go outside the framework of the Party and call on the youth and the working class to intervene [in this] anti-bureaucratic [fight].” See David North, The Heritage We Defend: A Contribution to the History of the Fourth International (Detroit: Labor Publications, 1988), 424. North, who became critical of Banda’s positive perspective on Mao in the Cultural Revolution, is currently the leader of the international tendency of which the Socialist Equality Party is the U.S. section.

29. See “Europocentric World Revolution,” in Tucker, ed., Marx-Engels Reader, 677. The complete letter from Engels to Kautsky of September 12, 1882 is also available online at <http://www.marxists.org/archive/marx/works/1882/letters/82_09_12.htm>.

30. See C. Wright Mills, “Letter to the New Left,” New Left Review I/5 (September–October 1960), 18–23.

31. Georg Lukács addressed such transcendence in his eulogy, “Lenin — Theoretician of Practice” (1924), available online at <http://www.marxists.org/archive/lukacs/works/xxxx/lenin.htm>. It is also included as part of the “Postcript 1967,” in Lukács, Lenin: A Study on the Unity of His Thought, trans. Nicholas Jacobs (Cambridge, MA: MIT Press, 1970), in which Lukács described Lenin as follows:

In the chain of democratic revolutions in modern times two types of leaders, poles apart, made their appearance, embodied by men such as Danton and Robespierre, in both reality and literature….

Lenin is the first representative of an entirely new type, a tertium datur, as opposed to the two extremes. (93)

But Marx was also a representative of this new type of revolutionary intellectual.

Art and politics

The politics of the culture industry: art today

Chris Cutrone

Presented at the Platypus Affiliated Society public forum on “The Politics of the Culture Industry: Art Today” with panelists Stephen Eisenman (Northwestern University) and Claire Pentecost (School of the Art Institute of Chicago), School of the Art Institute of Chicago, April 27, 2010.

The German Marxist critical social theorist and practicing musician and composer Theodor W. Adorno, in his 1932 essay on “The Social Situation Music,” observed that the “contradictions and flaws which cut through present-day society” are traced in the “clearest possible lines” through art, and that, “at the same time,” art is “separated from this same society by the deepest of all flaws produced by this society itself” (Adorno, Essays on Music, 391). He pointed out that art finds itself in the same position as “social theory,” tasked with provoking recognition (393). Art, like theory, must “decide whether and how the entrance into social reality might be made” (393).

Susan Buck-Morss, in her response to the October art journal’s 1996 “Visual Culture Questionnaire,” wrote that “the role of artists is to sustain the critical moment of aesthetic experience; the role of critics is to recognize this.”  In saying so, Buck-Morss cut against almost 20 years at that point of “postmodernism,” which was concerned, as Hal Foster, one of the principal writers for October, who we recently interviewed in The Platypus Review, argued in the early 1980s, to get out from under the constraints of modernism by moving “beyond critique.”  Buck-Morss argued, to the contrary, that what was needed was precisely critique and not merely discourses whose role is to “legitimate culture.”  Without this, Buck-Morss argued, artists might “opt to go underground” and express the critical content of aesthetic experience only “esoterically,” as producers for the culture industry. This has indeed happened.

The topic of “culture industry” is notoriously difficult and so is easily misconstrued. One common way of misapprehending Adorno’s critique of the culture industry is to address it only in terms of concrete institutions. It is misunderstood that art outside Hollywood, museums, or the art market’s galleries is somehow outside, resistant to or otherwise opposed to the culture industry. But, for Adorno, the culture industry, a term he used as an alternative to the more misleading categories of mass or popular culture, was the cultural guise of capital. The culture industry was a concept meant by Adorno to grasp the overall social context for cultural production, and was inclusive of both the industrially distributed products of the emphatic “industry” and of the most hermetically produced and experienced works of art. The stakes of Adorno’s critique were the stakes of aesthetic experience in modern society, the forms of subjectivity that Adorno considered social in nature, and thus characteristic of the historical moment of capital. The politics of aesthetic experience was thus engaged by Adorno.

Walter Benjamin famously wrote, at the end of his 1936 essay “The Work of Art in the Age of Mechanical Reproduction,” that whereas fascism aestheticized politics, communism responded by politicizing art. Earlier, in his 1934 essay “The Author as Producer,” Benjamin wrote that not only poverty but the struggle against poverty could be turned into an object of aesthetic contemplation. Benjamin wrote that art that doesn’t teach artists teaches no one, and that only work of good aesthetic quality could be of good, emancipatory political tendency. Benjamin is usually interpreted on the “Left” in ways that deprecate the aesthetic in favor of the political. But a further and different interpretation than is usually offered on the “Left” of Benjamin’s point — and Adorno’s following him, regarding the culture industry — is that the problem with both art and politics is that the essential dialectic of art and politics, in which it becomes possible to have a political critique of aesthetic experience and an aesthetic critique of politics, has been forgotten and thus repressed.

This is an era of bad art because of bad politics, and bad politics due to bad art. Good art would involve not only the critique of bad art but of bad politics; good politics would involve not only the critique of bad politics but of bad art. For bad art is bad politics, and bad politics is bad art.

When Benjamin called for politicizing art, this did not mean for him suspending the aesthetic but rather inquiring into and critiquing the political stakes of aesthetic experience. What would it mean to critique and problematize, and thus politicize, the aesthetic experience of bad politics as bad art, and bad art as bad politics?  It means challenging established patterns of feeling and thinking that constitute our subjectivity, whether for the experience of art or participation in politics. For what Benjamin was concerned with, along with Adorno following him, was the transformation of the subject for both art and politics. By giving up on addressing questions and problems of aesthetic form, a deeper engagement with problematic forms of politics is abdicated. For both aesthetics and politics involve social forms, even and perhaps especially when such social forms seem to take place only within the hermetic realm of private aesthetic experience. The abjection of the aesthetic in postmodernism is a form of political repression — a repressive form of politics.

Fredric Jameson, in his 1991 book Postmodernism, or, The Cultural Logic of Late Capitalism, wrote that,

It is . . . necessary to add about the “media” that it . . . failed to come into being; it did not, finally, become identical with its own “concept,” as Hegel liked to say, and can thus be counted among innumerable “unfinished projects” of the modern and the postmodern. . . . What we have now, what we call “media” is not that, or not yet that, as might be demonstrated by one of its more revealing episodes. In modern North American history, of course, the assassination of John F. Kennedy was a unique event, not least because it was a unique collective (and media, communicational) experience, which trained people to read such events in a new way. . . .

[T]he projection of a new collective experience of reception . . . this event was something like the coming of age of the whole media culture. . . . Suddenly, and for a brief moment (which, however, lasted several long days), television showed what it could really do and what it really meant — a prodigious new display of synchronicity and a communicational situation. . . . Yet this inaugural event . . . gave what we call a Utopian glimpse into some collective communicational “festival” whose ultimate logic and promise is incompatible with our mode of production. . . .

No wonder, then, that the small screen longs for yet another chance at rebirth by way of unexpected violence; no wonder also that its truncated afterlife is available for new semiotic combinations and prosthetic symbioses of all kinds, of which the marriage to the market has been the most elegant and socially successful.

Media populism, however, suggests a deeper social determinant, at one and the same time more abstract and more concrete, and a feature of whose essential materialism can be measured by its scandalousness for the mind, which avoids it or hides it away like plumbing. (355–356)

The event of “unexpected violence” that gave the media yet another chance at rebirth was, of course, the September 11, 2001 World Trade Center attack — also, as media art.

A subsequent, recent work of art that recalls the 9/11 attack is (the School of the Art Institute alumnus) Paul Chan’s 2005 video installation 1st Light.

[Watch Paul Chan, 1st Light.]

The morning of the 9/11 attack, I moved through my day in a disjointed, out-of-body way, floating in an unreal reality, a timeless time, under an absolutely clear blue sky without a plane anywhere to be seen, a dream-world impelled by a real nightmare. All the while I trembled like the nervously frenetic flickering or vibrating electrical lines in the sky of Chan’s video.

Chan has described his work as “light and the lack of light — light struck through” referring to its use of silhouette imagery.[1] Chan said he was “wary” of its “hypnotic” effect (225). His interviewer, Adam Phillips, observed the paradox that viewers “looked into it as though it had tremendous depths. Which of course it does” (225). Chan commented, in response to Phillips’s question about how the “relationship between . . . political activism and art . . . would no longer be of any interest,” that those asking such questions “don’t know that they’re uncomfortable talking about art . . . because there’s no quick and easy and right solution to it” (227). But Chan concluded that art is “a shared conflict in which [he] want[s] to invest as much time as possible, because [he] [doesn’t] know what other form provides the opportunity, the challenge, to reimagine the contradictions in such a way” (227).

Chan’s piece captures well what his interviewer called the “anti-redemptive” but “gentle” trauma — of the 9/11 attack (225). Chan’s work is a good representation of us, as we are. But (how) does it present potential possibilities for how we could and indeed should be?  How, if redemption is ruled out of court, along with any notion of freedom that goes beyond “mistakes,” or the “failure” to be “like everyone else,” in which, as Chan put it, “things [can] become light. They can move in a way in which they were not originally intended to move” (224), like so much debris of a terror attack?

The question is whether and how work such as Chan’s makes available, for critique, this feeling, or merely exemplifies it, in a readily readable way, for its viewers. What is the politics of endlessly contemplating ourselves in such a suspended manner, and how could practices of art challenge such politics? | §

1. Paul Chan interviewed by Hans Ulrich Obrist and Adam Phillips, in Utopias: Whitechapel Gallery Documents of Contemporary Art, ed. Richard Noble (Cambridge, MA: MIT Press, 2009), 224–227.

Left Forum NYC 2010: Iran

The Green Movement and the Left: prospects for democracy in Iran

Chris Cutrone

Presented on a panel with Siyaves Azeri (Worker-communist Party of Iran) and Hamid Dabashi (Columbia University) at the Left Forum in New York City, Pace University, March 21, 2010. A previous version of this presentation was given at the Platypus Affiliated Society public forum on “30 years of the Islamic Revolution in Iran: the tragedy of the Left,” with panelists Maziar Behrooz (San Francisco State University), Kaveh Ehsani (DePaul University, Chicago) and Danny Postel, University of Chicago, November 5, 2009, whose transcript was published as a special supplement to Platypus Review #20 (February 2010), and presented as an individual lecture at Loyola University, Chicago, December 3, 2009, and at the University of Chicago, October 29, 2009.

I would like to pose the question: What can the history of the Islamic Revolution in Iran teach the Left?

The 30th anniversary of the toppling of the Shah of Iran witnessed the controversy over the election results in the Islamic Republic, in which the incumbent (Mahmoud) Ahmadinejad claimed victory over his opponent (Mir-Hossein) Mousavi, and mass protests against this result were subject to brutal, violent repression.

These two historic moments, those of the birth and crisis of the Islamic Republic of Iran, communicate over time, and can tell us a great deal about the nature and trajectory of the contemporary world, and the role of the demise of the Left in it.

We in Platypus approach the history of the Islamic Revolution in Iran as a specific story in the overall history of the death of the Left — its historical decline and disappearance.  The self-destruction of the Left in Iran is a good entry into investigation of the death of the Left internationally, over the course of at least the past generation.

It is instructive that, where once the Left in Iran was the most vital and potentially significant in the Middle East or Muslim world, today the Left has been completely eradicated in Iran.

Whereas the Shah simultaneously sought to repress and co-opt the Left, the Islamic Republic has brought about its entire elimination in Iran (and has sought to do so elsewhere, for instance in the Lebanese civil war, through its proxies Hezbollah).  It is in this sense that one can meaningfully talk about the reactionary, Right-wing character of the Islamic Republic, relative to what came before it under the Pahlavi dynasty.  There are fewer possibilities for Iranian society today than there were 30 years ago.  This bitter fact is something most try to avoid confronting, but is where I want to focus attention in my presentation.

The Left is defined by potential and possibility, the Right by its foreclosure.  The Left expresses and reveals potential possibilities, while the Right represses and obscures these.

For this reason, the role of the Iranian and international Left in repressing and obscuring the true character of social possibilities in Iran, during the period leading up to Islamic Revolution, is crucial for grasping, not only how the Left destroyed itself, but also, and more importantly, how it destroyed itself as a Left, and thus contributed to the construction of a new Right.  Only justice for past crimes committed by the Left can recover old, and open new possibilities in the present.  Only by confronting its problematic historical legacy can the Left today be a Left at all.  But this is something virtually no-one wants to do.

Slavoj Zizek, in his recent book In Defense of Lost Causes, cites Heidegger’s embrace of Nazism and Foucault’s embrace of the Islamic Revolution in Iran to demonstrate the importance and necessity of what Zizek calls “taking the right step in the wrong direction.”  Zizek is eager, as he expressed in his writing on the recent election crisis in Iran, to find the “emancipatory potential” of “good Islam.”  He thinks that a more radical emancipatory potential was grasped, however uncertainly, by Foucault in 1979 (and by Heidegger in 1933!).  I wish to argue the contrary, that Foucault’s — and the rest of the “Left’s” — embrace of Islamism was and continues to be a conservative move, thinly veiled by claims to more radical bona fides.

This phenomenon of seeking the “emancipatory potential” of “good Islam” can be traced all the way through the recent election crisis in Iran.  We need to examine the trajectory of the supposedly “Left” Islamist discontents and opposition to the Shah’s regime leading up to the Islamic Revolution, and how this plays out for continuers of such politics such as Mousavi in the Islamic Republic in the present.

The New Left Islamist figure Ali Shariati is key to understanding the relation of the Left to Islamism, both around the 1979 toppling of the Shah and the political divisions in the Islamic Republic of Iran today.  For instance, opposition presidential candidate Mousavi, and especially his wife Zahra Rahnavard, were students of Shariati who worked closely with him politically in the 1960s and ’70s.  The largest political organization on the Left in the 1979 revolution were the MEK (Mojahedin-e-Khalq, or People’s Mojahedin of Iran), who helped organize the street protests that toppled the Shah and participated in the taking of the U.S. embassy, and found inspiration in Shariati’s approach to Islam.

The fact that Mousavi and Rahnavard eventually joined the Khomeini faction, and that there is a significant likelihood that Khomeini’s agents were responsible for Shariati’s untimely death in exile in 1977 at age 44, should not obscure the New Left Islamist roots of the Khomeiniite Islamic Republic, of which Mousavi was Prime Minister from 1981–89, under Khomeini’s “supreme” leadership, approving the slaughter of the Left.  The present controversy in the Islamic Republic establishment is not to be understood in terms of new wine in old bottles but rather the old in the new.  The Islamist politics on both sides is a Right-wing phenomenon, now as before.  Mousavi as standard bearer for discontents in the Islamic Republic is a phenomenon of political confusion, to which any Left must attend.  There are significant problems to be addressed in the relation of ideology to social and political reality.  The point is that Khomeini’s supremacy in the Islamic Revolution was not to be explained by his superior insight and grasp of realities, but rather his successful navigation of them, which is a different matter.  The present dispute between Ahmadinejad and Mousavi amounts to this.

Khomeini did not lead a revolutionary transformation of Iranian society but rather the reconsolidation of Iran after the crisis and fall of the Shah.  The phenomenon of the so-called “Left” (for the most part) calling black white, does not change the fact that Khomeini represented a Right-wing response to the discontents and crisis of Iranian society in the 1970s.  The Left’s support of Khomeini expresses its disorientation and confusion theoretically, and its Right-wing role practically.  There is no mystery here: telling women to cover themselves was not an emancipatory act!

The collapse of the Shah’s regime did not increase but ultimately decreased the possibilities for Iranian society.  The Khomeiniite Islamic Republic was not the expression but the repression of potential, in the context of diminished possibilities.  To understand how this was so, it is useful to consider the historical trajectory of Iran in global context.  The developmental states of the post-colonial world underwent a severe crisis starting with the global downturn of the 1970s.  The 1970s were the period in which, for example, so-called “Third World debt” manifested itself as a serious problem for these states.

Oil revenues could not provide remedy in the case of Iran, because what was encountered, throughout the world in the 1970s, was the crisis of the mid-20th century transformations that went on under the rubric of “modernization.”  In Iran, this was carried out through the Shah’s White Revolution, in which he had been goaded, beginning in the early 1960s, by the U.S. Kennedy Administration, and continued to be by those subsequent.  Khomeini’s rise as a politician originated in protest against the policies of modernization — and social liberalization — implemented by the Shah, under pressure from the U.S.  Khomeini was always clear about this in ways the “Left” has not been.  The Left abdicated from providing an emancipatory response to the changes in Iranian society.  The Shah stood between Right- and Left-wing discontents, but the Left steadily liquidated its own concerns.

Indeed, despite that discontents with the Shah were channeled into New Left “anti-imperialist” politics, the Shah indeed was bucking the “Great Satan” on his own accord.  Not only was the Shah’s regime prompted to transform Iranian society, through the White Revolution reforms of the 1960s–70s, exacerbating social and political discontents, but indeed responsibility for the ultimate demise of the Shah can be laid at the door of U.S. policy, for President Carter refused to support the Shah against the tumult of protests that broke out in 1978.  The U.S. not only supported the Shah’s regime but significantly undermined it as well.  This was not a mistake on the part of the U.S., but expressed the differing interests of U.S. policy as against the Shah.

So much for supposed “anti-imperialism.” — So, what happened in Iran?  Certainly the close if not always happy relationship between the Shah’s regime and the U.S. became symbolic for discontents in Iran.  But symbolic in what sense?  The New Left conception of “imperialism” got in the way of a sober perception of the problems facing Iranian society in the 1970s.  Iran was not suffering from U.S. imperial oppression.  Rather, Iran faced a crossroads in its development in which an insurgent Islamist politics found purchase.  The nature of this Islamist politics was obscured by the Left’s conceptions of the potential social-political divisions in Iranian society and in its greater global context.

Iran was the site for the most significant political Left in the Middle East and Muslim world.  Many thousands of Iranian students with Leftist inclinations studied abroad in Europe and North America.  In their encounter with the metropolitan New Left, they were encouraged to embrace the supposed Muslim roots of Iranian society and find potential there for emancipatory politics.  But emancipation from what, and for whom?

The issue of Islamist politics looms.  The New Left Islamist Shariati considered himself a follower of Frantz Fanon.  Others, including Khomeini, also found resonance with Fanon’s writings (on Algeria and Africa), on what they considered to be the problem of “cultural imperialism.”  So, according to this view, Iran suffered, not from structural and political problems in modern historical context, so much as from cultural problems, of so-called “Westernization,” which was pathologized.  The problems of modernization became the problem of Westernization, which thus needed to be eradicated.  Islamist politics was the means by which the cure for this “disease” has been attempted.

To this day, the Islamic Republic of Iran is premised on a culturalist conception of politics.  Ahmadinejad and others speak of Iran’s “political frontiers” as if they were just lines on a map.  Their “Islamic Revolution” is civilizational and global in reach.  It is not about Iran.  Ahmadinejad wrote an “open letter” to President Bush chastising the failure of “liberal democracy” and urging the principles of Islamist politics instead.

Khomeini’s Islamic Republic, whose legitimate mantle was in dispute between Mousavi and Ahmadinejad in the recent election, is premised on the idea that the entire Iranian population, suffering from the illness of “cultural imperialism” by the West, needed to be held as minority wards of the mullahs.  This is why there is a Guardian Council and a Supreme Leader above all elected officials.  When Ahmadinejad referred to the election protesters as “shit,” this was the social imagination behind it: he considered them to be religiously fallen, culturally corrupted, and hence evil, in a disqualifying, dehumanizing sense.  The powers-that-be of the Islamic Republic, still pursuing the Islamic Revolution, including Mousavi, have moral contempt for the people of Iran — as any Right-wingers do for their subalterns.

This is why it is worse than tragic, indeed, I would argue, criminal, for the Left to continue to embrace today, in whatever form, the presuppositions of such Right-wing politics of Islamism — as the Left did in the Islamic Revolution 30 years ago.  It was worse than a mistake then, and it continues to be so today.  The degree to which the Green Movement espouses or merely accepts the framework of the Islamic Republic, it remains in the thrall of Islamist politics. It is part of the deliberate obscuring of social realities behind bad ideology and worse politics.  The history of the past 30 years proves that Islamism was no way to address the discontents and ameliorate the problems of Iranian or indeed Muslim society. This is not only a lie, but a crime.

Any purported “Left” must treat Islamist politics, not as some kind of framework, but as a deadly obstacle, necessary to overcome. | §

Left Forum NYC 2010: On anti-black racism in the U.S.

The American Left and the “black question” — from politics to protest to the post-political

Chris Cutrone

Presented on a panel with Tim Barker (Columbia University), Benjamin Blumberg (Platypus) and Pamela C. Nogales C. (Platypus) at the Left Forum in New York City, Pace University, March 20, 2010. Audio recording available at: <https://archive.org/details/PlatypusAtLeftForumNyc2010TheAmericanLeftAndTheblackQuestion>

The black American political scientist Adolph Reed, Jr. recently wrote an essay on “The Limits of Anti-Racism” for the Left Business Observer, in which Reed stated that anti-racism as politics has clearly failed.  Earlier, Reed had written about the Hurricane Katrina disaster that pointing to racism may prove to be an unacceptable “distraction” from more substantial politics.  Reed also pointed out, however, that “race is a class issue,” thereby bypassing, productively, the usual “race vs. class” antinomy that has long plagued the American “Left.”  Considering that, at present, anti-black racist attitudes have appreciably diminished, while the social conditions for the vast majority of black Americans have worsened and not improved since the 1960s, seen clearly in declining statistics of social welfare and employment, as well as more spectacularly in mass criminalization and incarceration, this raises serious issues for problems considering the question of American “race and class” for the “Left.”  But perhaps this question has passed into history, now.

The present moment may be a good occasion for a thorough and critical reconsideration of anti-racism as politics, both with regards to today, and retrospectively, as regards the history of the American Left, in what Ben Blumberg has termed its “Unmet Challenge.”  The point is that if the problem of anti-black racism in the U.S. has been an “unmet challenge” perhaps it will remain so, as it has now passed into history.  Today, it may be less a matter of an existing challenge for the Left, but more the legacy of a historically missed opportunity for the American Left, a missed opportunity for which we continue to pay a steep price in the attenuated possibilities for a social-emancipatory and anticapitalist politics today in the U.S.

Clearly, the historical problem of anti-black racism in the U.S. has been resolved to a certain extent, but in the most politically conservative way possible.  What the historical phenomenon of the Obama Presidency symbolizes with regards to the problem of anti-black racism is the historical result of a combination of: 1.) middle class anti-discrimination initiatives; with 2.) the post-1960s economic downturn (in which real incomes have declined for the American working class by as much as 40%) and labor union decimation; and 3.) culturalist politics.  It has meant a naturalization and not an overcoming of the supposed black-working class divide.  The “Left” since the 1960s, especially since the Black Power turn, has played into this supposed divide, with terrible results both for the vast majority of black Americans and for the American working class and Left politics as a whole.

I am going to offer a very provocative formulation of this problem: that what was most specific and peculiar about American anti-black racism historically was also an expression of its greatest emancipatory potential regarding capitalism.  There is a great historical paradox in that the worst, most thorough-going historic racism in modern history, that of the condition of blacks in the Jim Crow-era Southern United States, coincided with the historic height of working class political movement and empowerment.  I wish to raise this paradox as a question: What was the relation between the development of working class organization and politics and the exacerbation of racist divisions in American society?  How was the “racial” division of the American working class an expression of the self-contradictory character of working class politics under capital? — Relatedly, how was it that CIO unionism in the 1930s, which meant challenging segregation through inter-racial organizing, became, by the 1960s, the spectre of labor unions as conservative institutions: as white working class job trusts, excluding black workers?

Rather than taking on this very important question directly, I want to point out that, to my mind, there has been a false resolution of this historic problem in the transformation of American racism since that time, away from its sui generis “race color-caste” character (as in the “one drop rule” etc.) to harmonizing with the more globally typical racism associated with ethno-cultural divisions in society.  In the post-1960s era, specifically, there was a romance of alternative models of racial identity, for instance in Brazil.  But Brazil is a very brutal place for black people, if for different reasons of political history than the U.S. is.  The degree to which the U.S. becomes more like Brazil in its racial dynamics, with a stark distinction between conditions for black middle class and (sub-)working class people, I think that this represents a regressive and not progressive trend.  Let me explain.

The transformation of black Americans from a “race color-caste” into an “ethnic” or “culturally” distinct group, for instance seen in the substitution of “African-American” for “black,” has meant the passing of an opportunity to overcome the specifically racist (and not “cultural”) division of the American working class, in a potential transformation of working class organization and politics in a progressive-emancipatory and anticapitalist direction.  Combating racist divisions was once an issue around which it was possible to organize workers for radical politics.  No longer.  The task of working class political integration was displaced into middle-class integration through the model of ethno-cultural “diversity.”  Whereas race was once a class issue, an issue for the American working class as such, it is now much less so, and hence it has ceased to be the same kind of issue — and challenge — for the Left and American society it once was.  It has become the more direct matter of poverty.

Racism could have been a revolutionary issue, but was depoliticized, at least as an issue for the working class and for an anticapitalist Left.  Now more than ever “race is a class issue” (in Reed’s sense), but it is now so in a way that (as Reed has noticed) can only be addressed effectively in purely class terms, as an issue of the black working class and so-called “underclass.”

There is an irony of the earlier turn-of-the-20th century American socialist Eugene Debs’s declaration that socialism had nothing to offer blacks apart from their interests as workers. This was (mis)taken, especially by the 1960s “New Left,” to be, not merely inadequate, but some evidence of American “Old” Left or working class racism.  But this formulation by Debs turns out to have been the actual historical task — long since failed — of the Left, up to the present.  The problem is: how do we fulfill Debs’s task today?  How do we make “racism” into a “class issue,” as Reed put it, after racism per se seems to have been defused as a political issue in American life? — Perhaps we don’t!

It may seem that the W.E.B. DuBois/NAACP and Rev. Martin Luther King, Jr. program (of supposed “middle class” integrationism) has been fulfilled, but really it was the Booker T. Washington program of accommodation to an invidious class and “racial” situation which has ultimately succeeded.  The black working class has been effectively “handled” by increasingly effective middle-class black political leadership (primarily in the Democratic but also the Republican Party), while its grievances have been successfully neutralized as a political matter in American social life.  We have not only Obama but, more significantly, a host of black cops and prison wardens (not to mention U.S. military commanders) supervising the degradation of social life.  These are not Uncle Toms or “house Negroes,” according to the old imagination, but rather a new, post-1960s black middle class of managers of American poverty.  This is the deeply conservative-reactionary character of social politics in our time.

For black Americans did not want recognition of their supposed “cultural” differences (think of Obama listening to Jay-Z on his I-Pod while shooting hoops at the White House), but have demanded, more basically, increased life-chances in American society.  They have received one but not the other.  We have gone all the way back to the beginning, in this sense.  This is the way in which Debs’s formulation haunts us today.

It is not the 1960s-era politics of “Black Power” and cultural politics of the ’70s–’80s that comprise our open wound in the present, but rather the deeper post-Reconstruction era failures of American working class politics, which has shadowed historical developments ever since.  It is not the historical figures of Malcolm X, the Black Panthers or Marcus Garvey who stand accusingly over the present, but rather Fredrick Douglass and Paul Robeson — and hence MLK and DuBois, but in the less familiar guise of a labor-Left and not a “racial” politics.  MLK’s “dream” has only apparently been realized; his core demand for “jobs and freedom” (the slogan of the 1963 March on Washington) for all Americans has clearly not.  What was supposedly a “reformist” demand turns out to be the most revolutionary of all. | §

Gillian Rose’s “Hegelian” critique of Marxism

Book review: Gillian Rose, Hegel Contra Sociology. London: Verso, 2009.

Chris Cutrone

Gillian Rose

Gillian Rose (1947-1995)

GILLIAN ROSE’S MAGNUM OPUS was her second book, Hegel Contra Sociology (1981).[1] Preceding this was The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno (1978), a work which charted Rose’s approach to the relation of Marxism to Hegel in Hegel Contra Sociology.[2] Alongside her monograph on Adorno, Rose published two incisively critical reviews of the reception of Adorno’s work.[3] Rose thus established herself early on as an important interrogator of Adorno’s thought and Frankfurt School Critical Theory more generally, and of their problematic reception.

In her review of Negative Dialectics, Rose noted, “Anyone who is involved in the possibility of Marxism as a mode of cognition sui generis . . . must read Adorno’s book.”[4] As she wrote in her review of contemporaneous studies on the Frankfurt School,

Both the books reviewed here indict the Frankfurt School for betraying a Marxist canon; yet they neither make any case for the importance of the School nor do they acknowledge the question central to that body of work: the possibility and desirability of defining such a canon. As a result both books overlook the relation of the Frankfurt School to Marx for which they are searching. . . . They have taken the writings [of Horkheimer, Benjamin and Adorno] literally but not seriously enough. The more general consequences of this approach are also considerable: it obscures instead of illuminating the large and significant differences within Marxism.[5]

Rose’s critique can be said of virtually all the reception of Frankfurt School Critical Theory.

Rose followed her work on Adorno with Hegel Contra Sociology. The book’s original dust jacket featured a blurb by Anthony Giddens, Rose’s mentor and the doyen of sociology, who called it “a very unusual piece of work . . . whose significance will take some time to sink in.” As Rose put it in The Melancholy Science, Adorno and other thinkers in Frankfurt School Critical Theory sought to answer for their generation the question Marx posed (in the 1844 Economic and Philosophic Manuscripts), “How do we now stand as regards the Hegelian dialectic?”[6] For Rose, this question remained a standing one. Hence, Rose’s work on the problem of “Hegelian Marxism” comprised an important critique of the Left of her time that has only increased in resonance since then.

Rose sought to recover Hegel from readings informed by 20th century neo-Kantian influences, and from what she saw as the failure to fully grasp Hegel’s critique of Kant. Where Kant could be seen as the bourgeois philosopher par excellence, Rose took Hegel to be his most important and unsurpassed critic. Hegel provided Rose with the standard for critical thinking on social modernity, whose threshold she found nearly all others to fall below, including thinkers she otherwise respected such as Adorno and Marx.

Rose read Marx as an important disciple of Hegel who, to her mind, nevertheless, misapprehended key aspects of Hegel’s thought. According to Rose, this left Marxism at the mercy of prevailing Kantian preoccupations. As she put it, “When Marx is not self-conscious about his relation to Hegel’s philosophy . . . [he] captures what Hegel means by actuality or spirit. But when Marx desires to dissociate himself from Hegel’s actuality . . . he relies on and affirms abstract dichotomies between being and consciousness, theory and practice, etc.” (230–231). In offering this Hegelian critique of Marx and Marxism, however, Rose actually fulfilled an important desideratum of Adorno’s Marxist critical theory, which was to attend to what was “not yet subsumed,” or, how a regression of Marxism could be met by a critique from the standpoint of what “remained” from Hegel.

In his deliberate recovery of what Rose characterized as Marx’s “capturing” of Hegel’s “actuality or spirit,” Adorno was preceded by the “Hegelian Marxists” Georg Lukács and Karl Korsch. The “regressive” reading proposed by Adorno[7] that could answer Rose would involve reading Adorno as presupposing Lukács and Korsch, who presupposed the revolutionary Marxism of Lenin and Luxemburg, who presupposed Marx, who presupposed Hegel. Similarly, Adorno characterized Hegel as “Kant come into his own.”[8] From Adorno’s perspective, the Marxists did not need to rewrite Marx, nor did Marx need to rewrite Hegel. For Adorno the recovery of Marx by the Marxists — and of Hegel by Marx — was a matter of further specification and not simple “progress.” This involved problematization, perhaps, but not overcoming in the sense of leaving behind.[9] Marx did not seek to overcome Hegel, but rather was tasked to advance and fulfill his concerns. This comports well with Rose’s approach to Hegel, which she in fact took over, however unconsciously, from her prior study of Adorno, failing to follow what Adorno assumed about Marxism in this regard.

Two parts of Hegel Contra Sociology frame its overall discussion of the challenge Hegel’s thought presents to the critical theory of society: a section in the introductory chapter on what Rose calls the “Neo-Kantian Marxism” of Lukács and Adorno and the concluding section on “The Culture and Fate of Marxism.” The arguments condensed in these two sections of Rose’s book comprise one of the most interesting and challenging critiques of Marxism. However, Rose’s misunderstanding of Marxism limits the direction and reach of the rousing call with which she concluded her book: “This critique of Marxism itself yields the project of a critical Marxism. . . . [P]resentation of the contradictory relations between Capital and culture is the only way to link the analysis of the economy to comprehension of the conditions for revolutionary practice” (235). Yet Rose’s critique of Marxism, especially of Lukács and Adorno, and of Marx himself, misses its mark.

One problem regarding Rose’s critique of Marxism is precisely her focus on Marxism as a specifically “philosophical” problem, as a problem more of thought than of action. As Lukács’s contemporary Karl Korsch pointed out in “Marxism and Philosophy” (1923), by the late 19th century historians such as Dilthey had observed that “ideas contained in a philosophy can live on not only in philosophies, but equally well in positive sciences and social practice, and that this process precisely began on a large scale with Hegel’s philosophy.”[10] For Korsch, this meant that “philosophical” problems in the Hegelian sense were not matters of theory but practice. From a Marxian perspective, however, it is precisely the problem of capitalist society that is posed at the level of practice. Korsch went on to argue that “what appears as the purely ‘ideal’ development of philosophy in the 19th century can in fact only be fully and essentially grasped by relating it to the concrete historical development of bourgeois society as a whole.”[11] Korsch’s great insight, shared by Lukács, took this perspective from Luxemburg and Lenin, who grasped how the history of Marxism was a key part, indeed the crucial aspect, of this development, at the time of their writing in the first years of the 20th century.[12]

The most commented-upon essay of Lukács’s collection History and Class Consciousness (1923) is “Reification and the Consciousness of the Proletariat,” written specifically as the centerpiece of the book, but drawing upon arguments made in the book’s other essays. Like many readers of Lukács, Rose focused her critique in particular on Lukács’s argument in the second part of his “Reification” essay, “The Antinomies of Bourgeois Thought,” neglecting that its “epistemological” investigation of philosophy is only one moment in a greater argument, which culminates in the most lengthy and difficult third part of Lukács’s essay, “The Standpoint of the Proletariat.” But it is in this part of the essay that Lukács addressed how the Marxist social-democratic workers’ movement was an intrinsic part of what Korsch had called the “concrete historical development of bourgeois society as a whole,” in which its “philosophical” problem lived. The “philosophical” problem Korsch and Lukács sought to address was the “dialectic” of the political practice of the working class, how it actually produced and did not merely respond to the contradictions and potentially revolutionary crisis of capitalist society. It is because of Rose’s failure to grasp this point that her criticism of Marx, Lukács, and Adorno amounts to nothing more than an unwitting recapitulation of Lukács’s own critique of what he called “vulgar Marxism,” and what Adorno called “positivism” or “identity thinking.” Lukács and Adorno, following Lenin and Luxemburg, attempted to effect a return to what Korsch called “Marx’s Marxism.”

In examining Rose’s critique of Lukács, Adorno, and Marx, and in responding to Rose’s Hegelian interrogation of their supposed deficits, it becomes possible to recover what is important about and unifies their thought. Rose’s questions about Marxism are those that any Marxian approach must answer to demonstrate its necessity — its “improved version,” as Lukács put it, of the “Hegelian original” dialectic.[13]

The problem of Marxism as Hegelian “science”

In the final section of Hegel Contra Sociology, in the conclusion of the chapter “With What Must the Science End?” titled “The Culture and Fate of Marxism,” Rose addresses Marx directly. Here, Rose states that,

Marx did not appreciate the politics of Hegel’s presentation, the politics of a phenomenology [logic of appearance] which aims to re-form consciousness . . . [and] acknowledges the actuality which determines the formation of consciousness. . . . Marx’s notion of political education was less systematic than [Hegel’s]. (232–233)

One issue of great import for Rose’s critique of Marxism is the status of Hegel’s philosophy as “speculative.” As Rose wrote,

Marx’s reading of Hegel overlooks the discourse or logic of the speculative proposition. He refuses to see the lack of identity in Hegel’s thought, and therefore tries to establish his own discourse of lack of identity using the ordinary proposition. But instead of producing a logic or discourse of lack of identity he produced an ambiguous dichotomy of activity/nature which relies on a natural beginning and an utopian end. (231)

Rose explicated this “lack of identity in Hegel’s thought” as follows:

Hegel knew that his thought would be misunderstood if it were read as [a] series of ordinary propositions which affirm an identity between a fixed subject and contingent accidents, but he also knew that, like any thinker, he had to present his thought in propositional form. He thus proposed . . . a “speculative proposition.” . . . To read a proposition “speculatively” means that the identity which is affirmed between subject and predicate is seen equally to affirm a lack of identity between subject and predicate. . . . From this perspective the “subject” is not fixed: . . . Only when the lack of identity between subject and predicate has been experienced, can their identity be grasped. . . . Thus it cannot be said, as Marx, for example, said [in his Critique of Hegel’s “Philosophy of Right” (1843)], that the speculative proposition turns the predicate into the subject and therefore hypostatizes predicates, just like the ordinary proposition hypostatizes the subject. . . . [Hegel’s] speculative proposition is fundamentally opposed to [this] kind of formal identity. (51–53)

Rose may be correct about Marx’s 1843 critique of Hegel. She severely critiqued Marx’s 1845 “Theses on Feuerbach” on the same score (230). What this overlooks is Marx’s understanding of the historical difference between his time and Hegel’s. Consequently, it neglects Marx’s differing conception of “alienation” as a function of the Industrial Revolution, in which the meaning of the categories of bourgeois society, of the commodity form of labor, had become reversed.

Rose’s failure to register the change in meaning of “alienation” for Marx compromised her reading of Lukács:

[M]aking a distinction between underlying process and resultant objectifications[,] Lukács was able to avoid the conventional Marxist treatment of capitalist social forms as mere “superstructure” or “epiphenomena;” legal, bureaucratic and cultural forms have the same status as the commodity form. Lukács made it clear that “reification” is the specific capitalist form of objectification. It determines the structure of all the capitalist social forms. . . . [T]he process-like essence (the mode of production) attains a validity from the standpoint of the totality. . . . [Lukács’s approach] turned . . . away from a logic of identity in the direction of a theory of historical mediation. The advantage of this approach was that Lukács opened new areas of social life to Marxist analysis and critique. . . . The disadvantage was that Lukács omitted many details of Marx’s theory of value. . . . As a result “reification” and “mediation” become a kind of shorthand instead of a sustained theory. A further disadvantage is that the sociology of reification can only be completed by a speculative sociology of the proletariat as the subject-object of history. (30–31)

However, for Lukács the proletariat is not a Hegelian subject-object of history but a Marxian one.[14] Lukács did not affirm history as the given situation of the possibility of freedom in the way Hegel did. Rather, following Marx, Lukács treated historical structure as a problem to be overcome. History was not to be grasped as necessary, as Hegel affirmed against his contemporaries’ Romantic despair at modernity. Rose mistakenly took Lukács’s critique of capital to be Romantic, subject to the aporiae Hegel had characterized in the “unhappy consciousness.” Rose therefore misinterpreted Lukács’s revolutionism as a matter of “will”:[15]

Lukács’s History and Class Consciousness is an attempt to give [Marx’s] Capital a phenomenological form: to read Marx’s analysis of capital as the potential consciousness of a universal class. But Lukács’s emphasis on change in consciousness as per se revolutionary, separate from the analysis of change in capitalism, gives his appeal to the proletariat or the party the status of an appeal to a . . . will. (233)

Nonetheless, Rose found aspects of Lukács’s understanding of Marx compelling, in a “Hegelian” sense:

The question of the relation between Capital and politics is thus not an abstract question about the relation between theory and practice, but a phenomenological question about the relationship between acknowledgement of actuality and the possibility of change. This is why the theory of commodity fetishism, the presentation of a contradiction between substance and subject, remains more impressive than any abstract statements about the relation between theory and practice or between capitalist crisis and the formation of revolutionary consciousness. It acknowledges actuality and its misrepresentation as consciousness. (233)

What is missing from Rose’s critique of Lukács, however, is how he offered a dialectical argument, precisely through forms of misrecognition (“misrepresentation”).[16]

This is why the theory of commodity fetishism has become central to the neo-Marxist theory of domination, aesthetics, and ideology. The theory of commodity fetishism is the most speculative moment in Marx’s exposition of capital. It comes nearest to demonstrating in the historically specific case of commodity producing society how substance is ((mis-)represented as) subject, how necessary illusion arises out of productive activity. (232)

However, the contradiction of capital is not merely between “substance and subject,” but rather a self-contradictory social substance, value, which gives rise to a self-contradictory subject.[17]

Rose’s critique of the “sociological” Marxism of Lukács and Adorno

Rose’s misconstrual of the status of proletarian social revolution in the self-understanding of Marxism led her to regard Lukács and Adorno’s work as “theoretical” in the restricted sense of mere analysis. Rose denied the dialectical status of Lukács and Adorno’s thought by neglecting the question of how a Marxian approach, from Lukács and Adorno’s perspective, considered the workers’ movement for emancipation as itself symptomatic of capital. Following Marx, Lukács and Adorno regarded Marxism as the organized historical self-consciousness of the social politics of the working class that potentially points beyond capital.[18] Rose limited Lukács and Adorno’s concerns regarding “misrecognition,” characterizing their work as “sociological”:

The thought of Lukács and Adorno represent two of the most original and important attempts . . . [at] an Hegelian Marxism, but it constitutes a neo-Kantian Marxism. . . . They turned the neo-Kantian paradigm into a Marxist sociology of cultural forms . . . with a selective generalization of Marx’s theory of commodity fetishism. (29)

But, according to Rose, this “sociological” analysis of the commodity form remained outside its object:

In the essay “Reification and the Consciousness of the Proletariat” in History and Class Consciousness, Lukács generalizes Marx’s theory of commodity fetishism by making a distinction between the total process of production, “real life-processes,” and the resultant objectifications of social forms. This notion of “objectification” has more in common with the neo-Kantian notion of the objectification of specific object-domains than with an “Hegelian” conflating of objectification, human praxis in general, with alienation, its form in capitalist society. (30)

Rose thought that Lukács thus undermined his own account of potential transformation: “Lukács’s very success in demonstrating the prevalence of reification . . . meant that he could only appeal to the proletariat to overcome reification by apostrophes to the unity of theory and practice, or by introducing the party as deus ex machina” (31). In this respect, Rose failed to note how Lukács, and Adorno following him, had deeply internalized the Hegelian problematic of Marxism, how Marxism was not the (mis)application but the reconstruction of the Hegelian dialectic under the changed social-historical conditions of capital. For Rose, Lukács’s concept of “reification” was too negative regarding the “totality” of capital, which she thought threatened to render capital non-dialectical, and its emancipatory transformation inconceivable. But Rose’s perspective remains that of Hegel — pre-industrial capital.

Hegel contra sociology — the “culture” and “fate” of Marxism

Just before she died in 1995, Rose wrote a new Preface for a reprint of Hegel Contra Sociology, which states that,

The speculative exposition of Hegel in this book still provides the basis for a unique engagement with post-Hegelian thought, especially postmodernity, with its roots in Heideggerianism. . . . [T]he experience of negativity, the existential drama, is discovered at the heart of Hegelian rationalism. . . . Instead of working with the general question of the dominance of Western metaphysics, the dilemma of addressing modern ethics and politics without arrogating the authority under question is seen as the ineluctable difficulty in Hegel. . . . This book, therefore, remains the core of the project to demonstrate a nonfoundational and radical Hegel, which overcomes the opposition between nihilism and rationalism. It provides the possibility for renewal of critical thought in the intellectual difficulty of our time. (viii)

Since the time of Rose’s book, with the passage of Marxist politics into history, the “intellectual difficulty” in renewing critical thought has only gotten worse. “Postmodernity” has not meant the eclipse or end, but rather the unproblematic triumph, of “Western metaphysics” — in the exhaustion of “postmodernism.”[19] Consideration of the problem Rose addressed in terms of the Hegelian roots of Marxism, the immanent critique of capitalist modernity, remains the “possibility” if not the “actuality” of our time. Only by facing it squarely can we avoid sharing in Marxism’s “fate” as a “culture.” For this “fate,” the devolution into “culture,” or what Rose called “pre-bourgeois society” (234), threatens not merely a form of politics on the Left, but humanity: it represents the failure to attain let alone transcend the threshold of Hegelian modernity, whose concern Rose recovered. | §

Originally published in The Platypus Review #21 (March 2010).

1. Gillian Rose, Hegel Contra Sociology (London: Verso, 2009). Originally published by Athlone Press, London in 1981.

2. Rose, The Melancholy Science (London: Macmillan, 1978).

3. See Rose’s review of the English translation of Adorno’s Negative Dialectics (1973) in The American Political Science Review 70.2 (June, 1976), 598–599; and of Susan Buck-Morss’s The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute (1977) and Zoltán Tar’s The Frankfurt School: The Critical Theories of Horkheimer and Adorno (1977) in History and Theory 18.1 (February, 1979), 126–135.

4. Rose, Review of Negative Dialectics, 599.

5. Rose, Review of The Origin of Negative Dialectics and The Frankfurt School, 126, 135.

6. Rose, The Melancholy Science, 2.

7. See, for instance, Adorno, “Progress” (1962), and “Critique” (1969), in Critical Models: Interventions and Catchwords, trans. Henry W. Pickford (New York: Columbia University Press, 1998), 143–160 and 281–288.

8. Adorno, “Aspects of Hegel’s Philosophy,” in Hegel: Three Studies, trans. Shierry Weber Nicholsen (Cambridge, MA: MIT Press, 1994), 6.

9. See Georg Lukács, Preface (1922), History and Class Consciousness: Studies in Marxist Dialectics (1923), trans. Rodney Livingstone (Cambridge, MA: MIT Press, 1971):

The author of these pages . . . believes that today it is of practical importance to return in this respect to the traditions of Marx-interpretation founded by Engels (who regarded the “German workers’ movement” as the “heir to classical German philosophy”), and by Plekhanov. He believes that all good Marxists should form, in Lenin’s words “a kind of society of the materialist friends of the Hegelian dialectic.” But Hegel’s position today is the reverse of Marx’s own. The problem with Marx is precisely to take his method and his system as we find them and to demonstrate that they form a coherent unity that must be preserved. The opposite is true of Hegel. The task he imposes is to separate out from the complex web of ideas with its sometimes glaring contradictions all the seminal elements of his thought and rescue them as a vital intellectual force for the present. (xlv)

10. Karl Korsch, “Marxism and Philosophy” (1923), in Marxism and Philosophy trans. Fred Halliday (New York: Monthly Review Press, 1970 and 2008), 39.

11. Korsch, “Marxism and Philosophy,” 40.

12. See, for instance: Rosa Luxemburg, Reform or Revolution? (1900), in which Luxemburg pointed out that all reforms aimed at ameliorating the crisis of capital actually exacerbated it; Vladimir Lenin, What is to be Done? (1902), in which Lenin supposed that overcoming reformist “revisionism” in international (Marxist) social democracy would amount to and be the express means for overcoming capitalism; and Leon Trotsky, Results and Prospects (1906), in which Trotsky pointed out that the various “prerequisites of socialism” not only developed historically independently but also, significantly, antagonistically. In The State and Revolution (1917), Lenin, following Marx, critiqued anarchism for calling for the “abolition” of the state and not recognizing that the necessity of the state could only “wither away” as a function of the gradual overcoming of “bourgeois right” whose prevalence would persist in the revolutionary socialist “workers’ state” long after the overthrow of the bourgeoisie: the state would continue as a symptom of capitalist social relations without capitalists per se. In Literature and Revolution (1924), Trotsky pointed out that, as symptomatic products of present society, the cultural and even political expressions of the revolution could not themselves embody the principles of an emancipated society but could, at best, only open the way to them. For Lukács and Korsch (and Benjamin and Adorno following them — see Benjamin’s 1934 essay on “The Author as Producer,” in Reflections, trans. Edmund Jephcott [New York: Schocken, 1986], 220–238), such arguments demonstrated a dialectical approach to Marxism itself on the part of its most thoughtful actors.

13. Lukács, History and Class Consciousness, xlvi. Citing Lukács in her review of Buck-Morss and Tar on the Frankfurt School, Rose posed the problem of Marxism this way:

The reception of the Frankfurt School in the English-speaking world to date displays a paradox. Frequently, the Frankfurt School inspires dogmatic historiography although it represents a tradition which is attractive and important precisely because of its rejection of dogmatic or “orthodox” Marxism. This tradition in German Marxism has its origin in Lukács’s most un-Hegelian injunction to take Marxism as a “method” — a method which would remain valid even if “every one of Marx’s individual theses” were proved wrong. One can indeed speculate whether philosophers like Bloch, Benjamin, Horkheimer, and Adorno would have become Marxists if Lukács had not pronounced thus. For other Marxists this position spells scientific “suicide.” (Rose, Review of The Origin of Negative Dialectics and The Frankfurt School, 126.)

Nevertheless, Rose used a passage from Lukács’s 1924 book in eulogy, Lenin: A Study on the Unity of His Thought as the epigraph for her essay: “[T]he dialectic is not a finished theory to be applied mechanically to all the phenomena of life but only exists as theory in and through this application” (126). Critically, Rose asked only that Lukács’s own work — and that of other “Hegelian” Marxists — remain true to this observation.

14. See Lukács, “Reification and the Consciousness of the Proletariat,” 171–175:

The class meaning of [the thoroughgoing capitalist rationalization of society] lies precisely in the fact that the bourgeoisie regularly transforms each new qualitative gain back onto the quantitative level of yet another rational calculation. Whereas for the proletariat, the “same” development has a different class meaning: it means the abolition of the isolated individual, it means that the workers can become conscious of the social character of labor, it means that the abstract, universal form of the societal principle as it is manifested can be increasingly concretized and overcome. . . . For the proletariat however, this ability to go beyond the immediate in search for the “remoter” factors means the transformation of the objective nature of the objects of action.

The “objective nature of the objects of action” includes that of the working class itself.

15. Such misapprehension of revolutionary Marxism as voluntarism has been commonplace. Rosa Luxemburg’s biographer, the political scientist J. P. Nettl, in the essay “The German Social Democratic Party 1890–1914 as Political Model” (in Past and Present 30 [April 1965], 65–95), addressed this issue as follows:

Rosa Luxemburg was emphatically not an anarchist and went out of her way to distinguish between “revolutionary gymnastic,” which was “conjured out of the air at will,” and her own policy (see her 1906 pamphlet on The Mass Strike, the Political Party and the Trade Unions). . . . [Later Communist historians have burdened her] with the concept of spontaneity. . . . [But her’s] was a dynamic, dialectic doctrine; organization and action revived each other and made each other grow. . . . It may well be that there were underlying similarities to anarchism, insofar as any doctrine of action resembles any other. A wind of action and movement was blowing strongly around the edges of European culture at the time, both in art and literature as well as in the more political context of Sorel and the Italian Futurists. . . . [But] most important of all, Rosa Luxemburg specifically drew on a Russian experience [of the 1905 Revolution] which differed sharply from the intellectual individualism of Bakunin, [Domela-]Nieuwenhuis and contemporary anarchism. She always emphasized self-discipline as an adjunct to action — the opposite of the doctrine of self-liberation which the Anarchists shared with other European action philosophies. (88–89)

The German Left evolved a special theory of action. . . . Where the German Left emphasized action against organization, Lenin preached organization as a means to action. But action was common to both — and it was this emphasis on action which finally brought the German Left and the Russian Bolsheviks into the same camp in spite of so many serious disagreements. In her review of the Bolshevik revolution, written in September 1918, Rosa Luxemburg singled out this commitment to action for particular praise. Here she saw a strong sympathetic echo to her own ideas, and analyzed it precisely in her own terms:

“With . . . the seizure of power and the carrying forward of the revolution the Bolsheviks have solved the famous question of a ‘popular majority’ which has so long oppressed the German Social Democrats . . . not through a majority to a revolutionary tactic, but through a revolutionary tactic to a majority” (The Russian Revolution)

With action as the cause and not the consequence of mass support, she saw the Bolsheviks applying her ideas in practice — and incidentally provides us with clear evidence as to what she meant when she spoke of majority and masses. In spite of other severe criticisms of Bolshevik policy, it was this solution of the problem by the Bolsheviks which definitely ensured them the support of the German Left. (91–92)

The possibilities adumbrated by modern sociology have not yet been adequately exploited in the study of political organizations, dynamics, relationships. Especially the dynamics; most pictures of change are “moving pictures,” which means that they are no more than “a composition of immobilities . . . a position, then a new position, etc., ad infinitum” (Henri Bergson). The problem troubled Talcott Parsons among others, just as it long ago troubled Rosa Luxemburg. (95)

This was what Lukács, following Lenin and Luxemburg, meant by the problem of “reification.”

16. As Lukács put it in the Preface (1922) to History and Class Consciousness,

I should perhaps point out to the reader unfamiliar with dialectics one difficulty inherent in the nature of dialectical method relating to the definition of concepts and terminology. It is of the essence of dialectical method that concepts which are false in their abstract one-sidedness are later transcended (zur Aufhebung gelangen). The process of transcendence makes it inevitable that we should operate with these one-sided, abstract and false concepts. These concepts acquire their true meaning less by definition than by their function as aspects that are then transcended in the totality. Moreover, it is even more difficult to establish fixed meanings for concepts in Marx’s improved version of the dialectic than in the Hegelian original. For if concepts are only the intellectual forms of historical realities then these forms, one-sided, abstract and false as they are, belong to the true unity as genuine aspects of it. Hegel’s statements about this problem of terminology in the preface to the Phenomenology are thus even more true than Hegel himself realized when he said: “Just as the expressions ‘unity of subject and object’, of ‘finite and infinite’, of ‘being and thought’, etc., have the drawback that ‘object’ and ‘subject’ bear the same meaning as when they exist outside that unity, so that within the unity they mean something other than is implied by their expression: so, too, falsehood is not, qua false, any longer a moment of truth.” In the pure historicization of the dialectic this statement receives yet another twist: in so far as the “false” is an aspect of the “true” it is both “false” and “non-false.” When the professional demolishers of Marx criticize his “lack of conceptual rigor” and his use of “image” rather than “definitions,” etc., they cut as sorry a figure as did Schopenhauer when he tried to expose Hegel’s “logical howlers” in his Hegel critique. All that is proved is their total inability to grasp even the ABC of the dialectical method. The logical conclusion for the dialectician to draw from this failure is not that he is faced with a conflict between different scientific methods, but that he is in the presence of a social phenomenon and that by conceiving it as a socio-historical phenomenon he can at once refute it and transcend it dialectically. (xlvi–xlvii)

For Lukács, the self-contradictory nature of the workers’ movement was itself a “socio-historical phenomenon” that had brought forth a revolutionary crisis at the time of Lukács’s writing: from a Marxian perspective, the working class and its politics were the most important phenomena and objects of critique to be overcome in capitalist society.

17. See Moishe Postone, Time, Labor and Social Domination: A Reinterpretation of Marx’s Critical Theory (Cambridge, UK: Cambridge University Press, 2003).

18. See Adorno, “Reflections on Class Theory” (1942), in Can One Live After Auschwitz? A Philosophical Reader, ed. Rolf Tiedemann (Stanford, CA: Stanford University Press, 2003), 93–110:

According to [Marxian] theory, history is the history of class struggles. But the concept of class is bound up with the emergence of the proletariat. . . . By extending the concept of class to prehistory, theory denounces not just the bourgeois . . . [but] turns against prehistory itself. . . . By exposing the historical necessity that had brought capitalism into being, [the critique of] political economy became the critique of history as a whole. . . . All history is the history of class struggles because it was always the same thing, namely, prehistory. (93–94)

This means, however, that the dehumanization is also its opposite. . . . Only when the victims completely assume the features of the ruling civilization will they be capable of wresting them from the dominant power. (110)

This follows from Lukács’s conception of proletarian socialism as the “completion” of reification (“Reification and the Consciousness of the Proletariat,” in History and Class Consciousness):

The danger to which the proletariat has been exposed since its appearance on the historical stage was that it might remain imprisoned in its immediacy together with the bourgeoisie. With the growth of social democracy this threat acquired a real political organisation which artificially cancels out the mediations so laboriously won and forces the proletariat back into its immediate existence where it is merely a component of capitalist society and not at the same time the motor that drives it to its doom and destruction. (196)

[E]ven the objects in the very centre of the dialectical process [i.e., the political forms of the workers’ movement itself] can only slough off their reified form after a laborious process. A process in which the seizure of power by the proletariat and even the organisation of the state and the economy on socialist lines are only stages. They are, of course, extremely important stages, but they do not mean that the ultimate objective has been achieved. And it even appears as if the decisive crisis-period of capitalism may be characterized by the tendency to intensify reification, to bring it to a head. (208)

19. Rose’s term for the post-1960s “New Left” historical situation is “Heideggerian postmodernity.” Robert Pippin, as a fellow “Hegelian,” in his brief response to the Critical Inquiry journal’s symposium on “The Future of Criticism,” titled “Critical Inquiry and Critical Theory: A Short History of Nonbeing” (Critical Inquiry 30.2 [Winter 2004], 424–428), has characterized this similarly, as follows:

[T]he level of discussion and awareness of this issue, in its historical dimensions (with respect both to the history of critical theory and the history of modernization) has regressed. . . . [T]he problem with contemporary critical theory is that it has become insufficiently critical. . . . [T]here is also a historical cost for the neglect or underattention or lack of resolution of this core critical problem: repetition. . . . It may seem extreme to claim — well, to claim at all that such repetition exists (that postmodernism, say, is an instance of such repetition) — and also to claim that it is tied somehow to the dim understanding we have of the post-Kantian situation. . . . [T]hat is what I wanted to suggest. I’m not sure it will get us anywhere. Philosophy rarely does. Perhaps it exists to remind us that we haven’t gotten anywhere. (427–428)

Heidegger himself anticipated this result in his “Overcoming Metaphysics” (1936–46), in The End of Philosophy, ed. and trans. Joan Stambaugh (Chicago: University of Chicago Press, 2003): “The still hidden truth of Being is withheld from metaphysical humanity. The laboring animal is left to the giddy whirl of its products so that it may tear itself to pieces and annihilate itself in empty nothingness” (87). Elsewhere, in “The End of Philosophy and the Task of Thinking” (1964), in Basic Writings, ed. David Farrell Krell (New York: HarperCollins, 1993), Heidegger acknowledged Marx’s place in this process: “With the reversal of metaphysics which was already accomplished by Karl Marx, the most extreme possibility of philosophy is attained” (433).

The failure of the Islamic Revolution

The nature of the present crisis in Iran

Chris Cutrone

THE ELECTION CRISIS THAT UNFOLDED after June 12 has exposed the vulnerability of the Islamic Republic of Iran (IRI), a vulnerability that has been driving its ongoing confrontation with the U.S. and Europe, for instance on the question of acquiring nuclear technology and its weapons applications.

While the prior U.S. administration under Bush had called for “regime change” in Iran, President Obama has been more conciliatory, offering direct negotiations with Tehran. This opening met with ambivalence from the Islamic Republic establishment; some favored while others opposed accepting this olive branch offered by the newly elected American president. Like the recent coup in Honduras, the dispute in Iran has been conditioned, on both sides, by the “regime change” that has taken place in the United States. A certain testing of possibilities in the post-Bush II world order is being mounted by allies and opponents alike. One dangerous aspect of the mounting crisis in Iran has been the uncertainty over how the Obama administration might address it.

The U.S. Republican Party and neoconservatives, now in the opposition, and recently elected Israeli right-wing politicians have demanded that the U.S. keep up the pressure on the IRI and have expressed skepticism regarding Iranian “reform” candidate Mir-Hossein Mousavi. European statesmen on both Right and Left have, for their part, made strident appeals for “democracy” in Iran. But Obama has tried to avoid the pitfalls of either exacerbating the confrontation with the IRI or undermining whatever hopes might be found with the Iranian dissidents, whether of the dominant institutions of the Islamic Republic such as Mousavi or of the more politically indeterminate mass protests. Obama is seeking to keep his options open, however events end up resolving in Iran. While to some this appears as an equivocation or even a betrayal of Iranian democratic aspirations, it is simply typical Obama realpolitik. A curious result of the Obama administration’s relatively taciturn response has been the IRI’s reciprocal reticence about any U.S. role in the present crisis, preferring instead, bizarrely, to demonize the British as somehow instigating the massive street protests.

The good faith or wisdom of the new realpolitik is not to be doubted, however, especially given that Obama wants neither retrenchment nor the unraveling of the Islamic Republic in Iran. As chief executive of what Marx called the “central committee” of the American and indeed global ruling class, Obama might not have much reasonable choice for alternative action. The truth is that the U.S. and European states can deal quite well with the IRI so long as it does not engage in particularly undesirable behaviors. Their problem is not with the IRI as such — but the Left’s ought to be.

The reigning confusion around the crisis in Iran has been expressed, on the one hand, in statements defending Mahmoud Ahmadinejad’s claim to electoral victory by Venezuelan President Hugo Chavez and by individual writers in the supposedly leftist Monthly Review and its MRZine web publication (which also has republished without comment official Iranian statements on the crisis), and on the other hand by supporters of Iranian dissidents and election protesters such as Danny Postel, Fred Halliday, and the various Marxist-Humanist publications in the U.S.[1]

Slavoj Žižek has weighed in on the question with an interesting and sophisticated take of his own, questioning prevailing understandings of the nature of the Iranian regime and its Islamist character.[2] Meanwhile, the indefatigable Christopher Hitchens has pursued his idiosyncratic brand of a quasi-neoconservative “anti-fascist” denunciation of the Islamic Republic, pointing out how the Islamic Republic itself is predicated on Khomeini’s “theological” finding of Velayat-e Faqui, that the entire Iranian population, as victims of Western “cultural imperialism,” needed to be treated as minority wards of the mullahs.[3]

Halliday addresses the current protests as if they are the result of a “return of the repressed” of the supposedly more revolutionary aspirations of the 1978–79 toppling of the Shah, characterizing the Islamic Republic as the result of a “counter-revolution.” In a recent interview published in the Platypus Review #14 (August 2009), historian of the Iranian Left Ervand Abrahamian characterizes the present crisis in terms of demands for greater freedoms that necessarily supersede the accomplished tasks of the 1979 revolution, which, according to Abrahamian, overthrew the tyranny of the Pahlavi ancien régime and established Iranian “independence” (from the U.S. and U.K.).

All told, this constellation of responses to the crisis has recapitulated problems on the Left in understanding the Islamic Revolution that took place in Iran from 1978–83, and the character and trajectory of the Islamic Republic of Iran since then. All share in the fallacy of attributing to Iran an autonomous historical rhythm or logic of its own. Iran is treated more or less as an entity, rather than as it might be, as a symptomatic effect of a greater history.[4] Of all, Žižek has come closest to addressing this issue of greater context, but even he has failed to address the history of the Left.

Two issues bedevil the Left’s approach to the Islamic Republic and the present crisis in Iran: the general character of the recent historical phenomenon of Islamist politics, and the larger question of “revolution.” Among the responses to the present crisis one finds longstanding analytic and conceptual problems that are condensed in ways useful for critical consideration. It is precisely in its lack of potential emancipatory or even beneficial outcome that the present electoral crisis in Iran proves most instructive. So, what are the actual possibilities for the current crisis in Iran?

Perhaps perversely, it is helpful to begin with the well-reported statements of the Revolutionary Guards in Iran, who warned of the danger of a “velvet revolution” akin to those that toppled the Communist Party-dominated Democratic Republics of Eastern Europe in 1989. The Communist Party General Secretary Mikhail Gorbachev sought to reform but only ended up undoing the Soviet Union. So it is not merely a matter of the intentions of the street protesters or establishment institutional dissidents such as Mousavi that will determine outcomes — as the Right, from Obama to the grim beards of the Revolutionary Guards and Basiji, do not hesitate to point out. By comparison with such eminently realistic practical perspectives of the powers-that-be, the Left reveals itself to be comprised of daydreams and wishful thinking. The Revolutionary Guards might be correct that the present crisis of protests against the election results can only end badly.

Perhaps Ahmadinejad and those behind him, along with the Supreme Leader Ayatollah Khamenei, will prevail, and the protests against the election outcome will dissipate and those involved be punished, repressed, or eliminated. Or, perhaps, the protests will escalate, precipitating the demise of the Islamic Republic. But, were that to happen, maybe all that will be destroyed is the “republic” and not its Islamist politics, resulting in a rule of the mullahs without the accoutrements of “democracy.” Perhaps the protests will provoke a dictatorship by the Revolutionary Guards and Basiji militias. Or perhaps even these forces will weaken and dissolve under the pressure of the protesters. Perhaps a civil war will issue from the deepened splitting of the extant forces in Iran. In that case, it is difficult to imagine that the present backers of the protests among the Islamic Republic establishment would press to undermine the state or precipitate a civil war or a coup (one way or the other). Perhaps the present crisis will pressure a reconsolidated regime under Khamenei and Ahmadinejad to continue the confrontation with the U.S. and Europe, only more hysterically, in order to try to bolster their support in Iran. If so, this could easily result in military conflict. These are the potential practical stakes of the present crisis.

Žižek has balanced the merits of the protests against the drive to neo-liberalize Iran, in which not only American neoconservatives but also Ahmadinejad himself as well as the “reformers” such as Mousavi and his patron, the “pistachio king” and former president of the Islamic Republic, Ayatollah Rafsanjani, have all taken part. In so doing, however, Žižek rehearses illusions on the Left respecting the 1979 Islamic Revolution, as, for instance, when he points to the traditional Shia slogans of the protesters, “Death to the tyrant!” and “God is great!,” as evidence of the “emancipatory potential” of “good Islam,” as an alternative to the apparent inevitability of neoliberalism. But this concession to Islamist politics is gratuitous to the extent that it does not recognize the ideological limitations and practical constraints of the protest movement and its potential trajectory, especially in global context. The protests are treated as nothing more than an “event.”

But if the protests were to succeed, what would this mean? It could mean calling a new election in which Mousavi would win and begin reforming the IRI, curtailing the power of the Revolutionary Guards and Basiji, and perhaps even that of the clerical establishment. Or, if a more radical transformation were possible, perhaps a revolution would take place in which the IRI would be overthrown in favor of a newly constituted Iranian state. The most likely political outcome of such a scenario can be seen in neighboring Afghanistan and Iraq, a “soft” Islamist state more “open” to the rest of the world, i.e., more directly in-sync with the neoliberal norms prevailing in global capital, without the Revolutionary Guards, Inc., taking its cut (like the military in neighboring Pakistan, through its extensive holdings, the Revolutionary Guards comprise perhaps the largest capitalist entity in Iran). But how much better would such an outcome really be, from the perspective of the Left — for instance, in terms of individual and collective freedoms, such as women’s and sexual liberties, labor union organizing, etc.? Not much, if at all. Hence, even a less virulent or differently directed political Islamism needs to be seen as a core part of the problem confronted by people in Iran, rather than as an aspect of any potential solution.

Žižek has at least recognized that Islamism is not incompatible with, but rather shares in the essential historical moment of neoliberal capital. More than simply being two sides of the same coin, as Afghanistan and Iraq show, there is no discontinuity between neoliberalism and Islamism, despite what apologists for either may think.

Beyond Žižek, others on the Left have sought to capture for the election protests the historical mantle of the 1979 Revolution, as well as the precedents of the 1906 Constitutional Revolution and the “Left”-nationalist politics of Iranian Prime Minister Mohammed Mossadeq, overthrown in a U.S.- and British-supported coup in 1953. For instance, the Tudeh (“Masses”) Party (Iranian Communist Party), the Mujahedin-e Khalq (MEK, “People’s Mujahedin of Iran”) and its associated National Council of Resistance of Iran (NCORI), and the Worker-Communist Party of Iran (WPI, sister organization of the Worker-Communist Party of Iraq, the organizers of the largest labor union federation in post-U.S. invasion and occupation Iraq) have all issued statements claiming and thus simplifying, in national-celebratory terms, this complex and paradoxical historical legacy for the current protests. But some true democratic character of Iranian tradition should not be so demagogically posed.

The MEK, who were the greatest organizational participants on the Left in the Islamic Revolution of 1978–79 (helping to organize the massive street protests that brought down the Shah, and participating in the U.S. embassy takeover), were originally inspired by New Left Islamist Ali Shariati and developed a particular Islamo-Marxist approach that became more avowedly and self-consciously “Marxist” as they slipped into opposition with the rise to supremacy of Khomeini.[5] Shariati considered himself a follower of Frantz Fanon; Jean-Paul Sartre once said, famously, “I have no religion, but if I were to choose one, it would be that of Shariati.” The 44-year-old Shariati died under mysterious circumstances in 1977 while in exile in London, perhaps murdered by Khomeini’s agents. Opposition presidential candidate Mousavi, and especially his wife Zahra Rahnavard, despite eventually having joined the Khomeini faction by 1979, were students of Shariati who worked closely with him politically in the 1960s–70s.

A Mujahidin-i-khalq demonstration in Tehran during the Revolution. To the left, the figure of Dr. Ali Shariati; to the right, Khomeini.

A Mujahidin-i-khalq demonstration in Tehran during the Revolution. To the left, the figure of Dr. Ali Shariati; to the right, Khomeini.

However disoriented and hence limited the MEK’s inspiration, Shariati’s critique of modern capitalism, from the supposed perspective of Islam, was, it had the virtue of questioning capitalist modernity’s fundamental assumptions more deeply than is typically attempted today, for instance by Žižek, whose take on the “emancipatory potential” of “good Islam” is limited to the rather narrow question of “democracy.” So the question of how adequate let alone well-advised the “democratic” demands such as those of the present Iranian election protesters cannot even be posed, let alone properly addressed. 2009 is not a reprise of 1979, having much less radical potential, and this is both for good and ill.

On the Left, the MEK has been among the more noisy opposition groups against the Islamic Republic, for instance using its deep-cover operatives within Iran to expose the regime’s nuclear weapons program. Most on the Left have shunned the MEK, however. For instance, Postel calls it a “Stalinist death cult.” But the MEK’s New Left Third Worldist and cultural-nationalist (Islamist) perspective, however colored by Marxism, and no matter how subsequently modified, remains incoherent, as does the ostensibly more orthodox Marxism of the Tudeh and WCPI, for instance in their politics of “anti-imperialism,” and thus also remains blind to how their political outlook, from the 1970s to today, is bound to (and hence responsible for) the regressive dynamic of the “revolution” — really, just the collapse of the Shah’s regime — that resulted in the present theocracy. All these groups on the Iranian Left are but faint shadows of their former selves.

Despite their otherwise vociferous opposition to the present Islamist regime, the position of the Left in the present crisis, for instance hanging on every utterance by this or that “progressive” mullah in Iran, reminds one of the unbecoming position of Maoists throughout the world enthralled by the purge of the Gang of Four after Mao’s death in the late 1970s. Except, of course, for those who seek to legitimize Ahmadinejad, everyone is eager if not desperate to find in the present crisis an “opening” to a potential “progressive” outcome. The present search for an “emancipatory” Islamist politics is a sad repetition of the Left’s take on the 1979 Revolution. This position of contemplative spectatorship avoids the tasks of what any purported Left can, should, and indeed must do. From opportunist wishful thinking and tailing after forces it accepts ahead of time as beyond its control, the so-called Left resembles the Monday quarterbacking that rationalizes a course of events for which it abdicates any true responsibility. The Left thus participates in and contributes to affirming the confused muddle from which phenomena such as the Iranian election protests suffer — and hence inevitably becomes part of the Right.

This is the irony. Since those such as Žižek, Halliday, Postel, the Marxist-Humanists, liberals, and others on the Left seem anxious to prove that the U.S. neoconservatives and others are wrong in their hawkish attitude towards the Islamic Republic, to prove that any U.S. intervention will only backfire and prevent the possibility of a progressive outcome, especially to the present crisis, they tacitly support the Obama approach, no matter how supposedly differently and less cynically motivated theirs is compared to official U.S. policy.

Like the Obama administration, the Left seems more afraid to queer the play of the election protesters than it is eager to weigh in against the Islamic Republic. This craven anxiety at all-too-evident powerlessness over events considers itself to be balancing the need to oppose the greater power and danger, “U.S. imperialism,” producing a strange emphasis in all this discourse. Only Hitchens, in the mania of his “anti-fascism,” has freed himself from this obsequious attitude of those on the Left that sounds so awkward in the context of the present unraveling of what former U.S. National Security Advisor and then Secretary of State Condoleezza Rice once, rightly, called a “loathsome regime” — a sentiment about the Islamic Republic that any purported Left should share, and more loudly and proudly than any U.S. official could.

Indeed, the supporters of the election protesters have trumpeted the rejection of any and all help that might be impugned as showing the nefarious hand of the U.S. government and its agencies.[6] Instead, they focus on a supposed endemic dynamic for progressive-emancipatory change in Iranian history, eschewing how the present crisis of the Islamic Republic is related to greater global historical dynamics in which Iran is no less caught up than any other place. They thus repeat the mistake familiar from the 1979 Islamic Revolution, the reactionary dynamics of which were obscured behind supposed “anti-imperialism.” The problems facing the Left in Iran are the very same ones faced anywhere else. “Their” problems are precisely ours.

With the present crisis in Iran and its grim outlook we pay the price for the historical failures — really, the crimes — of the Left, going back at least to the period of the 1960s–70s New Left of which the Islamic Revolution was a product. The prospects for any positive, let alone progressive, outcome to the present crisis are quite dim. This is why it should be shocking that the Left so unthinkingly repeats today, if in a much attenuated form, precisely those mistakes that brought us to this point. The inescapable lesson of several generations of history is that only an entirely theoretically reformulated and practically reconstituted Left in places such as the U.S. and Europe would have any hope of giving even remotely adequate, let alone effective, form to the discontents that erupt from time to time anywhere in the world. Far from being able to take encouragement from phenomena such as the present election crisis and protests in Iran, the disturbing realization needs to be had, and at the deepest levels of conscious reflection, about just how much “they” need us.

A reformulated Left for the present and future must do better than the Left has done up to now in addressing — and opposing — problems such as political Islamism. The present manifest failure and unraveling of the Islamic Revolution in Iran is a good occasion for thinking through what it might mean to settle this more than thirty year old score of the betrayed and betraying Left. | §

Originally published in The Platypus Review #14 (August 2009). A slightly revised version was published in The International Journal of Žižek Studies 3.4 (2009).

1. In particular, see Danny Postel’s Reading Legitimation Crisis in Tehran: Iran and the Future of Liberalism, 2006; Fred Halliday’s “Iran’s Tide of History: Counterrevolution and After,” OpenDemocracy.net, July 17; and the Marxist-Humanist periodical News & Letters, as well as the web sites of the U.S. Marxist-Humanists and the Marxist-Humanist Initiative.

2. See Žižek’s “Will the Cat above the Precipice Fall Down?,” June 24 (available at http://supportiran.blogspot.com), based on a June 18 lecture at Birkbeck College, London, on “Populism and Democracy,” and followed by the more extended treatment in “Berlusconi in Tehran,” London Review of Books, July 23.

3. See Hitchens, “Don’t Call What Happened in Iran Last Week an Election,” Slate, June 14.

4. For excellent historical treatments of the Islamic Revolution and its local and global context, please see: Ervand Abrahamian, Iran Between Two Revolutions (1982) and The Iranian Mojahedin (1992); Maziar Behrooz, Rebels with a Cause: The Failure of the Left in Iran (2000); Fred Halliday, “The Iranian Revolution: Uneven Development and Religious Populism” (Journal of International Affairs 36.2 Fall/Winter 1982/83); and David Greason, “Embracing Death: The Western Left and the Iranian Revolution, 1979–83” (Economy and Society 34.1, February 2005). The critically important insights of these works have been largely neglected, including subsequently by their own authors.

5. The MEK have been widely described as “cult-like,” but perhaps this is because, as former participants in the Islamic Revolution, in their state of betrayal they focus so much animus on the cult-like character of the Islamic Republic itself; the official term used by the Khomeiniite state for the MEK is “Hypocrites” (Monafeqin), expressing their shared Islamist roots in the 1979 Revolution. But the success of the MEK over Khomeini would have hardly been better, and might have indeed been much worse. Khomeini’s opportunism and practical cynicism in consolidating the Islamic Revolution might have not only produced but also prevented abominable excesses of “revolutionary” Islamism.

Of all the organized tendencies in the Iranian Revolution, the MEK perhaps most instantiated Michel Foucault’s vision of its more radical “non-Western” character (see Janet Afary and Kevin Anderson, Foucault and the Iranian Revolution: Gender and the Seductions of Islamism, 2005). But just as Foucault’s enthusiasm for the Islamic Revolution in Iran ought to be a disturbing reminder of the inherent limitations and right-wing character of the Foucauldian critique of modernity, so should the MEK’s historical Shariati-inspired Islamism stand as a warning against all similar post-New Left valorizations of “culture.”

More recently, the MEK has found advocates among the far-Right politicians of the U.S. government such as Representative Tom Tancredo, Senators Sam Brownback and Kit Bond and former Senator and Attorney General John Ashcroft — precisely those who are most enchanted by the ideological cult of “America.” The MEK’s former patron, the Baathist Saddam Hussein, had unleashed the MEK on Iran in a final battle at the close of the Iran-Iraq war 1980–88, after which Khomeini ordered the slaughter of all remaining leftist political prisoners in Iran, as many as 30,000, mostly affiliated with the MEK and Tudeh, in what Abrahamian called “an act of violence unprecedented in Iranian history — unprecedented in form, content, and intensity” (Tortured Confessions, 1999, 210). After the 2003 invasion and occupation, the U.S. disarmed but protected the MEK in Iraq. However, since the U.S. military’s recent redeployment in the “status of forces” agreement with the al-Maliki government signed by Bush but implemented by Obama, the MEK has been subjected to brutal, murderous repression, as its refugee camp was raided by Iraqi forces on July 28–29, seemingly at the behest of the Iranian government, of which the dominant, ruling Shia constituency parties in Iraq have been longstanding beneficiaries.

The grotesque and ongoing tragedy of the MEK forms a shadow history of the Islamic Revolution and its aftermath, eclipsed by the Khomeiniite Islamic Republic, but is essential for grasping its dynamics and trajectory.

6. See, for instance, Sean Penn, Ross Mirkarimi and Reese Erlich, “Support Iranians, not U.S. Intervention,” CommonDreams.org, July 21.

The Platypus Synthesis: History, theory

The Platypus Synthesis: History, theory, and practice

Presented at the Platypus Affiliated Society 1st annual international convention, Chicago, June 14, 2009. (Audio recording.)

History, theory

Chris Cutrone

I WANT TO BEGIN, straightaway, with something Richard raised, on which I would like to try to elaborate, by way of properly motivating the more “positive” aspect of Platypus’s theory. Not how we are misrecognized, as either neoconservatives, crypto-Spartacists or academic Left-liberals, and what this says “negatively” about our project, as if in a photonegative, as Richard has discussed, but rather how we positively think about the intellectual content of our project.

Let me begin with a thought experiment: What if the Spartacist critique of the 1960s New Left and Moishe Postone’s critique of the New Left, as disparate and antithetical as they might appear, were both correct? In other words, what if, paradoxically, the problem of the 1960s New Left was that it was simultaneously “too traditional” and “not traditional enough” in its Marxism?

What if the Spartacists were right that Stalinism and Trotskyism (and Bolshevism more generally) were not to be conflated, as they were in both Stalinophilic New Leftism, of Maoism and Che Guevarism, etc., and Stalinophobic neo-anarchism, Situationism, etc.? And what if Postone was correct, that Trotskyism, as part of “traditional Marxism,” was unable to deal with the problem of mid-20th century capitalism’s differences from earlier forms, and not able to address why revolutionary proletarian class consciousness, as it had previously manifested, did not continue, but seemed to become either irrelevant or, worse, affirmative of the status quo of the “administered society” of “organized” capitalism in the mid-20th century?

What both the Spartacists and Postone are unable to address, however, is why neither of their perspectives, which purported to grasp the problem of capital more deeply and in broader historical context than others in the post-1960s New Left, found virtually no adherents. If we in Platypus say that both the Spartacists and Postone are correct, but both fail to adequately account for their own forms of consciousness, this raises an interesting paradox that points back to issues of historical interpretation for the Spartacists and Postone’s points of departure, namely, Bolshevism as revolutionary Marxism, and Marx’s own Marxism.

We could say that the problem of the Spartacists and Postone point to two different aspects of temporality in the history of the Left, that the Spartacists act as if no historical time intervenes between themselves and 1917, and Postone acts as if the progression of historical transformation leaves the Marxist tradition permanently superseded.

Both the Spartacists and Postone acknowledge, in however a limited fashion, the problem of regression; in the case of the Spartacists, the regression is post-1917, and for Postone it is post-1968, but both consider regression in only a linear and static manner, as if the emancipatory moments of 1917 and 1968 wait to be resumed at some time in a future that never comes. — And, behind both of these, lies 1848, which also continues to haunt our world, as taken up by the Situationists, “Left-” and “council” or “libertarian” communists and “anarchists.” What if all three are correct, that we are indeed haunted by 1848, 1917 and 1968, that these moments actually circumscribe present possibilities? Then the question would be: How so?

The point would be, contra both the Spartacists and Postone, to grasp how and why the pertinence of history changes and fluctuates, over time, and as a function of the present. The point would be to be able to grasp a non-linear conception of historical progression — and regression. If, according to the Spartacists, the moment of the Bolshevik Revolution remains permanently relevant, and, for Postone, Marx remains permanently relevant, this side of overcoming capital, then we ought to be able to explain how this is so, and in ways the Spartacists and Postone themselves have been unable to do. This is precisely what Platypus sets out to do.

Please let me begin again, with 4 quotations, to be considered in constellation. The first is from Walter Benjamin’s 1940 “Theses on the Philosophy of History:”

Karl Kraus said that “Origin is the goal.” History is the subject of a structure whose site is not homogenous, empty time, but time filled by the presence of the now. Thus, to Robespierre ancient Rome was a past charged with the time of the now which he blasted out of the continuum of history. The French Revolution viewed itself as Rome incarnate. It evoked ancient Rome the way fashion evokes costumes of the past. Fashion has a flair for the topical, no matter where it stirs in the thickets of long ago; it is a tiger’s leap into the past. This jump, however, takes place in an arena where the ruling class gives the commands. The same leap in the open air of history is the dialectical one, which is how Marx understood the revolution.

In attempting to read the history of the accelerated demise and self-liquidation of the Left after the 1960s, reading it, as Benjamin put it, “against the grain,” we in Platypus face a problem discussed by Nietzsche in his 1873 essay “On the Use and Abuse of History for Life:”

A person must have the power and from time to time use it to break a past and to dissolve it, in order to be able to live. . . . People or ages serving life in this way, by judging and destroying a past, are always dangerous and in danger. . . . It is an attempt to give oneself, as it were, a past after the fact, out of which we may be descended in opposition to the one from which we are descended. [Nietzsche translation by Ian Johnston at: http://www.mala.bc.ca/~johnstoi/Nietzsche/history.htm]

However, as Karl Korsch wrote, in his 1923 essay on “Marxism and Philosophy:”

[Marx wrote (in his 1859 Preface to A Contribution to the Critique of Political Economy) that] “[Humanity] always sets itself only such problems as it can solve; since, looking at the matter more closely it will always be found that the problem itself arises only when the material conditions for its solution are already present or are at least understood to be in the process of emergence.” [But] this dictum is not affected by the fact that a problem which supersedes present relations may have been formulated in an anterior epoch. [Karl Korsch, “Marxism and Philosophy,” Marxism and Philosophy (NLB: New York and London, 1970), 58]

As Adorno wrote, in his 1966 book Negative Dialectics:

The liquidation of theory by dogmatization and thought taboos contributed to the bad practice. . . . The interrelation of both moments [of theory and practice] is not settled once and for all but fluctuates historically. . . . Those who chide theory [for being] anachronistic obey the topos of dismissing, as obsolete, what remains painful [because it was] thwarted. . . . The fact that history has rolled over certain positions will be respected as a verdict on their truth content only by those who agree with Schiller that ‘world history is the world tribunal’. What has been cast aside but not absorbed theoretically will often yield its truth content only later. It festers as a sore on the prevailing health; this will lead back to it in changed situations. [T. W. Adorno, Negative Dialectics (Continuum: New York, 1983), 143–144]

We in Platypus consider ourselves, quite self-consciously, to be a function of such a return, under changed circumstances, to what was “cast aside but not absorbed theoretically.” We think that such an approach as ours is only possible by virtue of the ways history, in failing to be transcended, continues to “fester,” “yielding its truth content,” but “only later.” Our approach is informed by prior models for such an endeavor, namely, Trotsky and Adorno, and those who succeeded them, namely, the Spartacists and Moishe Postone.

We think that figures of historical thought and action such as Marx, Lenin and Luxemburg, Trotsky, Lukács, Korsch, Benjamin and Adorno have an apparently fluctuating pertinence, but we consider them to remain in constellation with the present, however distantly, precisely because these historical figures “remain painful [because they were] thwarted,” and because “history rolled over [their] positions” without their having been actually transcended and superseded, but only mistakenly “dismissed as obsolete.” As Adorno put it, in one of his last essays, “Late Capitalism or Industrial Society?,” or “Is Marx Obsolete?,” if Marx has become obsolete, this obsolescence will only be capable of being overcome on the basis of Marx’s own thought and model of historical action. We in Platypus think the same goes for Luxemburg, Lenin and Trotsky, and Adorno himself.

If these historical figures are obsolete but still remain capable of holding our attention and imagination, then we are tasked with explaining any continued pertinence they have by reference to their own models of historical thought and action, and thus, in a sense, “transcending” them, but only through “remembering” them, and on the basis that they themselves provide for our understanding them. We want to transform the ways these figures haunt us in the present into a matter of actual gratitude as opposed to guilt (as Horkheimer and Adorno put it, in The Dialectic of Enlightenment, following Freudian psychoanalysis, about “The Theory of Ghosts”).

We recognize that Marx and the best Marxists, such as Luxemburg, Lenin and Trotsky, will be transcended only by being fulfilled. We want to actually make them obsolete, whereas we find their (pseudo-)“obsolescence” declared by the “Left” today to be a function of trying to repress or ward them off instead. We begin with the discomfort of their memory, as an important symptom of history in the present.

But this involves a rather complicated historical approach, one that goes on in Platypus under the rubrics of “regression” and “critical” history, or history “against the grain” of events, which I would like to explicate now.

Nietzsche described what he called “critical history,” or an approach to history that is critical of that history from the standpoint of the needs of the present. Let me cite further from the passage of Nietzsche’s “Use and Abuse of History for Life” I’ve already quoted to illustrate this point.

Nietzsche said that,

Here it is not righteousness which sits in the judgment seat or, even less, mercy which announces judgment, but life alone, that dark, driving, insatiable self-desiring force.

So the question becomes, how, if at all, does memory of historical Marxism serve the needs of the present? We in Platypus recognize both the obscurity of the heritage of revolutionary Marxism and the ways the alternative, non-revolutionary lineage of the “Left” in its decline has been naturalized and so is no longer recognized as such. Our point of departure is the hypothesis that the history of the Left, however obscure, is the actual history of the present, or, more accurately, in Hegelian terms, how the history of the Left is the history of the present in its “actuality,” in its potential for change and transformation, and in its constraint of such potential. We are bound by the history of the Left, whether we recognize this or not.

For example, we follow Trotsky’s caveat about the danger of being Stalinist in “method” if not in avowed “politics,” and judge the “Left” today to be beholden to Stalinism in importantly unacknowledged ways. Ian wrote an article in the May issue of The Platypus Review (#12), on “Resurrecting the ’30s,” in which he cited C. Wright Mills on how the “nationalization” of the Left in the 1930s–40s was “catastrophic.” We recognize this “nationalization,” the narrowing of horizons for Leftist politics that has been taken for granted by the Left, especially after WWII, to be the very essence of Stalinism and its historical legacy in the present. More importantly, we recognize that such “nationalization” of Left politics was utterly foreign to the perspectives of Marx and the 2nd International radical Marxists, Lenin, Luxemburg and Trotsky. Hence, we find in their example a potential critical vantage-point regarding the subsequent historical trajectory of the Left.

Furthermore, Nietzsche described the danger of

[the] attempt to give oneself, as it were, a past after the fact, out of which we may be descended in opposition to the one from which we are descended. It is always a dangerous attempt, because it is so difficult to find a borderline to the denial of the past and because the second nature usually is weaker than the first.

Richard, in his comments at our panel on “The Decline of the Left in the 20th Century” Friday night, spoke of how Trotsky and Benjamin provide the “hidden” or esoteric history of the 20th century, by contrast with its “real” history, exemplified by FDR and Hitler. Our present world is more obviously descended from the history of Hitler and FDR, who in this sense made the world what it is today, as the effect of their actions. But how might we (come to) be descended also from Benjamin and Trotsky? Can we claim their history as ours, or are we condemned to being only the products of the history of Hitler, FDR and Stalin (and those who followed them)?

Does the historical possibility represented by Trotsky and Benjamin have any meaning to us today? Clearly their historical legacy of opposition is weaker than the other, dominant and victorious one. But was Trotsky and Benjamin’s opposition to Stalin, FDR and Hitler so fruitless that we cannot make use of them in fighting against the continued effects of, and perhaps one day overcoming entirely, the legacy of the latter? It is in this sense that we can discuss the critique of the present available in history.

Benjamin contrasted such “critical history,” of the “vanquished,” which is related to but the converse of Nietzsche’s, a critique of the present from the standpoint of history, as opposed to Nietzsche’s critique of history from the standpoint of the present, to the affirmative history of the “victors,” the affirmation of history as it happened. — But, first, we need to be very clear about what Benjamin meant by the “vanquished,” who were not merely history’s victims, but the defeated, those who actually struggled and lost: Benjamin’s example was Rosa Luxemburg’s Spartacus League in the German Revolution and Civil War of 1918–19. It was on behalf of such historically “vanquished” that Benjamin wrote that history needed to be read “against the grain” of the victories of the status quo that comprise the present. It is in memory of their sacrifices, the “anger and hatred” that emanates from the image of “enslaved ancestors,” that Benjamin thought the struggle for emancipation in the present could be motivated by history, that history could serve the present, contrary to the way it otherwise oppresses it, in its affirmation of the status quo.

It is in this sense that we in Platypus do not claim so much that Marx, Luxemburg, Lenin and Trotsky, et al. were right, but rather we seek to make them right, retroactively. We do not claim their relevance, but seek to make them relevant. For they did not seek merely to find the crisis of capital, but to bring it about. Our critique of the present, initially, is what is available historically: how the present can be critiqued from the vantage-point of history.

The founder of the Spartacist League, James Robertson, once put it very well, in 1973 — in the aftermath of the ’60s — that,

The truth is historically conditioned; that is, the outlook of the Communist movement of the first four congresses of the Communist International rested upon a historic and successful upheaval of the revolutionary proletariat [in 1917]. A comparable theoretical breakthrough and generalization accompanied this massive revolutionary achievement. . . . It is as though the theoretical outlook of the proletarian vanguard in the period 1919–23 in the International stood atop a mountain. But since that time, from the period of the Trotskyist Left Opposition until his death and afterward, the proletariat has mainly witnessed defeats and the revolutionary vanguard has either been shrunken or its continuity in many countries broken. One cannot separate the ability to know the world from the ability to change it, and our capacity to change the world is on a very small scale compared to the heroic days of the Communist International.

Robertson pointed out how deeply mistaken, and indeed “arrogant,” it was for us to assume that we know better than revolutionaries historically did. Our point is not to idolize the past but rather to instill an appropriate sense of humility towards it. Furthermore, the point is to be able to think in light of the past, how the past might help us think in the present. For, not only might we not know their past moments better than they did, but we might not know our present moment better than they might be able to prompt us to think about it. As Adorno wrote, in 1963,

The theorist who intervenes in practical controversies nowadays discovers on a regular basis and to his shame that whatever ideas he might contribute were expressed long ago — and usually better the first time around.

But repetition is regression. The second time around may not be better, but it might yet be productive in certain ways.

For it is not a matter of how these historical thinkers and actors we find important can be emulated in the present, practically, so much as it is a question of how far their perspective might see into the present. Not what would they do in the present, but what might they say to our present and its historical trajectory? So, initially, it is a matter of theory more than practice. Engaging the historical thought and action of our revolutionary Marxist forebears is not a matter of applying a ready-made theory, but rather tasks our own interpretative abilities. It demands that we think — not a simple matter. As Trotsky wrote to his followers in the 1930s, we must “learn to think,” again. This is what distinguishes us from other supposedly “Marxist” organizations. And this is what informs our practice, what we actually make happen in the world, as Ian will discuss.

Approaching history this way allows us to pose certain questions. It does not provide answers. The positive content of historical ideas is in their ambiguity: this is what makes them live for us today, by contrast with the dead positivity of the pseudo-ideas — really, the suppression of thinking — that we find on the fake “Left” today. For there is not merely the question of what we think about the past; but, also, and, perhaps most importantly, in our regressive moment today, the reciprocal one: what the past might think of us.

As Benjamin put it, history needs to be approached from the standpoint of its potential redemption. We think that the historical thought and action of Marxism demands to be redeemed, and that our world, dominated by capital, will continue to suffer so long as this task remains undone. We think that the constitutive horizon of our world was already charted, however preliminarily, by the revolutionary politics of historical Marxism, but that this horizon has become only blurred and forgotten since then. We in Platypus set ourselves the task of initiating thought about this problem, from deep within the fog of our present. We look back and see the revolutionary Marxists looking towards us from that faraway mountaintop. In their fleeting gaze we find an unfulfilled hope — and a haunting accusation. | §